Search
Search results
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
Hazel (1853 KP) rated The Murder of Adam and Eve in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Murder of Adam and Eve</i> by William Dietrich is a young adult, science fiction thriller combining aliens and time travel. What started out as sixteen year old Nick Brynner researching for his History Day project on an out of bounds island, leads to him falling through a wormhole, meeting an alien – a Xu, and eventually finding himself in prehistoric Africa.
Before finding himself in a completely different era, Nick meets a biology-loving teenager, Eleanor Terrell, who tells him she had been abducted by aliens. Initially thinking she is crazy, Nick believes her once one of the said aliens appears to them and claims they have been chosen to try and save mankind. The Xu intend to wipe out humanity by travelling back in time and killing the two people from whom the human race descend from – the people named Adam and Eve in the bible. However they are giving Nick and Ellie a final chance to prevent this from happening.
Once transported to ancient Africa, Nick and Ellie start a desperate search for Adam and Eve in order to protect them from the Xu. But in order to do this they need to be able to take care of themselves in a place where water, food and shelter are not easily come by. Once locating the people they seek for they begin to realize the enormity of the task they have been given; whatever they do will have a massive impact on the future of the world.
<i>The Murder of Adam and Eve</i> is an interesting concept that really gets you thinking about the way in which the world has developed. Despite the usage of the biblical names Adam and Eve this book is not based on religious theory at all. It is a science-based idea maintaining that the human race can eventually be traced back to two people.
Many readers may be able to relate to both Nick and Ellie’s personalities. Nick in particular is a quiet, unnoticeable boy without any great talent, however during the book he grows into a more confident person and becomes the leader needed in order to save mankind.
Overall this fast paced book is fun to read. Although a little too far-fetched to take seriously, it makes the reader think more about the ways humans have behaved over the years but also highlights the positives and our ability to make things and learn. The clash of the two different time periods makes it a thought-provoking novel that many teenagers will love to read.
The Murder of Adam and Eve</i> by William Dietrich is a young adult, science fiction thriller combining aliens and time travel. What started out as sixteen year old Nick Brynner researching for his History Day project on an out of bounds island, leads to him falling through a wormhole, meeting an alien – a Xu, and eventually finding himself in prehistoric Africa.
Before finding himself in a completely different era, Nick meets a biology-loving teenager, Eleanor Terrell, who tells him she had been abducted by aliens. Initially thinking she is crazy, Nick believes her once one of the said aliens appears to them and claims they have been chosen to try and save mankind. The Xu intend to wipe out humanity by travelling back in time and killing the two people from whom the human race descend from – the people named Adam and Eve in the bible. However they are giving Nick and Ellie a final chance to prevent this from happening.
Once transported to ancient Africa, Nick and Ellie start a desperate search for Adam and Eve in order to protect them from the Xu. But in order to do this they need to be able to take care of themselves in a place where water, food and shelter are not easily come by. Once locating the people they seek for they begin to realize the enormity of the task they have been given; whatever they do will have a massive impact on the future of the world.
<i>The Murder of Adam and Eve</i> is an interesting concept that really gets you thinking about the way in which the world has developed. Despite the usage of the biblical names Adam and Eve this book is not based on religious theory at all. It is a science-based idea maintaining that the human race can eventually be traced back to two people.
Many readers may be able to relate to both Nick and Ellie’s personalities. Nick in particular is a quiet, unnoticeable boy without any great talent, however during the book he grows into a more confident person and becomes the leader needed in order to save mankind.
Overall this fast paced book is fun to read. Although a little too far-fetched to take seriously, it makes the reader think more about the ways humans have behaved over the years but also highlights the positives and our ability to make things and learn. The clash of the two different time periods makes it a thought-provoking novel that many teenagers will love to read.
Northern Soul: An Illustrated History
Elaine Constantine and Gareth Sweeney
Book
The story of Northern Soul is one of practically total immersion, dedication and devotion, where the...
