"The Graduate directed by Mike Nichols. It’s just a perfect film. And it was, I think, the first non-student real film for Dustin Hoffman. It’s just a beautiful, perfectly written… perfectly shot, perfectly acted film, where you have Dustin Hoffman who has bedded both Anne Bancroft and Katharine Ross and he breaks up the marriage. I saw it as a little kid because I lived with my mom and she liked to go to the movies. She couldn’t always get a babysitter and so now and then I would get taken to films that were quite adult. There’s not necessarily nudity, because there doesn’t need to be. The thing is so well written; the adult themes and just how screwed up adults are is on full display in The Graduate. You can tell all these people are just so damn talented, and you look at a young Dustin Hoffman and you go, “Damn, man. Look at the career you’re about to have, dude. You’ve got it.” His talent was just so huge yet so innate in that he’s not gonna fail. He’s one of those people like, “Man, you were born to act.” I’ve tried to get to Buck Henry to get him to tell me stories about The Graduate and I’ve hung out with him a couple of times. And I’m like, “You wrote The Graduate!” And he’s always very funny and kinda belligerent to me, “Ah, shut up… Rwagh, Rwagh.” I’m like, “OK [laughing].”"

"That would have come out in 1998 when I was around 17. My record collection at that point was mainly made up of U2, Radiohead, The Beatles, The Smiths. I hadn’t really been an indie kid in that sense of going to see bands and being part of that kind of world, because where we all grew up as a band, there just wasn’t a music scene at all! So we just spent our time making music, we never went to see much. Gomez is one of those total, bonafide, university, indie bands. It’s such an inventive record for a brand new band to burst onto the scene with. I loved the fact there were two singers with such contrasting voices. They’re all great songs, 'Here Comes The Breeze', 'Tijuana Lady'… it chimed in with where I was at the time, just getting out of school, smoking dope for the first time and experimenting with drugs. The album has that sense of youthful abandon. You can tell they were just fearless; maybe that’s what stopped them in the end from going on. I always feel that Gomez should have been a much more important band. I remember being up at University in Edinburgh, I got the National Express down to London one night, it was so uncomfortable, I got off at every stop and was getting smashed on this very strong weed and then going back on, and I had a proper old school Discman, and I was just listening to this Gomez record, up all night. I got to London, full of beans and was like, “We’ve gotta be this inventive!”"