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Fred (860 KP) rated Case Closed in TV
May 27, 2019
If you can overlook the silly & useless premise, this is one great anime
Every review you'll see of this show or book, will tell you the back story of "Case Closed". They'll tell you how the teenage Shinichi Kudo (a genius detective) is given an experimental pill by some thugs and is transformed into a child again. He calls himself Conan Edogawa & wherever he goes, a crime happens & he solves the crime. He keeps his predicament to himself & an inventor friend of his. The inventor gives him Bond type gadgets that help him get by, since he's a child again. One of these gadgets, a bow-tie, changes his voice, so he can sound exactly like anyone. When he solves the crime, he knocks out an adult with a dart hidden in his watch, hides behind the sleeping adult, talks through his bow-tie to sound like the adult & tells everyone within earshot who the criminal is.
Now, I love anime & I love this show. But, this is maybe the silliest premise ever in an anime. And it's an utterly useless premise. Having Conan as a child serves no purpose in the show at all. He still acts like an adult & most of the time, he's just hanging out with his girlfriend (who doesn't know Conan is her boyfriend) & her father (who is a detective & a very bad one at that). This little "kid" is allowed to walk around the crime scene (usually a dead body) like it's perfectly normal. He sometimes gives the clues he finds out loud. Most of the time, the adults take his advice, other times, they yell at him to shut up, even though he has given clues that have solved the crimes before hand. It just doesn't make any sense. If he's going to act like an adult, just make his character an adult. The side-story of the thugs who changed him is hardly (if ever) brought up again. It's pointless.
Luckily, most of the detective stories themselves are great enough to overlook the premise. Well, almost overlook them. Whenever I see Conan crouching behind a chair, speaking into his tie, I cringe at how silly it is.) The characters are realistic & the stories are very dark sometimes. Definitely not for kids (another reason the premise is stupid). The animation itself is top notch & each character stands out, so you can tell them apart when trying to figure out "who did it". I do recommend this show to anime fans & people who like detective shows. I would have given it a 10, but the premise is just too ridiculous. Still, knocking it 2 points is not bad.
Now, I love anime & I love this show. But, this is maybe the silliest premise ever in an anime. And it's an utterly useless premise. Having Conan as a child serves no purpose in the show at all. He still acts like an adult & most of the time, he's just hanging out with his girlfriend (who doesn't know Conan is her boyfriend) & her father (who is a detective & a very bad one at that). This little "kid" is allowed to walk around the crime scene (usually a dead body) like it's perfectly normal. He sometimes gives the clues he finds out loud. Most of the time, the adults take his advice, other times, they yell at him to shut up, even though he has given clues that have solved the crimes before hand. It just doesn't make any sense. If he's going to act like an adult, just make his character an adult. The side-story of the thugs who changed him is hardly (if ever) brought up again. It's pointless.
Luckily, most of the detective stories themselves are great enough to overlook the premise. Well, almost overlook them. Whenever I see Conan crouching behind a chair, speaking into his tie, I cringe at how silly it is.) The characters are realistic & the stories are very dark sometimes. Definitely not for kids (another reason the premise is stupid). The animation itself is top notch & each character stands out, so you can tell them apart when trying to figure out "who did it". I do recommend this show to anime fans & people who like detective shows. I would have given it a 10, but the premise is just too ridiculous. Still, knocking it 2 points is not bad.
Sassy Brit (97 KP) rated The Other Woman in Books
Jun 5, 2019
When Sophie discovers her husband is having an affair, she sets out to tackle the problem head on and confront his mistress face-to-face, in her own home, so his mistress can see her happy idyllic home life with their teenage children for herself, and perhaps back off. But they get into a tussle and the mistress accidentally gets killed, from then on one disaster after another happens to poor Sophie who is just trying to get rid of the body, but with such a busy household she ends up hiding the dead mistress in the freezer until she has more time to dispose of it. This idea had me thinking of that Fawlty Towers episode where a man dies in his hotel room and Basil ends up hiding him in the laundry basket, instead of doing the sensible, normal thing and owning up.
