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Becs (244 KP) rated Marrow Charm in Books
Dec 20, 2019
Dark and magical!!
Trigger Warnings: cannibalism, death, murder, gore, slavery, injury, abduction, absent parent(s), death of a parent(s), manipulation, violence
I was honestly surprised that I ended up loving this novel as much as I did. I had extremely high expectations for it and IT. DELIVERED. When I first picked it up, it took a good minute to actually get into the story. But once it clicked into place, I was devouring Marrow Charm with a thirst. It is heart-wrenching, action packed, enemies to lovers (kinda, a girl can dream), dark and oh so magical!
Marrow Charm follows a morally gray heroine, Azzy Brimvine in a world destroyed by magic. The magic plaguing the lands caused humans to retreat underground. But every so often, magical borne plagues will wipe out masses of human cities. These plagues create aberrations by striking those with magic. When Azzy’s brother is infected, she sets out with her mentor to the Above determined to save him. But, the world in the Above is not all gum drops and unicorns. It is plagued with monsters and humans, wild and cunning. Azzy must brave the perils that litter the Above to reach her brother before the Gate is opened.
Marrow Charm is a bit slow in the begin, but as you continue on it does pick up quite quickly. Once you hit that sweet spot though, your attention is gripped to the point where you don’t even want to put the book down because you are just enthralled in the complex world and characters. I would say the book starts picking up a few chapters in. This could also be a me only thing as I was slumping a bit when I started Marrow Charm, and we all know how slumps can ruin a book!
I was enthralled with not only the characters and their stories, but also the world. Kristin’s writing style is eloquent and breathtaking, and they included a couple of different themes throughout the story! Such as, family and friendship. It was really nice to see both of these take place when the main character had such a life of hardship. And don’t get me started on the complexity of the characters and world!
The characters are written in a way that draws the reader to them but they are also realistic in a way where their actions and thoughts are extremely relatable. This was really interesting to experience when reading, as I was not expecting to enjoy the characters as much as I did. The complexity of the world was also something that surprised me! There was no clear “good-side” or “bad-side” and the descriptions of everything was extremely well-done! You can tell that there is a higher, dark presence that is interwoven into the world but what it is, is unknown. Even at the ending of the novel. This was kind of a bummer, as I wanted to know what that presence was. But it also set it up nicely for book two: Skin Curse.
I can’t gush about Marrow Charm enough! It’s seriously one of my top books of the year and I can’t stop recommending it to everyone. If you are a fan of dark tales with fantasy and magical elements but also a hint of realism, then this is the book for you! But be warned, it does read ‘heavy.’ In the end though, the ‘heavy’ presence makes sense.
You can also find this review on my blog: bookingwayreads.wordpress.com
I was honestly surprised that I ended up loving this novel as much as I did. I had extremely high expectations for it and IT. DELIVERED. When I first picked it up, it took a good minute to actually get into the story. But once it clicked into place, I was devouring Marrow Charm with a thirst. It is heart-wrenching, action packed, enemies to lovers (kinda, a girl can dream), dark and oh so magical!
Marrow Charm follows a morally gray heroine, Azzy Brimvine in a world destroyed by magic. The magic plaguing the lands caused humans to retreat underground. But every so often, magical borne plagues will wipe out masses of human cities. These plagues create aberrations by striking those with magic. When Azzy’s brother is infected, she sets out with her mentor to the Above determined to save him. But, the world in the Above is not all gum drops and unicorns. It is plagued with monsters and humans, wild and cunning. Azzy must brave the perils that litter the Above to reach her brother before the Gate is opened.
Marrow Charm is a bit slow in the begin, but as you continue on it does pick up quite quickly. Once you hit that sweet spot though, your attention is gripped to the point where you don’t even want to put the book down because you are just enthralled in the complex world and characters. I would say the book starts picking up a few chapters in. This could also be a me only thing as I was slumping a bit when I started Marrow Charm, and we all know how slumps can ruin a book!
I was enthralled with not only the characters and their stories, but also the world. Kristin’s writing style is eloquent and breathtaking, and they included a couple of different themes throughout the story! Such as, family and friendship. It was really nice to see both of these take place when the main character had such a life of hardship. And don’t get me started on the complexity of the characters and world!
