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Memos from the Chairman
Book
Alan C. Greenberg, the former chairman of Bear, Stearns, and a celebrated philanthropist, was known...
Falling Through the World ~ A Journey Through ME/CFS
6.0
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Book
Behind the tightly drawn curtains of an ordinary house, something strange is happening to Sarah –...
The Lies About Truth
Book
Sadie Kingston, is a girl living in the aftermath. A year after surviving a car accident that killed...
The Lies About Truth Courtney C. Stevens Young Adult Young Adult Fiction
Perfect Silence
8.3
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Book
When silence falls, who will hear their cries? The body of a young girl is found dumped on the...
Don't Look Back (Inspector Konrad Sejer #2)
7.0
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Book
Meet Inspector Sejer: smart and enigmatic, tough but fair. At the foot of the imposing Kollen...
Mark @ Carstairs Considers (2357 KP) rated One Feta in the Grave in Books
Feb 28, 2019
Beach Festival Interrupted by Murder
It’s mid-August in Ocean Crest, New Jersey, and Lucy Berberian is on the planning committee for this year’s beach festival. Unfortunately, Archie Kincaide is proving to be a pain during the week. He owns a shop on the boardwalk, and he and his neighbor have been feuding since Archie moved to town. He’s also been causing problems for Lucy’s friend Katie, not only at the festival but also at her job at city hall. Taking a break one afternoon, Lucy is walking on the beach when she discovers Archie’s body under the boardwalk. It’s clear he’s been shot, but who did it? With Katie among Detective Clemmons’s suspects, Lucy jumps in to figure out what really happened.
This is another fun mystery. While we have two obvious suspects before Lucy finds Archie’s body, we quickly get more, and I enjoyed how the plot unfolded. The climax was a lot of fun. I do wish the supporting cast of the series were better developed; I like them, but I feel like most are still not as developed as they could be. That isn’t true for Lucy or the suspects, who manage to keep us guessing. And I loved the location. I can easily picture myself enjoying an annual vacation in Ocean Crest, and the added fun of the beach festival made me long to go stick my feet in some warm sand myself. There are 3 delicious sounding recipes to be enjoyed once you’ve finished the book.
This is another fun mystery. While we have two obvious suspects before Lucy finds Archie’s body, we quickly get more, and I enjoyed how the plot unfolded. The climax was a lot of fun. I do wish the supporting cast of the series were better developed; I like them, but I feel like most are still not as developed as they could be. That isn’t true for Lucy or the suspects, who manage to keep us guessing. And I loved the location. I can easily picture myself enjoying an annual vacation in Ocean Crest, and the added fun of the beach festival made me long to go stick my feet in some warm sand myself. There are 3 delicious sounding recipes to be enjoyed once you’ve finished the book.
Mark @ Carstairs Considers (2357 KP) rated Downton Tabby in Books
Mar 29, 2019
Dead Body and a Tabby’s Missing Owner
Pet therapist Caro Lamont is spending this morning in her office working on some paperwork, which is why, when Graham Cash asks her to watch his tabby cat, Toria, for a little while, she readily agrees. Cash and his business partner, Jake, have rented an office for their very successful app making business in the building that Caro uses, and Caro has enjoyed getting to know them both.
When Cash doesn’t return in the agreed upon time, Caro begins to get worried. After all, she has afternoon appointments. She decides to take Toria to the house that the business partners share. However, when she arrives, she finds no sign of Cash and Jake’s dead body floating in their pool. What happened to Jake? Is Cash okay? Or is he the killer?
There is plenty happened here, including a visit by Caro’s ex-husband, so the pages fly by. Unfortunately, all the events mean that the mystery could have been a bit stronger. Still, it had some fun twists and surprises before reaching the logical conclusion. The real star here are the characters, both two and four legged. The pets will charm you, and the humans will entertain you. Some are more realistic and help draw you into the story. Others are so over the top that you are certain to laugh. Yet they are perfectly balanced and feel natural interacting with each other. This series is always a light, fun treat, and this entry is no exception.
When Cash doesn’t return in the agreed upon time, Caro begins to get worried. After all, she has afternoon appointments. She decides to take Toria to the house that the business partners share. However, when she arrives, she finds no sign of Cash and Jake’s dead body floating in their pool. What happened to Jake? Is Cash okay? Or is he the killer?
