Search
Search results
Daily App Advice (Formerly top APPS GONE FREE)
News and Reference
7.0
Rate It
App
Don’t you wish you had a trusty pal to tell you all about the coolest free apps, the best Apple...
FreeApps
Sky Live ™ - Clear Dark Nights & Heavens Above
Education and Reference
App
Sky Live is a great app for planning the star observations and for making gorgeous photos of the...
Remote DSLR Camera Control - Shoot with Sound and Automatic Trigger
Photo & Video and Utilities
App
Snap your fingers and control your CANON EOS or NIKON DSLR camera remotely from your iPhone or iPod...
Between the Stops: The View of My Life from the Top of the Number 12 Bus
5.0
Rate It
Book
This long-awaited memoir from one of Britain's best-loved celebrities - a writer, broadcaster,...
Bob Mann (459 KP) rated Star Trek (2009) in Movies
Sep 28, 2021
As Leonard Nimoy says on the “making of” featurette, few directors can successfully deliver both ‘action’ and ’emotion’ in the same film, but J.J. Abrams can do. You can tell that he loved the original series, and adds both energy and ‘fan-friendly’ easter eggs into the movie:
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.
ClareR (6091 KP) rated The Dictator’s Wife in Books
Mar 8, 2022
The Dictator’s Wife drew me in from the first page. I was utterly gripped by this claustrophobic-feeling story about the wife of a deposed (and dead) dictator.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
The Gangster's Guide to Sobriety
Book
As seen on Good Morning America A darkly humorous and inspiring first-person account of the...
true crime biography self-help
Debbiereadsbook (1669 KP) rated Falling for my Ex's Twin (Falling For You #2) in Books
Feb 18, 2026
Loved that Jimmy gave Flynn that time!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Falling for You series. I have not read book 1, Falling for the Professor. As far as I can tell, that book sort of runs alongside this one and so I don't think it matters if you read that one or not. I want to now go back and read that book, because Angus plays a part here and you can pick things up as you go along.
Flynn moves to Leeds to get away from his ex, after their marriage ends. He knows that Jimmy, the ex's twin brother is at uni in Leeds but he never expected to reconnect. Because Jimmy hates Flynn, right?? One drunken night later, and Flynn is questioning everything he thought he knew about Jimmy and the ex' Billy.
I loved this!!
It's wonderful, it really is. A different take on the "my ex's brother" theme and I loved how it was delivered.
Jimmy is VERY different from his brother, Billy. And Flynn realises that quickly. But Flynn loved Billy and still does, and his feelings for Jimmy are confusing him greatly. I loved that Jimmy is patient, he has been waiting for Flynn for years. He knows that Flynn needs time to work through his feelings and emotions about everything and he will wait.
I loved that Jimmy gave Flynn that time. Flynn is trying to come to terms with the end of his marriage, but when others point out how Billy treated him, it makes Flynn think. When you are in that sort of relationship, you really do not see what's happening but after? The red flags are all there. And Flynn needs to come to terms with what Billy did to him.
But when Billy finds out?? The man takes it to the next level and Flynn's blinkers are left in the dust and he can see things much more clearly.
I loved that Jimmy's parents were happy for Flynn and Jimmy. They saw them together years ago, before Billy, so they were really pleased by it all.
AND!!
First person, present tense and multi POV! And I loved it! Maybe I'm getting over my dislike of books written this way, I didn't even notice til I was writing this review and filing it. SO, very well played!
5 full and shiny stars
This is book 2 in the Falling for You series. I have not read book 1, Falling for the Professor. As far as I can tell, that book sort of runs alongside this one and so I don't think it matters if you read that one or not. I want to now go back and read that book, because Angus plays a part here and you can pick things up as you go along.
Flynn moves to Leeds to get away from his ex, after their marriage ends. He knows that Jimmy, the ex's twin brother is at uni in Leeds but he never expected to reconnect. Because Jimmy hates Flynn, right?? One drunken night later, and Flynn is questioning everything he thought he knew about Jimmy and the ex' Billy.
I loved this!!
It's wonderful, it really is. A different take on the "my ex's brother" theme and I loved how it was delivered.
Jimmy is VERY different from his brother, Billy. And Flynn realises that quickly. But Flynn loved Billy and still does, and his feelings for Jimmy are confusing him greatly. I loved that Jimmy is patient, he has been waiting for Flynn for years. He knows that Flynn needs time to work through his feelings and emotions about everything and he will wait.
I loved that Jimmy gave Flynn that time. Flynn is trying to come to terms with the end of his marriage, but when others point out how Billy treated him, it makes Flynn think. When you are in that sort of relationship, you really do not see what's happening but after? The red flags are all there. And Flynn needs to come to terms with what Billy did to him.
But when Billy finds out?? The man takes it to the next level and Flynn's blinkers are left in the dust and he can see things much more clearly.
I loved that Jimmy's parents were happy for Flynn and Jimmy. They saw them together years ago, before Billy, so they were really pleased by it all.
AND!!
First person, present tense and multi POV! And I loved it! Maybe I'm getting over my dislike of books written this way, I didn't even notice til I was writing this review and filing it. SO, very well played!
5 full and shiny stars
Fixer: a Hidden Wolves prequel
8.0
Rate It
Book
Wade When my little brother was fifteen, he kissed a boy. Someone from our werewolf pack saw him...
Historical Paranormal MM Romance