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Nicole Hadley (380 KP) rated Breathe, Annie, Breathe in Books
Jun 14, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
This story, Breathe, Annie, Breathe, is beautifully written. It is a story about running but beyond that it is a story about death, healing and new beginnings. In order to reach the point where healing can occur and new beginnings happen Annie must first take risks. She is scared about taking risks and loosing someone she cares deeply about but taking risks is part of the healing process. Throughout reading this story, my emotions were all over. I was sad, I was worried, but most of all I was happy. I was happy for Annie. Annie's happiness leaped off the page.
When I started to read this book and discovered it was about running, I suddenly became very interested in the story. I have been running competitively for 18 years (Whoa! That's a long time). In all my years running I have never read a book that is so much about running. It made me happy that someone finally did! Like Annie, running clears my head. If you're worried about something, go running. If you're sad, go running. If you're happy, go running. Running de-stresses your life. I appreciated the fact that Kenneally really captured the atmosphere of running, and especially the running "high." Another aspect I appreciated is how Kenneally shows issues that come with running and through the story the readers learn advice that will help; such as drinking gatorade to replace electrolytes, or using vasaline for chafing. While Annie is not someone who grew up running, she had a goal and took the proper and necessary steps to accomplish that goal. In the process she found herself.
The goal was to run and finish a marathon, a goal her boyfriend Kyle had set out to do but was unable to accomplish because of his death. Kyle wanted to run a marathon but is unable to so Annie decides to run a marathon in Kyles honor even though at the start she could barely run a half mile. Kenneally does not immediately tell her readers why Kyle died. In fact it takes most of the book to know but part of the mystery is what keeps the story going.
Kenneally does an excellent job of developing each character and showing their relationship with Annie; even repairing some estranged relationships. One of the characters, Jeremiah (Jere), has a very special place in Annie's heart and ultimately helps the healing process not by forcing her to heal but by first being a friend (a distraction) and later a boyfriend who helps her to take risks, to do things that scare her just a little. The relationship portrayed between Jere and Annie is realistic. I love that their relationship started as friends but developed to something more.
I recommend this book to anyone who like young adult (YA) literature, love story and most of all an intertwinning of sports and relationships. The story will cause you to look at your relationships and maybe you'll be motivated to train and run a marathon.
This story, Breathe, Annie, Breathe, is beautifully written. It is a story about running but beyond that it is a story about death, healing and new beginnings. In order to reach the point where healing can occur and new beginnings happen Annie must first take risks. She is scared about taking risks and loosing someone she cares deeply about but taking risks is part of the healing process. Throughout reading this story, my emotions were all over. I was sad, I was worried, but most of all I was happy. I was happy for Annie. Annie's happiness leaped off the page.
When I started to read this book and discovered it was about running, I suddenly became very interested in the story. I have been running competitively for 18 years (Whoa! That's a long time). In all my years running I have never read a book that is so much about running. It made me happy that someone finally did! Like Annie, running clears my head. If you're worried about something, go running. If you're sad, go running. If you're happy, go running. Running de-stresses your life. I appreciated the fact that Kenneally really captured the atmosphere of running, and especially the running "high." Another aspect I appreciated is how Kenneally shows issues that come with running and through the story the readers learn advice that will help; such as drinking gatorade to replace electrolytes, or using vasaline for chafing. While Annie is not someone who grew up running, she had a goal and took the proper and necessary steps to accomplish that goal. In the process she found herself.
The goal was to run and finish a marathon, a goal her boyfriend Kyle had set out to do but was unable to accomplish because of his death. Kyle wanted to run a marathon but is unable to so Annie decides to run a marathon in Kyles honor even though at the start she could barely run a half mile. Kenneally does not immediately tell her readers why Kyle died. In fact it takes most of the book to know but part of the mystery is what keeps the story going.
