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Rest in Power: The Enduring Life of Trayvon Martin
Tracy Martin and Sybrina Fulton
Book
On February 26th 2012 seventeen-year-old Trayvon Martin was walking home with a bag of Skittles and...
LL
Law, Life and Laughter: A Personal Verdict
Book
Legendary Sheriff Irvine Smith QC is one of the most formidable criminal lawyers of his generation....
The Immortal Life of Henrietta Lacks
8.3
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Her name was Henrietta Lacks, but scientists know her as HeLa. Born a poor black tobacco farmer, her...
Emma @ The Movies (1786 KP) rated Despicable Me 3 (2017) in Movies
Sep 25, 2019
Today is the last day of June, midway through the year, and I'm imminently going to be a Cineworld Unlimited Black Card holder. How did I celebrate this momentous occasion? I went to a 3D showing of Despicable Me 3 and had to pay for the privilege because my new card is still on it's way. The volume was massively loud, and I'm almost convinced it was to drown out the few kids that were in there. (NOTE: It didn't work, they just shouted louder.) I always worry that you can do a franchise to death. But actually, this was a nice entertaining film, and I'm really happy they put 80s music in it. Toe tapping through the film and now I'm home I'm trying to restrain myself from getting the playlists out and dancing round my living room. Hands down favourite part of the film... Agnes is talking with the barman about unicorns... just so wonderful.
Janeeny (200 KP) rated The Black Death in Books
Sep 13, 2019
This was actually my reading roulette for July, but I was a bit behind on Julys books so it got bumped to Augusts reads.
I bought this book when it was first released as it interested me, gradually my interest waned and it’s now been sitting on my shelf for seven years.
The Black Death is a non-fiction account of a little village in Suffolk during the plague years. Each chapter starts with a factual account of what was going on in the rest of the world regarding the spread of the disease then it launches into the story of this little village.
Hatcher has taken factual records and accounts and added a little poetic licence to create an engaging story that really involves you in the day to day life. He does take great pains to reiterate how poor the records were for that time and how much of a liberty he was taking, but I feel it’s unnecessary.
I bought this book when it was first released as it interested me, gradually my interest waned and it’s now been sitting on my shelf for seven years.
The Black Death is a non-fiction account of a little village in Suffolk during the plague years. Each chapter starts with a factual account of what was going on in the rest of the world regarding the spread of the disease then it launches into the story of this little village.
Hatcher has taken factual records and accounts and added a little poetic licence to create an engaging story that really involves you in the day to day life. He does take great pains to reiterate how poor the records were for that time and how much of a liberty he was taking, but I feel it’s unnecessary.
Movie Metropolis (309 KP) rated Black Panther (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Is the MCU all out of surprises?
The Marvel Cinematic Universe has become one of the most successful movie franchises ever made, and it’s easy to see why. Featuring incredible actors, up-and-coming directors and that trademark sense of humour, each film in the MCU has something to offer.
That doesn’t mean they’re perfect however. The MCU has a distinct lack of decent villains, strong female characters and characters from ethnic minorities. In the run-up to this year’s Infinity War, Black Panther aims to turn what we know about Marvel on its head. But has it succeeded?
After the death of his father, T’Challa (Chadwick Boseman) returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king – and as Black Panther – gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
The opening sequence of Black Panther is an absolute treat as the audience are given a brief history of Wakanda and the tribes from which it grew. It’s a great montage to kick off a film that’s packed with stunning visuals and gorgeous landscapes, even though some of the special effects are left wanting at times.
Cast wise, this is one of the strongest entries into the MCU. Chadwick Boseman absolutely embodies the young, naïve yet warm T’Challa beautifully and it’s nice to see his character given some reference points after his sudden inclusion in Captain America: Civil War. Elsewhere, Lupita Nyong’o is always a pleasure to see on screen and her love interest to Boseman keeps him grounded over the course of the runtime.