The characters are written in a way that draws the reader to them but they are also realistic in a way where their actions and thoughts are extremely relatable. This was really interesting to experience when reading, as I was not expecting to enjoy the characters as much as I did. The complexity of the world was also something that surprised me! There was no clear “good-side” or “bad-side” and the descriptions of everything was extremely well-done! You can tell that there is a higher, dark presence that is interwoven into the world but what it is, is unknown. Even at the ending of the novel. This was kind of a bummer, as I wanted to know what that presence was. But it also set it up nicely for book two: Skin Curse.
I can’t gush about Marrow Charm enough! It’s seriously one of my top books of the year and I can’t stop recommending it to everyone. If you are a fan of dark tales with fantasy and magical elements but also a hint of realism, then this is the book for you! But be warned, it does read ‘heavy.’ In the end though, the ‘heavy’ presence makes sense.
You can also find this review on my blog: bookingwayreads.wordpress.com
Sophia (Bookwyrming Thoughts) (530 KP) rated A Faerie's Revenge in Books
Jan 23, 2020
ARC provided by the author.
Original Rating: 4.5 out of 5
This review and more can be found at <a href="http://www.bookwyrmingthoughts.com/2015/11/arc-review-a-faeries-revenge-by-rachel-morgan.html">Bookwyrming Thoughts</a>
All formatting is lost.
The fifth book in Rachel Morgan's Creepy Hollow series just further proves books four and beyond (however long this one will last) are so much better than the first three books. After the daytime drama-like ending Morgan leaves us back in A Faerie's Secret, we're brought straight back to Creepy Hollow to find Calla Larkenwood in a pretty miserable and "I don't give a care but I'm going to act like I do" state.
My mother watches too much Days of Our Lives (and Dateline). Lupe and I say it just makes her more overprotective because she thinks it's based off of real events. (Dateline is. Days of Our Lives probably is, but it's most likely exaggerated.)
However, by the end of the book, I find I like Calla as a character far more than I ever liked Violet. Calla is like Violet in a lot of ways (have I mentioned this when I reviewed the fourth book?) she's ambitious and kicks faerie butt, but I feel she's more well-rounded than Violet (not that Violet wasn't well-rounded). Calla's afraid of a little thing like claustrophobia, while Violet is completely fearless. To be honest, I don't think I even remember Violet ever being afraid of anything (aside from losing her loved ones), and here's Calla, squeaking over narrow spaces. More things, bad things, happen to Calla, and I absolutely love it.
I know. You must be worried about me now. You'll have to line up behind my mom and Lupe and a few other people who know me very well, which turns out to be very few.
I also find that I miss Oryn so much from the first three books because he just goes straight to the point (and he made things entertaining).
<blockquote>The awkward moment in which I discover that both my wife and my sister have made out with the same guy.</blockquote>
Of course, by books four and five, most of the characters from the first three are pretty much just starting their future with sparkling baby faeries (I imagine them to be much more adorable). Meanwhile, Calla is still getting treated poorly by her trainer (who is really just playing favoritism possibly due to jealousy) and getting flashbacks/nightmares in the midst of dreams from Gaius trying to tell her something.
And murder. Lovely, lovely murder where Calla gets framed and accused for it. It's also by this point where Calla is confronted with the question, as Oryn so fabulously points out, "Why did you really want to join the guild? The guild, or the representation?" (See? He gets straight to the point.)
But in a nutshell, A Faerie's Revenge is really just revenge of the past something that happened ten years ago and that person wants everyone to pay. How that person will do it (and how Calla is connected) is currently unknown, but it's official: you'll definitely want to read the first three books or you'll be spoiled and possibly lost.
<blockquote>Maybe theres no such thing as good guys and bad guys after all. Not when the good guys fail to see whats wrong, and the bad guys are the ones who end up helping you.</blockquote>
Original Rating: 4.5 out of 5
This review and more can be found at <a href="http://www.bookwyrmingthoughts.com/2015/11/arc-review-a-faeries-revenge-by-rachel-morgan.html">Bookwyrming Thoughts</a>
All formatting is lost.