Charlie Cobra Reviews (1840 KP) rated The Umbrella Academy in TV
Jul 5, 2020
A Gamble That Pays Off - 8/10
The Umbrella Academy is a 2019 dark comedy sci-fi/drama superhero tv show developed by Steve Blackman and Jeremy Slater for Netflix. It's an adaptation of the comic book series created by Gerard Way and Gabriel Ba and published by Dark Horse Comics. The series was produced by Borderline Entertainment, Dark Horse Entertainment, and Universal Cable Productions. Starring Ellen Page, Tom Hopper, David Castaneda, and Kate Walsh.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
BookInspector (124 KP) rated The Craftsman (The Craftsman, #1) in Books
Sep 24, 2020
My Queen of crime and thrillers is back, with another marvelous story to tell. I read all her books, and every time she surprises me with something different and original.
The story is set in a small town with a hill, where witches were meeting since the 16th century. As you can see in the description above, this story is told in two different times – 1969 and 1999. In 1969 Florence was a WPC in the local police station, which she recently joined. Moreover, she was the first woman in that station, surrounded by men, who are not very friendly. She is assigned a disappearance of three teenagers, but what she discovers is way more complex and sinister than she could imagine.
Florence is the protagonist of this novel, and this story is told from her perspective. I love strong, smart and rebellious female leads in the books, and I absolutely loved Florence. Even though she is facing cruel workplace bullying and constant demeaning behavior, she is still fighting for what she believes to be right, and she wipes noses to those stuck up men. BRAVO! 😀 I really liked the wide variety of characters, which Bolton offered in this novel. All of them were very well rounded and unique personalities, who brought more richness to the book.
The narrative of this book was very well planned out and delivered. I was sucked in from the first pages of this book, I just wanted to find out what in a world was going on there! I really enjoyed all the twists, turns and diversions which Bolton creatively incorporated in this book. Sharon Bolton always follows an intriguing topic in her novels, and I am very glad that she was discussing workplace bullying and sexism, alongside witches and witchcraft. Even though I am not a believer in witchcraft, It was amusing to read about the people who believe in it and practice it.
Sharon Bolton is a very talented storyteller, she has a very absorbing and suspense building writing style, which I thoroughly enjoy every time. I loved the setting of this book, it compliments the atmosphere of this book with all those mills, hills, cemeteries and complex houses. The pages just fly while reading those short chapters. The climax was absolutely unexpected and left me very surprised. So, to conclude, for now, this book was the best read of 2018 for me. I enjoyed it from first to the last page, I think it has very intriguing and absorbing characters and very well crafted narrative, which is fast paced and very amusing. I do strongly recommend this book, I think you are in for a treat. Enjoy! 🙂
The story is set in a small town with a hill, where witches were meeting since the 16th century. As you can see in the description above, this story is told in two different times – 1969 and 1999. In 1969 Florence was a WPC in the local police station, which she recently joined. Moreover, she was the first woman in that station, surrounded by men, who are not very friendly. She is assigned a disappearance of three teenagers, but what she discovers is way more complex and sinister than she could imagine.
Florence is the protagonist of this novel, and this story is told from her perspective. I love strong, smart and rebellious female leads in the books, and I absolutely loved Florence. Even though she is facing cruel workplace bullying and constant demeaning behavior, she is still fighting for what she believes to be right, and she wipes noses to those stuck up men. BRAVO! 😀 I really liked the wide variety of characters, which Bolton offered in this novel. All of them were very well rounded and unique personalities, who brought more richness to the book.
The narrative of this book was very well planned out and delivered. I was sucked in from the first pages of this book, I just wanted to find out what in a world was going on there! I really enjoyed all the twists, turns and diversions which Bolton creatively incorporated in this book. Sharon Bolton always follows an intriguing topic in her novels, and I am very glad that she was discussing workplace bullying and sexism, alongside witches and witchcraft. Even though I am not a believer in witchcraft, It was amusing to read about the people who believe in it and practice it.