For me the standout character is Danai Gurira’s Okoye, leader of a group of female warriors ordered to protect Wakanda and its king no matter what the cost. She’s certainly not to be messed with and gets a pleasing arc throughout. The script also seems to work best when she’s on screen.
When it comes to the bad guy, director Ryan Coogler (Creed) gets it nearly spot on. After dozens of, shall we say, lacklustre villains, the MCU receives its best yet. Michael B. Jordan’s Killmonger is, despite his ridiculous name, absolutely brilliant. Menacing and oddly charming in equal measure, he does away with the tradition of bizarre villain motives in the MCU. In fact, his motives throughout feel entirely believable and the film feels more grounded because of this.
Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion
Martin Freeman’s Agent Ross is a strange addition to the cast, simply because his character isn’t essential to the plot. Freeman is always a magnetic presence but he really doesn’t have all that much to do. Finally, Andy Serkis reprises his role as arms dealer Ulysses Klaue and is great fun.
Looking at Wakanda itself, Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion. It certainly feels more real than the hollow golden towers of Asgard (something thankfully fixed in last year’s Thor: Ragnarok), and Wakanda is a great addition to the many locations the Marvel Cinematic Universe has created.
So, I’ve mentioned disappointing special effects twice in this review and whilst they aren’t terrible, there are a few occasions where they are a little poor – especially evident in the film’s finale. For all his exciting filming style, Coogler’s shot choices occasionally jar with the uninspiring and lifeless CGI. Some of the landscapes also feel like a brochure for Disney’s upcoming The Lion King live-action remake.
I think it’s time to talk about film politics, because as much as Black Panther is a great addition to the MCU and a fine solo movie in itself, the legacy it will leave on the industry will be absolutely huge. With a majority black cast, strong female characters and a black director, it’s progressive and incredibly brave in its choices.
Any less of a story, director or cast wouldn’t have made it work and despite some poor CGI and slight pacing issues at the start, Black Panther is one of the best solo Marvel movies in years. Bring on Infinity War.
https://moviemetropolis.net/2018/02/15/black-panther-review-is-the-mcu-all-out-of-surprises/
That doesn’t mean they’re perfect however. The MCU has a distinct lack of decent villains, strong female characters and characters from ethnic minorities. In the run-up to this year’s Infinity War, Black Panther aims to turn what we know about Marvel on its head. But has it succeeded?
After the death of his father, T’Challa (Chadwick Boseman) returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king – and as Black Panther – gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
The opening sequence of Black Panther is an absolute treat as the audience are given a brief history of Wakanda and the tribes from which it grew. It’s a great montage to kick off a film that’s packed with stunning visuals and gorgeous landscapes, even though some of the special effects are left wanting at times.
Cast wise, this is one of the strongest entries into the MCU. Chadwick Boseman absolutely embodies the young, naïve yet warm T’Challa beautifully and it’s nice to see his character given some reference points after his sudden inclusion in Captain America: Civil War. Elsewhere, Lupita Nyong’o is always a pleasure to see on screen and her love interest to Boseman keeps him grounded over the course of the runtime.
For me the standout character is Danai Gurira’s Okoye, leader of a group of female warriors ordered to protect Wakanda and its king no matter what the cost. She’s certainly not to be messed with and gets a pleasing arc throughout. The script also seems to work best when she’s on screen.
When it comes to the bad guy, director Ryan Coogler (Creed) gets it nearly spot on. After dozens of, shall we say, lacklustre villains, the MCU receives its best yet. Michael B. Jordan’s Killmonger is, despite his ridiculous name, absolutely brilliant. Menacing and oddly charming in equal measure, he does away with the tradition of bizarre villain motives in the MCU. In fact, his motives throughout feel entirely believable and the film feels more grounded because of this.
Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion
Martin Freeman’s Agent Ross is a strange addition to the cast, simply because his character isn’t essential to the plot. Freeman is always a magnetic presence but he really doesn’t have all that much to do. Finally, Andy Serkis reprises his role as arms dealer Ulysses Klaue and is great fun.
