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FOOD FIGHT! Team up as Gumball, Darwin, and Anais to take down the mutant leftovers! DESTROY ALL...
BookInspector (124 KP) rated Erotic Stories for Punjabi Widows in Books
Sep 24, 2020
When I started reading this book, I really didn't know what to expect from it. The name of the book was simply unbelievable. The more I read it, the more it shocked me, and I know for sure, that after reading this book, I will never look the same at South Asian aunties and the community. The description of the book is quite accurate. British born Punjabi Nikki gets a job in gurdwara in Southall, London, to teach reading and writing to Punjabi widows, who are mostly from villages. She quickly notices that these widows are not interested in learning how to write, instead, they are very keen to share their erotic fantasies with other women. While teaching the widows, Nikki learns, that Southall, and the community itself are hiding many dirty secrets of its own.
I found the characters of this book very amusing, and at the same time very close to my heart. I loved how author put two opposites in the book; Nikki, who wants to live her life and make her own choices, and her sister Mindi-who still wants things done the traditional way. All the widows, who participated in this book, were really interesting and diverse personalities. They all had a story to tell, not only erotic one, but the one of their life as well. I do know quite a lot of South Asian people, and the way author described them in the book is very accurate. I am not including their fantasies, but the part of how they present themselves to society, is quite accurate. Respect of the family is the main value in Asian society, and all people try to maintain that. That’s why Nikki is kind of rebel against traditional values, which is sometimes quite shameful in the eye of the community. Everything in this book sounds very real and believable: characters, plot and the way author described places used in this book, it’s unbelievably accurate. I liked that author included more than one character in this book, and told the story from Nikki’s and her employer’s Kulvinder’s perspective. Kulvinder has huge influence in the book, with the tragic story of her daughter Maya, who died very young. Through the views of Nikki and Kulvinder, the story of the book unfolds very nicely, and keeps the suspense going.
The plot of the book is very original; nevertheless, it tells couple of different stories at the same time. Most of the action in this book happens in Southall, London. As the author said in the book, she lived in Southall, while she was studying at university. That explains why she wrote about this place with such detail. She described every corner and street with great accuracy, and beautifully presented the spirit of that place. How do I know? I visited that place many times, that’s why the similarity shocked me. This book tells not only the story of widow’s fantasies, but also involves murders, and many dark secrets of the society itself, and that really made the book amusing, twisty and hard to put down. The more Nikki gets involved with the widows, the more this story turns and thickens. Author discussed a lot of important topics in this book, such as: honour killings; family relations between parents and children, and what honour and respect of the family means in Asian society; immigration and adjustment problems; and many more. Author showed really nicely, that women, even after marriage remain women, and that after washing dishes, cooking and cleaning houses, they have their wishes and desires, which are not always fulfilled. Let me tell you one thing, those erotic stories they tell are really kinky, and has wide variety of action going on, so it is definitely not for young people to read.
So, as I mentioned before, and as it is obvious from the name of the book, it contains so foul language but at the same time is very comic and funny to read. This book is quite detailed, but it doesn’t make it boring, it helps to understand the situations better. I really liked, that the chapters were divided, so it was easier and more fun to read it. The ending of the book is nice and ended the book really well, by putting all characters at peace. To conclude, I really enjoyed this layered, funny and very beautifully written book and I do recommend reading it to everyone, who would like to have an insight of South Asian community, and get involved with those great topics which author brought up in this book.
I found the characters of this book very amusing, and at the same time very close to my heart. I loved how author put two opposites in the book; Nikki, who wants to live her life and make her own choices, and her sister Mindi-who still wants things done the traditional way. All the widows, who participated in this book, were really interesting and diverse personalities. They all had a story to tell, not only erotic one, but the one of their life as well. I do know quite a lot of South Asian people, and the way author described them in the book is very accurate. I am not including their fantasies, but the part of how they present themselves to society, is quite accurate. Respect of the family is the main value in Asian society, and all people try to maintain that. That’s why Nikki is kind of rebel against traditional values, which is sometimes quite shameful in the eye of the community. Everything in this book sounds very real and believable: characters, plot and the way author described places used in this book, it’s unbelievably accurate. I liked that author included more than one character in this book, and told the story from Nikki’s and her employer’s Kulvinder’s perspective. Kulvinder has huge influence in the book, with the tragic story of her daughter Maya, who died very young. Through the views of Nikki and Kulvinder, the story of the book unfolds very nicely, and keeps the suspense going.
The plot of the book is very original; nevertheless, it tells couple of different stories at the same time. Most of the action in this book happens in Southall, London. As the author said in the book, she lived in Southall, while she was studying at university. That explains why she wrote about this place with such detail. She described every corner and street with great accuracy, and beautifully presented the spirit of that place. How do I know? I visited that place many times, that’s why the similarity shocked me. This book tells not only the story of widow’s fantasies, but also involves murders, and many dark secrets of the society itself, and that really made the book amusing, twisty and hard to put down. The more Nikki gets involved with the widows, the more this story turns and thickens. Author discussed a lot of important topics in this book, such as: honour killings; family relations between parents and children, and what honour and respect of the family means in Asian society; immigration and adjustment problems; and many more. Author showed really nicely, that women, even after marriage remain women, and that after washing dishes, cooking and cleaning houses, they have their wishes and desires, which are not always fulfilled. Let me tell you one thing, those erotic stories they tell are really kinky, and has wide variety of action going on, so it is definitely not for young people to read.
