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Matthew Krueger (10051 KP) rated The Last House on the Left (1972) in Movies
Sep 3, 2020
To Avoid Fainting Keep Repeating...Its Only A Movie
The Last House on the Left- was wes's directoral debut and what a start. Its a disturbing, psychological, graphic, exploitation horror film.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
Kris Karcher (10 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 5, 2018
Better then it looks.
Contains spoilers, click to show
It’s been years since I’ve seen the original 1995 Jumanji, but from what I can remember as a 5-10 year old (not sure when I got around to owning the VHS) I enjoyed it. Robin Williams was on fire in the 90’s and turned in another comparable performance in this fun action adventure film. This new incarnation of the Jumanji tale changes direction a bit. For one it swaps the outdated board game that contains an entire jungle world inside it, for a more cultural relevant video game console that contains an entire jungle world inside it. I’m actually surprised they didn't use an iPad. 2017’s Jumanji also adds in a body swapping element. The teens that enter the game suddenly become adult video game characters. Complete with skills and weakness of varying degrees of usefulness.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Kristy H (1252 KP) rated How Hard Can It Be? in Books
Mar 10, 2019 (Updated Mar 10, 2019)
Things have taken a bit of a turn for Kate Reddy--she's nearing 50, her husband has lost his job and spends most of his time cycling, and her kids are busy teenagers. With Richard out of work, Kate has to return to work. However, she finds that the financial community isn't welcoming to a woman on the cusp of fifty. When Kate decides to pretend she's seven years younger to enter the working world, she winds up working at the hedge fund she originally started. Once back at work, though, she finds herself overwhelmed dealing with everything: the unhelpful husband, the ungrateful kids, the demanding colleagues, and an unexpected appearance from an old flame.
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Teach Me to Forget in Books
Feb 13, 2018
Ellery, a high school student, has a plan. Not a plan for after graduation, or for prom, or even how to pass her next exam. Ellery's plan is how she's going to kill herself. But when Ellery's plan fails, she finds herself at the local Kmart, trying to return the gun that foiled her suicide attempt. There she is confronted by the store security guard, a student in her English class. Colter Sawyer appears to be everything Ellery is not: namely, happy. But Colter has some skeletons in his past, as well, and he quickly deduces Ellery's plans. He gives Ellery an ultimatum: if she can hang on until Halloween, he won't reveal her intentions to anyone else. As Ellery tries to hide her depression from Colter, she also finds herself surprised to have a friend--and discovers herself potentially falling in love with Colter. But is love enough to save her from herself?
This novel starts with a line that immediately grabs your attention and it does a pretty good job of keeping it throughout. It's a quick read, but a heartbreaking one. The pain these teenagers are in is horrific, but overall Chapman does a fairly good job of capturing their real emotion. Your heart will hurt that these teens are dealing with such burdens in their lives.
Overall, I was mostly impressed with the realism in this novel; it truly captures why Ellery would want to kill herself, as well as her friend Dean, another mentally ill kid she meets at school. It is a pretty accurate portrayal overall of depression, and this comes from someone who has lost someone they loved to suicide and who suffers from depression. This book is certainly a good learning experience for those dealing with depression (and especially for those who love them), but it could be a trigger to those dealing with suicidal thoughts. Please keep that in mind.
While reading, I was initially annoyed because I thought this would be a "love can triumph over true depression" but the novel becomes more realistic as time passes. I also almost didn't give the book 4 stars as it seemed a bit of a "straw book": the characters and emotions are there, but I felt it lacked a bit of the depth of a [a:Rowell|15897936|Rowell Rainbow|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] or [a:Jennifer Niven|45592|Jennifer Niven|https://images.gr-assets.com/authors/1332194516p2/45592.jpg]'s latest. Still, it contains such an important message, and I felt so strongly for Ellery and Colter by the end, that 4 stars seemed warranted. There's a depth in feeling in dear Ellery that cannot be ignored. (Also, there should be more Colters in the world.)
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 12/2/2016.
