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Bong Mines Entertainment (15 KP) rated Better - Single by Joycie in Music
Jun 26, 2019
Joycie is an up-and-coming singer-songwriter from Pensacola, Florida. Not too long ago, she released an adorable contemporary R&B tune, entitled, “Better”, produced by Faithe Franklin.
“I’m not a stranger to mishaps, I’m never wanting an adverse reaction. You won’t, you won’t let me down. You love me better than I ever loved, you touch me better than I ever could.” – lyrics
‘Better’ tells a charming tale of a young woman who isn’t a stranger to disappointments. Therefore, she builds herself up because she expects to be let down by those who she gives her heart to.
Apparently, she’s head-over-heels in love with a guy who she shares a potentially serious relationship with.
Even though he’s much better than anyone she’s ever been with, she tries to avoid a letdown by running away from her love for him. But she is unable to do so because her love for him is too strong for her to let go of it.
‘Better’ contains a relatable storyline, ear-welcoming vocals, and melodic instrumentation flavored with contemporary R&B and urban-pop elements.
“‘Better’ tells the story of a girl that has a history of heartbreaks and knows the signs all too well. She’s met someone but has tried to put up a wall just in case things doesn’t go well. Somehow, her walls fall, and she lets this person in because they love her better than she ever thought possible.” – Joycie
“I’m not a stranger to mishaps, I’m never wanting an adverse reaction. You won’t, you won’t let me down. You love me better than I ever loved, you touch me better than I ever could.” – lyrics
‘Better’ tells a charming tale of a young woman who isn’t a stranger to disappointments. Therefore, she builds herself up because she expects to be let down by those who she gives her heart to.
Apparently, she’s head-over-heels in love with a guy who she shares a potentially serious relationship with.
Even though he’s much better than anyone she’s ever been with, she tries to avoid a letdown by running away from her love for him. But she is unable to do so because her love for him is too strong for her to let go of it.
‘Better’ contains a relatable storyline, ear-welcoming vocals, and melodic instrumentation flavored with contemporary R&B and urban-pop elements.
“‘Better’ tells the story of a girl that has a history of heartbreaks and knows the signs all too well. She’s met someone but has tried to put up a wall just in case things doesn’t go well. Somehow, her walls fall, and she lets this person in because they love her better than she ever thought possible.” – Joycie
Chris Sawin (602 KP) rated Kingdom (2019) in Movies
Aug 12, 2019
Action sequences. (2 more)
The Mountain Tribe.
Zuo Ci.
134-minute duration feels like a marathon. (1 more)
Drags a lot in its first half.
I haven’t read any of the 55 volumes (and counting) of Yasuhisa Hara’s Kingdom manga or watched any of the 77 episodes of the anime adapted by animation studio Pierrot (Bleach, Yu Yu Hakusho, and Tokyo Ghoul among many others). To make matters worse, I haven’t seen any of the films by director and co-screenwriter Shinsuke Sato (the two live-action Gantz films, Death Note: Light Up the New World, the live-action Bleach film for Netflix). I’m going into Kingdom completely blind and I have no idea if that makes the viewing experience any better or worse.
In 255 B.C., Kingdom revolves around the quick-tempered and charge-headfirst-into-battle-without-thinking Xin (Kento Yamazaki) that dreams of being the greatest general of the Qin Kingdom. There’s other stuff going on; a bloody 500 year war between the seven states of China, Xin’s best friend Piao (Ryô Yoshizawa) being enlisted by the King only to turn around and be killed, and King Yin Zheng being a splitting image of Piao, but nothing is emphasized or screamed louder than Xin’s desire to become the greatest general China has ever known.
Kingdom feels like it’s about 45 minutes too long for its own good. The first hour seems to drag as blood spraying into the air every now and then isn’t enough to keep you fully intrigued. The manga is an exaggerated recounting of Zheng actually becoming king in 221 B.C. during the Warring States period and eventually unifying China while the characters are loosely based on actual historical figures. The action adventure film attempts to portray Xin and Piao as worthy and capable swordsman because they clunked stick swords together 10,000 times in an empty field throughout their childhood and teenage years.
