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In Cave Danger
In Cave Danger
Kate Dyer-Seeley | 2017 | Mystery
7
7.0 (1 Ratings)
Book Rating
Death Deep Underground
Meg Reed is off to Bend, Oregon, to write a feature on the lava caves in the area. The future of the caves in in doubt thanks to a bill that would open the Federal land up to private use. The fight over the bill is creating a lot of tension, but when the group Meg is exploring the cave with makes their way to the bottom, they find a dead body. What is going on?

Those new to the series will be a little frustrated by this book. We’re almost a quarter of the way into the book before Meg makes it to Bend, for example. That time is spent updating us on several storylines introduced in the previous books, so fans will be satisfied. As the book progresses, we get some good suspects and twists to this mystery as well as a great wrap up to several series storylines, which is nice since this is the last book in the series (at least for now). Wrapping things up does overwhelm this book, so really, don’t start the series here.
  
Viy (Spirit of Evil) (1967)
Viy (Spirit of Evil) (1967)
1967 | Horror
7
7.0 (1 Ratings)
Movie Rating
Soviet horror movie from the 1960s rather unexpectedly turns out to be a close spiritual cousin of the kind of films that Hammer et al were making in the west at the same time. A trainee priest finds himself compelled to spend three nights reading prayers over the body of (supposedly) a wealthy landowner's daughter - but the corpse bears a striking resemblance to that of a witch he earlier killed...

Not the longest of films, which is just as well as the pacing may require patience on the part of the viewer; after a very eerie sequence early on, there's a long wait until the stuff with the protagonist's vigil in the second half. Nevertheless, it's worth it, mainly because the special effects are remarkably good, well up to the standard of equivalent western films of the same period (and probably better). Not particularly scary or graphic by modern standards, but the climax has a creepy sort of power to it and the overall impression is of a classy and well-made film; if there's a political subtext to it, it's very well-hidden.