Although I did read this very fast and strangely have to admit I also thoroughly enjoyed this story, I did have a chuckle at quite a few of the things that happened. The nosy neighbour seemed to be constantly following Sophie around as if she had nothing better to do. The housekeeper who spotted everything going on! The twist at the end (featuring the truth about the mistress and what was really going on with the husband), was totally unexpected, and possibly pulled out of a hat to surprise us. Then the final wrap up session kind of happened far too easily for my liking. It was also a tad unbelievable, too. But hey, the way I looked at it was the husband needed to repent and unleash some of this guilt, and maybe even needed to prove his love for Sophie. Whilst Sophie (it turns out) was most certainly not a woman to be messed with, even though I doubted she realised it at the time until these disasters kept happening to her.
Overall, I did enjoy how fast I read this book, and how it kept me on tenterhooks whipping through the pages eager to get to the end to find out how they were going to round this off without getting caught. Seriously, Sophie was just trying to dispose of a body, and yet everything that could go wrong for her, did go wrong and I was constantly wondering just how was she going to get out of this mess! I also loved the ‘mysterious’ ending, which kind of made everything Sophie tried to avoid, come true and all her past efforts just a waste of time… comeuppance? Karma can be a bitch, even if the whole thing was just one big mistake. Worth a read if you don’t take it too seriously.
Although I did read this very fast and strangely have to admit I also thoroughly enjoyed this story, I did have a chuckle at quite a few of the things that happened. The nosy neighbour seemed to be constantly following Sophie around as if she had nothing better to do. The housekeeper who spotted everything going on! The twist at the end (featuring the truth about the mistress and what was really going on with the husband), was totally unexpected, and possibly pulled out of a hat to surprise us. Then the final wrap up session kind of happened far too easily for my liking. It was also a tad unbelievable, too. But hey, the way I looked at it was the husband needed to repent and unleash some of this guilt, and maybe even needed to prove his love for Sophie. Whilst Sophie (it turns out) was most certainly not a woman to be messed with, even though I doubted she realised it at the time until these disasters kept happening to her.
Overall, I did enjoy how fast I read this book, and how it kept me on tenterhooks whipping through the pages eager to get to the end to find out how they were going to round this off without getting caught. Seriously, Sophie was just trying to dispose of a body, and yet everything that could go wrong for her, did go wrong and I was constantly wondering just how was she going to get out of this mess! I also loved the ‘mysterious’ ending, which kind of made everything Sophie tried to avoid, come true and all her past efforts just a waste of time… comeuppance? Karma can be a bitch, even if the whole thing was just one big mistake. Worth a read if you don’t take it too seriously.
Movie Metropolis (309 KP) rated The Boss (2016) in Movies
Jun 11, 2019
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
Movie Metropolis (309 KP) rated Scouts Guide to the Zombie Apocalypse (2015) in Movies
Jun 11, 2019
We film-goers really can’t get enough of zombies. The brain-munching, cannibalistic horrors used to be the stuff of nightmares. But as our tastes became more extreme, the flesh-eaters managed to slip into the mainstream with genre-bending films at the forefront of zombie resurgence.
Christopher B. Landon brings zombies back to the silver screen with horror comedy, Scouts Guide to the Zombie Apocalypse. Are we looking at a US version of Shaun of the Dead? Or something a little more dead behind the eyes?
Scouts Guide follows the tale of three teenage boys, having to battle not only their raging hormones, but a raging horde of zombies in a small town during the course of one evening. Starring rising star Tye Sheridan, Logan Miller and Joey Morgan as the aforementioned teens and the ever-likeable David Koechner as their scout leader, the trio must survive and defeat the creatures.
To create a successful zombie film, you need to know your monsters and this is where things start to unravel here. There are so many inconsistences that it’s difficult knowing where to begin. Instead of choosing a zombie-typing, like fast walkers from World War Z or traditional moaners like those from Shaun of the Dead, Scouts Guide uses both and the result simply doesn’t work.
