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Lyndsey Gollogly (2893 KP) rated Born of Vengeance in Books
Jul 17, 2019
Another fab installment
Contains spoilers, click to show
A fate worse than death . . .
Bastien Cabarro survived the brutal slaughter of his entire family only to have his wife pin their murders on him. Made Ravin by The League, he is now a target for their assassins-in-training to hunt and kill. The average life expectancy for such beings is six weeks. But defying the odds is what this Gyron Force officer does best, and Bastien won’t rest until he lays his betrayers in their graves.
Ten years later, he has one chance to balance the scales of justice, provided he relies on his former wingman— the very sister of the woman who testified against him.
Major Ember Wyldestarrin joined the outlaw Tavali the day Kirovar fell into the hands of a tyrant, and she and her team were left on an outpost to die under a barrage of enemy fire. The last thing she wants is to be involved in politics again. But if she doesn’t bring Bastien in, her sister will pay the ultimate price. Now she has to find some way to betray her former wingman (and fiance) before he catches on and kills her. Even so, treachery doesn’t come easy to a woman who took a loyalty oath to protect her homeworld and comrades-in-arms.
Yet as she tries to do right by her family, she learns that Bastien doesn’t just hold the key to the fate of Kirovar, he is vital to The Sentella-League war, and to the entire Tavali nation. If she hands him over, three nations fall. If she doesn’t, her entire family dies. Their fates are all in her hands, and time for all of them is quickly running out.
This is one of my favourite series. I enjoyed the book from the first word to the last! Finally getting to hear Bastien's story aswell as picking up and linking the other books too. Have to admit my favourite part was catching up with Julliens twins. From the first book to this one the characters all hold a special place for me each book marks a certain part of my life I can relate too. I now have to wait till October for the new book which may start a reread!

Bastien Cabarro survived the brutal slaughter of his entire family only to have his wife pin their murders on him. Made Ravin by The League, he is now a target for their assassins-in-training to hunt and kill. The average life expectancy for such beings is six weeks. But defying the odds is what this Gyron Force officer does best, and Bastien won’t rest until he lays his betrayers in their graves.
Ten years later, he has one chance to balance the scales of justice, provided he relies on his former wingman— the very sister of the woman who testified against him.
Major Ember Wyldestarrin joined the outlaw Tavali the day Kirovar fell into the hands of a tyrant, and she and her team were left on an outpost to die under a barrage of enemy fire. The last thing she wants is to be involved in politics again. But if she doesn’t bring Bastien in, her sister will pay the ultimate price. Now she has to find some way to betray her former wingman (and fiance) before he catches on and kills her. Even so, treachery doesn’t come easy to a woman who took a loyalty oath to protect her homeworld and comrades-in-arms.
Yet as she tries to do right by her family, she learns that Bastien doesn’t just hold the key to the fate of Kirovar, he is vital to The Sentella-League war, and to the entire Tavali nation. If she hands him over, three nations fall. If she doesn’t, her entire family dies. Their fates are all in her hands, and time for all of them is quickly running out.
This is one of my favourite series. I enjoyed the book from the first word to the last! Finally getting to hear Bastien's story aswell as picking up and linking the other books too. Have to admit my favourite part was catching up with Julliens twins. From the first book to this one the characters all hold a special place for me each book marks a certain part of my life I can relate too. I now have to wait till October for the new book which may start a reread!

Katherine of Aragon, the True Queen
8.0
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*A Sunday Times Top Ten Bestseller* Katherine of Aragon: The True Queen by bestselling historian...
Leanne Crabtree (480 KP) rated The Darkest Torment (Lords of the Underworld #12) in Books
Jan 6, 2021
I wasn't expecting Baden's story to be next. I assumed it would be William, the Ever Randy, or Cameo with Lazarus since both of their stories have been progressing in the background of previous books. So I'll admit my interest wasn't all that captured by his story. I started this some time in June and picked it back up after a lengthy break in September.
If I remember correctly this starts with Baden in a bad mood, not knowing how to cope with the new beats inside him and needing a way to relax so William hires some female company for the night. Only they are assassins sent to kill him and he finds himself in the middle of a war between Lucifer and Hades. As one of Hades' assassins, thanks to the wreaths, he now finds himself - along with Pandora - on missions to earn points to see which of them will be given their life back. One mission takes him back to Budapest and straight into the middle of a wedding ceremony between his target and Katarina, who is being forced into the marriage to save her loved ones.
As mentioned above, I wasn't really craving this book when I realised it was Baden's story and not one of the others but after the month break reading other things, I have to say that I quickly got sucked back into the story. I grew to like Baden a lot. He got good at dealing with all the crap that Hades threw at and asked of him. Katarina was a little harder for me to like. She did kind of treat him like she would her dogs but I do get that the beast that occasionally took over Baden was rather animal like.
