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Erika (17788 KP) rated The Current War (2017) in Movies
Oct 29, 2019 (Updated Oct 29, 2019)
I believe I have finally reached Benedict Cumberbatch fatigue; all I asked myself during the entire movie was... No other actor could have played Edison? No one else?
First, this movie was supposed to come out in 2017, but was held up because of something to do with Weinstein. This movie hit theaters in the US this past Friday as The Current War - The Director's Cut.
Well, the director didn't cut out enough, in my opinion. It was one of the longest hour and 41 minute movies of my life. Cumberbatch's Alan Turing, sorry, Thomas Edison, was fine. My main issue with the film was that, I didn't know what the point was, it just kept going. I found out at the end, the point was who was going to light The World's Fair in Chicago. That probably should have been introduced a little bit earlier in the film.
I was mostly looking forward to Nicholas Hoult's Tesla. The movie needed more Tesla, and probably shouldn't have sidelined him for the majority of the movie. Shannon's Westinghouse and Macfayden's JP Morgan were both good too.
If anything comes out of this movie's release, hopefully it's that people stop thinking we use the current Edison used.
First, this movie was supposed to come out in 2017, but was held up because of something to do with Weinstein. This movie hit theaters in the US this past Friday as The Current War - The Director's Cut.
Well, the director didn't cut out enough, in my opinion. It was one of the longest hour and 41 minute movies of my life. Cumberbatch's Alan Turing, sorry, Thomas Edison, was fine. My main issue with the film was that, I didn't know what the point was, it just kept going. I found out at the end, the point was who was going to light The World's Fair in Chicago. That probably should have been introduced a little bit earlier in the film.
I was mostly looking forward to Nicholas Hoult's Tesla. The movie needed more Tesla, and probably shouldn't have sidelined him for the majority of the movie. Shannon's Westinghouse and Macfayden's JP Morgan were both good too.
If anything comes out of this movie's release, hopefully it's that people stop thinking we use the current Edison used.
After getting a phone message from their mother warning that a spy is after them, Nick and Tesla find their uncle's house full of suspects. Who is the spy?
Another fun book filled with a great mystery, good characters, and a few laughs. The target middle grade audience will love it and enjoy building their own spy camera, code wheel, and more after they've found out who the spy is.
NOTE: I received this book via Amazon Vine in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/05/book-review-nick-and-teslas-secret.html">Carstairs Considers</a>.
Another fun book filled with a great mystery, good characters, and a few laughs. The target middle grade audience will love it and enjoy building their own spy camera, code wheel, and more after they've found out who the spy is.
NOTE: I received this book via Amazon Vine in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/05/book-review-nick-and-teslas-secret.html">Carstairs Considers</a>.
Emma @ The Movies (1786 KP) rated Tomorrow (2019) in Movies
Nov 7, 2019
The film had me at "brief strong sex" on the title card.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
The latest Metalman superhero film is being filmed in Half Moon Bay, and DeMarco’s aunt is a producer. However, the set visit she arranges for Nick, Tesla, DeMarco, and Silas leads the four friends to believe someone is trying to sabotage the film. Can they figure out who?
This is a fun mystery with great clues and red herrings. The characters could be a tad better, but the middle grade audience certainly won’t care. I didn’t at that age. There are also instructions for projects to build later, including zombie make up. What more could kids want?
NOTE: I received an ARC of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/05/book-review-nick-and-teslas-special.html">Carstairs Considers</a>.
This is a fun mystery with great clues and red herrings. The characters could be a tad better, but the middle grade audience certainly won’t care. I didn’t at that age. There are also instructions for projects to build later, including zombie make up. What more could kids want?
NOTE: I received an ARC of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/05/book-review-nick-and-teslas-special.html">Carstairs Considers</a>.
Nick and Tesla have decided it is time to learn the truth about where their parents are and what they are working on. When two government agents admit the twin’s parents are missing, they start to look for clues the agents have missed. Will they find the clues to save the day?
I was so glad to see that this on-going mystery was the focus of this book, and it’s nice to get some answers about what has been happening. The characters are good for a middle grade series, although one does seem very over the top. Still, this is a climax that series fans will appreciate.
NOTE: I received an ARC of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/05/book-review-nick-and-teslas-solar.html">Carstairs Considers</a>.
I was so glad to see that this on-going mystery was the focus of this book, and it’s nice to get some answers about what has been happening. The characters are good for a middle grade series, although one does seem very over the top. Still, this is a climax that series fans will appreciate.
NOTE: I received an ARC of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/05/book-review-nick-and-teslas-solar.html">Carstairs Considers</a>.
Pre-teen's Nick and Tesla have their summer plans rearranged when their parents head out on a scientific trip and they are sent to live with the mad scientist uncle they barely know. But when a rocket they've build winds up in the not so abandoned home down the street, they find a mystery on their hands.
I found this debut to be quite fun. The mystery was decent and the climax was quite suspenseful. It started a little slowly due to the set up and the characters were a bit shallow, but the target middle grade audience won't care. As a bonus, there are several science projects included you can do after reading the book.
NOTE: I received this book via Amazon's Vine program.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/10/book-review-nick-and-teslas-high.html">Carstairs Considers</a>.
