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Fun & engaging read
Allison and her family move to New York City from Dallas for her husband, Michael's, job. At first, Allison is excited--ready for the glitz and glamour of the city. Instead, she finds herself and her family (including her three children) living in a cramped small apartment within a high-rise building. She has no friends and no one to confide in and shortly after moving, she loses her job. Things go from bad to worse when she hits an empty parked car outside her son Jack's school--right in front of the judgemental eyes of all the other mothers. The note Allison leaves leads her to a fancy penthouse, which she finds occupied by young pop star, Carter Reid. Allison doesn't see Carter as a pop star, however: she sees an abandoned kid, friendless, without parents, and about to ruin his career by backing out of the Broadway musical in which he agreed to star. Somehow, Allison becomes involved in Carter's life and as she does, she finally finds a reason to embrace New York.
This was such a fun book and such an engaging read. Now, at first, Allison is adrift in New York and in the beginning of the book, I was so frustrated with the abuse she took from Carter that I was a bit annoyed with the story. But Poeppel gets you past that pretty quick. The entire book is humorous, as it's filled with funny moments with Allison, her family, and the cast of supporting characters. Howard, a security guard Allison helps tutor, particularly shines, as does Owen, Carter's butler. Poeppel is very adept at capturing the individual voice of each of her characters. I loved Allison's kids, too. I fell for her eldest daughter, Charlotte, because I could have been her 20 years ago (geez I'm old), but teenage Megan and funny, quirky Jack were awesome too. The characters truly become like family.
Even if Allison frustrated me at times, with her coddling of Carter, I certainly found her relatable. The fact that she wasn't a morning person, her love for her children yet inability to always know what was happening in their lives, and her closeness with her own mom. She comes across as a real person, and I was incredibly impressed at how well she handled Carter and the celebrity world. The theme of family runs across the book--not just Allison's family, but how the disparate characters in the novel become their own family, and you really find yourself rooting for Carter because of it.
And, indeed, the magic of the book is how it transforms Carter. In the beginning, I couldn't believe anyone would like this kid, but as you read on... well, let's just say you will be rooting for Carter Reid. Poeppel captures Carter so precisely--his mannerisms, his dialect, his voice--it's amazing. It's easy to picture him, and he grows on you, for sure. By the end of the novel, you may feel a little misty. Sure, it's sometimes easy to see where things may be going, but that's OK, because it is such a rather enjoyable ride to be on. Plus, you never know exactly what wrench Carter is going to throw in Allison's carefully laid plans.
Overall, I really enjoyed this one. It started off a little slow, and I was initially frustrated with Carter's behavior (and Allison's acceptance of it). However, the book then takes off, and I was quickly immersed in the well-written characters and the arc of the story. It's such a fun book in so many ways--and touching too--plus there's a celebrity aspect that gives it an enjoyable twist, and you often feel like you're in NYC on a Broadway set. Definitely an enjoyable read.
This was such a fun book and such an engaging read. Now, at first, Allison is adrift in New York and in the beginning of the book, I was so frustrated with the abuse she took from Carter that I was a bit annoyed with the story. But Poeppel gets you past that pretty quick. The entire book is humorous, as it's filled with funny moments with Allison, her family, and the cast of supporting characters. Howard, a security guard Allison helps tutor, particularly shines, as does Owen, Carter's butler. Poeppel is very adept at capturing the individual voice of each of her characters. I loved Allison's kids, too. I fell for her eldest daughter, Charlotte, because I could have been her 20 years ago (geez I'm old), but teenage Megan and funny, quirky Jack were awesome too. The characters truly become like family.
Even if Allison frustrated me at times, with her coddling of Carter, I certainly found her relatable. The fact that she wasn't a morning person, her love for her children yet inability to always know what was happening in their lives, and her closeness with her own mom. She comes across as a real person, and I was incredibly impressed at how well she handled Carter and the celebrity world. The theme of family runs across the book--not just Allison's family, but how the disparate characters in the novel become their own family, and you really find yourself rooting for Carter because of it.
