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Emma @ The Movies (1786 KP) rated Lords of Chaos (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I saw one trailer for this and at that point I instantly assumed that it wouldn't show at my local Cineworld, but it did, with a surprising amount of showings. The gentleman and I who attended this particular screening really did not look like your typical black metal fans, but then it's always the quiet ones...
In my non-fan status I can't say anything to its accuracy. From what I understand there are disagreements over some of it, the trailer does state "based on truth and lies" so somewhere along the line they know they've taken some necessary artistic license.
Lords Of Chaos is a pretty honest movie, and by that I mean it doesn't sugarcoat anything. There are violent and horrific scenes that any movie looking for a 15 certificate would have looked away at the last minute or done something artistic with the camera angle, but LOC just went "F*** it, zoom in." and I think that was a great benefit to it. I actually found it less shocking for that exact reason. If you can stomach it then seeing what actually happens is a lot less affecting than being left to imagine it. I'm aware that that probably says something horrific about me personally.
I was... put off? by the casting of Rory Culkin as the lead in this. I couldn't honestly tell you why, I've only really seen him in Scream 4 and I love that. His performance from start to finish was incredible, including the voiceovers which were placed in exactly the right places throughout. I was blown away by him when I'd expected to dislike his character. Culkin seems to know exactly where Euronymous is going, he adapts to the changes in him and you see the schemer, the worrier and all the associated emotions that go with them.
Emory Cohen gave an interesting performance as Varg, but I wasn't particularly fond of the character. To see his transformation from almost puppy dog longing to connect before he spirals into paranoia and his ever-expanding need to be the best was intriguing, it ultimately left me with an awkward feeling that I wasn't particularly fond of.
The two of them together made for a good contrast with both characters progressing in opposite directions yet never meeting and being able to connect in the middle. I liked that they both seemed to underestimate the other and that impact brought out very different characteristics in them both. That ultimately led to a strong conclusion to the film and allowed Culkin to really end it with a bang.
The film itself was beautifully shot and many of the shots seemed frivolous at the time but actually allowed for some respite from the carnage and allowed you to take in the gravity of some of the actions.
While Lords Of Chaos is probably not a film I would have ever seen in the past I was actually pleased that I saw it. This regime of seeing (almost) everything that comes out at my cinema has its ups and downs but this was a pretty interesting watch. Culkin performed his socks off and it was a very entertaining surprise. This is a topic that will definitely need some further reading beyond what is portrayed here as I'm certain that to make a film of this suitable for a movie-going audience it would have needed a lot of tweaking from the truth.
What you should do
This is definitely not for the faint hearted, I would absolutely not recommend it to you if you don't like blood, violence or are susceptible to self-harm on screen. If you can stomach all of those things and have an interest in music then I'd say it's worth giving a go.
Movie thing you wish you could take home
Running my own record store looks like it migt be fun, but I don't think that my music taste would make it a very popular shop.
In my non-fan status I can't say anything to its accuracy. From what I understand there are disagreements over some of it, the trailer does state "based on truth and lies" so somewhere along the line they know they've taken some necessary artistic license.
Lords Of Chaos is a pretty honest movie, and by that I mean it doesn't sugarcoat anything. There are violent and horrific scenes that any movie looking for a 15 certificate would have looked away at the last minute or done something artistic with the camera angle, but LOC just went "F*** it, zoom in." and I think that was a great benefit to it. I actually found it less shocking for that exact reason. If you can stomach it then seeing what actually happens is a lot less affecting than being left to imagine it. I'm aware that that probably says something horrific about me personally.
I was... put off? by the casting of Rory Culkin as the lead in this. I couldn't honestly tell you why, I've only really seen him in Scream 4 and I love that. His performance from start to finish was incredible, including the voiceovers which were placed in exactly the right places throughout. I was blown away by him when I'd expected to dislike his character. Culkin seems to know exactly where Euronymous is going, he adapts to the changes in him and you see the schemer, the worrier and all the associated emotions that go with them.
Emory Cohen gave an interesting performance as Varg, but I wasn't particularly fond of the character. To see his transformation from almost puppy dog longing to connect before he spirals into paranoia and his ever-expanding need to be the best was intriguing, it ultimately left me with an awkward feeling that I wasn't particularly fond of.
The two of them together made for a good contrast with both characters progressing in opposite directions yet never meeting and being able to connect in the middle. I liked that they both seemed to underestimate the other and that impact brought out very different characteristics in them both. That ultimately led to a strong conclusion to the film and allowed Culkin to really end it with a bang.
The film itself was beautifully shot and many of the shots seemed frivolous at the time but actually allowed for some respite from the carnage and allowed you to take in the gravity of some of the actions.
