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Gareth von Kallenbach (977 KP) rated The Predator (2018) in Movies
Jun 19, 2019
Writer/Director Shane Black returns to the Predator franchise and looks to jumpstart the franchise in “The Predator”. Black played Hawkins in the classic original film and has since gone on to find success on the other side of the camera with hits like “Iron Man 3”, “The Nice Guys” and Kiss Kiss Bang Bang”. Black has also written many genre action films so his take on the iconic Predator has been eagerly awaited by fans who are eager to see the series get back on track.
The film centers on a crashed Predator ship which is witnessed by an American Sniper on assignment named “McKenna” (Boyd Holbrook). While able to recover artifacts from the crashed ships escape pod, McKenna also sees his team brutally taken out by the pilot and soon finds himself targeted by a secret organization due to his knowledge of the otherworldly guest.
At the same time, a Biologist named Casey (Olivia Munn), is brought to a secret locale where she gets an up close encounter with the ship’s pilot in captivity and learns that a government organization has been tracking the visitors and that their visits have increased in recent years.
At the same time McKenna is ushered off to a bus full of unhinged soldiers who are to be locked away due to their numerous issues. Unbeknownst to his superiors; McKenna has mailed the recovered technology to his son who thanks to being on the Autism Spectrum, is able to figure out aspects of the tech which he believes to be a game.
This all leads to a series of brutal encounters as an enhanced Predator arrives and with two of the deadly creatures on the loose, the unhinged soldiers are largely the best hope humanity has of surviving what is to come.
While aspects of the plot seem a bit muddled and at times a bit to linear; the film for the most part works for what fans want and in many places gives them the sequel they have waited for. There is a lot of humor in the film which reportedly divided early test audiences but the action is as brutal and graphic as one would want and expect from the series.
The film does have some big gaps in logic such as how a Biologist can be so comfy and skilled with Assault Weapons and seems to have no issues throwing herself into combat situations and the larger plot points of the Predator objective is intriguing and will open up much debate amongst fans.
The last third of the film was reshot and you can tell at times how parts seem a bit out of synch from early parts of the film especially in the appearance of some characters whose look changes during the film which clearly indicates when segments of the film were shot.
I know the film will likely divide some fans who do not like the humor and wanted a more evade and survive style plot but Black has crafted an interesting opening chapter which is said to be the first of a planned trilogy.
While far from perfect, “The Predator” does give fans some interesting characters and plenty of laughs to go with the action and is a worthy entry into the series as long as you are willing to overlook the issues and enjoy the ride.
http://sknr.net/2018/09/11/the-predator/
The film centers on a crashed Predator ship which is witnessed by an American Sniper on assignment named “McKenna” (Boyd Holbrook). While able to recover artifacts from the crashed ships escape pod, McKenna also sees his team brutally taken out by the pilot and soon finds himself targeted by a secret organization due to his knowledge of the otherworldly guest.
At the same time, a Biologist named Casey (Olivia Munn), is brought to a secret locale where she gets an up close encounter with the ship’s pilot in captivity and learns that a government organization has been tracking the visitors and that their visits have increased in recent years.
At the same time McKenna is ushered off to a bus full of unhinged soldiers who are to be locked away due to their numerous issues. Unbeknownst to his superiors; McKenna has mailed the recovered technology to his son who thanks to being on the Autism Spectrum, is able to figure out aspects of the tech which he believes to be a game.
This all leads to a series of brutal encounters as an enhanced Predator arrives and with two of the deadly creatures on the loose, the unhinged soldiers are largely the best hope humanity has of surviving what is to come.
While aspects of the plot seem a bit muddled and at times a bit to linear; the film for the most part works for what fans want and in many places gives them the sequel they have waited for. There is a lot of humor in the film which reportedly divided early test audiences but the action is as brutal and graphic as one would want and expect from the series.
The film does have some big gaps in logic such as how a Biologist can be so comfy and skilled with Assault Weapons and seems to have no issues throwing herself into combat situations and the larger plot points of the Predator objective is intriguing and will open up much debate amongst fans.
The last third of the film was reshot and you can tell at times how parts seem a bit out of synch from early parts of the film especially in the appearance of some characters whose look changes during the film which clearly indicates when segments of the film were shot.
