Search

Search only in certain items:

A Chance at Forever
A Chance at Forever
Melissa Jagears | 2018 | Fiction & Poetry
2
2.0 (1 Ratings)
Book Rating
Slow plot, only one interesting character...
I really tried to like this book, and to be fair it was good at the first third of the story. I was hoping the plot would pick up, and there would be more development throughout, but it just wasn’t there. Which is unfortunate because although this type of plot has been done in so many countless novels, it still had the potential to be good.

There wasn’t much to the characters in the book although Mercy seemed to have been the only interesting one and the only one with personality. The chemistry with Aaron and Mercy isn’t that great and as you progress throughout the novel it’s always back and forth with them. You feel like you’re watching a never ending tennis match between these two where they’re not doing anything to gain advantage in the game. And well, to be frank it’s pretty dry.

Aaron seemed like an all right character to read about, a guy out for redemption and feels bad for his past treatment of a lot of people (he was the town bully so to speak) and although it was nice to see part of his development and him trying to redeem himself it didn’t quite work out as I had hoped, he ended up being mopey, weepy but to the point where you have to wonder if he’s suddenly become emo. True, he’s had some pretty awful things done to him in the past but his constant mood changes from feeling good about changing, to moping on past regrets got old pretty fast, and this contributed more to the never ending tennis match I mentioned in the previous paragraph.

The secondary characters surrounding our main ones have each their own issues and problems and although Jimmy’s story was a good one, it just wasn’t enough to give this book justice. The plot was slow moving and dry with minor events happening in which it doesn’t make much of a difference to the story. Sad to say this book just didn’t quite cut it for me.
  
    Soccerstand

    Soccerstand

    Sports

    (0 Ratings) Rate It

    App

    Stay in touch with everything you love about sport. With the Soccerstand app, you are always just...

    FlashScore

    FlashScore

    Sports

    (0 Ratings) Rate It

    App

    Stay in touch with everything you love about sport. With the FlashScore app, you are always just one...

King Richard (2021)
King Richard (2021)
2021 | Biography, Drama, Sport
7
8.2 (5 Ratings)
Movie Rating
It's "Fine", but nothing special
The new bio-pic KING RICHARD, depicting the true life story of the unusual rise of the tennis playing Williams sisters, and the man who had the vision to get them there, was being billed as a film that just might have an Oscar nominated performance in it.

And this is true, but, that performance just might be Aunjanue Ellis’ performance as “Brandy” Williams (mother of Venus and Serena) and not Will Smith as the Central Character, Richard Williams.

Don’t get me wrong, Will Smith is very good in the title role of this film, filling “King Richard” Williams with swagger and a “I am not wrong” attitude throughout. The issue is that this character does not learn anything or grow during the film. He is cock-sure right at the start and he is cock-sure right at the end.

The surprise to me was Aunjanue Ellis as the put-upon wife, Brandy. Her character hangs in the background, supporting Richard and the girls until Richard pushes her buttons just one time too many and then she steps in. It is in these moments that this film crackles. Ellis has the “Oscar Speech” in this film and she fires some life into the 2 hour and 25 minute proceedings when it desperately needs it.

And that’s the problem, ultimately, with this film. The Direction by Reinaldo Marcus Green and the script by Zach Baylin is too reverential to the subject matter, shying away from the darkness and the tension that is creeping around the edges (which would have been interesting) to show us a pretty standard “if you stick to your guns, you’ll always be right” story that never really has any emotional resonance.

With the dominating (and domineering) performance of Smith, the performances of young actresses Saniyya Sidney (Venus) and Demi Singleton (Serena) are afterthoughts as are the Supporting Performances of Tony Goldwyn and Jon Bernthal as 2 tennis coaches that clash with Richard.

Ultimately, this is a “fine” film with some “fine” performances that will serve as a “fine” tribute to what the 2 Williams’ sisters have accomplished.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)