So, as I mentioned before, and as it is obvious from the name of the book, it contains so foul language but at the same time is very comic and funny to read. This book is quite detailed, but it doesn’t make it boring, it helps to understand the situations better. I really liked, that the chapters were divided, so it was easier and more fun to read it. The ending of the book is nice and ended the book really well, by putting all characters at peace. To conclude, I really enjoyed this layered, funny and very beautifully written book and I do recommend reading it to everyone, who would like to have an insight of South Asian community, and get involved with those great topics which author brought up in this book.
ArecRain (8 KP) rated Wolf Tales (Wolf Tales #1) in Books
Jan 18, 2018
This is the worst piece of trash I have ever read. I have read better smut on Literotica.
It was like Douglas tried to take something that was taboo (bestiality) and make it okay. She failed. HARD. Not only did she manage to write about bestiality, but rape, too. Within the first ten page of the book, the lead female wakes up in the dark to have sex with some naked wolfman stranger she can't even see and then goes on to make him let her live with him where they continue to have more sex for about 2 week. Apparently that's enough to fall in love with someone and not care about life anymore. Not only that, but the reason sex is so fantastic with him is because he has the penis of a DOG, knot and all, which she begs him to keep. Meanwhile, our little wolfman is lusting after the sorcerer who exposed him all to this, actually wanting the man to pretty much rape the wolfman (which isn't really rape since he wants it). Upon meeting the sorcerer, the wolfman is then "raped" by the sorcerer while the sorcerer is a wolf.
I stopped reading there.
In all the 76 pages that I read, the bestiality wasn't actually what made me hate this book. There was such an utter lack of plot line that this book couldn't even be considered a guilty pleasure book. I felt as if Douglas was trying to create plot line to explain the random sex that seemed to happen every chapter. Douglas also manipulated the characters responses and inner dialogue to make it seem as if their own feelings and thoughts conflict with what they really desire. The characters know that what they are doing is taboo, yet they still want to be raped by a wolf or have sex with a man with a dog penis.
Unfortunately for Douglas, the fact that she took something so socially taboo and tried to pass it off as an erotic novel without creating a realistic reason why any of it was happening made this book not only painful to read, but also near impossible to finish.
And before you bash me for not even finishing the book, I will tell you that I did read more than just the 76 pages. I know all about the Chanku and how the novel ends. I just couldn't force myself to read this piece of utter garbage in whole.
It was like Douglas tried to take something that was taboo (bestiality) and make it okay. She failed. HARD. Not only did she manage to write about bestiality, but rape, too. Within the first ten page of the book, the lead female wakes up in the dark to have sex with some naked wolfman stranger she can't even see and then goes on to make him let her live with him where they continue to have more sex for about 2 week. Apparently that's enough to fall in love with someone and not care about life anymore. Not only that, but the reason sex is so fantastic with him is because he has the penis of a DOG, knot and all, which she begs him to keep. Meanwhile, our little wolfman is lusting after the sorcerer who exposed him all to this, actually wanting the man to pretty much rape the wolfman (which isn't really rape since he wants it). Upon meeting the sorcerer, the wolfman is then "raped" by the sorcerer while the sorcerer is a wolf.
I stopped reading there.
In all the 76 pages that I read, the bestiality wasn't actually what made me hate this book. There was such an utter lack of plot line that this book couldn't even be considered a guilty pleasure book. I felt as if Douglas was trying to create plot line to explain the random sex that seemed to happen every chapter. Douglas also manipulated the characters responses and inner dialogue to make it seem as if their own feelings and thoughts conflict with what they really desire. The characters know that what they are doing is taboo, yet they still want to be raped by a wolf or have sex with a man with a dog penis.
Unfortunately for Douglas, the fact that she took something so socially taboo and tried to pass it off as an erotic novel without creating a realistic reason why any of it was happening made this book not only painful to read, but also near impossible to finish.
And before you bash me for not even finishing the book, I will tell you that I did read more than just the 76 pages. I know all about the Chanku and how the novel ends. I just couldn't force myself to read this piece of utter garbage in whole.
Zuky the BookBum (15 KP) rated Mary Rose in Books
Mar 15, 2018
3.5 stars
I wasnt sure what to think about this book when I first saw the synopsis, I couldnt tell whether it was going to be a horror or something else. It turned out to be something else.
Going into this book I was impressed with the writing and the building of characters. Both elements really helped set the mysterious, brooding tone that this book portrays.