The film tries to compensate for its slow first hour with a more eventful second half, but it doesn’t totally succeed. Yang Duan He (Masami Nagasawa) and her mountain tribe are pretty awesome. Their masks remind you of something straight out of Princess Mononoke and you’ll be trying your hardest not to compare Yang Duan He to Xena: Warrior Princess. There’s this competition for the throne that gets a little complicated. Zheng’s brother Cheng Jiao (Kanata Hongo) is nasty and heartless and basically a human version of Salacious Crumb sitting on an even more elaborate version of Jabba the Hutt’s dais. Zheng and Jiao have the same father, but different mothers; Jiao’s is of royal blood and Zheng’s is a dancer or, in other words, a commoner. Jiao viewed peasantry as being bone deep; it isn’t something that can ever go away.
The main theme of Kingdom sounds like a direct ripoff of the main Guardians of the Galaxy theme, which is kind of brain-numbing. The prosthetics in the film are questionable with Li Dian, the original slave owner of Xin and Piao, having this awkwardly orange colored face, inhumanly puffy cheeks, stringy facial hair, and the ugliest facial expressions imaginable. After Xin joins up with Zheng, a girl in a bushy owl costume named He Liao Diao (Kanna Hasimoto) is mostly only around to take everyone to the mountains later. The chemistry Xin, Zheng, and Diao have is reminiscent of what Mugen, Jin, and Foo have in Samurai Champloo. Another observation is that Xin is basically Goku with Vegeta’s short-fuse temper; he lives to fight and eat, he’s dumber than a bag of rocks, and he can’t identify a woman when she’s standing directly in front of him.
Cheng Jiao’s go-to henchman, former general and current hitman for hire Zuo Ci (Tak Sakaguchi) may be the film’s coolest character. He doesn’t care about anybody, tells Xin that all dreams are BS, and is a part of what is arguably the best action sequence in the film. Meanwhile, General Wang Yi (Takao Ohsawa), the most renowned general in all of China and the guy with the status Xin plans on taking in the future, is a bit overrated. He mostly just parades his weird and pointy facial hair around and swings his giant sword as if it won’t remind us of Guts from Berserk.
All in all, Kingdom is a decent action adventure that just takes a while to really get going. The performances aren’t totally satisfying with Kento Yamazaki hamming it up on more than occasion and taking the brainless dolt with a huge mouth thing to uncomfortable levels. The story isn’t exactly hard to follow, but it does feel like it’s trying to be more convoluted than it needs to be. You don’t feel any sort of attachment to any of the characters and any sort of twist can be seen long before the reveal. Kingdom is just an okay way to spend two hours that is probably a justifiable rental on a day when you have nothing better to do, but is not worth paying full price to own.
In 255 B.C., Kingdom revolves around the quick-tempered and charge-headfirst-into-battle-without-thinking Xin (Kento Yamazaki) that dreams of being the greatest general of the Qin Kingdom. There’s other stuff going on; a bloody 500 year war between the seven states of China, Xin’s best friend Piao (Ryô Yoshizawa) being enlisted by the King only to turn around and be killed, and King Yin Zheng being a splitting image of Piao, but nothing is emphasized or screamed louder than Xin’s desire to become the greatest general China has ever known.
Kingdom feels like it’s about 45 minutes too long for its own good. The first hour seems to drag as blood spraying into the air every now and then isn’t enough to keep you fully intrigued. The manga is an exaggerated recounting of Zheng actually becoming king in 221 B.C. during the Warring States period and eventually unifying China while the characters are loosely based on actual historical figures. The action adventure film attempts to portray Xin and Piao as worthy and capable swordsman because they clunked stick swords together 10,000 times in an empty field throughout their childhood and teenage years.
The film tries to compensate for its slow first hour with a more eventful second half, but it doesn’t totally succeed. Yang Duan He (Masami Nagasawa) and her mountain tribe are pretty awesome. Their masks remind you of something straight out of Princess Mononoke and you’ll be trying your hardest not to compare Yang Duan He to Xena: Warrior Princess. There’s this competition for the throne that gets a little complicated. Zheng’s brother Cheng Jiao (Kanata Hongo) is nasty and heartless and basically a human version of Salacious Crumb sitting on an even more elaborate version of Jabba the Hutt’s dais. Zheng and Jiao have the same father, but different mothers; Jiao’s is of royal blood and Zheng’s is a dancer or, in other words, a commoner. Jiao viewed peasantry as being bone deep; it isn’t something that can ever go away.