I know the film will likely divide some fans who do not like the humor and wanted a more evade and survive style plot but Black has crafted an interesting opening chapter which is said to be the first of a planned trilogy.
While far from perfect, “The Predator” does give fans some interesting characters and plenty of laughs to go with the action and is a worthy entry into the series as long as you are willing to overlook the issues and enjoy the ride.
http://sknr.net/2018/09/11/the-predator/
Lucy Buglass (45 KP) rated Black Mirror: Bandersnatch (2018) in Movies
Jun 20, 2019
It comes as no surprise that Black Mirror was Netflix’s guinea pig for their first ever interactive film. Charlie Brooker’s anthology series about the dark side of technology has captivated fans ever since it first aired on Channel 4 in the UK. With Netflix being a leading entertainment service, the time had come for them to try something brand new. The film dropped over the Christmas break, and I for one was very excited to sit down and try it.
Black Mirror: Bandersnatch is set in the ’80s and follows teenager Stefan Butler as he works to create a choice/consequence video game called ‘Bandersnatch’. He’s basing it off one of his mother’s ‘choose your own adventure’ books, where you could flick back and forth between chapters to change the course of your story. He’s been invited to speak with video games company Tuckersoft, comprised of video game creator Colin Ritman and savvy businessman Mohan Thaku, in the hopes he can make the game for their company.
As Stefan works on ‘Bandersnatch’, he also visits a therapist to help with his depression following the loss of his mother. He takes an unnamed medication in an attempt to ease his symptoms. Soon, the lines between reality and the video game world start to blur for Stefan, and he becomes more and more unhinged before our eyes.
That’s about all I’m going to tell you about the plot itself, because I don’t want to give away any spoilers. My advice when approaching this for the first time is to go in completely blind and just make your own decisions. You can find numerous pathway guides online, but try to avoid these until your later playthroughs if you can. Black Mirror: Bandersnatch is an experience that requires multiple watches and a lot of patience, but I promise you it’s worth it.
Personally I adore this episode, and I think they did such a fantastic job of bringing it to life. It’s so fluid and engaging; the scenes continue to play even when the options pop up on screen. The acting is absolutely stunning, with Fionn Whitehead (Stefan) and Will Poulter (Colin) impressing me the most, but every character is so well acted and believable. For the very first time, you feel part of the Black Mirror universe, and everything starts to feel so meta. There are also a lot of references to previous episodes which will delight long term fans, but aren’t too jarring for those new to the series.
Both Black Mirror and Netflix have proven they can work with interactivity without making it too gimmicky or tedious. It’s a fascinating format that I’m excited to see more of, and I’m sure we haven’t seen the last of this. I have equal amounts of praise for both the series and Netflix themselves, because they’re constantly upping the entertainment game which makes me fall in love even more. This is the kind of stuff that really excites me!
In classic Black Mirror style, there are some disturbing pathways but they’re arguably my favourite. They’re chilling, harrowing and bloody brilliant. At this point I think I’ve explored every possible ending or pathway, but I’m reluctant to spoil any of them on here because that would ruin the experience. However, if you do want to discuss anything, please do message me on @LGTHBlog so we can fangirl together!
https://lucygoestohollywood.com/2019/01/06/netflixs-first-interactive-film-my-thoughts-on-black-mirror-bandersnatch/
Black Mirror: Bandersnatch is set in the ’80s and follows teenager Stefan Butler as he works to create a choice/consequence video game called ‘Bandersnatch’. He’s basing it off one of his mother’s ‘choose your own adventure’ books, where you could flick back and forth between chapters to change the course of your story. He’s been invited to speak with video games company Tuckersoft, comprised of video game creator Colin Ritman and savvy businessman Mohan Thaku, in the hopes he can make the game for their company.
As Stefan works on ‘Bandersnatch’, he also visits a therapist to help with his depression following the loss of his mother. He takes an unnamed medication in an attempt to ease his symptoms. Soon, the lines between reality and the video game world start to blur for Stefan, and he becomes more and more unhinged before our eyes.
That’s about all I’m going to tell you about the plot itself, because I don’t want to give away any spoilers. My advice when approaching this for the first time is to go in completely blind and just make your own decisions. You can find numerous pathway guides online, but try to avoid these until your later playthroughs if you can. Black Mirror: Bandersnatch is an experience that requires multiple watches and a lot of patience, but I promise you it’s worth it.