I loved seeing this group of friends and warriors again. They're an eclectic bunch but will protect each other to their deaths.
This one has set us up for Gilly and Puck's story - a way out of left field decision from the author after making us want Gilly and William for the past ten books or so. And also Cameo and Lazarus which has been brewing since the previous book - and coincidentally the next in the series.
P.S. I loved the reference to Immortals After Dark by Kresley Cole. Keeley, I love that series, too!
If I remember correctly this starts with Baden in a bad mood, not knowing how to cope with the new beats inside him and needing a way to relax so William hires some female company for the night. Only they are assassins sent to kill him and he finds himself in the middle of a war between Lucifer and Hades. As one of Hades' assassins, thanks to the wreaths, he now finds himself - along with Pandora - on missions to earn points to see which of them will be given their life back. One mission takes him back to Budapest and straight into the middle of a wedding ceremony between his target and Katarina, who is being forced into the marriage to save her loved ones.
As mentioned above, I wasn't really craving this book when I realised it was Baden's story and not one of the others but after the month break reading other things, I have to say that I quickly got sucked back into the story. I grew to like Baden a lot. He got good at dealing with all the crap that Hades threw at and asked of him. Katarina was a little harder for me to like. She did kind of treat him like she would her dogs but I do get that the beast that occasionally took over Baden was rather animal like.
I loved seeing this group of friends and warriors again. They're an eclectic bunch but will protect each other to their deaths.
This one has set us up for Gilly and Puck's story - a way out of left field decision from the author after making us want Gilly and William for the past ten books or so. And also Cameo and Lazarus which has been brewing since the previous book - and coincidentally the next in the series.
P.S. I loved the reference to Immortals After Dark by Kresley Cole. Keeley, I love that series, too!
Caribou recommended Spiritual Unity by Albert Ayler Trio in Music (curated)
Kurt Vile recommended Tusk by The Dead C in Music (curated)
Full Circle: From Hollywood to Real Life and Back Again
5.0
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She grew up in front of the world on the beloved sitcom Full House, but then actress Andrea Barber...
memoir autobiography Full House Fuller House
High Point
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Chris Sawin (602 KP) rated The Boondock Saints II: All Saints Day (2009) in Movies
Jun 22, 2019
**I was really high on this film after seeing it in theaters in 2009. I haven't seen the film since or edited the review since seeing it. I feel like it hasn't aged well over the past decade; hence the average rating. This is my original review though.**
It's been eight years since Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus) have gone into hiding after assassinating Giuseppe Yakavetta in public. Now living on a sheep farm in Ireland with their father, Noah "Il Duce" MacManus (Billy Connolly), everything is relatively quiet in their lives. That is until their uncle, Father Sibeal MacManus, visits them and informs them that a priest was killed in a church back in Boston and made it look like the MacManus brothers had come out of hiding. The brothers waste little time digging up their old clothes and Berettas to head back to Boston to figure out just who is behind this while continuing to rid the world of as many criminal overlords as they can along the way.
What can be considered a worthy sequel, especially when it's a sequel to a film that has reached cult like status? A sequel has to at least be as good as the original film, if not better. In fact, the sequel should attempt to be better than the original film otherwise why visit the same material again? A worthy sequel should bring together most, if not all, of the original cast, have a solid storyline, and be entertaining above all else. The Boondock Saints II: All Saints Day is such a sequel as it's everything the first film was and then some.
As great as the first film is, All Saints Day just felt bigger and more entertaining overall. The story is simple, but effective. The easiest way to flush somebody out who's gone into hiding is to flush them out yourself by using their MO, but is it ever really that easy? There's always something bigger going on with a setup like that and the payoff is just as sweet as the buildup. The dialogue and a lot of the arguing between the MacManus brothers in the original film was hilarious at times. The arguing between the brothers in the sequel doesn't miss a beat as the ten year gap between films hasn't affected Troy Duffy's writing at all. The addition of Clifton Collins Jr as Romeo was brilliant in terms of entertainment value as Romeo steals quite a few scenes and has some pretty incredible one liners throughout the film.
A sequel's ending is just as important as it being an acceptable addition to the franchise it finds itself a part of. The ending to All Saints Day not only satisfied my appetite, but also left me craving the next film and wishing there was another hour or two to the duration of the film. There's something in the last few minutes of the sequel that's a throwback to the original film that just absolutely blew me away since I wasn't expecting it at all. The ending managed to wrap up just about everything to that point and tease another film. It's very rare that a sequel like that is satisfying, but All Saints Day managed to pull it off.
The Boondock Saints II: All Saints Day is a sequel that lives up to the cult status achieved in the original film by delivering a film that is nearly better than its predecessor in every way. It hardly feels like there's ten years between the two films as everything between familiar characters feels just as natural as it did in the original film. There's no doubt in my mind that if you enjoyed the original film that you'll enjoy the explosive sequel. The saints are comin' and I highly recommend you pay them a visit.