The main theme of Kingdom sounds like a direct ripoff of the main Guardians of the Galaxy theme, which is kind of brain-numbing. The prosthetics in the film are questionable with Li Dian, the original slave owner of Xin and Piao, having this awkwardly orange colored face, inhumanly puffy cheeks, stringy facial hair, and the ugliest facial expressions imaginable. After Xin joins up with Zheng, a girl in a bushy owl costume named He Liao Diao (Kanna Hasimoto) is mostly only around to take everyone to the mountains later. The chemistry Xin, Zheng, and Diao have is reminiscent of what Mugen, Jin, and Foo have in Samurai Champloo. Another observation is that Xin is basically Goku with Vegeta’s short-fuse temper; he lives to fight and eat, he’s dumber than a bag of rocks, and he can’t identify a woman when she’s standing directly in front of him.
Cheng Jiao’s go-to henchman, former general and current hitman for hire Zuo Ci (Tak Sakaguchi) may be the film’s coolest character. He doesn’t care about anybody, tells Xin that all dreams are BS, and is a part of what is arguably the best action sequence in the film. Meanwhile, General Wang Yi (Takao Ohsawa), the most renowned general in all of China and the guy with the status Xin plans on taking in the future, is a bit overrated. He mostly just parades his weird and pointy facial hair around and swings his giant sword as if it won’t remind us of Guts from Berserk.
All in all, Kingdom is a decent action adventure that just takes a while to really get going. The performances aren’t totally satisfying with Kento Yamazaki hamming it up on more than occasion and taking the brainless dolt with a huge mouth thing to uncomfortable levels. The story isn’t exactly hard to follow, but it does feel like it’s trying to be more convoluted than it needs to be. You don’t feel any sort of attachment to any of the characters and any sort of twist can be seen long before the reveal. Kingdom is just an okay way to spend two hours that is probably a justifiable rental on a day when you have nothing better to do, but is not worth paying full price to own.
Hazel (1853 KP) rated What Light in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Sensitivemuse (246 KP) rated City of Savages in Books
Oct 16, 2018
Romance nearly killed this one
Contains spoilers, click to show
This book was pretty good for a dystopia. The background story on how it came to be was interesting and set it apart from other stories of this genre where most of the time it’s vague and no one remembers a thing because it was that many years later. So this was nice to read about. The plot alternates between Sky and Phee, but also some parts here and there from present to the past. I prefer reading about Phee because she’s the all around tough girl who can hold her own whereas Sky is more on the romantic idealistic side of things.
The flow of the story is good with stops here and there for character development and plot hooks. It’s engaging and interesting for a good part of the book until you read a little more than half of the novel. This is where the eye rolling instances come on. You knew the love triangle was going to happen. It got pretty nauseating and petty (but then again, Ryder was practically the only guy these two girls have met that they actually liked) and it severely hampered the plot. I didn’t care for this too much as it brought the plot to a complete halt and made reading it not as enjoyable. I begged for something better to come along.
To be fair, it got more interesting towards the final story arc, where you find out more truths about Sky and Phee’s family, and what happened in the past. Everything came to a nice close towards the end. The cheesy romance was still there and induced more eye rolls, but it was toned down for the latter part of the book.
Character wise, Phee would have to be the most interesting as she’s more aggressive of the two sisters and of a more stronger personality. She wasn’t a good match for Ryder anyway as they were just two very different people and completely incompatible but you kinda wish she found someone who’s just as tough as she is.
The romance nearly killed the book for me in this one. I’m glad I went through it as it proved to pick up the pace and went back on track. It’s a hidden gem and if you can get past the obvious, you’ll find a good dystopian story worth reading.
The flow of the story is good with stops here and there for character development and plot hooks. It’s engaging and interesting for a good part of the book until you read a little more than half of the novel. This is where the eye rolling instances come on. You knew the love triangle was going to happen. It got pretty nauseating and petty (but then again, Ryder was practically the only guy these two girls have met that they actually liked) and it severely hampered the plot. I didn’t care for this too much as it brought the plot to a complete halt and made reading it not as enjoyable. I begged for something better to come along.