Personally I adore this episode, and I think they did such a fantastic job of bringing it to life. It’s so fluid and engaging; the scenes continue to play even when the options pop up on screen. The acting is absolutely stunning, with Fionn Whitehead (Stefan) and Will Poulter (Colin) impressing me the most, but every character is so well acted and believable. For the very first time, you feel part of the Black Mirror universe, and everything starts to feel so meta. There are also a lot of references to previous episodes which will delight long term fans, but aren’t too jarring for those new to the series.
Both Black Mirror and Netflix have proven they can work with interactivity without making it too gimmicky or tedious. It’s a fascinating format that I’m excited to see more of, and I’m sure we haven’t seen the last of this. I have equal amounts of praise for both the series and Netflix themselves, because they’re constantly upping the entertainment game which makes me fall in love even more. This is the kind of stuff that really excites me!
In classic Black Mirror style, there are some disturbing pathways but they’re arguably my favourite. They’re chilling, harrowing and bloody brilliant. At this point I think I’ve explored every possible ending or pathway, but I’m reluctant to spoil any of them on here because that would ruin the experience. However, if you do want to discuss anything, please do message me on @LGTHBlog so we can fangirl together!
https://lucygoestohollywood.com/2019/01/06/netflixs-first-interactive-film-my-thoughts-on-black-mirror-bandersnatch/
Jessica - Where the Book Ends (15 KP) rated This Savage Song (Monsters of Verity, #1) in Books
Jan 30, 2019
I’m new to this whole world of YA Fantasy and to Victoria Schwab’s work. This Savage Song has been repeatedly brought up on different BookTube channels and consistently been listed as favorite books by many different people. Schwab has a strong presence in the world of YA. I couldn’t let these recommendations go to waste, so I promptly went to my local book retailer and purchased my copy of This Savage Song. As soon as I got it home I knew I would be reading it right away. I must tell you; this book DID NOT disappoint.
The dystopian elements along with the fantasy elements weave together to create an alternate version of our world for us to escape to. I love the way Schwab created new monsters for us and didn’t resort to the same old monsters of lore. Obviously the Sunai are my favorite of the monsters. The juxtaposition between monsters who were created out of something terrible happening but then essentially working with the humans to keep the peace is a thing of beauty. She provides a fresh perspective. Imagine a monster that only need sing to steal your soul and kill you, or with a couple of strokes of the bow on a violin, you’re done for. These ideas just blew my mind. A fresh idea to stand out among all the rest. The best part for me was the fact that Schwab didn’t feel the need to overload the book with needless killing just to prove how cool the Sunai were. You see some a couple of kills in the first half of the book, but she teases you throughout the second half of the book leaving you craving to see what happens when a Sunai goes dark.
It bears mentioning the other two monsters in this story the Malchai which are solitary predators that use blood as a form of sustenance. They are weakened by sunlight and to me are like a vampire’s second cousin. Then you have the Corsai which move in swarms like a massive shadow and feed on flesh and bone. They have a hive mentality and everything they do is driven by fear.
This book focuses on two main characters Kate and August. They are from opposing families. She is portrayed as hard and guarded. August, is a Sunai and just wants to be human. These two characters are shoved together under the worse of circumstances and they learn to trust and rely on each other. Many times, throughout this book I found myself comparing them to Romeo & Juliet; however, Schwab doesn’t play the romance card in this book. I thought I was going to be upset about that, but in the end, I think it was smart because it would have detracted from the deeper relationship formed and the story wouldn’t have meant as much, in my opinion. There are several supporting characters like Ilsa, Henry, and Emily that I hope to learn more about in the Our Dark Duet.
I can’t wait to read Our Dark Duet, and I will have it as part of my March reading list for sure. I’m a huge fan of Schwab’s writing style and the depth of her characters. I’ve also added Vicious to my TBR as well as her upcoming book City of Ghosts.
I would love to hear everyone else thoughts about this book, or Schwab’s other books.
