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A Wedding and A Killing (Mac Faraday Mystery #8)
A Wedding and A Killing (Mac Faraday Mystery #8)
Lauren Carr | 2014 | Crime, Mystery, Thriller
7
7.0 (1 Ratings)
Book Rating
If you are looking for a book that will spice up the beginning of your book or story. Well, “A Wedding and a Killing” is a good one that does just that. Mac and his lady decide to get married in the Spencer Church.

It starts once Gnarly jumps out of the car, runs, and barks at the door, which everyone invited to the wedding for Mac and Archie. They realize that Gnarly will not stop barking to get their attention.

Gnarly seems to be trying to get their attention. When no one is paying attention, He will not leave that door. Once someone goes to the door and opens it, Gnarly finds a dead body. It gets chaotic and brings everyone from the church’s sanctuary as Mac and Archie seem in an argument over Gnarly being there. It seems to bring action when they find a murder occurred.

Who would kill a man with no enemies? Who volunteers for the church. When Gnarly finds a dead body, it brings Mac to team up with David and dives into the investigation. But how long will it take? How long will Mac have to wait to get married to Archie? We seem to get more murders and twists and turns. What happens when Ruth and her daughter get brought in. Will Ruth be framed for murder and her husband? Who killed Jason Fairbanks. We seem to have two cases that interlope, and Mac wants to help and defend Ruth.

Once you start reading Lauren Carr’s books, you will want more of them. You can read any of her books in any order and as a standalone. You will want to read more by finding one of her books or audiobooks. Great for any mystery fan, murder mystery, or even thriller fan.
  
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It’s A Wonderful Midlife Crisis ( Good to the last death 1)
By Robyn Peterman
⭐️⭐️⭐️⭐️

Whoever said life begins at forty must have been heavily medicated, drunk, or delusional.

Thirty-nine was a fantastic year. I was married to the man I loved. I had a body that worked without creaking. My grandma, who raised me, was still healthy, and life was pretty damned good.

But as they say, all good things come to an end. I’d honestly love to know who ’they’ are and rip them a new one. One year later, I’m a widow. My joints are starting to ache. Gram is in the nursing home, and dead people think my home is some kind of supernatural bed and breakfast. Gluing body parts onto semi-transparent people has become a side job—deceased people I’m not even sure are actually there. I think they need my help, but since I don’t speak dead, we’re having a few issues.

To add to the heap of trouble, there’s a new dangerously smokin’ hot lawyer at the firm who won't stop giving me the eye. My BFF is thrilled with her new frozen face, thanks to her plastic surgeon, her alimony check, and the miracle of Botox. And then there’s the little conundrum that I’m becoming way too attached to my ghostly squatters… Like Cher, I'd like to turn back time. Now.

No can do.

Whatever. I have wine, good friends, and an industrial sized box of superglue. What could possibly go wrong?

Everything, apparently.

This was really good. It was witty, funny, heartwarming and sad all at once. A lighthearted read quick read. Definitely can’t wait to read the next one.
  
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Awix (3310 KP) rated Godzilla (1954) in Movies

Mar 24, 2018 (Updated Mar 24, 2018)  
Godzilla (1954)
Godzilla (1954)
1954 | Sci-Fi
8
8.2 (17 Ratings)
Movie Rating
The very first Godzilla movie is essentially an unlicensed remake of Eugene Lourie's The Beast from 20,000 Fathoms, with a prehistoric monster roused by atomic testing and going on the rampage - but being a bit worried about atom bombs is clearly not the same thing as actually having them used on your country, for this movie has a dark, traumatised quality to it completely absent from American monster movies.

The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).

It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.