To be fair, it got more interesting towards the final story arc, where you find out more truths about Sky and Phee’s family, and what happened in the past. Everything came to a nice close towards the end. The cheesy romance was still there and induced more eye rolls, but it was toned down for the latter part of the book.
Character wise, Phee would have to be the most interesting as she’s more aggressive of the two sisters and of a more stronger personality. She wasn’t a good match for Ryder anyway as they were just two very different people and completely incompatible but you kinda wish she found someone who’s just as tough as she is.
The romance nearly killed the book for me in this one. I’m glad I went through it as it proved to pick up the pace and went back on track. It’s a hidden gem and if you can get past the obvious, you’ll find a good dystopian story worth reading.
Chris Sawin (602 KP) rated Dance of the Dead (2008) in Movies
Jun 18, 2019
Jimmy Dunn (Jared Kusnitz) never seems to take anything seriously. He likes to spend more time in detention than he does in class. So it’s no surprise that Lindsey (Greyson Chadwick), the girl Jimmy was going to take to prom, decides to not go with him after realizing that Jimmy has no ambition. To make matters worse, something weird is going on in the graveyard next to the nuclear power plant in town. The dead are walking and they’re headed to the prom. The town is now in the hands of the losers who couldn’t get dates to the prom. There goes the neighborhood and here comes the pain; that is something that is certainly meant in more ways than one.
This is the type of horror film you have the urge to turn off as soon as it starts. Written by Joe Ballarini (My Little Pony: The Movie) and directed by Gregg Bishop (the “Dante the Great” segment of V/H/S Viral), Dance of the Dead is a part of the eight films that made up Ghost House Underground; horror films from all over the world chosen by Sam Raimi and Rob Tapert supposedly representing a “fresh” perspective of the horror genre. The problem is that most people would seek out one of these films and then never bother with the rest because why would you torture yourself any further?
The first 20 or so minutes of the film revolve around high school melodrama and the prom. This is supposedly where you get accustomed to the film’s humor, but it’s mostly nothing more than high school kids being obnoxious and unbearable. The graveyard scene is where things get even worse. Zombies start rising from beyond the grave and decomposing hands start bursting through headstones since that makes more sense than soil. Emerging from the ground simply wasn’t enough either; these zombies explode from their graves with smoke and a loud crash. Moments later during the same sequence, there are zombies jumping several feet into the air out of the ground, landing on their feet, and running after these kids. If it sounds cool in the slightest, then this description isn’t doing this dumpster fire justice.
The zombies are all over the place in Dance of the Dead. They start off as the zombies that run similar to the zombies in Zack Snyder’s Dawn of the Dead remake. Later on in the film, they stumble around and are slow like George Romero’s zombies. Even later after that, the zombies are running again while some attempt to speak, say, “Brains!” and then get in a car and drive off. Someone had pointed out that the zombies in the film who are fresh out of the ground run while older ones move slower, which only makes this turd milkshake slightly less nutty. Dance of the Dead also can’t decide what zombie films to pay homage to either. Return of the Living Dead has a massive influence, but the film clearly pays tribute to Night of the Living Dead when the kids reach a house and decide to board up all the windows and take shelter. It seems like the one consistent aspect this film has is to be inconsistent.
Did you know zombies can be held at bay solely by the power of rocking out? Three stoners in a band (a guitarist, a bassist, and a drummer) inadvertently discover that their music stops zombies in their tracks. A bit later in the film during the prom, the gymnasium is full of zombies. There’s music playing and it shows three zombies on stage playing musical instruments; a guitar, a bass, and a drum set. Fast forward a little more and the three stoners are back again playing their stoner rock and the zombies are back to being frozen during their performance. There’s no consistency when it comes to what they play or how it affects zombies.
“In extreme circumstances, the assailants can be stopped by removing the head or destroying the brain.” Do you remember this quote from Shaun of the Dead? Try to keep it in mind, especially the, “removing the head,” part. A guy gets his head torn off by a zombie and you’d think he’d be dead, but this actually turns his decapitated head into a zombie. He comes back later on; his headless corpse carrying his decapitated head around. It’s one thing to try and reinvent a genre, but when you have so many reinventions along with homage out to wazoo you’re basically throwing cow pies at a brick wall and seeing what sticks.