The dystopian elements along with the fantasy elements weave together to create an alternate version of our world for us to escape to. I love the way Schwab created new monsters for us and didn’t resort to the same old monsters of lore. Obviously the Sunai are my favorite of the monsters. The juxtaposition between monsters who were created out of something terrible happening but then essentially working with the humans to keep the peace is a thing of beauty. She provides a fresh perspective. Imagine a monster that only need sing to steal your soul and kill you, or with a couple of strokes of the bow on a violin, you’re done for. These ideas just blew my mind. A fresh idea to stand out among all the rest. The best part for me was the fact that Schwab didn’t feel the need to overload the book with needless killing just to prove how cool the Sunai were. You see some a couple of kills in the first half of the book, but she teases you throughout the second half of the book leaving you craving to see what happens when a Sunai goes dark.
It bears mentioning the other two monsters in this story the Malchai which are solitary predators that use blood as a form of sustenance. They are weakened by sunlight and to me are like a vampire’s second cousin. Then you have the Corsai which move in swarms like a massive shadow and feed on flesh and bone. They have a hive mentality and everything they do is driven by fear.
This book focuses on two main characters Kate and August. They are from opposing families. She is portrayed as hard and guarded. August, is a Sunai and just wants to be human. These two characters are shoved together under the worse of circumstances and they learn to trust and rely on each other. Many times, throughout this book I found myself comparing them to Romeo & Juliet; however, Schwab doesn’t play the romance card in this book. I thought I was going to be upset about that, but in the end, I think it was smart because it would have detracted from the deeper relationship formed and the story wouldn’t have meant as much, in my opinion. There are several supporting characters like Ilsa, Henry, and Emily that I hope to learn more about in the Our Dark Duet.
I can’t wait to read Our Dark Duet, and I will have it as part of my March reading list for sure. I’m a huge fan of Schwab’s writing style and the depth of her characters. I’ve also added Vicious to my TBR as well as her upcoming book City of Ghosts.
I would love to hear everyone else thoughts about this book, or Schwab’s other books.
Emma @ The Movies (1786 KP) rated Tolkien (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Tolkien shows us a snapshot of the author's younger years from orphan to student, from soldier to scholar. I don't know much about his history but I'm familiar with the estate and I was surprised that this went through without their blessing. Not knowing the background I can't say how much is true and how much is artistic license, and sadly in this instance, I'm really not too bothered about finding out. Other biopics have left me with a desire to find out more about the subject matter but this left me rather indifferent about it.
It's not a wildly exciting life story that's captured in the film, what I found more compelling was the way that the creative process was depicted. The way they used visuals to connect everything in his life to his stories was beautifully done. The war scenes are stunning in their simplicity, seeing the colours against the stark backgrounds was incredible and I love how they managed to weave his visions into them. The mist effect was particularly well done.
I love the idea that Tolkien saw all these ideas in what most people would dismiss as life or a trick of the light. At the beginning of the film we see his mother telling the brother a story with the use of a zoetrope. (I'm not sure it's technically a zoetrope, do let me know what it is if I'm wrong.) The way they managed to create the feeling of life in those projections was mesmerising.
I'm quite aware that I haven't mentioned a single member of the cast yet. To be honest, I think I was so engrossed in the visuals that the rest of it was just kind of... there.
I found it difficult to keep track of who was who in his fellowship. I couldn't have told you their names or their individual niches. In fact, near the end I realised I'd got one of their names wrong the entire way through my notes.
Nicholas Hoult isn't an actor I'm particularly excited for in films, he is a consistent performer but I don't think I've seen anything that's wowed me. As Tolkien thought he did bring some surprisingly emotional elements... I definitely hadn't expected to cry at this screening. If I'd have been Edith in the moment where she asks him to tell her a story I'd have fallen in love with him on the spot, it had me leaning in intrigued to see him working everything out.
Visually, the movie is stunning and the feeling it creates is perfect, but everything else in the film felt very non-descript, and a lot of it seemed like it just had a place to make you link it to his writings. Tolkien is more of a nostalgic trip down memory lane than a biopic.
What you should do
The visuals on the big screen were amazing, but I don't think there's enough going on in the rest of the film to warrant a trip to the cinema for it. Try and catch it when it's available on home release though.
Movie thing you wish you could take home
The ability to create a wall of ideas without getting annoyed that nothing was lined up straight.
It's not a wildly exciting life story that's captured in the film, what I found more compelling was the way that the creative process was depicted. The way they used visuals to connect everything in his life to his stories was beautifully done. The war scenes are stunning in their simplicity, seeing the colours against the stark backgrounds was incredible and I love how they managed to weave his visions into them. The mist effect was particularly well done.