Kenneally does an excellent job of developing each character and showing their relationship with Annie; even repairing some estranged relationships. One of the characters, Jeremiah (Jere), has a very special place in Annie's heart and ultimately helps the healing process not by forcing her to heal but by first being a friend (a distraction) and later a boyfriend who helps her to take risks, to do things that scare her just a little. The relationship portrayed between Jere and Annie is realistic. I love that their relationship started as friends but developed to something more.
I recommend this book to anyone who like young adult (YA) literature, love story and most of all an intertwinning of sports and relationships. The story will cause you to look at your relationships and maybe you'll be motivated to train and run a marathon.
If you are looking for a refreshing Young-Adult read, with college unlike any other - this is the perfect book for you. I'd Tell You I Love You, But Then I'd Have to Kill You is the first book from the Gallagher Girl series, where we meet girls that go to a school for spies, and nobody except them, knows it.
The Gallagher Academy is a typical all-girls-school, except, instead of normal subjects, they learn advanced martial arts and chemical warfare studies, they have exams where they need to spy, or go unnoticed, or steal.
We meet Cammie Morgan, who happens to be the headmistress's daughter, and when she goes on a mission and gets noticed by a boy - everything changes and her life is suddenly everything but normal. She knows how to kill a man in seven different ways, and she can speak fourteen languages, but when a cute boy comes and says hi - she is definitely not trained for that. What's worst - he thinks she's just an ordinary girl, and she is falling in love with him.
Sure, she can tap his phone, hack into his computer, and track him through town without his ever being the wiser - but can she have a relationship with a regular boy who can never know the truth about her? Cammie may be an elite spy-in-training, but in her sophomore year, she's beginning her most dangerous mission - falling in love.
I loved the writing style, and I loved something new and refreshing - it is a plot that I haven't read before, and I really enjoyed it. Sometimes when it felt a bit childish, I would remember I am not thirteen anymore, but even now at twenty-one, I got lost into this silly world of spy girls and the drama and love life of Cammie.
I liked Cammie - she is the type of girl that you would love to have as a friend, because she always makes you giggle with her silly comments. I also liked how brave and honest she was - not always honest though… Sometimes, she was too whiney for her own good, and making little things out of nothing, but then again, all teens kind of do that all the time, so it's acceptable.
I loved her friends - they were such a team, and always covering their backs. I loved how, even despite all their differences, they manages to fit right in and have their own impact to the group friendship.
Overall, quite an enjoyable read and I would definitely recommend it to you guys, if you love anything YA, or fantasy, or spy girls, or college related. I enjoyed this book, and I wish I read it way sooner. I can't wait to read the rest of the series as well.
Thank you to my friend and author, Michael Kott, that send me this book after recommending it to me, as Ally Carter is one of his favourite authors, and he enjoyed this book as well. Check out his book Piasa - it is amazing!
The Gallagher Academy is a typical all-girls-school, except, instead of normal subjects, they learn advanced martial arts and chemical warfare studies, they have exams where they need to spy, or go unnoticed, or steal.
We meet Cammie Morgan, who happens to be the headmistress's daughter, and when she goes on a mission and gets noticed by a boy - everything changes and her life is suddenly everything but normal. She knows how to kill a man in seven different ways, and she can speak fourteen languages, but when a cute boy comes and says hi - she is definitely not trained for that. What's worst - he thinks she's just an ordinary girl, and she is falling in love with him.
Sure, she can tap his phone, hack into his computer, and track him through town without his ever being the wiser - but can she have a relationship with a regular boy who can never know the truth about her? Cammie may be an elite spy-in-training, but in her sophomore year, she's beginning her most dangerous mission - falling in love.
I loved the writing style, and I loved something new and refreshing - it is a plot that I haven't read before, and I really enjoyed it. Sometimes when it felt a bit childish, I would remember I am not thirteen anymore, but even now at twenty-one, I got lost into this silly world of spy girls and the drama and love life of Cammie.