There is plenty happened here, including a visit by Caro’s ex-husband, so the pages fly by. Unfortunately, all the events mean that the mystery could have been a bit stronger. Still, it had some fun twists and surprises before reaching the logical conclusion. The real star here are the characters, both two and four legged. The pets will charm you, and the humans will entertain you. Some are more realistic and help draw you into the story. Others are so over the top that you are certain to laugh. Yet they are perfectly balanced and feel natural interacting with each other. This series is always a light, fun treat, and this entry is no exception.
JT (287 KP) rated The Possession of Hannah Grace (2018) in Movies
Mar 10, 2020
If there was ever somewhere befitting of a horror film it’s in a morgue. But unlike the terrifying Autopsy of Jane Doe which, uses the location in a dark and gothic manner, The Possession of Hannah Grace feels overworked and desperate to please.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
Suswatibasu (1703 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Chris Sawin (602 KP) rated Jason Goes to Hell: The Final Friday (1993) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
Jason Voorhees is believed to be dead, but his murderous rampage lives on. He's able to transfer from body to body, but each host deteriorates at an incredible rate and he has to switch frequently. Meanwhile, Steven goes to meet Diana one night, who happens to be his ex-wife's mother. She has something very important to tell Steven. You see, Diana is the sister of Jason Voorhees and Jessica, Steven's ex, is his niece. Steven and Jessica have a baby named Stephanie, as well.
According to Creighton Duke, a bounty hunter, the only way anyone can kill Jason is by destroying his heart and it has to be done by a blood relative. Not only that, but he can also be reborn by transferring into the body of another Voorhees. So after Diana is killed in a scuffle with "Jason," that only leaves Jessica and Stephanie. Steven has no choice, but to protect his family even though he's believed to be the one who killed Diana and has the police hot on his trail every step of the way.
For a Friday the 13th film, the acting in this is surprisingly good. It still has a few actors that make you groan, but the actors who get the most face time are decent and get the job done. In fact, I probably would've rated this a few points higher if it wasn't for a few factors. The main one being that Jason is a worm. Not only that, but he's like this demonic worm thing that the sphincter-blasting worms in Dreamcatcher would probably find attractive. If they hadn't tried to give Jason this supernatural explanation and had something else in its place, this would have been a lot better.
Jason, like the actual Jason with the hockey mask, is really only in the film for maybe ten to fifteen minutes tops. So that hurts the film, in my eyes. They also made Jason make all these weird noises this time around. He was wheezing, breathing heavily, groaning, and grunting. It didn't fit the character. He was generally silent up until this film and is again in Jason X. So...what the hell? It's a disappointing sendoff overall for a film labeled as The Final Friday. I guess it wasn't completely pointless. We did get the Freddy Vs Jason tease at the end, which wasn't really followed up on for ten years. But I digress...
According to Creighton Duke, a bounty hunter, the only way anyone can kill Jason is by destroying his heart and it has to be done by a blood relative. Not only that, but he can also be reborn by transferring into the body of another Voorhees. So after Diana is killed in a scuffle with "Jason," that only leaves Jessica and Stephanie. Steven has no choice, but to protect his family even though he's believed to be the one who killed Diana and has the police hot on his trail every step of the way.
For a Friday the 13th film, the acting in this is surprisingly good. It still has a few actors that make you groan, but the actors who get the most face time are decent and get the job done. In fact, I probably would've rated this a few points higher if it wasn't for a few factors. The main one being that Jason is a worm. Not only that, but he's like this demonic worm thing that the sphincter-blasting worms in Dreamcatcher would probably find attractive. If they hadn't tried to give Jason this supernatural explanation and had something else in its place, this would have been a lot better.
Jason, like the actual Jason with the hockey mask, is really only in the film for maybe ten to fifteen minutes tops. So that hurts the film, in my eyes. They also made Jason make all these weird noises this time around. He was wheezing, breathing heavily, groaning, and grunting. It didn't fit the character. He was generally silent up until this film and is again in Jason X. So...what the hell? It's a disappointing sendoff overall for a film labeled as The Final Friday. I guess it wasn't completely pointless. We did get the Freddy Vs Jason tease at the end, which wasn't really followed up on for ten years. But I digress...