I love the idea that Tolkien saw all these ideas in what most people would dismiss as life or a trick of the light. At the beginning of the film we see his mother telling the brother a story with the use of a zoetrope. (I'm not sure it's technically a zoetrope, do let me know what it is if I'm wrong.) The way they managed to create the feeling of life in those projections was mesmerising.
I'm quite aware that I haven't mentioned a single member of the cast yet. To be honest, I think I was so engrossed in the visuals that the rest of it was just kind of... there.
I found it difficult to keep track of who was who in his fellowship. I couldn't have told you their names or their individual niches. In fact, near the end I realised I'd got one of their names wrong the entire way through my notes.
Nicholas Hoult isn't an actor I'm particularly excited for in films, he is a consistent performer but I don't think I've seen anything that's wowed me. As Tolkien thought he did bring some surprisingly emotional elements... I definitely hadn't expected to cry at this screening. If I'd have been Edith in the moment where she asks him to tell her a story I'd have fallen in love with him on the spot, it had me leaning in intrigued to see him working everything out.
Visually, the movie is stunning and the feeling it creates is perfect, but everything else in the film felt very non-descript, and a lot of it seemed like it just had a place to make you link it to his writings. Tolkien is more of a nostalgic trip down memory lane than a biopic.
What you should do
The visuals on the big screen were amazing, but I don't think there's enough going on in the rest of the film to warrant a trip to the cinema for it. Try and catch it when it's available on home release though.
Movie thing you wish you could take home
The ability to create a wall of ideas without getting annoyed that nothing was lined up straight.
Gareth von Kallenbach (977 KP) rated Deepwater Horizon (2016) in Movies
Jul 15, 2019
On April 20th 2010, approximately 40 miles off of the Louisiana coast, the Deepwater Horizon drilling rig exploded and sank spilling over 3 million barrels of oil into the Gulf of Mexico. The Deepwater Horizon oil spill, also known as the Gulf oil spill and BP oil spill, is the worst oil spill in U.S. history, and cost 11 crew members their lives. It’s also one of the largest environmental disasters in history, who’s total cost to the marine life, fishing community, and entire Gulf coast is still unknown. The film Deepwater Horizon is based on the true story of the men and women who were working on the rig the day of the disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
Darren (1599 KP) rated An Acceptable Loss (2018) in Movies
Jul 25, 2019
Story: An Acceptable Loss starts as Libby (Sumpter) takes a new job in education, her former career saw her working under the Vice President Rachel (Curtis) being part of a campaign known as ‘Total Victory’ which saw her career change. Libby’s new job shows how she doesn’t have any forms of communication and one of the students Martin (Tavassoli) has taken an extra interest in her life, following her around, spying her on her.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Gareth von Kallenbach (977 KP) rated Call of Duty: Modern Warfare in Video Games
Dec 2, 2019
Call of Duty is back and better than ever with the release of Call of Duty: Modern Warfare. The game serves as a reboot of the Modern Warfare series and features the return of a single player campaign that was sadly missing from last year’s Call of Duty: Black Ops IIII.
The campaign is ripped from the headlines as it has a more plausible storyline with the discovery of Poison Gas that is threatening instability in the Middle East and abroad and forces the players to make very tough decisions along the way.
Playing the missions as one of several characters helps give the game a wide-ranging perspective as it is not all run and gun action as there is also stealth and tactical stages of the game.
What I really enjoyed was the updated graphical engine that not only produced some amazing visuals but really gave a new level of intensity to the game which is a non-stop thrill ride that rivals anything Hollywood can offer.
While the game has some issues at launch; they were patched up and future updates such as maps are not only free this time around but frequent.
The Multiplayer aspect of the game is always a big draw and this time around Modern Warfare really shines by featuring Cross-Play which allows Xbox One, Playstation 4, and a PC player to play in the same game and also allows players greater options in finding games to take part in.
Multiplayer Modes will be very familiar to anyone who has played any of the games in the series as the Team Death Match, Kill Confirmed, Hardpoint, and other modes are back which combine with the other modes to offer ten different options for players.