This novel starts with a line that immediately grabs your attention and it does a pretty good job of keeping it throughout. It's a quick read, but a heartbreaking one. The pain these teenagers are in is horrific, but overall Chapman does a fairly good job of capturing their real emotion. Your heart will hurt that these teens are dealing with such burdens in their lives.
Overall, I was mostly impressed with the realism in this novel; it truly captures why Ellery would want to kill herself, as well as her friend Dean, another mentally ill kid she meets at school. It is a pretty accurate portrayal overall of depression, and this comes from someone who has lost someone they loved to suicide and who suffers from depression. This book is certainly a good learning experience for those dealing with depression (and especially for those who love them), but it could be a trigger to those dealing with suicidal thoughts. Please keep that in mind.
While reading, I was initially annoyed because I thought this would be a "love can triumph over true depression" but the novel becomes more realistic as time passes. I also almost didn't give the book 4 stars as it seemed a bit of a "straw book": the characters and emotions are there, but I felt it lacked a bit of the depth of a [a:Rowell|15897936|Rowell Rainbow|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] or [a:Jennifer Niven|45592|Jennifer Niven|https://images.gr-assets.com/authors/1332194516p2/45592.jpg]'s latest. Still, it contains such an important message, and I felt so strongly for Ellery and Colter by the end, that 4 stars seemed warranted. There's a depth in feeling in dear Ellery that cannot be ignored. (Also, there should be more Colters in the world.)
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 12/2/2016.
Louise (64 KP) rated Paper Butterflies in Books
Jul 2, 2018
I wasn’t expecting to enjoy this book as much as I did! I have never read anything by Lisa Heathfield before but I will definitely seeking out her other book ‘ Seed’. This story was harrowing and definitely difficult to read at times but addictive and I managed to read this in one sitting. This is one of those books that you can’t put down and continue to read till the early hours of the morning.
Paper Butterflies follows June, June is 11 years old and living with her father, step mother and step sister. To the neighbours they are just another normal family but behind closed doors it’s a different matter entirely. June’s stepmother is abusive, mentally and physically and even encourages her daughter to do the same. June tries to speak out to her father, but he thinks she is just having trouble settling into life after her mother’s death and adjusting to the new family members. June meets a boy in the local woods whilst riding her bike, Blister is his name and he is charming,non-judgemental and a perfect best friend. With Blister on her side will she be able to spread her wings and fly? will she finally speak out?
Paper butterflies is told from an 11-year-old, increasing to a teenagers POV of the abuse she went through and trying to accept the life she was dealt, and also has alternating chapters from the present day. June is of mixed race and finds herself in an all white family after the death of her mother and feels that she doesn’t belong not only because of her colour but because of her evil step – mother.
June was such a likeable character, the way she was reliving the scenes of abuse was harrowing and I just wanted to comfort her and tell her it would be alright and encourage her to speak out. I wanted her to tell someone, anyone, for someone to pull her out of her miserable existence. The abuse that June is subjected to is shocking and Lisa Heathfield does not hold back, even when it becomes uncomfortable to read.
Blister is the boy June meets in the woods,I loved his character, he is sweet,caring and has a knack of making things out of paper. He hides out in some desolate caravans and there the two of them forge a friendship. Blisters life is so different from June’s and when she is around them she feels free to be herself.
Lisa Heathfield’s writing is so strong and powerful, it’s addictive and certainly packs a punch. This book is an emotional rollercoaster involving, child abuse,coming of age, love, friendship and forgiveness. This book left me feeling hopeful and that there are friends who will be with you through thick or thin.
I recommend this book to anyone that reads YA.
Overall I rated this 4 out of 5 stars
*I received an advanced copy of this book in exchange for an honest review*
Paper Butterflies follows June, June is 11 years old and living with her father, step mother and step sister. To the neighbours they are just another normal family but behind closed doors it’s a different matter entirely. June’s stepmother is abusive, mentally and physically and even encourages her daughter to do the same. June tries to speak out to her father, but he thinks she is just having trouble settling into life after her mother’s death and adjusting to the new family members. June meets a boy in the local woods whilst riding her bike, Blister is his name and he is charming,non-judgemental and a perfect best friend. With Blister on her side will she be able to spread her wings and fly? will she finally speak out?