While Lords Of Chaos is probably not a film I would have ever seen in the past I was actually pleased that I saw it. This regime of seeing (almost) everything that comes out at my cinema has its ups and downs but this was a pretty interesting watch. Culkin performed his socks off and it was a very entertaining surprise. This is a topic that will definitely need some further reading beyond what is portrayed here as I'm certain that to make a film of this suitable for a movie-going audience it would have needed a lot of tweaking from the truth.
What you should do
This is definitely not for the faint hearted, I would absolutely not recommend it to you if you don't like blood, violence or are susceptible to self-harm on screen. If you can stomach all of those things and have an interest in music then I'd say it's worth giving a go.
Movie thing you wish you could take home
Running my own record store looks like it migt be fun, but I don't think that my music taste would make it a very popular shop.
Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
Emma @ The Movies (1786 KP) rated Black and Blue (2019) in Movies
Nov 7, 2019
Having seen the film I can confidently say that this has been woefully under screened. Just one screening at my local, luckily at the sensible time of 17.20 every day. Looking at other times it's getting relegated to some late slots which is never good.
Alicia West has come back to her home town and joined the local police department after being deployed. It's not the neighbourhood she remembers, there's distrust and gangs everywhere she looks, even her old friend pretends not to know her.
Taking a double shift as a favour to her partner she goes out on patrol with Officer Brown, he's old school and not going to change his ways... they don't see eye to eye. He takes a private call and says they need to go on a call so he cn meet a CI. He orders her to stay in the car and she waits suspiciously until two shots ring out. She enters the building to investigate, body cam turned on, and comes across a group of police officers who have executed members of a local gang. Thinking on instinct they shoot at her which allows her to escape. She needs to get the footage uploaded to expose the corruption but between her and the station are corrupt police officers and a community that hates cops. Who can she trust?
I found Black And Blue to be a really enjoyable. The action was tense and the story had a consistent pace all the way through and I felt really gripped as I watched it. My only disappointment was that they gave it sickly sweet ending. It brought the story full circle for West but it was so out of place with what we'd already seen. It wasn't necessary and I feel like it detracted from the effort everything else put in.
Naomie Harris is our lead and she handles the role like a seasoned pro. She brings across the optimism of West's character and you can see the intrigue and sadness in her as she realises just how bad things have become in her neighbourhood. Harris adapts well to each scenario and at times you could feel a genuine sense of fear as she's being pursued.
Frank Grillo plays Terry Malone, the leader of our group of corrupt cops. He's a great bit of casting. Towards the end I feel like the character deviates a little from what I might have expected but the performance was so good to watch that I wasn't too bothered by that.
Another face you'll recognise is Mike Colter as Darius, Darius is the head of one of the local gangs and during the course of the story he's also hot on West's heals. He's a very dark character and Colter captures that well, there's a particularly good scene with West where we're preparing for the finale of the film and the way he changes in his split second decisions really elevates the moment.
The last actor I'll mention is Tyrese Gibson as Milo, Milo brings a much softer side to the whole story, he's not about the violence and I think that Gibson had the perfect demeanour for this role. We get some much needed respite from the heavy tension and action with his scenes. I feel like there's some back story we needed to know for him though, he needed some more explaining and that was just missing in everything we saw.
Black And Blue has a strong message about society divided by hate, I'm not the right person to tell ou its accuracy. There are stereotypes knocking around all over the place but I don't think that's necessarily a bad thing. The film focused on the corruption in the neighbourhood and that's what you see, you wouldn't be getting other walks of life so it fits the idea perfectly.
I genuinely enjoyed watching this and the film kept me on the edge of my seat, this it something I'll look forward to watching again.
What you should do
If you like crime drama then I think you'll enjoy this, there's good action and great characters.
Movie thing you wish you could take home
Some of West's kickass moves and super human will to survive.
Alicia West has come back to her home town and joined the local police department after being deployed. It's not the neighbourhood she remembers, there's distrust and gangs everywhere she looks, even her old friend pretends not to know her.
Taking a double shift as a favour to her partner she goes out on patrol with Officer Brown, he's old school and not going to change his ways... they don't see eye to eye. He takes a private call and says they need to go on a call so he cn meet a CI. He orders her to stay in the car and she waits suspiciously until two shots ring out. She enters the building to investigate, body cam turned on, and comes across a group of police officers who have executed members of a local gang. Thinking on instinct they shoot at her which allows her to escape. She needs to get the footage uploaded to expose the corruption but between her and the station are corrupt police officers and a community that hates cops. Who can she trust?
I found Black And Blue to be a really enjoyable. The action was tense and the story had a consistent pace all the way through and I felt really gripped as I watched it. My only disappointment was that they gave it sickly sweet ending. It brought the story full circle for West but it was so out of place with what we'd already seen. It wasn't necessary and I feel like it detracted from the effort everything else put in.
