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Jump into the explosive action of the future's most extreme sport. Join Mordecai, Rigby and the rest...
Emma @ The Movies (1786 KP) rated Dark Tide (2012) in Movies
Aug 5, 2020
I always wonder what makes me not watch shark films, Dark Tide has Halle Berry, I like Halle Berry... so why have I never seen it?
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
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Debbiereadsbook (1449 KP) rated Shadow Guardian (Blood Shadows #1) in Books
Feb 19, 2022
fabulous new world!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Imagine reading a book, and it changes the way you see things. Everyday things, like the Shadow the light makes behind the cuppa tea on your desk. Or the one that is in the corner, cos the light doesn't quite reach that far. Cos let me tell ya, this book has done that for me!
Enter the world of the Shadows, with Guardians, Healers and Seers. With power tripping heads of Council who want. . . well I'm not really entirely sure what his plan will lead to, but it won't be good for the norms of this world, and maybe not even for those who can manipulate the Shadows. With a betrayal at the highest level. And with love at its most profound.
I loved this book! So forgive me if I rant a bit too much!
I loved that i could process each bit of new information, before the next bit came. I loved the layers to the story. There's romance, and danger. There's the world building, and the idiot trying to destroy it. There are friendship bonds, and those bonds being decimated. And so much romance, and even that being tested.
I loved that we didn't get who was controlling the Shadows that were so slimy, I had an idea but that was wrong.
I loved that Ethan took everything thrown at him, and promptly threw it back, tenfold. I loved that Kay was as damaged as he was. And I loved that when it all goes down, he says JUST the right thing to her! He melded himself into this world beautifully. I think there might be a secret or three about his full heritage to come out, but maybe I'm just reading into the story and being greedy cos I'm like that!
While Kay and Ethan do get a HFN ending, there is, I think, much to come for them. Their relationship will again be tested, and I can't wait to read about it! And Elizabeth, Kay's gran. She needs to be happy and given what is revealed here, she might be!
There is also the matter of the idiot and the Blood Shadows and what he will do now. I can't see which way he might go!
Zach, one of the Triad of Shadow Guardians with Kay and James is next. And I'm not certain who brings the trilogy to a close! James would be good, as the third in the Triad but that would mean he comes out of this mess. And if he does, he will be deeply damaged in many ways. Oh, he's gonna break my heart, I know he is! (Assuming he gets a book! *looks pleadingly at Ms Roberts!
Ms Roberts has a skill, that enables you to just fall into whichever world she writes about and you can just absorb it all, as an everyday occurrence and nothing out of the ordinary that these people can manipulate the Shadows, hinted with blues, greens and red, and heal people with a single touch.
So thank you, Ms Roberts, for a new world to fall into, even if it's just for these three books! I look forward to reading them!
5 full and shiny stars.
*same worded review will appear elsewhere
Imagine reading a book, and it changes the way you see things. Everyday things, like the Shadow the light makes behind the cuppa tea on your desk. Or the one that is in the corner, cos the light doesn't quite reach that far. Cos let me tell ya, this book has done that for me!
Enter the world of the Shadows, with Guardians, Healers and Seers. With power tripping heads of Council who want. . . well I'm not really entirely sure what his plan will lead to, but it won't be good for the norms of this world, and maybe not even for those who can manipulate the Shadows. With a betrayal at the highest level. And with love at its most profound.
I loved this book! So forgive me if I rant a bit too much!
I loved that i could process each bit of new information, before the next bit came. I loved the layers to the story. There's romance, and danger. There's the world building, and the idiot trying to destroy it. There are friendship bonds, and those bonds being decimated. And so much romance, and even that being tested.
I loved that we didn't get who was controlling the Shadows that were so slimy, I had an idea but that was wrong.
I loved that Ethan took everything thrown at him, and promptly threw it back, tenfold. I loved that Kay was as damaged as he was. And I loved that when it all goes down, he says JUST the right thing to her! He melded himself into this world beautifully. I think there might be a secret or three about his full heritage to come out, but maybe I'm just reading into the story and being greedy cos I'm like that!
While Kay and Ethan do get a HFN ending, there is, I think, much to come for them. Their relationship will again be tested, and I can't wait to read about it! And Elizabeth, Kay's gran. She needs to be happy and given what is revealed here, she might be!
There is also the matter of the idiot and the Blood Shadows and what he will do now. I can't see which way he might go!
Zach, one of the Triad of Shadow Guardians with Kay and James is next. And I'm not certain who brings the trilogy to a close! James would be good, as the third in the Triad but that would mean he comes out of this mess. And if he does, he will be deeply damaged in many ways. Oh, he's gonna break my heart, I know he is! (Assuming he gets a book! *looks pleadingly at Ms Roberts!
Ms Roberts has a skill, that enables you to just fall into whichever world she writes about and you can just absorb it all, as an everyday occurrence and nothing out of the ordinary that these people can manipulate the Shadows, hinted with blues, greens and red, and heal people with a single touch.
So thank you, Ms Roberts, for a new world to fall into, even if it's just for these three books! I look forward to reading them!
5 full and shiny stars.
*same worded review will appear elsewhere
BankofMarquis (1832 KP) rated Licorice Pizza (2021) in Movies
Mar 9, 2022
Disjointed
The films of Director Paul Thomas Anderson is a bit of an “acquired taste”, moviegoers generally fall into one of 2 camps. (1) those that LOVE what he does (and thinks he is one of the greatest Directors of All Time) and (2) those that don’t.
