Search
Search results
My Town : Hotel
Entertainment and Games
App
How fun to pack your suitcase and go on a hotel adventure! With many rooms to explore, there are new...
Sky Sports Score Centre
Sports and Entertainment
App
The Sky Sports Score Centre app is your go to app for live football scores and watching Premier...
Once Upon a Devastatingly Sweet Kiss
Book
In this opposites-attract Regency romance by USA Today bestselling and HOLT Medallion winning author...
romance historical romance regency romance bookbuzz
Interactive Telling Time Pro
Education and Games
App
- Selected by Apple as iPhone App of the Week in Germany, Switzerland, Austria, Overall New &...
BankofMarquis (1832 KP) rated Elvis (2022) in Movies
Jun 28, 2022
Butler Shines
Director Baz Luhrmann is one of those artists that I always keep an eye out for. His artistic vision is unique and while the films he directs don’t always work - MOULIN ROUGE is on of my all-time favorites, AUSTRALIA is a mess and his take on the GREAT GATSBY works…mostly - but the one thing that can be said about him is that his projects are always interesting (especially visually). So when he decided to create a bio-pic of “The King”, Elvis Presley, I was intrigued.
And…the resulting film - appropriately called ELVIS - works very well, but not because of Luhrmann’s Direction/Style but more because of the TERRIFIC performance at the center of this picture - and, no, I’m not talking about Tom Hanks as Col. Parker.
ELVIS follows - with the usual Luhrmann quick/cut, flashy style - the rise, fall, rise and (ultimately) death of Elvis Presley. Starting with his boyhood in Tupelo, Mississippi - where he found his rhythm in the roots of African-American Gospel/Spirituals - to his ascension to superstar, this films tries to tell it all, mostly through the shadowy viewpoint of Elvis’ Manager, Col. Tom Parker (a heavily made-up Tom Hanks).
And that is part of the problem with this film - it tries to tell TOO big a story, so while some items are covered in slow, glowing detail (like Elvis’ discovery of the music that will be his trademark), while other items (his movie career) are glossed over quickly in a montage. This is out of necessity, for this film is already 2 hours and 40 minutes long, but it does make this film feel somewhat disjointed - especially when you add Luhrmann’s trademark disorienting quick/cut, stylistic directing style. At times I just wanted to yell at Lurhman to lock his camera down in one position so my eyes (and brain) can settle down and watch what’s going on.
The other issue is the viewpoint of this film - it isn’t consistent. Is this a movie about Elvis? Is this a movie about a conman manipulating Elvis? It starts out following Col. Parker as he discovers Elvis and manipulates him to be his exclusive act, but then we leave Col. Tom and follow Elvis for long periods of time before being drawn back into Col’s Parker’s web, so there is confusion as to who’s story we are telling. In the end we tell both, and each one suffers a little bit because of this.
HOWEVER - and this is an important point - these issues are pushed to the back as minor flaws as the central performance of Austin Butler (Wil Ohmsford in the terrible adaption of THE SHANNARA CHRONICLES on TV) as Elvis is AMAZING. It is a captivating, multi-layered performance both on-stage and off. He has created a character that you are drawn to watch and the off-stage Elvis sets the stage for the charismatic, on-stage Elvis that we all know. Butler did his own singing/performing in this film and it is much, much more that “just” an Elvis impersonation. He personifies “The King” and Butler’s name better be called at Awards time. It is that good of a performance, one that should catapult this young man to stardom.
Fairing less well is Tom Hanks as Col. Parker. While he is game under all that make-up, the character is just not written with any nuance and comes off as a one-dimensional villain, constantly lurking in the background. This character just wasn’t interesting enough to hold the screen - especially against Butler.
But see this film to rekindle the spirit of Elvis through the interpretation of Butler, you’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…the resulting film - appropriately called ELVIS - works very well, but not because of Luhrmann’s Direction/Style but more because of the TERRIFIC performance at the center of this picture - and, no, I’m not talking about Tom Hanks as Col. Parker.
ELVIS follows - with the usual Luhrmann quick/cut, flashy style - the rise, fall, rise and (ultimately) death of Elvis Presley. Starting with his boyhood in Tupelo, Mississippi - where he found his rhythm in the roots of African-American Gospel/Spirituals - to his ascension to superstar, this films tries to tell it all, mostly through the shadowy viewpoint of Elvis’ Manager, Col. Tom Parker (a heavily made-up Tom Hanks).