Sharon Bolton is a very talented storyteller, she has a very absorbing and suspense building writing style, which I thoroughly enjoy every time. I loved the setting of this book, it compliments the atmosphere of this book with all those mills, hills, cemeteries and complex houses. The pages just fly while reading those short chapters. The climax was absolutely unexpected and left me very surprised. So, to conclude, for now, this book was the best read of 2018 for me. I enjoyed it from first to the last page, I think it has very intriguing and absorbing characters and very well crafted narrative, which is fast paced and very amusing. I do strongly recommend this book, I think you are in for a treat. Enjoy! 🙂
Eleanor Luhar (47 KP) rated The Manifesto on How to be Interesting in Books
Jun 24, 2019
I fell in love with Holly Bourne's writing after reading Am I Normal Yet? and immediately decided to check out some of her other work. Hence me reading this novel.
The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.
Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?
But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.
I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.
My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.
This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
The general idea of this book is Bree trying to become "interesting" enough to write something that publishers won't reject. She decides the way to go about this is by infiltrating to posse of popular girls at school, while anonymously blogging about it the whole time.
Bree has her issues; she's always been a bit of a loser, she's kind of falling in love with her English teacher, she has way too many rejection letters, and she self harms when she feels low. She has to make a lot of sacrifices for the sake of her new blog, one of which is her best friend, Holdo. She reminds herself that "it's all material" while she acts like a bitch, spends hundreds of pounds on new clothes and hairstyles, befriends with queen-bee Jassmine and even when she sleeps with Jass's boyfriend. Besides, her crush told her she wasn't interesting enough, so surely this is what she's supposed to be doing?
But things get a bit more complicated than she first anticipated, and things end up worse than before for Bree. Yeah, she's spent time with her mother and she's become a social princess, but things start to fall apart. There's a sex tape, and her teacher's realised his mistake, and she can't help but cut herself like she's always done... But this time, she takes it a little too far.
I love the way Holly Bourne incorporates painfully real issues into her novels, mainly revolving around mental health and feminism. Bree's issue with self harming isn't looked down upon, or brushed aside, or made into the main plot. Instead, it's just part of the story, like it is for most people who struggle with it.
My only real problem with this book is that I just can't believe that a makeover can get you into the posse of populars. Like, really? If I got a haircut and some new lipstick, would I really become best friends with the most popular girl in school? I highly doubt it. I did like how Bree actually became rather attached to the girls, and how she realised that they really are just normal people underneath all that bitchiness and foundation.
This was a nice, easy read though, and I did enjoy it. It combats some common thoughts that go round teenagers' heads, and although it is a little cheesy in some places, I think it's mostly rather realistic. Although it isn't quite one of my favourite books, I do think The Manifesto on How to Be Interesting could just about earn 4.5 stars from me.
Matthew Krueger (10051 KP) rated The Last House on the Left (1972) in Movies
Sep 3, 2020
To Avoid Fainting Keep Repeating...Its Only A Movie
The Last House on the Left- was wes's directoral debut and what a start. Its a disturbing, psychological, graphic, exploitation horror film.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
Kris Karcher (10 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 5, 2018
Better then it looks.
Contains spoilers, click to show
It’s been years since I’ve seen the original 1995 Jumanji, but from what I can remember as a 5-10 year old (not sure when I got around to owning the VHS) I enjoyed it. Robin Williams was on fire in the 90’s and turned in another comparable performance in this fun action adventure film. This new incarnation of the Jumanji tale changes direction a bit. For one it swaps the outdated board game that contains an entire jungle world inside it, for a more cultural relevant video game console that contains an entire jungle world inside it. I’m actually surprised they didn't use an iPad. 2017’s Jumanji also adds in a body swapping element. The teens that enter the game suddenly become adult video game characters. Complete with skills and weakness of varying degrees of usefulness.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Kristy H (1252 KP) rated How Hard Can It Be? in Books
Mar 10, 2019 (Updated Mar 10, 2019)
Things have taken a bit of a turn for Kate Reddy--she's nearing 50, her husband has lost his job and spends most of his time cycling, and her kids are busy teenagers. With Richard out of work, Kate has to return to work. However, she finds that the financial community isn't welcoming to a woman on the cusp of fifty. When Kate decides to pretend she's seven years younger to enter the working world, she winds up working at the hedge fund she originally started. Once back at work, though, she finds herself overwhelmed dealing with everything: the unhelpful husband, the ungrateful kids, the demanding colleagues, and an unexpected appearance from an old flame.