I liked Cammie - she is the type of girl that you would love to have as a friend, because she always makes you giggle with her silly comments. I also liked how brave and honest she was - not always honest though… Sometimes, she was too whiney for her own good, and making little things out of nothing, but then again, all teens kind of do that all the time, so it's acceptable.
I loved her friends - they were such a team, and always covering their backs. I loved how, even despite all their differences, they manages to fit right in and have their own impact to the group friendship.
Overall, quite an enjoyable read and I would definitely recommend it to you guys, if you love anything YA, or fantasy, or spy girls, or college related. I enjoyed this book, and I wish I read it way sooner. I can't wait to read the rest of the series as well.
Thank you to my friend and author, Michael Kott, that send me this book after recommending it to me, as Ally Carter is one of his favourite authors, and he enjoyed this book as well. Check out his book Piasa - it is amazing!
Darren (1599 KP) rated All Between Us (2018) in Movies
Jun 20, 2019
Story: All Between Us starts as engaged couple Clara (Lawton) and Ray (Hooks) are hosting a diner party for family and friends to make their big announcement. Clara’s parents will be meeting Ray for the first time and Clara’s best friend Mishawn (Haddish) has started to settle down with Ty (Levatino).
As the night unfolds secrets have been coming out and now the mistakes of the past will come to life and will need to be worked through for the happiness of the people involved.
Thoughts on All Between Us
Characters – Clara is one of the hosts for the party, it is her family that will be attending the party with her big announcement, she must bring out the best in Ray for the first-time meeting, knowing her love can make him stronger. Ray is the fiancée of Clara a writer for profession that is nervous to meet his future parents-in-law knowing they are judgemental and already don’t approve of him. He spends the night getting verbal abuses from the family. Mishawn is Clara’s best friend, the one that knows the news she wants to tell and has turned her party ways into a more stable relationship with Ty. We have plenty of other characters are this party with Clara’s loud brother who has always been against most people and her judgemental father that spends the night putting Ray down. They all work for different moments in the film.
Performances – This is a great ensembled cast giving us strong performances throughout, the biggest known star is Tiffany Haddish after last years ‘Girls Trip’ who only gives us glimpses of the pure energy she bought to that film, she must take the back burner at times in this film. Denyce Lawton and Brian Hooks are great too, while Esau McGraw gives us a character we grow to dislike early.
Story – The story brings friends and family together for a couple’s announcement, with the whole story taking place over this one evening. This does give us a real-time feel with the story and the secrets coming out push relationships to limits. The story does keep things simple and each character does fit into a group even being individual enough. This is a story that could easily be a play too which is something I like to point out with this style of storytelling.
Comedy – The comedy in the film does work for the most part, the funniest moments do hit well, it is the small jokes that can sometimes miss. Freddy does get the most laughs, mostly for the wrong reasons because of his characters race related opinions.
Settings – The film takes place in one location, the apartment which plays out well because this is the only place we need to be for the events unfolding.
Scene of the Movie – Standing up to Mr Tillman.
That Moment That Annoyed Me – The over use of the N-word.
Final Thoughts – This is a wonderful ensembled cast performance, the solo night gives us the laughs we need and the truths show us how lives can be hiding something from everyone.
Overall: Enjoyable comedy.
https://moviesreview101.com/2018/05/14/all-between-us-2018/
As the night unfolds secrets have been coming out and now the mistakes of the past will come to life and will need to be worked through for the happiness of the people involved.
Thoughts on All Between Us
Characters – Clara is one of the hosts for the party, it is her family that will be attending the party with her big announcement, she must bring out the best in Ray for the first-time meeting, knowing her love can make him stronger. Ray is the fiancée of Clara a writer for profession that is nervous to meet his future parents-in-law knowing they are judgemental and already don’t approve of him. He spends the night getting verbal abuses from the family. Mishawn is Clara’s best friend, the one that knows the news she wants to tell and has turned her party ways into a more stable relationship with Ty. We have plenty of other characters are this party with Clara’s loud brother who has always been against most people and her judgemental father that spends the night putting Ray down. They all work for different moments in the film.