And that is part of the problem with this film - it tries to tell TOO big a story, so while some items are covered in slow, glowing detail (like Elvis’ discovery of the music that will be his trademark), while other items (his movie career) are glossed over quickly in a montage. This is out of necessity, for this film is already 2 hours and 40 minutes long, but it does make this film feel somewhat disjointed - especially when you add Luhrmann’s trademark disorienting quick/cut, stylistic directing style. At times I just wanted to yell at Lurhman to lock his camera down in one position so my eyes (and brain) can settle down and watch what’s going on.
The other issue is the viewpoint of this film - it isn’t consistent. Is this a movie about Elvis? Is this a movie about a conman manipulating Elvis? It starts out following Col. Parker as he discovers Elvis and manipulates him to be his exclusive act, but then we leave Col. Tom and follow Elvis for long periods of time before being drawn back into Col’s Parker’s web, so there is confusion as to who’s story we are telling. In the end we tell both, and each one suffers a little bit because of this.
HOWEVER - and this is an important point - these issues are pushed to the back as minor flaws as the central performance of Austin Butler (Wil Ohmsford in the terrible adaption of THE SHANNARA CHRONICLES on TV) as Elvis is AMAZING. It is a captivating, multi-layered performance both on-stage and off. He has created a character that you are drawn to watch and the off-stage Elvis sets the stage for the charismatic, on-stage Elvis that we all know. Butler did his own singing/performing in this film and it is much, much more that “just” an Elvis impersonation. He personifies “The King” and Butler’s name better be called at Awards time. It is that good of a performance, one that should catapult this young man to stardom.
Fairing less well is Tom Hanks as Col. Parker. While he is game under all that make-up, the character is just not written with any nuance and comes off as a one-dimensional villain, constantly lurking in the background. This character just wasn’t interesting enough to hold the screen - especially against Butler.
But see this film to rekindle the spirit of Elvis through the interpretation of Butler, you’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
50in1 Piano
Music
App
Learn to play the piano, create your own songs and even sing to your compositions! 50in1 Piano lets...
Shaun Collins (3 KP) rated Star Trek, Volume 12 in Books
Jan 12, 2018
The ship passes through an Ion storm and enters the mirror universe for this time line, discovering Khan is alive in the mirror reality, and in the second set of issues, rescues a pair of crew members from a renegade faction of the Orions.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Alison Pink (7 KP) rated The Map of Lost Memories in Books
Jan 15, 2018
This book took a little while to really pick up the pace. Once I got a handle on who was who & who had which agenda it became a lot more interesting. The characters were easy to like or to hate depending on who's side you were on. Identifying with them on a "real world" level was a bit more tricky though.
It tells the story of Irene, a museum assistant who gets passed over for a big promotion. When she is so easily dismissed she wants to do something to make a name for herself. With the help of her deceased father's wealthy best friend she goes treasure hunting. She sets out to find the lost Khmer copper scrolls which supposedly tell the as yet unknown history of the Khmer reign in Cambodia.
Yes, there is a good dose of history & politics mixed in throughout the story. Even if you know nothing about the Khmers in Cambodia you can still get into this book & understand the plot lines.
Along her journey from Seattle to the Orient, Irene assembles a misfit band of scientists & treasure hunters...everyone from a drug addicted Khmer scholar to a man who runs the "knowledge" network in Shanghai.
All in all this was a good book. It can be enjoyed by anyone despite the time period setting & the oriental history sprinkled in throughout the text. The story is easy to get lost in once you figure out who is who.
It tells the story of Irene, a museum assistant who gets passed over for a big promotion. When she is so easily dismissed she wants to do something to make a name for herself. With the help of her deceased father's wealthy best friend she goes treasure hunting. She sets out to find the lost Khmer copper scrolls which supposedly tell the as yet unknown history of the Khmer reign in Cambodia.
Yes, there is a good dose of history & politics mixed in throughout the story. Even if you know nothing about the Khmers in Cambodia you can still get into this book & understand the plot lines.