I began the book enjoying Simons character but eventually, like a lot of over-bearing husband characters, he got on my nerves. I understand the books whole thing was about protecting Mary Rose but the way he crawled around on all fours for her got really irritating. I understand this was done to add a layer to the story, however, I didnt enjoy that aspect of it. I much prefer books that arent all loved up and mushy. I think my annoyance with the characters in this ruined a certain aspect of the book and made it less enjoyable for me overall.
I really liked the story for this one, however. A twenty year old mystery of how a young girl when missing on a mysterious and creepy Scottish island is definitely the sort of book I like. The tension and paranoia built throughout the story is superb and youre really stuck wondering is Mary Rose dead? Is Mary Rose a portal to some sort of dark magic? Is the island really filled with paranormal things? Its a great book that keeps you guessing all the way through.
This book does give all it secrets up at once, which normally isnt my kind of mystery book, but it worked in this one. I know many people are disappointed by the ending but I thought it was equally shocking as it was poignant. Reading the afterthought bit about the original story of Mary Rose and Hitchcocks ideas for a movie of it really helped me understand and appreciate how the novel ended.
I would recommend this novel for readers who have a slightly different taste in mysteries than me. If you like themes such as love and loss, then you will really get on with this one. I personally thought it was going to be more spooky and less emotional, but I still enjoyed the bulk of it.
<i>Thanks to Netgalley, Adaptive Books and Sunshine Sachs for giving me the opportunity to read this in exchange for an honest review.</i>
I wasnt sure what to think about this book when I first saw the synopsis, I couldnt tell whether it was going to be a horror or something else. It turned out to be something else.
Going into this book I was impressed with the writing and the building of characters. Both elements really helped set the mysterious, brooding tone that this book portrays.
I began the book enjoying Simons character but eventually, like a lot of over-bearing husband characters, he got on my nerves. I understand the books whole thing was about protecting Mary Rose but the way he crawled around on all fours for her got really irritating. I understand this was done to add a layer to the story, however, I didnt enjoy that aspect of it. I much prefer books that arent all loved up and mushy. I think my annoyance with the characters in this ruined a certain aspect of the book and made it less enjoyable for me overall.
I really liked the story for this one, however. A twenty year old mystery of how a young girl when missing on a mysterious and creepy Scottish island is definitely the sort of book I like. The tension and paranoia built throughout the story is superb and youre really stuck wondering is Mary Rose dead? Is Mary Rose a portal to some sort of dark magic? Is the island really filled with paranormal things? Its a great book that keeps you guessing all the way through.
This book does give all it secrets up at once, which normally isnt my kind of mystery book, but it worked in this one. I know many people are disappointed by the ending but I thought it was equally shocking as it was poignant. Reading the afterthought bit about the original story of Mary Rose and Hitchcocks ideas for a movie of it really helped me understand and appreciate how the novel ended.
I would recommend this novel for readers who have a slightly different taste in mysteries than me. If you like themes such as love and loss, then you will really get on with this one. I personally thought it was going to be more spooky and less emotional, but I still enjoyed the bulk of it.
<i>Thanks to Netgalley, Adaptive Books and Sunshine Sachs for giving me the opportunity to read this in exchange for an honest review.</i>
Gareth von Kallenbach (980 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Clarence's Amazing Day Out – A Collection of Fast, Funny Minigames!
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Join Clarence as he tries to do all the fun things in Aberdale in a single, amazing day. It's...
Jason Williamson recommended Mad Punx and English Dogs by English Dogs in Music (curated)
Flashlight 4 in 1
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Flashlight - 4 in 1. Flashlight, Strobe, Morse Code, Lighted Magnifier is the most versatile...
Chris Sawin (602 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 11, 2019 (Updated Aug 11, 2019)
The monsters. (1 more)
Special effects - blend of CG and practical.
The Pale Lady. (2 more)
Basic rinse and repeat horror formula.
No emotional attachment to characters.
Fishing for Turds
Scary Stories to Tell in the Dark is probably considered the introduction to horror fiction for anyone who was in middle school in the mid to late 1990s. I distinctly remember checking out at least one of the books before I was a teenager, but the story that has stuck with me multiple decades later has and always will be, “The Red Spot.” The thing about the Scary Stories books is that they were just these random collections of creepy tales meant to make the reader anxious, uneasy, or even frightened, so the fact that somebody attempted to make a coherent film out of a jumbled mix of stories from all three books is kind of incredible.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
Sensitivemuse (246 KP) rated The Sworn Virgin in Books
Sep 28, 2017
Great historical detail, but falls short
So what I really liked the most about the book is the historical background and aspect. It’s rich in detail and sheds a light on the customs in Albania. I loved the descriptions of the setting, the clothing especially and how family life was at the time. Despite that Eleanora lived differently from others in the village, traditions are deep rooted, strong and followed to the exact detail. It’s all about maintaining family honor and if disgraced, the way to gain it back is likely with someone killing the other from the rival family that did you wrong. It’s pretty harsh and during that time doesn’t give much voice to women in general, but Eleanora’s personality is strong and admirable even though she’s pretty much a daddy’s girl (which helps her let her be who she wants to be).
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.