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A group of ghost hunters have returned to the island to search for the ghost of a Prohibition era rum runner. However, when their leader gets murdered, Bea must figure out which of her guests might be a killer in order to clear her friend Kate of the crime.

The story is fun, and the way it wove a mystery from the past into what was happening now was great. The characters are strong, as I expected from the first two books. The humor I’ve enjoyed was still there as well. Unfortunately, the book had some serious editing flaws, including multiple characters getting the location where the body was found wrong. None of these impacted the final outcome, but it did detract from my enjoyment.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/10/book-review-legend-of-sleepy-harlow-by.html">Carstairs Considers</a>.
  
The Outlaw and his Wife (1918)
The Outlaw and his Wife (1918)
1918 | Drama
(0 Ratings)
Movie Favorite

"Interrupted by the arrival of the talkies, the oeuvre of Victor Sjöström remains one of the summits of silent cinema. Even if we no longer pay too close attention to The Wind, despite it having been regarded for so long as one of the masterpieces of film history; as also the lesser known The Phantom Carriage, despite it having been a foundational inspiration to Ingmar Bergman, who watched it ritually every year; and even if he is most often remembered for his role in Wild Strawberries; Victor Sjöström is the auteur of a visionary and profound body of work, that makes him equal to his great contemporaries Dreyer and Murnau. For my part, it is The Outlaw and His Wife, inspired by the true story of an 18th-century Icelandic outlaw played in the film by Sjöström himself, which has left the most indelible mark on me."

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    ScoreCard 3D

    Sports and Health & Fitness

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    With the ScoreCard App you have the opportunity to capture the result of your 3D archery course. ...

American Horror Story  - Season 4
American Horror Story - Season 4
2014 | Horror
Utterly messed up
After a disappointing teen-angst third series, AHS got back to its best in this series. A truly twisted but generally likable cast of misfits interact wonderfully to give a glimpse into the treatment of travelling freakshows in small-town America. The ring-mistress' desire for fame weighed up against the freaks' desire for mere acceptance adds a delicious conflict that bears fruit in every episode. Meanwhile the freaks are being hunted by someone looking to sell their body parts to a museum, and Twisty the clown is getting frustrated with his unwilling audience's lack of appreciation for his terrifying yet mediocre act.
Thrilling, despicable and horrific in equal measure.