Performances – This is a great ensembled cast giving us strong performances throughout, the biggest known star is Tiffany Haddish after last years ‘Girls Trip’ who only gives us glimpses of the pure energy she bought to that film, she must take the back burner at times in this film. Denyce Lawton and Brian Hooks are great too, while Esau McGraw gives us a character we grow to dislike early.
Story – The story brings friends and family together for a couple’s announcement, with the whole story taking place over this one evening. This does give us a real-time feel with the story and the secrets coming out push relationships to limits. The story does keep things simple and each character does fit into a group even being individual enough. This is a story that could easily be a play too which is something I like to point out with this style of storytelling.
Comedy – The comedy in the film does work for the most part, the funniest moments do hit well, it is the small jokes that can sometimes miss. Freddy does get the most laughs, mostly for the wrong reasons because of his characters race related opinions.
Settings – The film takes place in one location, the apartment which plays out well because this is the only place we need to be for the events unfolding.
Scene of the Movie – Standing up to Mr Tillman.
That Moment That Annoyed Me – The over use of the N-word.
Final Thoughts – This is a wonderful ensembled cast performance, the solo night gives us the laughs we need and the truths show us how lives can be hiding something from everyone.
Overall: Enjoyable comedy.
https://moviesreview101.com/2018/05/14/all-between-us-2018/
Night Reader Reviews (683 KP) rated The Adventures of Pugalugs: The Beginning in Books
Jan 9, 2020
The Adventures of Pugalugs: The Beginning by Jessica Parish and with artwork by Helen Poole was amazing. This is the first in what the author hopes to be a set of over thirty books about a little pug puppy. These books are even based on a pugs real adventures. There are some Coming Soon titles on the inside of the book that I look forward to seeing because I have a lot of hope for this series.
Pugalugs is a pug puppy born in early November along with his brother and sister. Like many puppies he was so small he could fit in his owners hand when he was born. Most of the time Pugalugs spent his time cuddled up in a little bed with his siblings, all nice and warm, even if they did occasionally kick each other in the head. Then one day Pugalugs opens his eyes for the first time and the fun really begins.
He tries so many new things while exploring the seemingly huge house he lives in. While little puppies do sleep a lot he also tires puppy food for the first time and attempts to eat a slipper. He also slides across the kitchen floor and attempts to climb the staircase with his brothers help while his sister watches them. Then like all puppies (and children) do he imagines all the fun things he will be able to do outside when it is warm out and he is a little older and bigger.
What I like best is that the entire design is great for children. It contains a medium about of text on each page, but it is broken up into smaller sections. The bright, bold colors mixed with the simple artwork shows children exactly what the story is trying to tell them about without unnecessary details. The only thing I can think of to complain about regarding this book was the fact that two of the three puppies are the same color. Since one of these is the main character it may have been a good idea to give him a distinguishing characteristic besides saying that he is bigger than the other.
Toddlers who love animals, especially dogs will enjoy having this book read to them over and over again. It may also quickly become a favorite of the beginning reader. Adults will enjoy seeing their childrens reactions to the silly adventures of Pugalugs. With all that being said I rate this book a perfect 4 out of 4. Animals hold the attention of most children very well and this book takes full advantage of that. The story is so sweet while teaching children fun facts about puppies (such as being born with their eyes closed). It also may be interesting to note that both of my daughters, who I normally cant get to sit through the shortest book, sat with me until I finished reading the entire thing and then my oldest asked me to read it again. That alone is the best review I can give any book. Altogether this book is wonderful.
https://www.austinmacauley.com/book/adventures-pugalugs-beginning
https://nightreaderreviews.blogspot.com/2019/07/review-adventures-of-pugalugs-beginning.html
Pugalugs is a pug puppy born in early November along with his brother and sister. Like many puppies he was so small he could fit in his owners hand when he was born. Most of the time Pugalugs spent his time cuddled up in a little bed with his siblings, all nice and warm, even if they did occasionally kick each other in the head. Then one day Pugalugs opens his eyes for the first time and the fun really begins.