As before players will gain points as they play which will allow them to unlock new weapons, equipment, Kill Streaks, Perks, cosmetics and other options to enhance the experience and allow players to pick loadouts that best suit their style of play.
Moving away from the Battle Royale mode that was introduced last year; Modern Warfare offers a mode called Ground War which allows large groups of players to battle one another in a large map complete with vehicles such as tanks and helicopters. I can tell you that there is no greater joy than hopping in a tank to obliterate a person who has been camping and sniping your entire squad for most of the mission.
Perhaps the most interesting new feature of the game is a series of Co-Op modes. This option allows players to join with other players to complete missions; some of which extend the storyline to the game as they must work with one another to complete various missions.
The sales for the game have been very strong as it brought in over $600 million in revenue in just three days. Once the technical issues I faced were eliminated and my gameplay stabilized; I have found this to be easily one of the most enjoyable recent games in the series and one of the best overall.
I cannot wait to see what they do next as Call of Duty: Modern Warfare is a great new addition to the series that blends old and new with a gripping story and relentless action.
4.5 stars out of 5
The campaign is ripped from the headlines as it has a more plausible storyline with the discovery of Poison Gas that is threatening instability in the Middle East and abroad and forces the players to make very tough decisions along the way.
Playing the missions as one of several characters helps give the game a wide-ranging perspective as it is not all run and gun action as there is also stealth and tactical stages of the game.
What I really enjoyed was the updated graphical engine that not only produced some amazing visuals but really gave a new level of intensity to the game which is a non-stop thrill ride that rivals anything Hollywood can offer.
While the game has some issues at launch; they were patched up and future updates such as maps are not only free this time around but frequent.
The Multiplayer aspect of the game is always a big draw and this time around Modern Warfare really shines by featuring Cross-Play which allows Xbox One, Playstation 4, and a PC player to play in the same game and also allows players greater options in finding games to take part in.
Multiplayer Modes will be very familiar to anyone who has played any of the games in the series as the Team Death Match, Kill Confirmed, Hardpoint, and other modes are back which combine with the other modes to offer ten different options for players.
As before players will gain points as they play which will allow them to unlock new weapons, equipment, Kill Streaks, Perks, cosmetics and other options to enhance the experience and allow players to pick loadouts that best suit their style of play.
Moving away from the Battle Royale mode that was introduced last year; Modern Warfare offers a mode called Ground War which allows large groups of players to battle one another in a large map complete with vehicles such as tanks and helicopters. I can tell you that there is no greater joy than hopping in a tank to obliterate a person who has been camping and sniping your entire squad for most of the mission.
Perhaps the most interesting new feature of the game is a series of Co-Op modes. This option allows players to join with other players to complete missions; some of which extend the storyline to the game as they must work with one another to complete various missions.
The sales for the game have been very strong as it brought in over $600 million in revenue in just three days. Once the technical issues I faced were eliminated and my gameplay stabilized; I have found this to be easily one of the most enjoyable recent games in the series and one of the best overall.
I cannot wait to see what they do next as Call of Duty: Modern Warfare is a great new addition to the series that blends old and new with a gripping story and relentless action.
4.5 stars out of 5
Sophia (Bookwyrming Thoughts) (530 KP) rated Everything, Everything in Books
Jan 23, 2020
I'm part of a reading challenge on this app called Habitica where I have to read a book turning into a movie this year, so <em>Everything, Everything</em> kind of got picked because of that. (I know it's problematic. The reading challenges are the only reasons why I chose to read the book.)
Anelise and I were also throwing out random books from our library for hours and this was the first that we both had a copy of or could borrow from the library, so here we are.
<b>
</b> <b>I was hoping to learn more from <i>Everything, Everything</i> than I actually did.</b> Madeline Whittier, aka Maddy, is someone who has SCID - an immune disorder where those affected basically have to be isolated from everything. <b>I learned virtually nothing but the bare bones definition of SCID</b> for the duration of the book:
<ul>
<li>You have to be isolated from the world</li>
<li>Anything, ANYTHING can trigger a reaction</li>
<li>It is basically a very miserable life</li>
</ul>
<div>Let's be honest: it's the dictionary definition.</div>
And <b>everything is so WHIT</b>E. White walls, white rooms, white bookshelves - I like the occasional white but ALL white is associated with hospitals. <b>I suppose hospital is the atmosphere Yoon is going for? </b>Still, though. Hospitals do have a splash of color somewhere? At least I'm pretty sure they do, but I'm that one kid who rarely went to the hospital.