I thought I fell into the 2nd camp, but upon reviewing his portfolio of work for this review (HARD EIGHT, BOOGIE NIGHTS, PUNCH-DRUNK LOVE and THERE WILL BE BLOOD), I realized that I pretty much liked whatever he had done, but with his last few films (THE MASTER, INHERENT VICE, THE PHANTOM THREAD) I am finding that “PTA” (as his fans call him) is becoming just a little too “artsy” and pretentious for my tastes. He has fallen too in love with his material - and artistic style - to objectively look at a film and realize that it needs to move along at a brisker pace.
Such is the case with his latest film, LICORICE PIZZA.
A memory of his youth, LICORICE PIZZA follows the relationship of a pair of mismatched young adults as they work their way through the early 1970’s in search of themselves and love.
This film is a series of scenes stitched together to tell a story and the problem with it is that it made this film seem disjointed. The central “get together already” love story of the main 2 characters is supposed to be the through-line of the film, but when this through-line breaks (as it often does here) it is detrimental to the flow of the story.
Based, loosely, on the real-life exploits of PTA’s friend, Producer Gary Goetzman, LICORICE PIZZA stars Cooper Hoffman (son of Phillip Seymour Hoffman) as Gary Valentine and Alana Haim (of the Sister Act Musical Group HAIM) as Alana as they have an on-again/off-again friendship that SHOULD BE a romance, but isn’t (kind of like WHEN HARRY MET SALLY). They circumnavigate circa 1973 Los Angeles running into fictionalized portrayals of famous people like Producer Jon Peters (Bradley Cooper) and Film Actor Jack Holden (Sean Penn) an amalgamation of William Holden and Steve McQueen.
The central performances of Hoffman and Haim are competent enough, but never rises to anything more than that, which pulls this film down for one or the other of them is in every scene . The various actors doing extended cameos (like Cooper and Penn) seem to be having fun chewing up the scenery, but they are acting in a completely different style of film than Hoffman and Haim are and our 2 leads don’t stand a chance of standing out compared to these over-the-top performances.
Blame for all of this needs to be laid on Anderson (Oscar Nominated for his Direction in this film). He tried to give us a “slice of life” nostalgia piece like AMERICAN GRAFFITI or ONCE UPON A TIME IN HOLLYWOOD, but he just doesn’t pull it off.
An Oscar Nominee for Best Picture, LICORICE PIZZA seems to be riding the wave of nostalgia both for the times depicted - and the artist who put this film on the screen - but it just isn’t that good of a film.
Letter Grade B- (for Cooper’s and Penn’s scenes in this)
6 stars (out of 10) and you can take this to the Bank(ofMarquis)
I thought I fell into the 2nd camp, but upon reviewing his portfolio of work for this review (HARD EIGHT, BOOGIE NIGHTS, PUNCH-DRUNK LOVE and THERE WILL BE BLOOD), I realized that I pretty much liked whatever he had done, but with his last few films (THE MASTER, INHERENT VICE, THE PHANTOM THREAD) I am finding that “PTA” (as his fans call him) is becoming just a little too “artsy” and pretentious for my tastes. He has fallen too in love with his material - and artistic style - to objectively look at a film and realize that it needs to move along at a brisker pace.
Such is the case with his latest film, LICORICE PIZZA.
A memory of his youth, LICORICE PIZZA follows the relationship of a pair of mismatched young adults as they work their way through the early 1970’s in search of themselves and love.
This film is a series of scenes stitched together to tell a story and the problem with it is that it made this film seem disjointed. The central “get together already” love story of the main 2 characters is supposed to be the through-line of the film, but when this through-line breaks (as it often does here) it is detrimental to the flow of the story.
Based, loosely, on the real-life exploits of PTA’s friend, Producer Gary Goetzman, LICORICE PIZZA stars Cooper Hoffman (son of Phillip Seymour Hoffman) as Gary Valentine and Alana Haim (of the Sister Act Musical Group HAIM) as Alana as they have an on-again/off-again friendship that SHOULD BE a romance, but isn’t (kind of like WHEN HARRY MET SALLY). They circumnavigate circa 1973 Los Angeles running into fictionalized portrayals of famous people like Producer Jon Peters (Bradley Cooper) and Film Actor Jack Holden (Sean Penn) an amalgamation of William Holden and Steve McQueen.
The central performances of Hoffman and Haim are competent enough, but never rises to anything more than that, which pulls this film down for one or the other of them is in every scene . The various actors doing extended cameos (like Cooper and Penn) seem to be having fun chewing up the scenery, but they are acting in a completely different style of film than Hoffman and Haim are and our 2 leads don’t stand a chance of standing out compared to these over-the-top performances.
Blame for all of this needs to be laid on Anderson (Oscar Nominated for his Direction in this film). He tried to give us a “slice of life” nostalgia piece like AMERICAN GRAFFITI or ONCE UPON A TIME IN HOLLYWOOD, but he just doesn’t pull it off.
An Oscar Nominee for Best Picture, LICORICE PIZZA seems to be riding the wave of nostalgia both for the times depicted - and the artist who put this film on the screen - but it just isn’t that good of a film.
Letter Grade B- (for Cooper’s and Penn’s scenes in this)
6 stars (out of 10) and you can take this to the Bank(ofMarquis)