It's been eight years since Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus) have gone into hiding after assassinating Giuseppe Yakavetta in public. Now living on a sheep farm in Ireland with their father, Noah "Il Duce" MacManus (Billy Connolly), everything is relatively quiet in their lives. That is until their uncle, Father Sibeal MacManus, visits them and informs them that a priest was killed in a church back in Boston and made it look like the MacManus brothers had come out of hiding. The brothers waste little time digging up their old clothes and Berettas to head back to Boston to figure out just who is behind this while continuing to rid the world of as many criminal overlords as they can along the way.
What can be considered a worthy sequel, especially when it's a sequel to a film that has reached cult like status? A sequel has to at least be as good as the original film, if not better. In fact, the sequel should attempt to be better than the original film otherwise why visit the same material again? A worthy sequel should bring together most, if not all, of the original cast, have a solid storyline, and be entertaining above all else. The Boondock Saints II: All Saints Day is such a sequel as it's everything the first film was and then some.
As great as the first film is, All Saints Day just felt bigger and more entertaining overall. The story is simple, but effective. The easiest way to flush somebody out who's gone into hiding is to flush them out yourself by using their MO, but is it ever really that easy? There's always something bigger going on with a setup like that and the payoff is just as sweet as the buildup. The dialogue and a lot of the arguing between the MacManus brothers in the original film was hilarious at times. The arguing between the brothers in the sequel doesn't miss a beat as the ten year gap between films hasn't affected Troy Duffy's writing at all. The addition of Clifton Collins Jr as Romeo was brilliant in terms of entertainment value as Romeo steals quite a few scenes and has some pretty incredible one liners throughout the film.
A sequel's ending is just as important as it being an acceptable addition to the franchise it finds itself a part of. The ending to All Saints Day not only satisfied my appetite, but also left me craving the next film and wishing there was another hour or two to the duration of the film. There's something in the last few minutes of the sequel that's a throwback to the original film that just absolutely blew me away since I wasn't expecting it at all. The ending managed to wrap up just about everything to that point and tease another film. It's very rare that a sequel like that is satisfying, but All Saints Day managed to pull it off.
The Boondock Saints II: All Saints Day is a sequel that lives up to the cult status achieved in the original film by delivering a film that is nearly better than its predecessor in every way. It hardly feels like there's ten years between the two films as everything between familiar characters feels just as natural as it did in the original film. There's no doubt in my mind that if you enjoyed the original film that you'll enjoy the explosive sequel. The saints are comin' and I highly recommend you pay them a visit.
Bob Mann (459 KP) rated The Irishman (2019) in Movies
Jan 20, 2020
An endurance test but a great endurance test
Martin Scorsese made a lot of enemies recently with his rant against the superficiality of the Marvel movies. But you can hardly argue that his latest film is superficial. We see the mobster Frank Sheeran (Robert De Niro) in his old people's home wistfully recalling his past life. Through flashback we go back to times as early as his service in World War II, where he learned to kill other men without a second thought.
Later, back in Philadelphia, Sheeran has a chance meeting with mob-leader Russell Buffalino (Joe Pesci) and Buffalino hires him as a hit man. It's a working relationship and friendship that is going to last a lifetime.... however long that may be in this business! But it also brings Sheeran into a relationship with union leader Jimmy Hoffa (Al Pacino). And those of you with any knowledge of the history of Jimmy Hoffa (or remember that scene in "Bruce Almighty"!) will recall what happened to him!
One of the issues with these sort of films is that it is impossible (unless you are reading this as a borderline psycho) to form any sort of empathetic relationship with any of the characters. It's horrifying that this is based on a true story: you'd really like to assume that all of this sort of stuff was solely on the pages of tacky crime novels, and not reality.
The horror of Sheeran's actions are neatly reflected by screenwriter Steven Zaillian ("Schindler's List", "Clear and Present Danger") in the impact on his family, particularly on his impressionable young daughter Peggy (Lucy Gallina). Only when he is old and grey can Peggy (now Anna Paquin) vent at her father for the damage done.
The "youngification" work on De Niro and Pesci is really essential for the film to work. Finding a younger actor to play either of these iconic actors would have been a stretch. Here it's very well done. But I will again suggest that we are probably another ten years of technology advancement away from removing the "uncanny valley" effect from scenes like this. It just doesn't quite work for me for a reason I can't put my finger on.
After the career nadir of "Dirty Grandpa" it looked like Robert De Niro might have nothing but bread commercials and dog-food ads to look forward to. However, within three months we've had a resurgence of form: his great performance in "Joker" and now this. Of course, this is a role that he can play in his sleep. And I suspect that might count against him in the Oscar/Bafta season. But its undeniably a great performance.
