"This song was a sonic influence on the record. The vocal sitting on top of things that aren't a conventional band, with some electronic instruments, some keyboards and some beats. The voice is still the main focus, but there's stuff happening around it that isn’t conventional. It was definitely an inspiration to some of the songs on this record; it was like a sonic headspace. “I’ve been a fan of Arthur Russell for a long time. I don't remember who showed me him but maybe it was on a highschool mixtape. Sometimes you just hear somebody; you can tell that it's unique, it's interesting and you want to know more about it. “With 'Nothing Sacred / All Things Wild' for example, which is the third song on Oh My God, I first tried it with an acoustic guitar and it wasn't really working, but then when we used just an organ and my vocal and that seemed to really work. Something like that would be really influenced by something like Arthur Russell."

"Spike Lee’s finest movie. One of the movies that made me want to get into the movies as well. I knew I was never going to make Do the Right Thing, to do what he did with cinema and tell a story comedically but also dramatically. Very intense. That movie goes from a fun comedy — I don’t know if you can say fun comedy, but it’s a funny comedy — to a dramatic shift in tone. It’s a slow burn. You don’t notice it when it happens. It comes out of left field but it’s keeping in what has come before. You realize how masterfully it’s put together. That movie informed Clerks to a large degree: it takes place all in one day, in one particular block, in one very specific city. So that was the model I used for Clerks. So much so that the original version of Clerks Dante gets killed because I was like, “I want to do something like that.” Then I realized I’m not Spike Lee."