Naomie Harris is our lead and she handles the role like a seasoned pro. She brings across the optimism of West's character and you can see the intrigue and sadness in her as she realises just how bad things have become in her neighbourhood. Harris adapts well to each scenario and at times you could feel a genuine sense of fear as she's being pursued.
Frank Grillo plays Terry Malone, the leader of our group of corrupt cops. He's a great bit of casting. Towards the end I feel like the character deviates a little from what I might have expected but the performance was so good to watch that I wasn't too bothered by that.
Another face you'll recognise is Mike Colter as Darius, Darius is the head of one of the local gangs and during the course of the story he's also hot on West's heals. He's a very dark character and Colter captures that well, there's a particularly good scene with West where we're preparing for the finale of the film and the way he changes in his split second decisions really elevates the moment.
The last actor I'll mention is Tyrese Gibson as Milo, Milo brings a much softer side to the whole story, he's not about the violence and I think that Gibson had the perfect demeanour for this role. We get some much needed respite from the heavy tension and action with his scenes. I feel like there's some back story we needed to know for him though, he needed some more explaining and that was just missing in everything we saw.
Black And Blue has a strong message about society divided by hate, I'm not the right person to tell ou its accuracy. There are stereotypes knocking around all over the place but I don't think that's necessarily a bad thing. The film focused on the corruption in the neighbourhood and that's what you see, you wouldn't be getting other walks of life so it fits the idea perfectly.
I genuinely enjoyed watching this and the film kept me on the edge of my seat, this it something I'll look forward to watching again.
What you should do
If you like crime drama then I think you'll enjoy this, there's good action and great characters.
Movie thing you wish you could take home
Some of West's kickass moves and super human will to survive.
BankofMarquis (1832 KP) rated The Irishman (2019) in Movies
Nov 30, 2019
Delivers What Is Expected
Like eating comfort food on a cold, wintery day, sitting down to catch the latest Scorsese/DeNiro mob movie filled me with a warmth that was satisfying for it's familiarity. It is a film landscape mined by professionals who know this genre of movie well.
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Ivana A. | Diary of Difference (1171 KP) rated Blood Shadow (Blood Never Lies 1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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Bob Mann (459 KP) rated Frankie (2019) in Movies
May 24, 2021
A film about death that dies on its feet.
In "Frankie", the eponymous French movie star (played by Isabelle Huppert) is dying of cancer and gathers her complex family and friends around her for one last 'family holiday' in the picturesque Portuguese town of Sintra. We follow the events of a single day of the vacation as frictions and back-stories of the players become more evident.
Positives:
- Sintra looks gorgeous: as a regular visitor to Portugal's Silver Coast, it's a place I've not yet visited. The cinematography of the region makes me want to change that.
- There are a couple of decent scenes in the movie: both involving the trustworthy Greg Kinnear: one involving him trying to sell a film idea to Frankie (who knows, but won't tell him, that she won't be around for it); and another with Kinnear and Tomei at their hotel.
Negatives:
- Where do I start.... the film is as dull as dishwater!
-- A criticism I had of the otherwise impressive "Nomadland" was that the story arc of the leading character was shallow and not very compelling. The story arc here is a bloody straight line! Virtually nothing happens in the movie and it goes nowhere. Events occur as isolated snippets in the storyline. For example, the 'loss' of an expensive bracelet is randomly lobbed into the story, but then is never referenced back in any future narrative.
-- When the ending happened (which the illustrious Mrs Movie Man referred to as a "blessing") it was a non-event. The lady behind us in the cinema exclaimed "WHAT????". And I could understand her frustration.
- The direction is distinctly lacking. Aside from the couple of decent scenes (see above), most of the shots feel like first takes, with the actors doing read-throughs of the clunky script to try to work out how to best sell the lines. "OK, time to film it for real now". But director Sachs has already shouted "Cut and Print.... now who's for some more vinos and Pastel de Nata?"! Were they aiming for some sort of naturalistic fumbling of the character's conversations? For that's how it comes across, and it's just awful.
- The script feels like a wasted opportunity. The set-up should have been a good one for an intense drama. And there are flashes (merely flashes) of potential brilliance in there: a formative step-brother/step-sister incident is based around the film "Grease", which is mirrored (either cleverly or purely through coincidence!?) in the beach-side romance of Maya (Sennia Nanua) and Portuguese holiday-maker Pedro (Manuel Sá Nogueira). And does the homosexual Michel (Pascal Greggory) have his sights on Jimmy (Brendan Gleeson)? Or Tiago? Or both? None of these potentially interesting strands ever get tied down.
- Aside from the poor script and the poor direction, some of the acting performances are unconvincing. "The Girl with all the Gifts" was a fabulous film - it made my number 2 slot of 2016! And I called out young Sennia Nanua as "one to watch for the future" as the zombie girl at the heart of the film. Here she was 17 at the time of filming. But I'm afraid I just didn't find her convincing as the moody teen. (By the way, I only single her out, since I was so impressed with her previous performance: with the exception perhaps of Kinnear, Tomei and Carloto Cotta. none of the rest of the cast consistently shine either.)
