Search

Search only in certain items:

A House at the Bottom of a Lake
A House at the Bottom of a Lake
Josh Malerman | 2016 | Fiction & Poetry
6
7.0 (2 Ratings)
Book Rating
I’m a big Josh Malerman fan, with the exception of Unbury Carol which, if you read my DNF on it, was absolutely horrid. That said, when I came across A House at the Bottom of a Lake on Amazon’s Kindle Unlimited, I was a bit leery. Despite being a Malerman fan, I hadn’t heard of this title and… well, it was on KU. That alone struck me as a red flag. Nonetheless, I grabbed it and spent the night reading it. It wasn’t awful, but it’s definitely not Bird Box level great.

A House at the Bottom of a Lake is a coming of age story, one of those ones where the reader experiences the final moments of the main characters’ innocence. The house itself symbolizes the imaginative youthfulness and innocence of the more childlike mind, while the canoe represents the path to adulthood and the obstacles that must be overcome. Just like life experiences change us, the events leading up to the conclusion of the story change the canoe in ways that cannot be undone: paint chipping, dents, scratches, etc. I’d provide another example to support this theory, but that would, unfortunately, mean giving away a major spoiler to the story–so I won’t.

As far as the characters go, I found Amelia and James to be your stereotypical awkward teenagers. There is a bit of a disconnect between their age and their assumed behavior, leaning to the idea that these two kids are well-behaved and normally aren’t risk takers. Because of this, there are several moments where the story is dull.

There’s no doubt that this is a piece of work by Josh Malerman; it has his style all over it. That is, it’s meant to be suspenseful. However, the manner in which Malerman writes A House on the Bottom of a Lake struck me as a bit more jarring than edge-of-your-seat, ohmigawd what is happening!? This is probably because Malerman is a little too friendly with the parentheses in this book.

A House on the Bottom of a Lake is a great one-time read. It’s enjoyable and it has its moments, and the bond shared between Amelia and James feels realistic. It’s definitely something I’d recommend to a Malerman fan, though it isn’t worthy of a pedestal of its own.
  
    Street Music Academy

    Street Music Academy

    Games, Music and Stickers

    (0 Ratings) Rate It

    App

    A game that triggers excitement, rhythm and imagination! Who said that to learn music you need a...

Script of the Bridge by The Chameleons UK
Script of the Bridge by The Chameleons UK
1983 | Rock
10.0 (1 Ratings)
Album Favorite

"I’m going to take us from otherworldly right back into the world itself, to my teenage years. I guess you could say this about nearly all of these songs, but this one in particular got me for the same reason that The Catcher in the Rye gets people, the idea of ‘us versus them’, the real, sincere people pitted against the phonies of the world. “As a teenager I could have written The Catcher in the Rye, nearly any teenager could. At some point you feel yourself isolated against this outside world and The Chameleons were a band, lyrically and musically, that kept ringing this same set of isolated chimes of the individual pitted against this hostile world. Heading into my teenage years I was like everyone, looking for someone that can say something better than you can until you can say it better than they can, and for a while The Chameleons could say it better in song than I could speak it myself. “With ‘Second Skin’ they had the lexicon and the guitars that I loved. It was a sort of musical version of The Catcher in the Rye, of someone trying to make sense of a very perplexing, and at times hostile world that I think all teenagers find themselves in and I was no exception. For some people it was punk rock and for others it was other elements of entertainment, but for me it had a lot to do with music and in The Chameleons I found a direct way of saying it and not in the blunt, abject anger that punk rock sometimes wielded. I didn’t feel it like that, mine was much more of a pointed knife than a blunt nightstick. “It’s even something that people say to us, that they grew up listening to Mercury Rev or Deserter’s Songs. When you’re writing, it’s coming out of you but sometimes you forget that for people who are listening to it when they’re thirteen or fourteen, it’s their lexicon, it’s a newly learned vocabulary. That’s where sometimes as an artist you forget the importance of what you do, because music is what carried you to the point of doing it later in life. “Everyone has one song or a band that seem to take the words out of your young, teenage mouth before you could form them and for The Chameleons were one of those bands."

Source
  
Jumanji: Welcome to the Jungle (2017)
Jumanji: Welcome to the Jungle (2017)
2017 | Action, Adventure, Comedy
I’ve said it before and I’ll say it again, I do not know what The Rock is for? He’s certainly not for me! I’m sure he is a lovely man in real life, but how…? Why…? is he a movie star? It baffles me. Look, there is some fun to be had with this remake, and the themes it raises are actually reasonably smart and relevant to the world of teenagers in 2020, but it is just so second rate and lazy in so many ways. I am also not a fan of Kevin Hart’s schtick. I mean, he has made me laugh maybe twice in everything I’ve ever seen him do in the last ten years. Irritating sums it up better for me. Jack Black isn’t a whole lot better; his best films are good despite him, not because of him, in the main, and when he is bad he is very very poor indeed. That leaves Karen Gillan, and yes, she saves the show here, leaving the boys look awkward, forced and quite a bit dated.