And, indeed, the magic of the book is how it transforms Carter. In the beginning, I couldn't believe anyone would like this kid, but as you read on... well, let's just say you will be rooting for Carter Reid. Poeppel captures Carter so precisely--his mannerisms, his dialect, his voice--it's amazing. It's easy to picture him, and he grows on you, for sure. By the end of the novel, you may feel a little misty. Sure, it's sometimes easy to see where things may be going, but that's OK, because it is such a rather enjoyable ride to be on. Plus, you never know exactly what wrench Carter is going to throw in Allison's carefully laid plans.
Overall, I really enjoyed this one. It started off a little slow, and I was initially frustrated with Carter's behavior (and Allison's acceptance of it). However, the book then takes off, and I was quickly immersed in the well-written characters and the arc of the story. It's such a fun book in so many ways--and touching too--plus there's a celebrity aspect that gives it an enjoyable twist, and you often feel like you're in NYC on a Broadway set. Definitely an enjoyable read.
Gareth von Kallenbach (968 KP) rated In Good Company (2004) in Movies
Aug 14, 2019
Carter Duryea (Topher Grace) is a man with goals. At 26, he is heading his mega-companies cell phone sales, and is being groomed for bigger and better things. A golden opportunity is handed to Carter when his company acquires another mega company resulting in his placement in the recently acquired Sports magazine division.
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
Gordon Gano recommended Can the Circle Be Unbroken by The Carter Family in Music (curated)
Kristy H (1252 KP) rated Playing the Palace in Books
Jul 29, 2021
Funny and sweet romantic comedy
Carter Ogden fantasized about the Prince of England growing up--who didn't? Openly gay Prince Edgar is handsome and easy to adore. When Carter meets Edgar through a work event, sparks fly. Before he knows it, it seems like the two are dating. But their relationship receives intense media scrutiny--and the disapproval of the Queen of England. Can they find a happily ever after when it seems like everything--and everyone--are against them?
"He was destined to become the king of England, and I was a nice Jewish boy from New Jersey; we both knew what we were supposed to be doing, but we were fighting it. When it came to emotional stability, neither of us had a prayer."
This is a cute and funny story overall. We have Carter, who is reeling from a breakup and does not feel worthy of love and then Edgar, who is scared to trust. It's not easy to be in a relationship when you're the Prince of England. As Edgar states, he's "a symbol and an institution." The two meet at the United Nations and there's definitely some insta-chemistry, but they are also pretty sweet together. You can't help but root for this pair.
"Because ever since I can remember, there's been only one unthinkable sin, and that was disgracing my family and my country, in any way. I was being held to a different standard, which I agreed with. I had one job: to represent the royal household and to make England proud, and I was a calamity."
The book is a little ping pong-ish in its highs and lows. Everything is good... and then it's not. Rinse and repeat. At times, it seems a little insane that Edgar and his family cannot trust Carter, yet you can understand how utterly crazy and invasive the British media is--we see it all the time. I would have liked to see the two communicate a bit more, but new relationships are hard.
The cast of characters in PALACE are wonderful--completely engaging. Carter's family and friends are adorable, especially his sister and aunt Miriam. They make you laugh and cry. There's an excellent vomiting scene with poor Carter that will have you cringing and chuckling. Parts of this story are just plain hilarious. But it's also serious in its look at finding love after loss, insight into homophobia, and seeking acceptance for yourself and your partner, no matter what kind of relationship you may be in.
Overall, this is a fast and fluffy romantic read that also offers a good take on acceptance. 3.5 stars.
"He was destined to become the king of England, and I was a nice Jewish boy from New Jersey; we both knew what we were supposed to be doing, but we were fighting it. When it came to emotional stability, neither of us had a prayer."