He tries so many new things while exploring the seemingly huge house he lives in. While little puppies do sleep a lot he also tires puppy food for the first time and attempts to eat a slipper. He also slides across the kitchen floor and attempts to climb the staircase with his brothers help while his sister watches them. Then like all puppies (and children) do he imagines all the fun things he will be able to do outside when it is warm out and he is a little older and bigger.
What I like best is that the entire design is great for children. It contains a medium about of text on each page, but it is broken up into smaller sections. The bright, bold colors mixed with the simple artwork shows children exactly what the story is trying to tell them about without unnecessary details. The only thing I can think of to complain about regarding this book was the fact that two of the three puppies are the same color. Since one of these is the main character it may have been a good idea to give him a distinguishing characteristic besides saying that he is bigger than the other.
Toddlers who love animals, especially dogs will enjoy having this book read to them over and over again. It may also quickly become a favorite of the beginning reader. Adults will enjoy seeing their childrens reactions to the silly adventures of Pugalugs. With all that being said I rate this book a perfect 4 out of 4. Animals hold the attention of most children very well and this book takes full advantage of that. The story is so sweet while teaching children fun facts about puppies (such as being born with their eyes closed). It also may be interesting to note that both of my daughters, who I normally cant get to sit through the shortest book, sat with me until I finished reading the entire thing and then my oldest asked me to read it again. That alone is the best review I can give any book. Altogether this book is wonderful.
https://www.austinmacauley.com/book/adventures-pugalugs-beginning
https://nightreaderreviews.blogspot.com/2019/07/review-adventures-of-pugalugs-beginning.html
The Ludicrous Laws of Old London
Book
London abounds with all manner of ludicrous laws, and not all of these curious statutes have been...
Phillip McSween (751 KP) rated Casino Royale (1967) in Movies
Jul 24, 2020
It Gets Real Bad
Here’s what Rotten Tomatoes has to say because I couldn’t begin to tell you what this shit-show is about: “This James Bond spoof features the hero coming out of retirement to attempt to fix some problems for SMERSH, while a multitude of other subplots unwind about the central figure.” Yeah, even RT was having trouble trying to figure out what the hell was going on with the 1967 Casino Royale. How bad is it? Well, let’s just say I just finished reading a list of the Top 100 Worst Movies of All Time and I was very surprised to not see this movie on there.
Acting: 10
The movie was bad, but I honestly can’t say that the acting was. These professionals had a job to do and they did it…more or less. While there’s no one performance that really stood out for me, I can definitely remember thinking that no one shit the bed at least.
Beginning: 6
This movie is weird through and through and the beginning is no exception. I will say there was some mild interest after the first ten minutes. I knew it was going to be different than the previous Bond movies, but I wasn’t sure if that was a good thing or not.
Characters: 8
In addition to solid acting, the characters weren’t all that bad either. Sure James Bond was way more lame than the usual guy we had come to know and love over the previous few movies. But throw in characters like the aloof Evelyn Tremble (Peter Sellers) and you’ve got a fun cast of characters that at least try to keep things interesting.
Cinematography/Visuals: 5
Casino Royale is shot like they were given the lowest budget imaginable. Everything feels extremely cheap and done with little to no effort. It is a far cry from the previous Bond movies that give you groundbreaking shots and decent special effects. This movie’s visuals are mediocre at best.
Conflict: 6
Entertainment Value: 3
It’s never a good sign when I have to stop watching a movie at night and continue on in the morning. When it’s good enough, I will stay up no matter how tired I am. This movie was bad enough to put me right to sleep. I scored it a 3 because it reached a point where my interest was piqued in just how bad things were going to get.
Memorability: 8
It’s bad sure…but boy is it unforgettable bad. With all the craziness that ensued, they made sure you would remember it a long time after watching it. And you know what? There’s a fun respectability that comes with that.
