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Demon Slayer: Kimetsu no Yaiba The Movie: Mugen Train (2020)
Demon Slayer: Kimetsu no Yaiba The Movie: Mugen Train (2020)
2020 | Action, Adventure, Animation, Fantasy, Horror
I will preface this by stating I have not watched the Demon Slayer show, nor did I read a synopsis of what had happened prior to the characters getting onto the Mugan Train. I wanted to see this film for two reasons, 1) It’s the largest grossing Anime of all time apparently, in Japan and 2) My Regal theater opened finally.
So obviously, as the title suggests, this takes place on a train. There are three main characters introduced, and I did look up their names, so I’m not insulting: Tanjirô (kid with a scar), Zenitsu (blond kid), and Inosuke (a kid that wears a boar mask…). They hop on this train, because apparently people keep going missing, and there’s a demon behind it. They come across this other warrior guy, named Kyôjurô (flame dude), and he’s pretty good at slaying these demons.
You can tell there’s something creepy occurring on this train, and it was quite atmospheric and suspenseful. Then, more nightmare fuel appeared, a disembodied hand that had eyeballs and this crazy set of teeth. So, there’s our demon. Our heroes get trapped in dreams and can’t wake. Obviously, our heroes do eventually wake up, but not before Tanjirô’s sister, Nezuko, hops out of the box that he carries on his back to help wake her bro up. Apparently, Nezuko is a demon and has to be kept in a box.
The majority of the time, I was so confused, but I still enjoyed the movie. The final battles are great, and the animation was great. I do plan on watching the anime now. If you are going to choose to watch this film, I recommend either watching the anime series first, or just go with it and enjoy it as much as you can.
  
A Quiet Place: Part II (2021)
A Quiet Place: Part II (2021)
2021 | Horror, Thriller
Y'all get scared too easily lmao. Let's not act like the first one was a genius piece of filmmaking or anything - it just had a solid premise you could wring a metric ton of mileage out of and wasn't afraid to provide lots of fun, goofy, intense thrills in an age of comically over-serious pity parties saturating the horror movie market. I really enjoyed it, but with its sequel the switch from horror/thriller to drama/thriller really took a toll imo. Because what made these work was never the characters, of which I honestly couldn't tell you a single name of nor more than one defining personality trait now two entries later - it was the gimmick, carried so efficiently by the marvelous performances at the forefront. Here the acting still rips (except for Blunt, who along with her character seems totally lost with nothing to do rather than just kind of awkwardly wing it) but the gimmick seems to just try and retrace the steps of the first movie while adding in a deathly simplistic, extraneous story since this one has no real clue what to do with itself... for some reason. And maybe it's just me but this one also looks so much worse. That all being said, this works best when it depicts moments of peace and/or normalcy being immediately brutalized by swift, sweeping violence - it knows exactly how to play them, that shit is *awesome*. Both times it lets these (admittedly kind of lamely designed) creatures wreak havoc on unsuspecting, populated areas it's a total riot. Also features a pretty neat three-way thriller sequence in the middle that's decently cool, too. A perfectly serviceable distraction.
  
From the Double Gone Chapel by Two Lone Swordsmen
From the Double Gone Chapel by Two Lone Swordsmen
2004 | Electronic, Pop
(0 Ratings)
Album Favorite

"This was the basis for the baseline in Sleaford Mods, fucking great stuff. Stuff like 'The Lurch'. They did a cover of the Gun Club's 'Sex Beat', that's great. Most of Weatherall's work is bass heavy, it's solo stuff. Wrong Meeting, the album that came after this, that's bass-led. There's a rockabilly feel to it. But with From The Double Gone Chapel it's 80s synths, bass, car alarms. The inner sleeve, which is just a coffee stain and a packet of Marlboro Lights next to it, that really influenced me. Same with Mike Skinner's sleeve where he's just sat in his flat with a pint, it's just fucking brilliant. That's how it is, he's not pretending to be anything. Those things merge, all of it is a big melting pot. I think I've hit it good with the albums that I have chosen for you as far as my contribution to Sleaford Mods. I mean, Andrew, whatever he makes, I go with. Initially, when we started doing Wank, the album before Austerity Dogs, I would have said to Andrew that I want a big heavy bass and I want a dusty Wu Tang thing. He took that on board and made it his own, then he would bring these slices of music to me and I thought the sound wasn't something I'd really go for, but it was quite good. I don't tell him anything any more, he just gets on with it. This the band I've been trying so hard to get into. I think we've been very lucky, regardless of the hard work and the shit me and Andrew went through, it was luck as well. I feel quite grateful that it happened to us."