Along her journey from Seattle to the Orient, Irene assembles a misfit band of scientists & treasure hunters...everyone from a drug addicted Khmer scholar to a man who runs the "knowledge" network in Shanghai.
All in all this was a good book. It can be enjoyed by anyone despite the time period setting & the oriental history sprinkled in throughout the text. The story is easy to get lost in once you figure out who is who.
Merissa (12911 KP) rated Lost Wolf (New Dawn, #4) in Books
Mar 21, 2019
Lost Wolf (New Dawn, #4) by Rachel M. Raithby
Lost Wolf is the fourth book in the New Dawn series, and we not only have a new couple, but we go back and re-meet the others too. The start of this book runs concurrently with a couple of the others, so you get to see Tyler and Regan in action that you 'missed' last time.
Regan hasn't had it easy, and it is her story to tell so I won't even try. Needless to say, Tyler is the one who helps her to live again, although being Dark Shadow, that poses a problem all of its own. Not only that, but Kat and Bass are having their own problems, brought about by Castor still trying to ruin their lives. No-one said being a shifter was easy.
There is so much in this book - from meeting new characters, to new romance, to building plans, to the world ending... it's all there. And without a single editing or grammatical error that I noticed. The storyline flowed smoothly, and with the chapter headings, you always knew when you were. I have thoroughly enjoyed this addition to the series, and I can't wait to see where we go from here. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Regan hasn't had it easy, and it is her story to tell so I won't even try. Needless to say, Tyler is the one who helps her to live again, although being Dark Shadow, that poses a problem all of its own. Not only that, but Kat and Bass are having their own problems, brought about by Castor still trying to ruin their lives. No-one said being a shifter was easy.
There is so much in this book - from meeting new characters, to new romance, to building plans, to the world ending... it's all there. And without a single editing or grammatical error that I noticed. The storyline flowed smoothly, and with the chapter headings, you always knew when you were. I have thoroughly enjoyed this addition to the series, and I can't wait to see where we go from here. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Billie Wichkan (118 KP) rated A Good Enough Mother in Books
May 22, 2019
The most dangerous lies are the ones we tell ourselves.
Dr Ruth Hartland rises to difficult tasks. She is the director of a highly respected trauma therapy unit. She is confident, capable and excellent at her job. Today she is preoccupied by her son Tom's disappearance.
So when a new patient arrives at the unit - a young man who looks shockingly like Tom - she is floored.
As a therapist, Ruth knows exactly what she should do in the best interests of her client, but as a mother she makes a very different choice - a decision that will have profound consequences.
This was an outstanding and compelling read.
I think this is one of those books that will be talked about for a while and would fit into a book club read to be discussed.
The story is very well written and thought provoking. I found it really pulling at my heart strings.
Each character in this novel is shown with all their flaws and strengths in achingly real scenes and images.
A well written, emotional, thought-provoking story.
A really good mix between an emotional troubled teenager and the relationship with his mother, and a thriller as the unpredictable Dan story line builds to a horrifying conclusion. Really memorable, and I didnt see all the twists coming.
Would thoroughly recommend.
Thank you kindly to Netgalley and the publishers for providing me with an arc, in exchange for this honest review.
Dr Ruth Hartland rises to difficult tasks. She is the director of a highly respected trauma therapy unit. She is confident, capable and excellent at her job. Today she is preoccupied by her son Tom's disappearance.
So when a new patient arrives at the unit - a young man who looks shockingly like Tom - she is floored.
As a therapist, Ruth knows exactly what she should do in the best interests of her client, but as a mother she makes a very different choice - a decision that will have profound consequences.
This was an outstanding and compelling read.
I think this is one of those books that will be talked about for a while and would fit into a book club read to be discussed.
The story is very well written and thought provoking. I found it really pulling at my heart strings.
Each character in this novel is shown with all their flaws and strengths in achingly real scenes and images.
A well written, emotional, thought-provoking story.
A really good mix between an emotional troubled teenager and the relationship with his mother, and a thriller as the unpredictable Dan story line builds to a horrifying conclusion. Really memorable, and I didnt see all the twists coming.
Would thoroughly recommend.
Thank you kindly to Netgalley and the publishers for providing me with an arc, in exchange for this honest review.