This is a cute and funny story overall. We have Carter, who is reeling from a breakup and does not feel worthy of love and then Edgar, who is scared to trust. It's not easy to be in a relationship when you're the Prince of England. As Edgar states, he's "a symbol and an institution." The two meet at the United Nations and there's definitely some insta-chemistry, but they are also pretty sweet together. You can't help but root for this pair.
"Because ever since I can remember, there's been only one unthinkable sin, and that was disgracing my family and my country, in any way. I was being held to a different standard, which I agreed with. I had one job: to represent the royal household and to make England proud, and I was a calamity."
The book is a little ping pong-ish in its highs and lows. Everything is good... and then it's not. Rinse and repeat. At times, it seems a little insane that Edgar and his family cannot trust Carter, yet you can understand how utterly crazy and invasive the British media is--we see it all the time. I would have liked to see the two communicate a bit more, but new relationships are hard.
The cast of characters in PALACE are wonderful--completely engaging. Carter's family and friends are adorable, especially his sister and aunt Miriam. They make you laugh and cry. There's an excellent vomiting scene with poor Carter that will have you cringing and chuckling. Parts of this story are just plain hilarious. But it's also serious in its look at finding love after loss, insight into homophobia, and seeking acceptance for yourself and your partner, no matter what kind of relationship you may be in.
Overall, this is a fast and fluffy romantic read that also offers a good take on acceptance. 3.5 stars.
Whatchareadin (174 KP) rated Murder, D.C. in Books
Apr 9, 2019
Sully Carter is a journalist in Washington, D.C. When he starts to investigate the murder of Billy Ellison, the son of a prominent African American family in the area, he finds out a lot more information then he had planned to. With so many questions about this death and curious circumstances about talking to the family about it, Sully is determined to get to the truth, even if his own life may hang in the balance because of it.
Thank you to NetGalley and Penguin Viking for the opportunity to read and review this book. This is the first book I have read by Neely Tucker and I look forward to more that he has. I enjoy reading books in and around Washington DC as I have lived in this area most of my life.
This book had a very interesting story line and a few twists and turns along the way. Billy Ellison is gay and his family is very well known throughout the DC area. His family wants him to follow in his father's footsteps and become a lawyer, but this isn't something he is interested in. He enjoys exploring his family's rich and illustrious past in Washington, but then he discovers something very disturbing. After his death, Sully Carter, picks up where Billy left off and tries to find out what in the research could have gotten him killed. As Sully gets closer to the truth, his life is on the brink of ending as well.
In the book, Sully works for "The Paper" not sure which that would be, but I'm assuming its the Washington Post, the largest in the area. Sully is a character who you can love or hate, really. He didn't grow on me too much. The story overall had a good plot, but there were parts of it that my eyes read but my brain did not digest.
Overall the book is good and if given the opportunity, I will read more books by Neely Tucker.
Thank you to NetGalley and Penguin Viking for the opportunity to read and review this book. This is the first book I have read by Neely Tucker and I look forward to more that he has. I enjoy reading books in and around Washington DC as I have lived in this area most of my life.
This book had a very interesting story line and a few twists and turns along the way. Billy Ellison is gay and his family is very well known throughout the DC area. His family wants him to follow in his father's footsteps and become a lawyer, but this isn't something he is interested in. He enjoys exploring his family's rich and illustrious past in Washington, but then he discovers something very disturbing. After his death, Sully Carter, picks up where Billy left off and tries to find out what in the research could have gotten him killed. As Sully gets closer to the truth, his life is on the brink of ending as well.
In the book, Sully works for "The Paper" not sure which that would be, but I'm assuming its the Washington Post, the largest in the area. Sully is a character who you can love or hate, really. He didn't grow on me too much. The story overall had a good plot, but there were parts of it that my eyes read but my brain did not digest.
Overall the book is good and if given the opportunity, I will read more books by Neely Tucker.