I found this debut to be quite fun. The mystery was decent and the climax was quite suspenseful. It started a little slowly due to the set up and the characters were a bit shallow, but the target middle grade audience won't care. As a bonus, there are several science projects included you can do after reading the book.
NOTE: I received this book via Amazon's Vine program.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/10/book-review-nick-and-teslas-high.html">Carstairs Considers</a>.
Lenard (726 KP) rated The Current War (2017) in Movies
Nov 7, 2019
The Current War is the true story of the race to give incandescent light to the people of America. After Thomas Edison patented the lightbulb, he gave a demonstration on how to light a 20-block radius using direct current. On the way home from securing funding from his benefactor JP Morgan in Washington, he spurned a dinner with George Westinghouse, a famous industrialist. That evening, Westinghouse came up with a plan to give electricity to cities around the country using the alternating current which unlike direct current can use power lines built above ground. Nikola Tesla also plays a part in the battle between Westinghouse and Edison as the pioneer of AC who worked for Edison to develop new ideas. The battle led to the formation of General Electric when Edison could no longer compete against the affordability and ingenuity of alternating current. The story is sort of interesting, but it does not really carry a feature film. The performances are okay, but the drama is not worthy of the talents. There is no flash of directorial skill just workmanship.
Awix (3310 KP) rated The Current War (2017) in Movies
Jul 30, 2019 (Updated Jul 30, 2019)
Striking historical drama; unfortunate enough to get caught on the fringes of the Harvey Weinstein scandal, which is why it has sat on the shelf for a couple of years since it was finished. Thomas Edison and George Westinghouse engage in a battle of wills to bring electric light to America, but will victory go to the more principled man, or the more ruthless? And who is who?
Lots of good material here for a really interesting film about, essentially, the birth of the modern world; perhaps too much. The film's problem is really that it tries to cover everything - not just the rivalry between the two men, but also incidents from Edison's private life, the development of the electric chair, and the career of the much-mythologised but enigmatic inventor Nikola Tesla. As a result everything gets covered in a somewhat cursory manner and it often feels somewhat rushed. Still, it's a handsome looking film, the performances are excellent, and the direction is sometimes as inventive as the characters. Not entirely successful by any means, but a very distinguished failure.
Lots of good material here for a really interesting film about, essentially, the birth of the modern world; perhaps too much. The film's problem is really that it tries to cover everything - not just the rivalry between the two men, but also incidents from Edison's private life, the development of the electric chair, and the career of the much-mythologised but enigmatic inventor Nikola Tesla. As a result everything gets covered in a somewhat cursory manner and it often feels somewhat rushed. Still, it's a handsome looking film, the performances are excellent, and the direction is sometimes as inventive as the characters. Not entirely successful by any means, but a very distinguished failure.
Matthew Krueger (10051 KP) rated The Return of the Vampire (1944) in Movies
Oct 17, 2020
Vampire Telsa
The Return of the Vampire- at first I thought it was a sequel to "Mark of the Vampire", but it was not. Second i thought it might be a sequel to "Dracula", than i was like it couldnt be cause ths film was made by Columbia not Univerisal. So what is it than. Its a stand-alone. Its Bela Lugosi playing as a vampire, sound like anethor film? Anyways..
The Plot: In 1918 London, Hungarian vampire Armand Tesla (Bela Lugosi) uses his servant, werewolf Andreas Obry (Matt Willis), to assist in procuring victims. When a friend of Lady Jane Ainsley (Frieda Inescort) becomes Tesla's next victim, Jane and an acquaintance stalk the vampire and kill him by driving a stake through his heart. But 23 years later, a German bomb disturbs Tesla's grave, and cemetery workers restoring the site pull the stake from his corpse, bringing him back to life to seek revenge.
The Return of the Vampire is not an official sequel to Lugosi's 1931 Universal Studios film Dracula, but the film has been interpreted by David J. Skal as an unofficial follow-up with Lugosi's character renamed only because the film was not made by Universal.
Bela Lugosi's scenes were filmed in August and September 1943, prior to his final two Monogram films. This was also the last time he would receive top billing by a major Hollywood studio.
Its a really good film.
The Plot: In 1918 London, Hungarian vampire Armand Tesla (Bela Lugosi) uses his servant, werewolf Andreas Obry (Matt Willis), to assist in procuring victims. When a friend of Lady Jane Ainsley (Frieda Inescort) becomes Tesla's next victim, Jane and an acquaintance stalk the vampire and kill him by driving a stake through his heart. But 23 years later, a German bomb disturbs Tesla's grave, and cemetery workers restoring the site pull the stake from his corpse, bringing him back to life to seek revenge.
The Return of the Vampire is not an official sequel to Lugosi's 1931 Universal Studios film Dracula, but the film has been interpreted by David J. Skal as an unofficial follow-up with Lugosi's character renamed only because the film was not made by Universal.
Bela Lugosi's scenes were filmed in August and September 1943, prior to his final two Monogram films. This was also the last time he would receive top billing by a major Hollywood studio.
Its a really good film.
Sarah (7798 KP) rated The Prestige (2006) in Movies
Jan 9, 2021
Criminally underrated
Film #10 on the 100 Movies Bucket List: The Prestige
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.