Then there’s the plot. It’s so riddled with holes, cheap jumps and clichés that it’s almost impossible to fully immerse yourself in the experience. The makeup on the zombies is also terrifically poor, lacking in any sort of terror or real detail.
Thankfully, the acting from the lead three scouts is good with Sheridan in particular proving why he’s fast becoming one to watch, especially after being cast in next year’s X-Men: Apocalypse. The remainder of the characters are cardboard cut-outs with no backstory and no real gravitas when it comes to how the story will play out.
Nevertheless, there are some funny and genuinely clever moments dotted throughout Scouts Guide to the Zombie Apocalypse. A living-room chase choreographed to Dolly Parton’s 9 to 5 is a hilarious, albeit too short highlight in a film that needed more intriguing and unique sequences.
There’s also a nice, if unusually placed, homage to John Carpenter’s Halloween that whilst being particularly tasteful, is at odds with the film’s genre.
Overall, Scouts Guide to the Zombie Apocalypse is as beige as a blood-filled horror comedy can come. Despite a couple of clever scenes, some good acting and a reasonably fluid directing style, it’s a damp squib of a movie that never really gets into its groove.
https://moviemetropolis.net/2015/11/15/dead-behind-the-eyes-scouts-guide-to-the-zombie-apocalypse-review/
Christopher B. Landon brings zombies back to the silver screen with horror comedy, Scouts Guide to the Zombie Apocalypse. Are we looking at a US version of Shaun of the Dead? Or something a little more dead behind the eyes?
Scouts Guide follows the tale of three teenage boys, having to battle not only their raging hormones, but a raging horde of zombies in a small town during the course of one evening. Starring rising star Tye Sheridan, Logan Miller and Joey Morgan as the aforementioned teens and the ever-likeable David Koechner as their scout leader, the trio must survive and defeat the creatures.
To create a successful zombie film, you need to know your monsters and this is where things start to unravel here. There are so many inconsistences that it’s difficult knowing where to begin. Instead of choosing a zombie-typing, like fast walkers from World War Z or traditional moaners like those from Shaun of the Dead, Scouts Guide uses both and the result simply doesn’t work.
Then there’s the plot. It’s so riddled with holes, cheap jumps and clichés that it’s almost impossible to fully immerse yourself in the experience. The makeup on the zombies is also terrifically poor, lacking in any sort of terror or real detail.
Thankfully, the acting from the lead three scouts is good with Sheridan in particular proving why he’s fast becoming one to watch, especially after being cast in next year’s X-Men: Apocalypse. The remainder of the characters are cardboard cut-outs with no backstory and no real gravitas when it comes to how the story will play out.
Nevertheless, there are some funny and genuinely clever moments dotted throughout Scouts Guide to the Zombie Apocalypse. A living-room chase choreographed to Dolly Parton’s 9 to 5 is a hilarious, albeit too short highlight in a film that needed more intriguing and unique sequences.
There’s also a nice, if unusually placed, homage to John Carpenter’s Halloween that whilst being particularly tasteful, is at odds with the film’s genre.
Overall, Scouts Guide to the Zombie Apocalypse is as beige as a blood-filled horror comedy can come. Despite a couple of clever scenes, some good acting and a reasonably fluid directing style, it’s a damp squib of a movie that never really gets into its groove.
https://moviemetropolis.net/2015/11/15/dead-behind-the-eyes-scouts-guide-to-the-zombie-apocalypse-review/
Kyera (8 KP) rated They Both Die At The End in Books
Jan 31, 2018
They Both Die at the End. That tells you exactly what is going to happen in the book, yet you hope the entire time that it won't be true. This book made me so happy and sad. The journey was hopeful despite the dark theme and you really connect with the characters. This was my first Adam Silvera novel and I am definitely interested in reading more of his books now.
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
I also listened to the audiobook for this, rather than physically reading it. I really enjoyed the two narrators who voiced the main characters, Mateo and Rufus. Both Silvera's words and the narrator's execution made the characters come to life. My one negative for the narration was the women who voiced the supporting characters when the chapters switched to their points of view.
