Search
Search results
Zero Sugar Diet
David Zinczenko and Stephen Perrine
Book
NEW YORK TIMES BESTSELLER • Lose up to a pound a day and curb your craving for sweets with...
Health food
Daily App Advice (Formerly top APPS GONE FREE)
News and Reference
7.0
Rate It
App
Don’t you wish you had a trusty pal to tell you all about the coolest free apps, the best Apple...
FreeApps
Sky Live ™ - Clear Dark Nights & Heavens Above
Education and Reference
App
Sky Live is a great app for planning the star observations and for making gorgeous photos of the...
Remote DSLR Camera Control - Shoot with Sound and Automatic Trigger
Photo & Video and Utilities
App
Snap your fingers and control your CANON EOS or NIKON DSLR camera remotely from your iPhone or iPod...
Between the Stops: The View of My Life from the Top of the Number 12 Bus
5.0
Rate It
Book
This long-awaited memoir from one of Britain's best-loved celebrities - a writer, broadcaster,...
Bob Mann (459 KP) rated Star Trek (2009) in Movies
Sep 28, 2021
As Leonard Nimoy says on the “making of” featurette, few directors can successfully deliver both ‘action’ and ’emotion’ in the same film, but J.J. Abrams can do. You can tell that he loved the original series, and adds both energy and ‘fan-friendly’ easter eggs into the movie:
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.
ClareR (5950 KP) rated The Dictator’s Wife in Books
Mar 8, 2022
The Dictator’s Wife drew me in from the first page. I was utterly gripped by this claustrophobic-feeling story about the wife of a deposed (and dead) dictator.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
The Gangster's Guide to Sobriety
Book
As seen on Good Morning America A darkly humorous and inspiring first-person account of the...
true crime biography self-help
Debbiereadsbook (1487 KP) rated One Step Sideways (Enhanced World Security #1) in Books
Apr 1, 2025
daark and deadly!
Independent reviewer for GRR, I was gifted my copy of this book.
This is a spin off from The Enhanced Wordl series, and you really do need to have some understanding of what it means to be Enhanced and how they are treated to fully appreciate this book. I will be honest, I did not read books 6 and 7 from the main series. I don't I missed anything, but I did read books 1 through 5.
Kane was jailed at 16 for shooting a dog. But no one saw any other scars, just the one on his face. When he is released 17 years later, Diesel Rawlings collects him and offers him a job. Danny was a medic with Rawlings. He suffered at the hands of the enemy. He can't baby sit an ex con, especially one who did what he did. But not all is as it appears, and Danny and Kane must work together to find the missing teenagers.
Like I said, I did not read books 6 and 7 of the main series, I can't rememeber why I didn't, but I absolutely LOVED this revisit to this world and the men in it!
Both Kane and Danny suffered, and I felt for them, deeply. When both men fully open up to the other, I cried, I really did!
I'm not going to go too much into the plot, cos spoilers, but things did not go how I was expecting them to, and I have no idea WHAT I was expecting! My book brain is a fickle place sometimes!
It's dark, though, that suffering both men talk. Not a easy read, I tell ya, and I have no triggers.
It's full of love though! Once Danny and Kane get their act together, it was brilliant. Not especially explicit, but I don't think it was needed. Again, that suffering pops up all the time.
The guys from the main books are talked about, but do not take part here. I would have liked them to, but I didn't miss that they weren't. Does that make sense? I think I'm just greedy!
And that epilogue?? Oh well played there Ms Sue, very VERY well played! Bawling my eyes out, I was!
I can't give it anything other than. . . .
5 full and shiny stars! (and I might just go back now, and read books 6 and 7!)
*same worded review will appear elsewhere
This is a spin off from The Enhanced Wordl series, and you really do need to have some understanding of what it means to be Enhanced and how they are treated to fully appreciate this book. I will be honest, I did not read books 6 and 7 from the main series. I don't I missed anything, but I did read books 1 through 5.
Kane was jailed at 16 for shooting a dog. But no one saw any other scars, just the one on his face. When he is released 17 years later, Diesel Rawlings collects him and offers him a job. Danny was a medic with Rawlings. He suffered at the hands of the enemy. He can't baby sit an ex con, especially one who did what he did. But not all is as it appears, and Danny and Kane must work together to find the missing teenagers.
Like I said, I did not read books 6 and 7 of the main series, I can't rememeber why I didn't, but I absolutely LOVED this revisit to this world and the men in it!
Both Kane and Danny suffered, and I felt for them, deeply. When both men fully open up to the other, I cried, I really did!
I'm not going to go too much into the plot, cos spoilers, but things did not go how I was expecting them to, and I have no idea WHAT I was expecting! My book brain is a fickle place sometimes!
It's dark, though, that suffering both men talk. Not a easy read, I tell ya, and I have no triggers.
It's full of love though! Once Danny and Kane get their act together, it was brilliant. Not especially explicit, but I don't think it was needed. Again, that suffering pops up all the time.
The guys from the main books are talked about, but do not take part here. I would have liked them to, but I didn't miss that they weren't. Does that make sense? I think I'm just greedy!
And that epilogue?? Oh well played there Ms Sue, very VERY well played! Bawling my eyes out, I was!
I can't give it anything other than. . . .
5 full and shiny stars! (and I might just go back now, and read books 6 and 7!)
*same worded review will appear elsewhere