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Teach Me to Forget in Books
Feb 13, 2018
Ellery, a high school student, has a plan. Not a plan for after graduation, or for prom, or even how to pass her next exam. Ellery's plan is how she's going to kill herself. But when Ellery's plan fails, she finds herself at the local Kmart, trying to return the gun that foiled her suicide attempt. There she is confronted by the store security guard, a student in her English class. Colter Sawyer appears to be everything Ellery is not: namely, happy. But Colter has some skeletons in his past, as well, and he quickly deduces Ellery's plans. He gives Ellery an ultimatum: if she can hang on until Halloween, he won't reveal her intentions to anyone else. As Ellery tries to hide her depression from Colter, she also finds herself surprised to have a friend--and discovers herself potentially falling in love with Colter. But is love enough to save her from herself?
This novel starts with a line that immediately grabs your attention and it does a pretty good job of keeping it throughout. It's a quick read, but a heartbreaking one. The pain these teenagers are in is horrific, but overall Chapman does a fairly good job of capturing their real emotion. Your heart will hurt that these teens are dealing with such burdens in their lives.
Overall, I was mostly impressed with the realism in this novel; it truly captures why Ellery would want to kill herself, as well as her friend Dean, another mentally ill kid she meets at school. It is a pretty accurate portrayal overall of depression, and this comes from someone who has lost someone they loved to suicide and who suffers from depression. This book is certainly a good learning experience for those dealing with depression (and especially for those who love them), but it could be a trigger to those dealing with suicidal thoughts. Please keep that in mind.
While reading, I was initially annoyed because I thought this would be a "love can triumph over true depression" but the novel becomes more realistic as time passes. I also almost didn't give the book 4 stars as it seemed a bit of a "straw book": the characters and emotions are there, but I felt it lacked a bit of the depth of a [a:Rowell|15897936|Rowell Rainbow|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] or [a:Jennifer Niven|45592|Jennifer Niven|https://images.gr-assets.com/authors/1332194516p2/45592.jpg]'s latest. Still, it contains such an important message, and I felt so strongly for Ellery and Colter by the end, that 4 stars seemed warranted. There's a depth in feeling in dear Ellery that cannot be ignored. (Also, there should be more Colters in the world.)
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 12/2/2016.
This novel starts with a line that immediately grabs your attention and it does a pretty good job of keeping it throughout. It's a quick read, but a heartbreaking one. The pain these teenagers are in is horrific, but overall Chapman does a fairly good job of capturing their real emotion. Your heart will hurt that these teens are dealing with such burdens in their lives.
Overall, I was mostly impressed with the realism in this novel; it truly captures why Ellery would want to kill herself, as well as her friend Dean, another mentally ill kid she meets at school. It is a pretty accurate portrayal overall of depression, and this comes from someone who has lost someone they loved to suicide and who suffers from depression. This book is certainly a good learning experience for those dealing with depression (and especially for those who love them), but it could be a trigger to those dealing with suicidal thoughts. Please keep that in mind.
While reading, I was initially annoyed because I thought this would be a "love can triumph over true depression" but the novel becomes more realistic as time passes. I also almost didn't give the book 4 stars as it seemed a bit of a "straw book": the characters and emotions are there, but I felt it lacked a bit of the depth of a [a:Rowell|15897936|Rowell Rainbow|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] or [a:Jennifer Niven|45592|Jennifer Niven|https://images.gr-assets.com/authors/1332194516p2/45592.jpg]'s latest. Still, it contains such an important message, and I felt so strongly for Ellery and Colter by the end, that 4 stars seemed warranted. There's a depth in feeling in dear Ellery that cannot be ignored. (Also, there should be more Colters in the world.)
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 12/2/2016.