It’s basically a body swap movie, a tried and tested recipe for Japes and easy gags in a kids movie. And as so it shamelessly borrows, adapts and full on steals every previous joke, observation and trick used in every body swap film ever made. Does it do anything new? Or better? Not as far as I could see. But, then again, I am no longer ten years old, and that is very much where this is pitched. Except it annoyed me most in the patronising choices it made for the ten year old of 2020 – are they all really that dumb? Because I remember the original Jumanji managing to be fun and intelligent at the same time. It’s very possible I have it wrong because it’s me that is getting further away from what kids identify with and enjoy these days, however.

Basically, I allowed it to wash over me whilst pining for the screen presence, comedic skill and empathy of Robin Williams. Therefore I was bound to hate it. Maybe one day I’ll see it in a better mood and accept that it is perfectly fine family fare. I have certainly witnessed worse over the years – at least the sense of adventure is mostly there, the production design is competent and it is ultimately harmless. It’s just not my bag.
  
Miss Me Not
Miss Me Not
7
7.0 (1 Ratings)
Book Rating
Note: This has been on my Kindle for years--literally! I've decided every so often when there's not a book I've bought that I'm just dying to read that I'll start reading my backlog of books from the earliest bought. This was #1 - from 2013. I'm not doing bad, I only have one more book from 2013 before I start the ones from 2014. Yay!

*-*-*-*-*

This covers some rather dark topics like suicide and physical abuse. On the first page we learn of a student's suicide and Madison's feelings about it. And then the fact that she has a sort of suicide pact with her only friend. It's quite a punch to the gut that these 17 year olds feel so low due to family situations that they want to end things.

Madison had a very unconventional childhood with parents who took no notice of her at all and in an effort to gain any sort of attention from them she acted out in the past until the unthinkable happened when she was just 13. I understand how stuff like that can warp you when it happens at such a young age.

Then a ray of light appears in the form of Dean--all round good guy. He's been asked to tutor her so she doesn't flunk a class. He's determined to be her friend after watching her for years and seeing her "fade into the background" behaviour. Things progress from friendship into romance over time and we get a rather sweet romance between Dean and Madison. He's very protective of her.

Of course, things don't always go the way you want and someone close to Madison commits suicide throwing her back into the darkness of grief. Luckily, she now has a strong support system in place with Dean and his family and they manage to keep her grounded.

I thought it ended a little abruptly but it was a sweet young adult romance that covered some hard hitting topics.

Another note: Suicide does seem to be a big issue in teenagers around the world and this book does a good job of highlighting it. It doesn't seem fair to me for teens to be that low that they take their own lives. They've barely started living and they ready to die already? That's not right. I've had a few good cries while reading this.
  
40x40

Ali A (82 KP) rated Hello (from Here) in Books

Sep 14, 2021  
Hello (from Here)
Hello (from Here)
Chandler Baker, Wesley King | 2021 | Young Adult (YA)
5
6.5 (2 Ratings)
Book Rating
Trigger Warnings: Covid-19, death of a parent, AIDS, generalized anxiety disorder, panic attacks,

Max and Jonah bump into each over at the grocery store right when the Covid-19 lockdown was beginning in California. Max's part-time job as a personal shopper begins to transform into a bit of a nightmare and Jonah's pre-existing anxiety disorder is becoming a daily struggle. Can the two come together even though they must stay apart? Hello (from Here) jumps into the first two months of the quarantine and the love lives and two teenagers trying to figure out this new world.

This wasn't my favorite book on the planet, but I still enjoyed it nonetheless. I will also keep it on my shelves and possibly come back to it another time (when the Corona Virus isn't still running wild). Like most who have reviewed this book, I feel like it may have been too soon.

The main characters were okay, but not amazing, I did find them a little whiny towards the end... Olivia, Jonah's sister, was probably my favorite out of everybody and I'd kind of like to hear some more of her story! Also Arlo and his story! Kate and Jonah's "step-parent replacing late parent" trope was shown well in the novel. I thought the development of their relationship was well handled and realistic. I was happy with the end result for them.

I also thought the anxiety disorder representation was handled well in this novel too. As someone with anxiety who has had panic attacks (though not quite like Jonah's), I felt like one could still understand what he was going through, especially in his current situation.

I feel like this novel fell short - mostly by tackling too much all at once. I felt a little anticlimactic by the time I closed it. So many things were brought up: important issues and themes, but then were finished limply in the end. (view spoiler).

The cheating storyline was just - bleh. It wasn't needed and was more of a distraction. I also felt like it didn't make much sense for how the character had been acting throughout the whole storyline.

Overall, I feel like this was just too soon. I'm sure it will be good in a few years time though, when we weren't all still going through the same pandemic.