So if you want the really quick version:<b> the romance is the plot</b>. I'm usually not a fan of contemporary romance, but I've been on a contemporary streak lately after reading some amazing books lately in the genre. <b>The romance between Mandy and Olly is adorable</b> - seeing their limited interactions, IMs, emails, etc. and even when they saw each other outside of those. <b>If you don't mind a cute romance or have a curiosity to know more about SCID, then <i>Everything, Everything</i> might be up your alley.</b> But I like learning things. This is why I'm still Ravenclaw and not Gryffindor, so Pottermore is wrong, I tell you. WRONG.
I thought<b> the layout was interesting and different, making the book seem quicker</b>. I also loved the illustrations - they complemented the story really well and felt like a nice addition.
Despite the cute romance, interesting layout, and amazing illustrations, <b>I am still disappointed with the ending.</b> It's one of those endings that might depend on the reader’s preferences, but I thought <b>it was a screwed up ending where some of the characters have HUGE issues</b>. I know I have my own issues of life, but this one is a really messy issue and I'm surprised no one got even a tiny bit suspicious for what? 16, 17 years?
I know there are some out there who will turn around and say that <i>Everything, Everything</i> is a fantastic novel. It is! But <b>the ending ruined everything, and I cannot add this to my collection of shove worthy books.</b>
<a href="https://bookwyrmingthoughts.com/everything-everything-by-nicola-yoon/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Anelise and I were also throwing out random books from our library for hours and this was the first that we both had a copy of or could borrow from the library, so here we are.
<b>
</b> <b>I was hoping to learn more from <i>Everything, Everything</i> than I actually did.</b> Madeline Whittier, aka Maddy, is someone who has SCID - an immune disorder where those affected basically have to be isolated from everything. <b>I learned virtually nothing but the bare bones definition of SCID</b> for the duration of the book:
<ul>
<li>You have to be isolated from the world</li>
<li>Anything, ANYTHING can trigger a reaction</li>
<li>It is basically a very miserable life</li>
</ul>
<div>Let's be honest: it's the dictionary definition.</div>
And <b>everything is so WHIT</b>E. White walls, white rooms, white bookshelves - I like the occasional white but ALL white is associated with hospitals. <b>I suppose hospital is the atmosphere Yoon is going for? </b>Still, though. Hospitals do have a splash of color somewhere? At least I'm pretty sure they do, but I'm that one kid who rarely went to the hospital.
So if you want the really quick version:<b> the romance is the plot</b>. I'm usually not a fan of contemporary romance, but I've been on a contemporary streak lately after reading some amazing books lately in the genre. <b>The romance between Mandy and Olly is adorable</b> - seeing their limited interactions, IMs, emails, etc. and even when they saw each other outside of those. <b>If you don't mind a cute romance or have a curiosity to know more about SCID, then <i>Everything, Everything</i> might be up your alley.</b> But I like learning things. This is why I'm still Ravenclaw and not Gryffindor, so Pottermore is wrong, I tell you. WRONG.
I thought<b> the layout was interesting and different, making the book seem quicker</b>. I also loved the illustrations - they complemented the story really well and felt like a nice addition.
Despite the cute romance, interesting layout, and amazing illustrations, <b>I am still disappointed with the ending.</b> It's one of those endings that might depend on the reader’s preferences, but I thought <b>it was a screwed up ending where some of the characters have HUGE issues</b>. I know I have my own issues of life, but this one is a really messy issue and I'm surprised no one got even a tiny bit suspicious for what? 16, 17 years?
I know there are some out there who will turn around and say that <i>Everything, Everything</i> is a fantastic novel. It is! But <b>the ending ruined everything, and I cannot add this to my collection of shove worthy books.</b>
<a href="https://bookwyrmingthoughts.com/everything-everything-by-nicola-yoon/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Stone of Destiny in Books
Jan 23, 2020
A few confessions regarding Stone of Destiny:
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
JT (287 KP) rated Dead Man Down (2013) in Movies
Mar 10, 2020
If you’re looking for a film that is as dark and disturbing as The Girl with the Dragon Tattoo, you might be a little disappointed here.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.