The fifth book in Rachel Morgan's Creepy Hollow series just further proves books four and beyond (however long this one will last) are so much better than the first three books. After the daytime drama-like ending Morgan leaves us back in A Faerie's Secret, we're brought straight back to Creepy Hollow to find Calla Larkenwood in a pretty miserable and "I don't give a care but I'm going to act like I do" state.
My mother watches too much Days of Our Lives (and Dateline). Lupe and I say it just makes her more overprotective because she thinks it's based off of real events. (Dateline is. Days of Our Lives probably is, but it's most likely exaggerated.)
However, by the end of the book, I find I like Calla as a character far more than I ever liked Violet. Calla is like Violet in a lot of ways (have I mentioned this when I reviewed the fourth book?) she's ambitious and kicks faerie butt, but I feel she's more well-rounded than Violet (not that Violet wasn't well-rounded). Calla's afraid of a little thing like claustrophobia, while Violet is completely fearless. To be honest, I don't think I even remember Violet ever being afraid of anything (aside from losing her loved ones), and here's Calla, squeaking over narrow spaces. More things, bad things, happen to Calla, and I absolutely love it.
I know. You must be worried about me now. You'll have to line up behind my mom and Lupe and a few other people who know me very well, which turns out to be very few.
I also find that I miss Oryn so much from the first three books because he just goes straight to the point (and he made things entertaining).
<blockquote>The awkward moment in which I discover that both my wife and my sister have made out with the same guy.</blockquote>
Of course, by books four and five, most of the characters from the first three are pretty much just starting their future with sparkling baby faeries (I imagine them to be much more adorable). Meanwhile, Calla is still getting treated poorly by her trainer (who is really just playing favoritism possibly due to jealousy) and getting flashbacks/nightmares in the midst of dreams from Gaius trying to tell her something.
And murder. Lovely, lovely murder where Calla gets framed and accused for it. It's also by this point where Calla is confronted with the question, as Oryn so fabulously points out, "Why did you really want to join the guild? The guild, or the representation?" (See? He gets straight to the point.)
But in a nutshell, A Faerie's Revenge is really just revenge of the past something that happened ten years ago and that person wants everyone to pay. How that person will do it (and how Calla is connected) is currently unknown, but it's official: you'll definitely want to read the first three books or you'll be spoiled and possibly lost.
<blockquote>Maybe theres no such thing as good guys and bad guys after all. Not when the good guys fail to see whats wrong, and the bad guys are the ones who end up helping you.</blockquote>
Phillip McSween (751 KP) rated Ultraviolet (2006) in Movies
Jan 23, 2020
Begins Like it Ends: Terribly
A powerful woman fights to save a kid who was meant to die. I actually went to see Ultraviolet In theaters when it first came out with one of my closest friends. Sixteen minutes into the movie, he walked out to the screen next door to watch Dave Chappelle’s Block Party. Yes, it is that bad and, honestly, I’m surprised he even lasted that long. What’s my excuse? I don’t know, I’m guess I’m a glutton for bad-movie punishment. I paid the dime so I was forcing myself to do the time.
Acting: 0
Beginning: 3
No, it doesn’t take sixteen minutes to decide this movie is horrible. It’s really more like ten. The beginning sets the movie up in no particularly clever way. It explains the laughable Blood Wars and tries to get you to care about the main character. I’m currently watching it right now and the nose plugs alone are killing me. You’ll understand that reference if you decide to take the awful journey that is this movie.
Characters: 5
Cinematography/Visuals: 2
During the making of this, someone actually presented the idea, “So how cool would it be if the main character could change outfits on the spots like three times in every scene?” The worst part is, someone actually agreed with that dunderhead. The outfits are only a smidge of what makes the cinematics so bad. The special effects are a nightmare which bog down the actions scenes. The world itself is so cardboard that you feel like a backdrop will fall down at any moment. I really don’t know what the angle was here.