Source
  
Friday the 13th Part V: A New Beginning (1985)
Friday the 13th Part V: A New Beginning (1985)
1985 | Horror
Part V of the Friday the 13th franchise is an absolute blast, and no one can tell me otherwise. Is it silly? Definitely. Does it go overboard with its goofy characters a little too often? Damn right it does (pretty sure someone gets called "a dildo" at one point) Are there better Friday films out there? Yes sir, but none of this stops the fact that Part V is a decent, entertaining, smack bang middle of the 80s slasher.

The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.

There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.

It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
  
I finished reading NEW X-MEN: CHILDHOOD'S END Vol 2 this afternoon. Wow! No, seriously, WOW! I thought the first volume had some drama going on, but this volume turned that drama up to eleven!

It's a brutal story, as the New X-Men have to struggle with trying to work as team as well as dealing with their teammates getting killed by Reverend Stryker. Humor is nowhere to be found in this story. From the opening pages' funeral for the "M-Day"/"mutant powers no more" students who perished at the end of the first volume, you can tell you're gonna have a storyline big on the feels!

For me, what really stood out for me was the way Laura Kinney's (X-23) was written, as well as the students' reactions to all the ensuing chaos. We can see some of the students starting to think of Laura as one of them, instead of just the token "weird, new kid". I am pleased with Marvel's decision to let Yost and Kyle handle this. Man, I miss GOOD editorial decisions, versus the ham-fisted ones being made of late!

Okay, I am already over-anxious, wanting to go read Vol. 3, as this story arc is like a loose tooth you gotta wiggle. Yes, it's very moody and sombre, but it should be, as this TPB features a hell of lot of death and destruction. Initially, I did not necessarily approve of the basis for the revived X-FORCE, but seeing what these poor kids went through, yeah, the world definitely called for a team that allowed for killing of the Big Bads.

In short, read this, but definitely read Vol. 1 first!

<b>RATING:</b> 5 out of 5 SNIKTS
  
The Hunt (2020)
The Hunt (2020)
2020 | Action, Horror, Thriller
In short, The Hunt is an action heavy, Battle Royale inspired semi-horror that attempts to satire political leanings, conspiracy theorists, keyboard warriors, and the rich elite.

The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!

It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.

The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
  
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Kim Pook (101 KP) rated Room (2015) in Movies

Oct 26, 2020  
Room (2015)
Room (2015)
2015 | Drama
Contains spoilers, click to show
A 5 year old Jack wakes up on his birthday next to his mum. It is clear that their life isn't great as they are in a dark and dingey room which includes a bed, bath, sink, oven and TV. Jack's own bed is the bottom of a closet.
It is soon evident that they must be held captive, as every night when Jack is in bed some guy comes in and has sex with his mum, but also brings her and Jack items. Jack and his mum also have a daily ritual of screaming through the vents to the outside world, which as far as Jack is concerned is to get the attention of aliens.
Jack's mum soon comes to the conclusion that they can't live like that forever and tries to tell Jack that there is more to the world than room but he refuses to believe her, after a day of fending for himself though he begins to believe her and mum can finally put her plan to escape into action with Jack's help.
I suppose you're wondering how on earth a 5 year old can help with an escape plan? You'll have to watch and see, but it's very interesting how it unfolds. It's also interesting watching the aftermath and despite the movie being called room, it doesn't all take place in room, which I initially thought it would.
Jack does come across as quite obnoxious but given the circumstances it's understandable, and I liked that it showed how a child probably would react in this situation rather than sugar coat it like many movies would do. The child actor gives a very good performance as does the mother. It's probably not a movie I would watch again but entertaining enough to keep me interested for a one time watch.
  
Fetching (Unleashed Romance #1)
Fetching (Unleashed Romance #1)
Kylie Gilmore | 2021 | Humor & Comedy, Romance
8
8.0 (1 Ratings)
Book Rating
There is steam a-plenty, but not ever so explicit
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

The man drove her nuts, making negative comments about her business! But Lord he was preety to look at. Wyatt has an opinion about everything, and it riles Sydney up no end. When Sydney finds out why he was sent to help, she ain't happy, not at all. She can't mis business and pleasure, can she?