Paper butterflies is told from an 11-year-old, increasing to a teenagers POV of the abuse she went through and trying to accept the life she was dealt, and also has alternating chapters from the present day. June is of mixed race and finds herself in an all white family after the death of her mother and feels that she doesn’t belong not only because of her colour but because of her evil step – mother.
June was such a likeable character, the way she was reliving the scenes of abuse was harrowing and I just wanted to comfort her and tell her it would be alright and encourage her to speak out. I wanted her to tell someone, anyone, for someone to pull her out of her miserable existence. The abuse that June is subjected to is shocking and Lisa Heathfield does not hold back, even when it becomes uncomfortable to read.
Blister is the boy June meets in the woods,I loved his character, he is sweet,caring and has a knack of making things out of paper. He hides out in some desolate caravans and there the two of them forge a friendship. Blisters life is so different from June’s and when she is around them she feels free to be herself.
Lisa Heathfield’s writing is so strong and powerful, it’s addictive and certainly packs a punch. This book is an emotional rollercoaster involving, child abuse,coming of age, love, friendship and forgiveness. This book left me feeling hopeful and that there are friends who will be with you through thick or thin.
I recommend this book to anyone that reads YA.
Overall I rated this 4 out of 5 stars
*I received an advanced copy of this book in exchange for an honest review*
BookwormMama14 (18 KP) rated The Silent Songbird in Books
Jan 2, 2019
This story may be a retelling of The Little Mermaid...but there are no sea witches or talking seagulls in this book. What you will find is a beautiful maiden with the voice of an angel.
Eva longs to be free...Free of the restraints that have been cast upon her by her status. Even if it means to work hard as a servant for the rest of her life. When King Richard decrees that she marry Lord Shiveley, Evangeline decides that she must run away or face a life of fear and abuse. In order to avoid detection, she pretends she is mute. But when her secret is revealed will those she has come to care for be able to forgive her? When Westley's life is in danger, yet Eva is the only witness...Will they heed her word? Or has the seed of mistrust been buried too deep?
Throughout her life Evangeline's voice has brought comfort and pleasure to herself and those around her. But she must stifle that gift in order to hide her identity. Throughout the story we see Westley encourage and draw out the voice, her true identity, that she has hidden. He is so gentle and sweet with her. Evangeline eventually learns that faith and trust in God is the strength she must lean on.
My only knowledge of The Little Mermaid is the animated Disney version. But as you compare the stories, there are several parallel characters. I think what I love most about Melanie Dickerson is that she takes the classic childhood fairy tales and creates a world, a story, that is realistic, yet still so full of "magic". There is also the added element of faith that adds a whole new dimension to the story. Set in medieval England, the way of life was much different then. But I so enjoy immersing myself into the time period and Melanie Dickerson's books. To be swept away by the adventure and live alongside the people of Glynval.
There are a few twists in the storyline that prove to be heartbreaking, exciting, and romantic. A quick read, The Silent Songbird will keep you turning the pages until you are finished. Even though this is a part of the Hagenheim Series. I did not recognize any of the characters (I have only read The Golden Braid and The Silent Songbird so far). You can read this book by itself and not have any confusion. This story is for "Young Adults" (I am still young right?), but is also great for adults. I am so thankful to Melanie for writing stories that are clean and faith filled for our teenagers.
I received a free copy of The Silent Songbird. I was not required to write a review and this does not influence my review, positive or otherwise. All opinions expressed are mine alone.
Eva longs to be free...Free of the restraints that have been cast upon her by her status. Even if it means to work hard as a servant for the rest of her life. When King Richard decrees that she marry Lord Shiveley, Evangeline decides that she must run away or face a life of fear and abuse. In order to avoid detection, she pretends she is mute. But when her secret is revealed will those she has come to care for be able to forgive her? When Westley's life is in danger, yet Eva is the only witness...Will they heed her word? Or has the seed of mistrust been buried too deep?
Throughout her life Evangeline's voice has brought comfort and pleasure to herself and those around her. But she must stifle that gift in order to hide her identity. Throughout the story we see Westley encourage and draw out the voice, her true identity, that she has hidden. He is so gentle and sweet with her. Evangeline eventually learns that faith and trust in God is the strength she must lean on.