Conflict: 3
Every single bodyguard in this world should be fired. I really don’t think the main character gets touched the entire movie as she tears through people left and right. My annoyance level was through the roof with the weak action sequences from start to finish. They were focused too much on making things look cool than they were having actual scenes with meat.
Entertainment Value: 3
After you get done cringing at how bad this movie is, you will finally settle in. You might just have a laugh or two at how utterly ridiculous and stupid this movie is. That, to me, is worthy of a 3.
Memorability: 4
Pace: 3
At one point during the movie, when they had a chance to dive full into more action, they decide instead to have a sequence where the main character and the boy she is protecting stop to play at a playground. This should tell you all you need to know about how slow this movie moves. The fact that you really don’t understand what’s happening the entire movie only serves to make things even worse. Nightmare.
Plot: 5
I am being very generous. I will admit I do have a soft spot in my heart for sci-fi as I feel there are a lot of moving parts with character building and world creation. With Ultraviolet, it’s not just bad sci-fi, it’s bad PERIOD.
Resolution: 4
Overall: 32
I will leave you with this: Sitting through this movie will make you a dumber person. That is all.
Acting: 0
Beginning: 3
No, it doesn’t take sixteen minutes to decide this movie is horrible. It’s really more like ten. The beginning sets the movie up in no particularly clever way. It explains the laughable Blood Wars and tries to get you to care about the main character. I’m currently watching it right now and the nose plugs alone are killing me. You’ll understand that reference if you decide to take the awful journey that is this movie.
Characters: 5
Cinematography/Visuals: 2
During the making of this, someone actually presented the idea, “So how cool would it be if the main character could change outfits on the spots like three times in every scene?” The worst part is, someone actually agreed with that dunderhead. The outfits are only a smidge of what makes the cinematics so bad. The special effects are a nightmare which bog down the actions scenes. The world itself is so cardboard that you feel like a backdrop will fall down at any moment. I really don’t know what the angle was here.
Conflict: 3
Every single bodyguard in this world should be fired. I really don’t think the main character gets touched the entire movie as she tears through people left and right. My annoyance level was through the roof with the weak action sequences from start to finish. They were focused too much on making things look cool than they were having actual scenes with meat.
Entertainment Value: 3
After you get done cringing at how bad this movie is, you will finally settle in. You might just have a laugh or two at how utterly ridiculous and stupid this movie is. That, to me, is worthy of a 3.
Memorability: 4
Pace: 3
At one point during the movie, when they had a chance to dive full into more action, they decide instead to have a sequence where the main character and the boy she is protecting stop to play at a playground. This should tell you all you need to know about how slow this movie moves. The fact that you really don’t understand what’s happening the entire movie only serves to make things even worse. Nightmare.
Plot: 5
I am being very generous. I will admit I do have a soft spot in my heart for sci-fi as I feel there are a lot of moving parts with character building and world creation. With Ultraviolet, it’s not just bad sci-fi, it’s bad PERIOD.
Resolution: 4
Overall: 32
I will leave you with this: Sitting through this movie will make you a dumber person. That is all.
Gareth von Kallenbach (980 KP) rated Nerve (2016) in Movies
Aug 6, 2019
I walked into Nerve expecting it to be a teenage version of the morose 2014 horror/thriller 13 Sins. While similar in premise, 13 Sins is dark and sinister, while Nerve is something different all together. Based on the 2012 young adult novel by the same name, Nerve is a story about an unassuming high school senior who decides to challenge her own comfort zone by playing an online reality game of where “watchers” (Like Facebook Followers) offer up various “Dare’s” for players to complete which nets them money. The more “watchers” players gain, the bigger the possible rewards, but at what cost?
Nerve feels like its two movies in one. For the first two acts, Nerve is a young adult/teen film where we follow Vee (Emma Roberts) as she breaks free from her unassertive personality that has her in the background among her friends and afraid to tell her family where she wants to go to college. She is a good kid, but too timid to go after anything she really wants. Instead through the challenges of the game Nerve, she gains confidence in herself as she becomes involved with another Nerve player Ian (Dave Franco). Together, along with a fast paced uplifting soundtrack, we are taken on a fun and entertaining ride where you cannot help but care about these two and wonder what you would do in their situation.