I enjoyed this, a lot. I didn't love it though and I'll tell you why shortly.

I loved Sydney, I really did. She won't let Wyatt help, because it's HER business, it belongs to her family. She knows she needs help, she just doesn't want Wyatt's.

Wyatt is a bit more difficult to like, especially until we get his say. He really does rile Sydney up, and at points he riles ME up, but once we get into his head, his motivation becomes clear: Sydney could well be the one for him to fix the heart that was broken 3 years ago.

There is steam a-plenty, but not ever so explicit. As much as I enjoy the down and oh-so-dirty books, sometimes, it's not needed.

You can see what's gonna happen when Sydney finds out what Wyatt does like a train wreck you can't stop, but I do like that.

Why not loved it? Simple. First person. Present tense. AND multi point of view. Quite possibly my trifecta of hell BUT I am trying to give books written as such a chance, and I'm glad I did with this one.

A thoroughly enjoyable read.

4 solid stars

**same worded review will appear elsewhere**
  
The Wild Thornberrys Movie (2002)
The Wild Thornberrys Movie (2002)
2002 | Animation, Family
10
9.2 (6 Ratings)
Movie Rating
The Thornberry's were the ultimate family goals. I wanted to be Eliza when I grew up. This film is very close to my heart.

The Thornberry's are a family that travel the world while the parents film their nature documentary.

In the tv series, Eliza, the youngest daughter, saves a warthog who was actually a shaman in disguise. For saving him, he grants Eliza the power to talk to animals but she can't tell another human about her powers.

Along the way, she finds Darwin, a chimpanzee, who quickly becomes her best friend and ends up living and traveling with the family.

In the film, while they are in Africa, Eliza is playing with three cheetah cubs she knows. While playing, one of the cubs, Tally, is taken by poachers. Eliza tries to get Tally from the poachers, who are in a helicopter but they cut the rope ladder and Eliza falls (fortunately safely, onto the family's RV).

Eliza blames herself for all of it and as the film goes on, Eliza does everything in her path to save Tally.

This film was made in 2002 and today is still so important. The storyline shows how important it is to protect our wildlife, no matter what country you live in, and to stop poachers.

I first watched this film as a kid, watching it countless times through my childhood. Watching it now as an adult was a whole new experience. You can appreciate the maturity of the storyline and even though I haven't watched the film in years, it's a film that has stuck with me. Even now, while rewatching it, I could still remember every detail, just this time I truly felt the story.

And yes, I cried. Sad tears and happy tears
  
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Erika (17788 KP) rated Phasma in Books

Jul 11, 2019 (Updated Jul 11, 2019)  
Phasma
Phasma
Delilah S. Dawson | 2017 | Science Fiction/Fantasy
1
6.4 (5 Ratings)
Book Rating
The last chapter (0 more)
I was pumped to read more about Phasma, after Rian Johnson did her character dirty (well, he did every character dirty in TLJ). Luckily for me, I had read the 4 issue comic run from Kelly Thompson. Protip: Read Thompson's Phasma run and skip this novel.
Firstly, this novel was not told from Phasma's point of view until the last chapter. The story is coming out to Cardinal, a Captain in the First Order that wears red armor (didn't know cardinals or chickens existed in the SW universe), from a Resistance spy, Vi. Basically, dude is jelly that he was technically demoted when Phasma arrived to the First Order. Vi rambles on the story of Phasma from the character Siv, who was a member of Phasma's band of warriors. Guess what? Phasma's from a backwater planet, color me shocked. All of the characters were bland, boring, and unlikable. I was done with the book when Siv revealed that she was pregnant, and kept rambling on about the baby and crap. Unless the baby was Rey, no one cares. Where was the editor? Also, the going on and on about how different the accents were between Brendol Hux/the First Order people and the warriors from the hell planet was so annoying.
The story was predictable, and boring. The option to tell the story of Phasma with 2 degrees of separation was ineffectual. This makes me leery about reading any other SW novel by this author. I was going to purchase Black Spire, but I'm definitely just going to get it at the library. So, not only did TLJ do Phasma a disservice, so did this novel. This is definitely one of the worst books in the new canon.