My only knowledge of The Little Mermaid is the animated Disney version. But as you compare the stories, there are several parallel characters. I think what I love most about Melanie Dickerson is that she takes the classic childhood fairy tales and creates a world, a story, that is realistic, yet still so full of "magic". There is also the added element of faith that adds a whole new dimension to the story. Set in medieval England, the way of life was much different then. But I so enjoy immersing myself into the time period and Melanie Dickerson's books. To be swept away by the adventure and live alongside the people of Glynval.
There are a few twists in the storyline that prove to be heartbreaking, exciting, and romantic. A quick read, The Silent Songbird will keep you turning the pages until you are finished. Even though this is a part of the Hagenheim Series. I did not recognize any of the characters (I have only read The Golden Braid and The Silent Songbird so far). You can read this book by itself and not have any confusion. This story is for "Young Adults" (I am still young right?), but is also great for adults. I am so thankful to Melanie for writing stories that are clean and faith filled for our teenagers.
I received a free copy of The Silent Songbird. I was not required to write a review and this does not influence my review, positive or otherwise. All opinions expressed are mine alone.
BookblogbyCari (345 KP) rated Fallen (Fallen, #1) in Books
Dec 12, 2018
This bestselling genre-crossing book has a captivating start and end, and I’m already looking forward to reading the next in the series!
The gist of the book is given away on its cover, so there’s no element of surprise here. It’s a love story between a human girl and an angel.
Although it clearly lies under the paranormal genre, the book is predominantly a romance, and the characters, even though they’ve been alive centuries, are presented as come-of-age teenagers, placing the book under the young adult genre also. It also comes under the urban fantasy genre, with its edgy beginnings at a reform school.
The prologue is enchanting with its snippet of the angel’s love for the girl in her previous life. The rest of the story is written from the viewpoint of the girl, Luce. Lucy would be your typical, if a little nervous, American girl, if it weren’t for her visions of black shadows that seem to appear only to her. With no reasonable explanation for the shadows, she was put on anti-psychotic medication.
Her story begins when she’s placed at a reform school, following the death of a friend that for some reason she has little recollection of, and (perhaps therefore) blames herself for. As you can imagine, the reform school has some lively, dramatic and intriguing characters! A love triangle is sparked on her first day. There’s the somehow familiar Daniel, who smiles, then flips her the bird, and the charming charismatic Cam, who can’t wait to spend time with her.
Luce finds herself drawn to Daniel, but he keeps giving her the brush off. Cam meanwhile takes a special interest in Luce. Once Luce has her “first” kiss with Daniel, she decides to meet Cam to apologise for leading him on. However, she ends up kissing Cam and the black shadows come after them. Daniel’s identity as a fallen angel is revealed to Luce and a battle (rather than their previous fist fight) begins. Luce flees for safety, only to find herself in further danger!
The obvious comparison here is with Stephanie Meyers Twilight Saga, which has a similar love triangle, but with a vampire and werewolf rather than fallen angels. Lauren Kate’s writing is not as good as Stephanie Meyers’, but is just as good as some of the other YA paranormal authors such as L J Smith, and Cassandra Clare. Although the romance is the central feature of the book, there are no erotic scenes.
I watched the film before reading the book, and found the film quite forgettable - but the book had me hooked! My interest in the next book in the series isn’t so much for the romance between Luce and Daniel, but for the inclusion of the other characters and the clear impression that there’s a lot more to the story than what’s been discovered so far!
The gist of the book is given away on its cover, so there’s no element of surprise here. It’s a love story between a human girl and an angel.
Although it clearly lies under the paranormal genre, the book is predominantly a romance, and the characters, even though they’ve been alive centuries, are presented as come-of-age teenagers, placing the book under the young adult genre also. It also comes under the urban fantasy genre, with its edgy beginnings at a reform school.
The prologue is enchanting with its snippet of the angel’s love for the girl in her previous life. The rest of the story is written from the viewpoint of the girl, Luce. Lucy would be your typical, if a little nervous, American girl, if it weren’t for her visions of black shadows that seem to appear only to her. With no reasonable explanation for the shadows, she was put on anti-psychotic medication.