Pace: 1
Plot: 2
Resolution: 6
The best part about the end? It was the end.
Overall: 55
I wanted to watch all the Bond movies, including the stinkers. Casino Royale is easily one of the stinkers. But, with movies as it is with everything, you can’t know where you’re going unless you see where you’ve been.
Acting: 10
The movie was bad, but I honestly can’t say that the acting was. These professionals had a job to do and they did it…more or less. While there’s no one performance that really stood out for me, I can definitely remember thinking that no one shit the bed at least.
Beginning: 6
This movie is weird through and through and the beginning is no exception. I will say there was some mild interest after the first ten minutes. I knew it was going to be different than the previous Bond movies, but I wasn’t sure if that was a good thing or not.
Characters: 8
In addition to solid acting, the characters weren’t all that bad either. Sure James Bond was way more lame than the usual guy we had come to know and love over the previous few movies. But throw in characters like the aloof Evelyn Tremble (Peter Sellers) and you’ve got a fun cast of characters that at least try to keep things interesting.
Cinematography/Visuals: 5
Casino Royale is shot like they were given the lowest budget imaginable. Everything feels extremely cheap and done with little to no effort. It is a far cry from the previous Bond movies that give you groundbreaking shots and decent special effects. This movie’s visuals are mediocre at best.
Conflict: 6
Entertainment Value: 3
It’s never a good sign when I have to stop watching a movie at night and continue on in the morning. When it’s good enough, I will stay up no matter how tired I am. This movie was bad enough to put me right to sleep. I scored it a 3 because it reached a point where my interest was piqued in just how bad things were going to get.
Memorability: 8
It’s bad sure…but boy is it unforgettable bad. With all the craziness that ensued, they made sure you would remember it a long time after watching it. And you know what? There’s a fun respectability that comes with that.
Pace: 1
Plot: 2
Resolution: 6
The best part about the end? It was the end.
Overall: 55
I wanted to watch all the Bond movies, including the stinkers. Casino Royale is easily one of the stinkers. But, with movies as it is with everything, you can’t know where you’re going unless you see where you’ve been.
Johnny Marr recommended track Gimme Danger by Iggy And The Stooges in Michigan Palace, 10/6/73 by Iggy And The Stooges in Music (curated)
Erika (17789 KP) rated Shadow and Bone - Season 1 in TV
Jul 16, 2021
Shadow and Bone is based upon the popular Young Adult series, The Grisha Trilogy, which takes place in a steampunk-ish, Russian fantasy world at war. The story’s main character is Alina Starkov (Jessie Mei Li), an orphan who discovers she has some magical powers when she journeys into something called the Fold with her childhood friend Malyen, “Mal” (Archie Renaux), for short. The witches in this fantasy world are called Grisha and are trained to help with military operations for some king. The General of this witch army is Kirigan, played by Ben Barnes. There are also two other storylines, this group of kidnappers, and a Grisha that’s enslaved.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
Joe Goodhart (27 KP) rated Avengers West Coast: Darker than Scarlet in Books
Nov 30, 2020
I took advantage of some great Marvel sales on Comixology the end of last month. It was a great opportunity to revisit HOUSE OF M (which I had own the TPB of it when still owned the physical copies, instead of the digital ones I now favor). I bought that one, WCA: DARKER THAN SCARLET, X-MEN: DECIMATION - SON OF M, DECIMATION: HOUSE OF M - THE DAY AFTER, and AVENGERS: THE CHILDREN'S CRUSADE. I started WCA: DTS the end of last week, finishing it up today.
First, I just want to open with what a refreshing breath it was to return to late 1989 for this read. It was a simpler time, in which you could tell the villains from the heroes, where heroes actually did <b>good things</b> on account of, you know, them being heroes and all, and where villains committed actual <i>dirty deeds</i>! And it was also a time when Marvel still understood that publishing good comic books didn't mean dovetailing each and every event into another event six months later, followed by *another* event six months <after> the first two!