Zombies shouldn’t make out with each other. Vampires shouldn’t sparkle and Warm Bodies isn’t canon. Two students turn into zombies and still end up in a giant make out session after they’ve turned. The kiss turns awkward as they start chewing on each other mid-kiss. They start taking bites out of each other while they’re still sucking face. This is the scariest aspect of the film considering that maybe most of us don’t want our eyeballs chewed out of our skulls during something so intimate.
When the special effects aren’t being a complete eyesore from being so cheap and ugly, the gore in Dance of the Dead is decent. Blood splattering everywhere is pretty common throughout the film. The acting isn’t completely terrible either. It absolutely isn’t good by any means. Dance of the Dead is basically Degrassi with zombies and everything lame you’re expecting to tag along with that reference. Lucas Till (X-Men: First Class, MacGyver) has a brief cameo as one of the rockers in the film and he's probably the only cast member you'll recognize.
The jumbled mass of homage and redefining of zombie lore in Dance of the Dead throws a monkey wrench in calling the film stereotypical and cliché, but it certainly feels that way. It seems like a rejected, alternate, first draft of a film you’ve already seen rather than a film that attempts to stand on its own two legs. It may be fun for fans of campy horror films, but its originality is borderline offensive since Dance of the Dead seems to just combine everything you know about zombies or purposely does the opposite at an attempt at being a different chomp of undead horror. Unfortunately though, Dance of the Dead is too overwhelmingly absurd for its own good as its gore feels like the drunken antics of a washed up clown rather than a competent horror film.
Dance of the Dead is available to stream on Amazon Prime, YouTube, and Google Play for $1.99, Vudu for $2.99, and iTunes for $5.99. The DVD is $7.72 on Amazon while the Blu-ray (which is Region 2 only) is $25.52 from a third party seller. The DVD is $7.49 in new condition and with free shipping on eBay or $4 with $2.99 shipping pre-owned. If you enjoy terrible things, the eight disc set of all the Ghost House Underground titles are available as a boxed set on Amazon for $179.74 and on eBay for $39.99 in brand new condition and with free shipping.
This is the type of horror film you have the urge to turn off as soon as it starts. Written by Joe Ballarini (My Little Pony: The Movie) and directed by Gregg Bishop (the “Dante the Great” segment of V/H/S Viral), Dance of the Dead is a part of the eight films that made up Ghost House Underground; horror films from all over the world chosen by Sam Raimi and Rob Tapert supposedly representing a “fresh” perspective of the horror genre. The problem is that most people would seek out one of these films and then never bother with the rest because why would you torture yourself any further?
The first 20 or so minutes of the film revolve around high school melodrama and the prom. This is supposedly where you get accustomed to the film’s humor, but it’s mostly nothing more than high school kids being obnoxious and unbearable. The graveyard scene is where things get even worse. Zombies start rising from beyond the grave and decomposing hands start bursting through headstones since that makes more sense than soil. Emerging from the ground simply wasn’t enough either; these zombies explode from their graves with smoke and a loud crash. Moments later during the same sequence, there are zombies jumping several feet into the air out of the ground, landing on their feet, and running after these kids. If it sounds cool in the slightest, then this description isn’t doing this dumpster fire justice.
The zombies are all over the place in Dance of the Dead. They start off as the zombies that run similar to the zombies in Zack Snyder’s Dawn of the Dead remake. Later on in the film, they stumble around and are slow like George Romero’s zombies. Even later after that, the zombies are running again while some attempt to speak, say, “Brains!” and then get in a car and drive off. Someone had pointed out that the zombies in the film who are fresh out of the ground run while older ones move slower, which only makes this turd milkshake slightly less nutty. Dance of the Dead also can’t decide what zombie films to pay homage to either. Return of the Living Dead has a massive influence, but the film clearly pays tribute to Night of the Living Dead when the kids reach a house and decide to board up all the windows and take shelter. It seems like the one consistent aspect this film has is to be inconsistent.
Did you know zombies can be held at bay solely by the power of rocking out? Three stoners in a band (a guitarist, a bassist, and a drummer) inadvertently discover that their music stops zombies in their tracks. A bit later in the film during the prom, the gymnasium is full of zombies. There’s music playing and it shows three zombies on stage playing musical instruments; a guitar, a bass, and a drum set. Fast forward a little more and the three stoners are back again playing their stoner rock and the zombies are back to being frozen during their performance. There’s no consistency when it comes to what they play or how it affects zombies.