Roberts and Franco are likable in their roles and they lead a stellar young cast who are all realistic in their youthful portrayal. Not too surprising because they are actually young actors, but it is important to note that the cast feels “real,” which helps sell the believability that a game like “Nerve” could actually exist in our world. Especially in a world where we are glued to our phones, tablets and computers in order to be the “star of our own lives” through the instant gratification of social media. Along with the recent emergence of the popularity of augmented reality games like Pokémon Go, it is conceivable that a game like Nerve could exist in our near future.
But this is where the film starts to fall apart. In the third act, the film hastily transitions into a social commentary of the anonymity of the internet, mob think and what we are willing to share online. While I understand this is a message that seem appropriate a story like this, that message would have been better served in a sinister film like the aforementioned, 13 Sins, and not in a movie which up to that point, felt that it was headed towards being an inspiring and uplifting film. It doesn’t help that the resolution of that social commentary was comical in its execution that completely pulls you out of the film. It was an unnecessary turn that wanted us to focus on the game Nerve rather than the characters the story made us care about. It’s a shame really because up until that point, the film Nerve was fun, enjoyable and inspiring, only to fall apart for no real reason other than to make a weak attempt at being something more than a teen movie.
I am sure the young adult/teenage audience this film is marketed towards will enjoy Nerve, but this film is really more of a rental or at most, a matinee.
Nerve feels like its two movies in one. For the first two acts, Nerve is a young adult/teen film where we follow Vee (Emma Roberts) as she breaks free from her unassertive personality that has her in the background among her friends and afraid to tell her family where she wants to go to college. She is a good kid, but too timid to go after anything she really wants. Instead through the challenges of the game Nerve, she gains confidence in herself as she becomes involved with another Nerve player Ian (Dave Franco). Together, along with a fast paced uplifting soundtrack, we are taken on a fun and entertaining ride where you cannot help but care about these two and wonder what you would do in their situation.
Roberts and Franco are likable in their roles and they lead a stellar young cast who are all realistic in their youthful portrayal. Not too surprising because they are actually young actors, but it is important to note that the cast feels “real,” which helps sell the believability that a game like “Nerve” could actually exist in our world. Especially in a world where we are glued to our phones, tablets and computers in order to be the “star of our own lives” through the instant gratification of social media. Along with the recent emergence of the popularity of augmented reality games like Pokémon Go, it is conceivable that a game like Nerve could exist in our near future.
But this is where the film starts to fall apart. In the third act, the film hastily transitions into a social commentary of the anonymity of the internet, mob think and what we are willing to share online. While I understand this is a message that seem appropriate a story like this, that message would have been better served in a sinister film like the aforementioned, 13 Sins, and not in a movie which up to that point, felt that it was headed towards being an inspiring and uplifting film. It doesn’t help that the resolution of that social commentary was comical in its execution that completely pulls you out of the film. It was an unnecessary turn that wanted us to focus on the game Nerve rather than the characters the story made us care about. It’s a shame really because up until that point, the film Nerve was fun, enjoyable and inspiring, only to fall apart for no real reason other than to make a weak attempt at being something more than a teen movie.
I am sure the young adult/teenage audience this film is marketed towards will enjoy Nerve, but this film is really more of a rental or at most, a matinee.
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Kristy H (1252 KP) rated Saving Ruby King in Books
Jun 18, 2020
Ruby King is twenty-four-years-old when her mother, Alice, is found murdered in the home she shared with Ruby and Ruby's father, Lebanon. The police show little interest in--to them--another death in the King's black neighborhood, but Alice's death unhinges Ruby and leaves her alone with her violent, abusive father. Her only confidante is her best friend, Layla, who knows how long Alice and Ruby have suffered under Lebanon's wrath. But Layla is angry that Ruby won't do more to get away from Lebanon and she's even angrier at her father, a pastor, who has been close to Lebanon all these years, and yet never did anything to free Alice or Ruby from his abuse. Layla is determined to save Ruby, but as she works to rescue her friend, she starts to uncover a world of secrets and lies flowing back generations.
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.