One of the big draws for this trade was getting to see John Byrne back when he was totally on his game (not that he has ever been off his game). Seriously, it was worth it just to see him draw the 'M' fam again: Magneto, Scarlet With and Quicksilver! So, so good! And best of all? The art was actually drawn on paper, with inks, no computer aiding at that point in comic publishing!
And while his style was somewhat different that Byrne's, Paul Ryan did an equally great job as the penciller for the remainder of the story's last three issues. I had forgotten how I much I had liked his art back in the day, stirring up fond memories of his run as penciller on IRON MAN, also in the late 80s. #goodtimes
In addition to handling the art chores, Byrne also provided the writing. Equally admirable is the way Roy Thomas, and his wife Dann, took over the writing beginning with Issue #60, providing a seamless transition from Byrne. Both writers provided a fun sense, even when the danger was mounting against them, of the Avengers.
So, as much as I loved this trade, I also feel the need to let you all know the dialogue at points felt a little clunky, maybe a little dated. However, it was nothing that took away from my overall enjoyment of this volume. At points where the dialogue didn't feel all that good, I just went and re-read it with names, or words, that fit better. Again, nothing that should diminish the fun factor here, unless you are one of <i>those kind</i> of comic readers!
In concluding, I just want to say this was a good read. It is especially important, perhaps even so far as dubbing it "required reading", before starting HOUSE OF M. In an age where the fun has diminished greatly in the superhero comics, it is good to have something like this to read, which helps us escape the "doom 'n goom" of this so un-fun era!
First, I just want to open with what a refreshing breath it was to return to late 1989 for this read. It was a simpler time, in which you could tell the villains from the heroes, where heroes actually did <b>good things</b> on account of, you know, them being heroes and all, and where villains committed actual <i>dirty deeds</i>! And it was also a time when Marvel still understood that publishing good comic books didn't mean dovetailing each and every event into another event six months later, followed by *another* event six months <after> the first two!
One of the big draws for this trade was getting to see John Byrne back when he was totally on his game (not that he has ever been off his game). Seriously, it was worth it just to see him draw the 'M' fam again: Magneto, Scarlet With and Quicksilver! So, so good! And best of all? The art was actually drawn on paper, with inks, no computer aiding at that point in comic publishing!
And while his style was somewhat different that Byrne's, Paul Ryan did an equally great job as the penciller for the remainder of the story's last three issues. I had forgotten how I much I had liked his art back in the day, stirring up fond memories of his run as penciller on IRON MAN, also in the late 80s. #goodtimes
In addition to handling the art chores, Byrne also provided the writing. Equally admirable is the way Roy Thomas, and his wife Dann, took over the writing beginning with Issue #60, providing a seamless transition from Byrne. Both writers provided a fun sense, even when the danger was mounting against them, of the Avengers.
So, as much as I loved this trade, I also feel the need to let you all know the dialogue at points felt a little clunky, maybe a little dated. However, it was nothing that took away from my overall enjoyment of this volume. At points where the dialogue didn't feel all that good, I just went and re-read it with names, or words, that fit better. Again, nothing that should diminish the fun factor here, unless you are one of <i>those kind</i> of comic readers!
In concluding, I just want to say this was a good read. It is especially important, perhaps even so far as dubbing it "required reading", before starting HOUSE OF M. In an age where the fun has diminished greatly in the superhero comics, it is good to have something like this to read, which helps us escape the "doom 'n goom" of this so un-fun era!
Lee (2222 KP) rated Greyhound (2020) in Movies
Sep 2, 2020
Snore...
Based on a C.S. Forester novel The Good Shepherd, and a screenplay by Mr Tom Hanks himself, Greyhound is the latest movie to feature Hanks in the role of brave Captain, returning once more to World War II territory. Any hopes that this might be a return to the grand heights of Saving Private Ryan though are soon laid to rest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.