Joe Pesci (famously mocked as "Baby Yoda" by Ricky Gervais in his hilarious Golden Globe roasting) and Al Pacino are also great, with Pacino being particular impressive as the fanatically focused union boss unable to see the danger he is in. "It is what it is" repeats Sheeran over and over again to deaf ears. A memorable scene.
Again Zaillian's script is brilliant in creating an impossibly tense triangular friendship between the three men. His family love Hoffa and dislike/distrust Buffalino. When the triangle gets stretched to breaking point, and a link needs to be broken, which way will Sheeran jump?
For me, good movies should be seen in the cinema. But I missed its short (to make it Oscar-worthy) release so had to catch it up on the small(-er) screen. Cinemas seem reluctant to stick an "interval" in programmes these days: never quite sure why, since most movie-goers if we are talking a 2 hour+ movie might welcome a loo-break, and the cinema could also sell more ice-cream! But at three and a half hours, a cinema trip would be a bladder-testing challenge for sure. So this is one that I wasn't unhappy to use the pause button on!
It's a superbly constructed movie and well deserved its place on the Oscars "Best Movie" shortlist. It's tense, dramatic and has enough variety of people being shot in the head to make it ghoulishly watchable.
However, while I can appreciate the technical art of the film, and I'm delighted I got to see it, a top film for me needs to be one I would reach for on my DVD rack (spot the old-fashinoned git) for multiple watches. And for all its worthiness, this doesn't really fit the bill.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/20/one-manns-movies-film-review-the-irishman-2019/ ).
Later, back in Philadelphia, Sheeran has a chance meeting with mob-leader Russell Buffalino (Joe Pesci) and Buffalino hires him as a hit man. It's a working relationship and friendship that is going to last a lifetime.... however long that may be in this business! But it also brings Sheeran into a relationship with union leader Jimmy Hoffa (Al Pacino). And those of you with any knowledge of the history of Jimmy Hoffa (or remember that scene in "Bruce Almighty"!) will recall what happened to him!
One of the issues with these sort of films is that it is impossible (unless you are reading this as a borderline psycho) to form any sort of empathetic relationship with any of the characters. It's horrifying that this is based on a true story: you'd really like to assume that all of this sort of stuff was solely on the pages of tacky crime novels, and not reality.
The horror of Sheeran's actions are neatly reflected by screenwriter Steven Zaillian ("Schindler's List", "Clear and Present Danger") in the impact on his family, particularly on his impressionable young daughter Peggy (Lucy Gallina). Only when he is old and grey can Peggy (now Anna Paquin) vent at her father for the damage done.
The "youngification" work on De Niro and Pesci is really essential for the film to work. Finding a younger actor to play either of these iconic actors would have been a stretch. Here it's very well done. But I will again suggest that we are probably another ten years of technology advancement away from removing the "uncanny valley" effect from scenes like this. It just doesn't quite work for me for a reason I can't put my finger on.
After the career nadir of "Dirty Grandpa" it looked like Robert De Niro might have nothing but bread commercials and dog-food ads to look forward to. However, within three months we've had a resurgence of form: his great performance in "Joker" and now this. Of course, this is a role that he can play in his sleep. And I suspect that might count against him in the Oscar/Bafta season. But its undeniably a great performance.
Joe Pesci (famously mocked as "Baby Yoda" by Ricky Gervais in his hilarious Golden Globe roasting) and Al Pacino are also great, with Pacino being particular impressive as the fanatically focused union boss unable to see the danger he is in. "It is what it is" repeats Sheeran over and over again to deaf ears. A memorable scene.
Again Zaillian's script is brilliant in creating an impossibly tense triangular friendship between the three men. His family love Hoffa and dislike/distrust Buffalino. When the triangle gets stretched to breaking point, and a link needs to be broken, which way will Sheeran jump?
For me, good movies should be seen in the cinema. But I missed its short (to make it Oscar-worthy) release so had to catch it up on the small(-er) screen. Cinemas seem reluctant to stick an "interval" in programmes these days: never quite sure why, since most movie-goers if we are talking a 2 hour+ movie might welcome a loo-break, and the cinema could also sell more ice-cream! But at three and a half hours, a cinema trip would be a bladder-testing challenge for sure. So this is one that I wasn't unhappy to use the pause button on!
It's a superbly constructed movie and well deserved its place on the Oscars "Best Movie" shortlist. It's tense, dramatic and has enough variety of people being shot in the head to make it ghoulishly watchable.
However, while I can appreciate the technical art of the film, and I'm delighted I got to see it, a top film for me needs to be one I would reach for on my DVD rack (spot the old-fashinoned git) for multiple watches. And for all its worthiness, this doesn't really fit the bill.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/20/one-manns-movies-film-review-the-irishman-2019/ ).
Hazel (1853 KP) rated Capturing Jasmina (India's Street Kids #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.