“In extreme circumstances, the assailants can be stopped by removing the head or destroying the brain.” Do you remember this quote from Shaun of the Dead? Try to keep it in mind, especially the, “removing the head,” part. A guy gets his head torn off by a zombie and you’d think he’d be dead, but this actually turns his decapitated head into a zombie. He comes back later on; his headless corpse carrying his decapitated head around. It’s one thing to try and reinvent a genre, but when you have so many reinventions along with homage out to wazoo you’re basically throwing cow pies at a brick wall and seeing what sticks.
Zombies shouldn’t make out with each other. Vampires shouldn’t sparkle and Warm Bodies isn’t canon. Two students turn into zombies and still end up in a giant make out session after they’ve turned. The kiss turns awkward as they start chewing on each other mid-kiss. They start taking bites out of each other while they’re still sucking face. This is the scariest aspect of the film considering that maybe most of us don’t want our eyeballs chewed out of our skulls during something so intimate.
When the special effects aren’t being a complete eyesore from being so cheap and ugly, the gore in Dance of the Dead is decent. Blood splattering everywhere is pretty common throughout the film. The acting isn’t completely terrible either. It absolutely isn’t good by any means. Dance of the Dead is basically Degrassi with zombies and everything lame you’re expecting to tag along with that reference. Lucas Till (X-Men: First Class, MacGyver) has a brief cameo as one of the rockers in the film and he's probably the only cast member you'll recognize.
The jumbled mass of homage and redefining of zombie lore in Dance of the Dead throws a monkey wrench in calling the film stereotypical and cliché, but it certainly feels that way. It seems like a rejected, alternate, first draft of a film you’ve already seen rather than a film that attempts to stand on its own two legs. It may be fun for fans of campy horror films, but its originality is borderline offensive since Dance of the Dead seems to just combine everything you know about zombies or purposely does the opposite at an attempt at being a different chomp of undead horror. Unfortunately though, Dance of the Dead is too overwhelmingly absurd for its own good as its gore feels like the drunken antics of a washed up clown rather than a competent horror film.
Dance of the Dead is available to stream on Amazon Prime, YouTube, and Google Play for $1.99, Vudu for $2.99, and iTunes for $5.99. The DVD is $7.72 on Amazon while the Blu-ray (which is Region 2 only) is $25.52 from a third party seller. The DVD is $7.49 in new condition and with free shipping on eBay or $4 with $2.99 shipping pre-owned. If you enjoy terrible things, the eight disc set of all the Ghost House Underground titles are available as a boxed set on Amazon for $179.74 and on eBay for $39.99 in brand new condition and with free shipping.
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Hazel (1853 KP) rated Paper Towns in Books
Dec 7, 2018
This was my book of the month for March 2014. You can view and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/81305903630/x
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Ivana A. | Diary of Difference (1171 KP) rated What Happens Now? in Books
Feb 3, 2020
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<b><i>I am so excited to be part of the Blog Tour for What Happens Now by Sophia Money-Coutts! Thank you to the team at HQ, for being so kind to send me a copy of this book!
Without further delays, let’s see what I thought…</i></b>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-12.png?resize=1024%2C576&ssl=1"/>;
What Happens Now by Sophia Money-Coutts is a wonderful story that features Lil, who is a normal lady, living a normal life. She thought she has found ”the one”, but after so many years, this fellow dumps her for a twenty-year old blonde girl.
Doing what everyone should do, she moves on, and tries to find a new match, choosing a dating app and swiping right. She finds a handsome man that seems to like her and arranges a date. She gets ready, meets this guy, has a few drinks and spends the night at his apartment.
<b><i>What is the worse thing that can happen?</i></b>
Well – firstly, he doesn’t seem to respond to her messages at all. And then, she discovers that he is, in fact, the famous mountaineer Max, who is currently out there somewhere, climbing a mountain and can’t actually see her messages, the Max who is possibly Prince William’s best friend. But on top of it all, after weeing on a stick, she discovers she is pregnant with his baby.