Summary Thoughts: It's a real shame that my first visit back to the cinema was such a let-down. Ira Sachs is not a director I know, but he comes with a strong reputation (for 2016's "Little Men"). But here he delivers a plain stinker. I'm afraid this movie has a word associated with it, and the word is "Avoid".
(For the full graphical review, please check out "One Mann's Movies" here - https://bob-the-movie-man.com/2021/05/24/frankie-a-film-about-death-that-dies-on-its-feet/. Thanks.)
Positives:
- Sintra looks gorgeous: as a regular visitor to Portugal's Silver Coast, it's a place I've not yet visited. The cinematography of the region makes me want to change that.
- There are a couple of decent scenes in the movie: both involving the trustworthy Greg Kinnear: one involving him trying to sell a film idea to Frankie (who knows, but won't tell him, that she won't be around for it); and another with Kinnear and Tomei at their hotel.
Negatives:
- Where do I start.... the film is as dull as dishwater!
-- A criticism I had of the otherwise impressive "Nomadland" was that the story arc of the leading character was shallow and not very compelling. The story arc here is a bloody straight line! Virtually nothing happens in the movie and it goes nowhere. Events occur as isolated snippets in the storyline. For example, the 'loss' of an expensive bracelet is randomly lobbed into the story, but then is never referenced back in any future narrative.
-- When the ending happened (which the illustrious Mrs Movie Man referred to as a "blessing") it was a non-event. The lady behind us in the cinema exclaimed "WHAT????". And I could understand her frustration.
- The direction is distinctly lacking. Aside from the couple of decent scenes (see above), most of the shots feel like first takes, with the actors doing read-throughs of the clunky script to try to work out how to best sell the lines. "OK, time to film it for real now". But director Sachs has already shouted "Cut and Print.... now who's for some more vinos and Pastel de Nata?"! Were they aiming for some sort of naturalistic fumbling of the character's conversations? For that's how it comes across, and it's just awful.
- The script feels like a wasted opportunity. The set-up should have been a good one for an intense drama. And there are flashes (merely flashes) of potential brilliance in there: a formative step-brother/step-sister incident is based around the film "Grease", which is mirrored (either cleverly or purely through coincidence!?) in the beach-side romance of Maya (Sennia Nanua) and Portuguese holiday-maker Pedro (Manuel Sá Nogueira). And does the homosexual Michel (Pascal Greggory) have his sights on Jimmy (Brendan Gleeson)? Or Tiago? Or both? None of these potentially interesting strands ever get tied down.
- Aside from the poor script and the poor direction, some of the acting performances are unconvincing. "The Girl with all the Gifts" was a fabulous film - it made my number 2 slot of 2016! And I called out young Sennia Nanua as "one to watch for the future" as the zombie girl at the heart of the film. Here she was 17 at the time of filming. But I'm afraid I just didn't find her convincing as the moody teen. (By the way, I only single her out, since I was so impressed with her previous performance: with the exception perhaps of Kinnear, Tomei and Carloto Cotta. none of the rest of the cast consistently shine either.)
Summary Thoughts: It's a real shame that my first visit back to the cinema was such a let-down. Ira Sachs is not a director I know, but he comes with a strong reputation (for 2016's "Little Men"). But here he delivers a plain stinker. I'm afraid this movie has a word associated with it, and the word is "Avoid".
(For the full graphical review, please check out "One Mann's Movies" here - https://bob-the-movie-man.com/2021/05/24/frankie-a-film-about-death-that-dies-on-its-feet/. Thanks.)
Gareth von Kallenbach (977 KP) rated The Space Between Us (2017) in Movies
Jul 12, 2019
Gardner Elliot (Asa Butterfield) is a 16 year old boy who has never set foot on Earth. His mother found out she was pregnant on while on a mission to live on Mars for four years. Just after arriving on the red planet his mother gave birth and then sadly passed away. Since his birth was an unplanned surprise to his mother, NASA and Genesis, the private company that made the trip to Mars possible, they all decide to keep his existence a classified secret. So for the next 16 years he was raised on Mars by a revolving crew of a dozen or so scientist who stayed on the space station called East Texas. Gardner relishes the chance to be known and to travel to Earth. On Mars all he has is his self-proclaimed best friend is an artificial intelligent robot named Centaur (voiced by Peter Chelsom) and a couple of people who he can call friends. One is Kendra (Carla Gugino), a mother figure who watches over and tries to protect him. The other is Tulsa (Britt Robertson), a teenage school girl from Earth, who he chats online with every chance he gets and desperately wants to meet.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.
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