Looking at Wakanda itself, Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion. It certainly feels more real than the hollow golden towers of Asgard (something thankfully fixed in last year’s Thor: Ragnarok), and Wakanda is a great addition to the many locations the Marvel Cinematic Universe has created.
So, I’ve mentioned disappointing special effects twice in this review and whilst they aren’t terrible, there are a few occasions where they are a little poor – especially evident in the film’s finale. For all his exciting filming style, Coogler’s shot choices occasionally jar with the uninspiring and lifeless CGI. Some of the landscapes also feel like a brochure for Disney’s upcoming The Lion King live-action remake.
I think it’s time to talk about film politics, because as much as Black Panther is a great addition to the MCU and a fine solo movie in itself, the legacy it will leave on the industry will be absolutely huge. With a majority black cast, strong female characters and a black director, it’s progressive and incredibly brave in its choices.
Any less of a story, director or cast wouldn’t have made it work and despite some poor CGI and slight pacing issues at the start, Black Panther is one of the best solo Marvel movies in years. Bring on Infinity War.
https://moviemetropolis.net/2018/02/15/black-panther-review-is-the-mcu-all-out-of-surprises/
A Less Boring History of the World
Book
Refreshes the parts other history books can't reach...A bit ropy on the Renaissance? In the dark...
ClareR (5726 KP) rated The sentence in Books
May 1, 2022
I don’t envy whoever has to narrow down the books on the Women’s Prize 2022 from the long list to the shortlist this year. The books I’ve read so far I’ve enjoyed all equally.
The Sentence is, amongst other things, a book about books. It’s also a book about Tookie, who works in a bookshop and is haunted by a deceased customer. Tookie has a colourful past, which involves imprisonment after it was discovered she had smuggled drugs over county lines, strapped to the corpse of a friends boyfriend. She didn’t know about the drugs, but she certainly knew about the dead body! Prison gave her plenty of time to read, and she leaves prison with a huge knowledge of literature.
On release Tookie gets a job in a Native American bookshop, and marries the Police officer who arrested her. Like her, he is also Native American.
This is a book of two halves: before and during the Covid-19 pandemic. The ghost of the customer, Flora, remains in the bookshop for most of the book, whilst Minneapolis sees a lot of important things going on: the death of George Floyd, Black Lives Matter marches, the Covid-19 epidemic, isolation from friends and family, illness, near death experiences and the importance of heritage.
I loved this book. Like I’ve said, I’m just glad that I won’t have to decide the Women’s Prize winner. I still have some books to read from the long list, which I still want to read even though the shortlist has been announced - so watch this space!
The Sentence is, amongst other things, a book about books. It’s also a book about Tookie, who works in a bookshop and is haunted by a deceased customer. Tookie has a colourful past, which involves imprisonment after it was discovered she had smuggled drugs over county lines, strapped to the corpse of a friends boyfriend. She didn’t know about the drugs, but she certainly knew about the dead body! Prison gave her plenty of time to read, and she leaves prison with a huge knowledge of literature.
On release Tookie gets a job in a Native American bookshop, and marries the Police officer who arrested her. Like her, he is also Native American.
This is a book of two halves: before and during the Covid-19 pandemic. The ghost of the customer, Flora, remains in the bookshop for most of the book, whilst Minneapolis sees a lot of important things going on: the death of George Floyd, Black Lives Matter marches, the Covid-19 epidemic, isolation from friends and family, illness, near death experiences and the importance of heritage.
I loved this book. Like I’ve said, I’m just glad that I won’t have to decide the Women’s Prize winner. I still have some books to read from the long list, which I still want to read even though the shortlist has been announced - so watch this space!
The Finish: The Killing of Osama Bin Laden
9.0
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"There wasn't a meeting when someone didn't mention Black Hawk Down ." - A senior Obama...
Letters from Langston: From the Harlem Renaissance to the Red Scare and Beyond
Robin D. G. Kelley, Langston Hughes, Evelyn Louise Crawford and Mary Louise Patterson
Book
Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of...