I would have been happy with the story being told from just Mateo and Rufus' points of view. Some of the alternative viewpoints added an interesting note to the story or helped weave seemingly unrelated events and lives together, but I didn't feel that they were all relevant and occasionally took me out of the story.
I felt that the two main characters were very well fleshed out and seemed like teenage boys living out their last day. Mateo's anxiety was unique and nicely represented. I also loved that this was an own voices novel, so there was diversity and representation. The novel completely revolves around these two and it's perfect that way. I also feel that Silvera's side characters were decently developed, you could see that they were each unique people but they weren't so detailed that they took away from Mateo and Rufus' stories.
Honestly, even though you know what's coming the book manages to keep you completely emotionally engaged and on your toes. Right in the beginning of the book one of Rufus' friends starts to cry because he didn't get to hug his best friend. It was so sad, so soon and we hadn't even experienced hundreds of pages of development and heart-string tugging yet. I knew right then that I was in for a book that would have an affect.
I am not entirely sure how I feel about the world-building. The contemporary aspects of it were fantastic and I could completely see each place that the two visited. It was the Death-Cast aspect of it that felt a little flimsy to me. I think that part of the story is the mystery of it, but I do wish we learned more. It one of the few things that I felt could be improved in this book.
I really enjoyed this read and would highly recommend it if you like character-driven novels and don't mind a good cry at the end..
Kristy H (1252 KP) rated The Girl with the Lower Back Tattoo in Books
Feb 1, 2018
Amy Schumer's book comes out at a time when it seems like every celebrity in the world has a book out: some collection of essays about their life, showcasing how funny they are and what their life is like as a celebrity. In Schumer's, we hear about her life from childhood to her post <i>Trainwreck</i> success and nearly everything in between: her friendships, her relationships, her parents, and her growth as a comedian. And, of course, a lot about sex. The book is told in a series of chapters - essays if you will - each one covering a particular moment in Schumer's life. They don't go in any particular order, but cover the gamut of her range of experiences.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
Hannah May (3 KP) rated Rolling Dice in Books
Mar 8, 2018
Contains spoilers, click to show
It maybe because I was struggling with my work load and social life, that I found it difficult to really get into this story. The Kissing Booth and Out of Tune hooked me from the first word. I'm saddened to admit that Rolling Dice did not. There are a number of things about this novel that really let it down. The first, I think, is the lack of character development. Throughout the novel, I was waiting for Madison to grow some back-bone, maybe some common sense, especially when it came to Tiffany and Bryce. I have been in Madison's shoes. I have made friends with people who, in their own sly way, put me down and made me feel small. And I put up with it, because I was too timid to say anything, because I was afraid of losing the only people who wanted me around, or who wanted to be my friend. I guess some part of me wanted her to learn from my mistakes and do things differently. I was satisfied, however, when Madison kept refusing Bryce for sex and told him he was being a jerk. I was not surprised, when he cheated. He annoyed the hell out of me! Madison was too much a damsel in distress for me; always worrying, always looking back, reminding herself of the pain and humiliation she endured in Maine. She may have reinvented her appearance, but NOT her emotional and mental state. Those are the things that need to change first. Everything else can wait. I would have also liked to see more back story on Madison's life in Maine and the death of Dwight's father. That would have been MOST interesting!The second was the plot. I liked the idea of "new girl comes to town and struggles to find her place at school," but I would have liked to see more conflict. I would have liked to see Madison really struggling with her feelings and loyalties, both for Tiffany and Co. and Dwight. The lastly was the ending. I was disappointed. Madison retreated to New York to escape the drama. What seemed like a good move at the time, only put her back RIGHT where she started. That was the time to show everyone what kind of person she was and not be intimidated. Instead, she ran away. Not happy with the ending at all, but it was redeemed by the rekindle of Madison and Dwight's friendship/ relationship, whichever it turned in to. Overall, not her best book, but I did enjoy Reekles' writing style, language and in depth understanding of high school life and everyday teenage struggles.