So now Lil is single, thirty-one and living in a small flat in London, and this is not how she expected to become a mum. But our lady Lil here is probably the bravest woman I have ever encountered in my books, and she decides to do this whole motherhood thing on her own. Yes – she really likes Max, and it would be amazing if he gets involved too, but she doesn’t need him really. She can do this!
Throughout this book I felt so empowered to read about Lil’s daily challenges and I was cheering for her all the way through. She, and all women in the world that had the courage to give birth to and raise a child on their own should be praised, and I can’t think of any words to describe how brave these people are and how much I admire them!
Lucky for Lil, she has her mother and her stepdad along her way throughout the whole journey, and these two people are the friendliest and kindest people in the world.
And then there’s Jess – Lil’s best friend, who is, by the way, THE BEST FRIEND anyone wants. She was EVERYTHING and I loved her so much! She was always there for Lil, giving the best advises in the world. We all need a Jess in our lives!
And to be honest, given my low opinion on Sophia’s first book, The Plus One, I didn’t have high expectations on this one, but I think she outdid herself and created a masterpiece! The writing style has improved so much, that you wouldn’t notice these two books have been written by the same author.
I loved reading about Lil’s journey – I truly did. The writing was gorgeous and I couldn’t put the book down. Very empowering, but at the same time a very light summer read. I recommend it to all of you – read What Happens Now? this summer, and I hope you enjoy it as much as I did.
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<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/WhatHappensNow_BTB.jpg?w=1600&ssl=1"/>;
<b><i>I am so excited to be part of the Blog Tour for What Happens Now by Sophia Money-Coutts! Thank you to the team at HQ, for being so kind to send me a copy of this book!
Without further delays, let’s see what I thought…</i></b>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-12.png?resize=1024%2C576&ssl=1"/>;
What Happens Now by Sophia Money-Coutts is a wonderful story that features Lil, who is a normal lady, living a normal life. She thought she has found ”the one”, but after so many years, this fellow dumps her for a twenty-year old blonde girl.
Doing what everyone should do, she moves on, and tries to find a new match, choosing a dating app and swiping right. She finds a handsome man that seems to like her and arranges a date. She gets ready, meets this guy, has a few drinks and spends the night at his apartment.
<b><i>What is the worse thing that can happen?</i></b>
Well – firstly, he doesn’t seem to respond to her messages at all. And then, she discovers that he is, in fact, the famous mountaineer Max, who is currently out there somewhere, climbing a mountain and can’t actually see her messages, the Max who is possibly Prince William’s best friend. But on top of it all, after weeing on a stick, she discovers she is pregnant with his baby.
So now Lil is single, thirty-one and living in a small flat in London, and this is not how she expected to become a mum. But our lady Lil here is probably the bravest woman I have ever encountered in my books, and she decides to do this whole motherhood thing on her own. Yes – she really likes Max, and it would be amazing if he gets involved too, but she doesn’t need him really. She can do this!
Throughout this book I felt so empowered to read about Lil’s daily challenges and I was cheering for her all the way through. She, and all women in the world that had the courage to give birth to and raise a child on their own should be praised, and I can’t think of any words to describe how brave these people are and how much I admire them!
Lucky for Lil, she has her mother and her stepdad along her way throughout the whole journey, and these two people are the friendliest and kindest people in the world.
And then there’s Jess – Lil’s best friend, who is, by the way, THE BEST FRIEND anyone wants. She was EVERYTHING and I loved her so much! She was always there for Lil, giving the best advises in the world. We all need a Jess in our lives!
And to be honest, given my low opinion on Sophia’s first book, The Plus One, I didn’t have high expectations on this one, but I think she outdid herself and created a masterpiece! The writing style has improved so much, that you wouldn’t notice these two books have been written by the same author.
I loved reading about Lil’s journey – I truly did. The writing was gorgeous and I couldn’t put the book down. Very empowering, but at the same time a very light summer read. I recommend it to all of you – read What Happens Now? this summer, and I hope you enjoy it as much as I did.
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Night Reader Reviews (683 KP) rated Fading in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Fading by Cindy Cipriano may not contain vampires or werewolves yet it still has a slightly supernatural/paranormal feel to it. This book is in a similar group as Twilight as a forbidden love book. Also, this is only the first book in a series that is expected to be three or four books long.
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
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Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
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