Her story begins when she’s placed at a reform school, following the death of a friend that for some reason she has little recollection of, and (perhaps therefore) blames herself for. As you can imagine, the reform school has some lively, dramatic and intriguing characters! A love triangle is sparked on her first day. There’s the somehow familiar Daniel, who smiles, then flips her the bird, and the charming charismatic Cam, who can’t wait to spend time with her.
Luce finds herself drawn to Daniel, but he keeps giving her the brush off. Cam meanwhile takes a special interest in Luce. Once Luce has her “first” kiss with Daniel, she decides to meet Cam to apologise for leading him on. However, she ends up kissing Cam and the black shadows come after them. Daniel’s identity as a fallen angel is revealed to Luce and a battle (rather than their previous fist fight) begins. Luce flees for safety, only to find herself in further danger!
The obvious comparison here is with Stephanie Meyers Twilight Saga, which has a similar love triangle, but with a vampire and werewolf rather than fallen angels. Lauren Kate’s writing is not as good as Stephanie Meyers’, but is just as good as some of the other YA paranormal authors such as L J Smith, and Cassandra Clare. Although the romance is the central feature of the book, there are no erotic scenes.
I watched the film before reading the book, and found the film quite forgettable - but the book had me hooked! My interest in the next book in the series isn’t so much for the romance between Luce and Daniel, but for the inclusion of the other characters and the clear impression that there’s a lot more to the story than what’s been discovered so far!
Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Hazel (1853 KP) rated The Moment Collector in Books
May 30, 2017
That ending ...
Originally posted on NetGalley.
Jodi Lynn Anderson’s latest novel The Moment Collector has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
‘The Moment Collector' does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of Pesta, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.
Jodi Lynn Anderson’s latest novel The Moment Collector has been described as a haunting, mystery romance. There is certainly romance involved between the characters, however the mystery storyline is not so strong.
Sixteen year old, Maggie Larsen has just moved from Chicago with her parents to their new home in County Door on the edge of Lake Michigan. Being homeschooled means she does not have to deal with settling into a new school but she does need to get used to the quietness of the area. She quickly becomes friends with two other teenagers, Pauline Boden and Liam Witte, and spends plenty of time with them in the woods and by the lake.
Things, however, are not as idyllic as they may seem. Starting from the day of Maggie’s arrival, reports keep coming in of girls being found dead, floating in the water. It appears that there is a serial killer on the loose and many girls, including Maggie and Pauline, may be in danger.
As well as all this there is another part of the story told through paragraphs in italics. The ghost of a girl is living in Maggie’s basement. She is not sure who she is or whether she has a purpose. All she can do is watch.
It is difficult at first to get into the story. It is a while before anything of note begins to happen. The murders feel a pointless part of the novel especially as they do not appear to connect to Maggie in any way. The reader may expect Maggie to be kidnapped or hurt but after nothing happens during the first two thirds it seems doubtful that anything ever will.
Up until the final chapters, the ghost also feels meaningless. She does not connect with Maggie nor affects the outcome of the story. Maggie is not ever aware of her existence.
The third person writing style makes it difficult for the reader to relate to Maggie. She is a girl who rarely complains and keeps her emotions to herself; therefore it is not easy to truly get a sense of the way she feels. Due to this it is hard to feel any emotion about her love interest and eventual betrayal. Despite this, the ending is moving especially once it is realized who the ghost actually is.
‘The Moment Collector' does not really fit the story as a title. If there was more input from the ghost then it may possibly be more adequate, but overall the story mostly focuses on the relationships between Maggie, Pauline and Liam. The blurb is also a little deceptive when mentioning: “There’s a ghost haunting 208 Water Street.” The ghost is not doing any haunting in the paranormal novel-type sense. There were hints in the narrative that things may become more supernatural with mentions of Pesta, the Scandinavian version of the Grim Reaper. However these references amounted to nothing.
For those looking for a young adult romance novel complete with heartbreaking ending then this is the book to read. But for anything else there may not be enough substance to maintain a strong interest.