Kristy H (1252 KP) rated Inherit the Bones (Detective Gemma Monroe, #1) in Books
Feb 13, 2018
Gemma Monroe is a police detective in a small town nestled in the mountains of Colorado. Early in her career, while skiing, Gemma found the long-buried bodies of two young boys who disappeared in the mid-1980s. The boys were murdered; their killer never found; and their disappearance and the subsequent crime has haunted the town. Now, in the present day, Gemma is called upon to investigate the gruesome murder of a teenage circus worker who was part of a circus traveling through town. Soon though, Gemma will come to realize that this murder is connected to the disappearance of the boys. She'll uncover a dark past that haunts her town--and discover that someone desperately wants her to leave the past alone.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
Kristy H (1252 KP) rated My Sunshine Away in Books
Feb 13, 2018
One evening, on a quiet suburban street in Baton Rouge, fifteen-year-old Lindy Simpson is raped. Her rape changes the fabric of her neighborhood, as narrated by her fourteen-year-old male neighbor, who had a huge crush on the lovely Lindy, a popular track star. He takes the readers through the various suspects--all members of the neighborhood--and one of whom is himself. We meet the many members of this quiet block, where not everything is as perfect as it seems. What really happened to Lindy that night? And is our narrator truly to blame?
I really wanted to like this book, as I'd heard such good things, and was really excited to finally to read it. But honestly, I found it disappointing, tedious, and slow. It was a real let down after all the rave reviews. Our narrator does a good job, I suppose, of highlighting the self-centeredness of teenage boys, but oh my goodness. He talks and talks and talks - endless diatribes about this and that. Pontificates about everything while trying to tell us the meaning of life. I found my eyes glazing over as I skimmed paragraphs, just wanting to find out what happened to poor Lindy, who is basically forgotten in his story -- she's just an object of lust -- not a real person.
This book had the potential of being a love story in many ways -- that of the love between a son and his mother, between teenagers, etc., but it just seemed to flounder. Moments of brilliance poked through, but most of the time, I found myself frustrated and wondering what the point was. Instead, it seemed to be a treatise on how boys and men should *not* treat girls and women. It is at it's best when looked at as a story of neighborhood - the sad side story of a neighborhood family will hurt your heart in many ways - but it gets lost in the narrator's endless rants and discussions. At one point, we get a whole chapter on the effects of Hurricane Katrina on Baton Rouge. All well and good, I suppose, except the majority of this book takes place in the late 80s/early 90s. Why are we hearing about something take place decades later?
Overall, I wanted to like this one, and I spotted moments of good peeking out, but I was mostly just frustrated and waiting for it to end. Definitely a disappointment.
I received a copy of this book from Netgalley (thank you!); it is available for purchase everywhere. You can read this review and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
I really wanted to like this book, as I'd heard such good things, and was really excited to finally to read it. But honestly, I found it disappointing, tedious, and slow. It was a real let down after all the rave reviews. Our narrator does a good job, I suppose, of highlighting the self-centeredness of teenage boys, but oh my goodness. He talks and talks and talks - endless diatribes about this and that. Pontificates about everything while trying to tell us the meaning of life. I found my eyes glazing over as I skimmed paragraphs, just wanting to find out what happened to poor Lindy, who is basically forgotten in his story -- she's just an object of lust -- not a real person.
This book had the potential of being a love story in many ways -- that of the love between a son and his mother, between teenagers, etc., but it just seemed to flounder. Moments of brilliance poked through, but most of the time, I found myself frustrated and wondering what the point was. Instead, it seemed to be a treatise on how boys and men should *not* treat girls and women. It is at it's best when looked at as a story of neighborhood - the sad side story of a neighborhood family will hurt your heart in many ways - but it gets lost in the narrator's endless rants and discussions. At one point, we get a whole chapter on the effects of Hurricane Katrina on Baton Rouge. All well and good, I suppose, except the majority of this book takes place in the late 80s/early 90s. Why are we hearing about something take place decades later?
Overall, I wanted to like this one, and I spotted moments of good peeking out, but I was mostly just frustrated and waiting for it to end. Definitely a disappointment.
I received a copy of this book from Netgalley (thank you!); it is available for purchase everywhere. You can read this review and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.