Whatchareadin (174 KP) rated The Hate u Give in Books
Apr 3, 2019
Starr Carter lives in Garden Heights, which is the ghetto. She goes to the predominately white private school, Williamson, where she has to pretend to be someone she is not. When she witnesses the murder of one of her closest friends, Khalil, from the neighborhood, by the hand of a white police officer, she has to take a closer look at herself, her neighborhood, and the friends she chooses to hang with.
I have been wanting to read this book for a long time. Now, that it's a movie, I had to get it in before I went to see it.
This book really resonates with the times we are now living in. For people of color in this country, every day is a reality that your life can be cut short, by one wrong move. Even if that move is not going to harm another person.
For Starr Carter, being the only witness comes with a lot of pressure to speak about what happened or to keep it inside. Speaking out can mean trouble for her family and herself. Keeping it inside, means that Khalil will never get justice for his death. While Starr decides what to do, life must go on. She examines her relationship with her friends at Williamson, she reflects back on her life with Khalil, and she grows closer to her family.
This is a great book for everyone to read. Please read it and see the movie.
I have been wanting to read this book for a long time. Now, that it's a movie, I had to get it in before I went to see it.
This book really resonates with the times we are now living in. For people of color in this country, every day is a reality that your life can be cut short, by one wrong move. Even if that move is not going to harm another person.
For Starr Carter, being the only witness comes with a lot of pressure to speak about what happened or to keep it inside. Speaking out can mean trouble for her family and herself. Keeping it inside, means that Khalil will never get justice for his death. While Starr decides what to do, life must go on. She examines her relationship with her friends at Williamson, she reflects back on her life with Khalil, and she grows closer to her family.
This is a great book for everyone to read. Please read it and see the movie.
Phillip McSween (751 KP) rated The Hate U Give (2018) in Movies
Feb 11, 2019
Masterpiece, One of the Best of 2018
After witnessing a murder, black high school student Starr Carter (Amandla Stenberg) decides to stand up against racism while dealing with her own internal conflict of self-identity.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Lyndsey Gollogly (2893 KP) rated Dirty Game (Annie Carter #1) in Books
Oct 27, 2021
178 of 250
Book
Dirty Game (Annie Carter book 1)
By Jessie Keane
Once read a review will be written via Smashbomb and link posted in comments
Adultery, murder and dangerous love collide in Jessie Keane's gritty debut novel. For longer than she cares to remember Annie Bailey has lived in the shadow of her older sister Ruthie. Now Ruthie has her hands on Max Carter, the much feared head of the Carter family and a top class villain. Seducing Max wasn't a problem, but the guilt, shame and anger of rejection afterwards was. Thrown onto the streets Annie finds herself living with Celia, a wayward aunt with a shocking secret. As the months pass Annie's resourceful nature sees her mature and carve out a life for herself, albeit not legal. But if you play with fire, you can expect to get burned and her lavish new lifestyle and connections may be about to come crashing down around her. Annie has unwittingly placed herself between two rival gangs and upset too many people, and these kind of people don't forget. But as everyone knows, Annie Bailey is no ordinary woman.
Growing up I was always fascinated with London gangs especially the Krays so this was right up my street. Jessie writes brilliantly about a hard ,fast paced and violent lifestyle. I love Annie’s journey in this book and can’t wait to read more. It’s brilliantly written and so similar to Martina Cole (I’m not sure who came first I just found Martina first!) the whole work surrounding these characters is violent and intricate, what I love in this one is the slight twist at the end! Highly recommend to those who love this style of writing.
Book
Dirty Game (Annie Carter book 1)
By Jessie Keane
Once read a review will be written via Smashbomb and link posted in comments
Adultery, murder and dangerous love collide in Jessie Keane's gritty debut novel. For longer than she cares to remember Annie Bailey has lived in the shadow of her older sister Ruthie. Now Ruthie has her hands on Max Carter, the much feared head of the Carter family and a top class villain. Seducing Max wasn't a problem, but the guilt, shame and anger of rejection afterwards was. Thrown onto the streets Annie finds herself living with Celia, a wayward aunt with a shocking secret. As the months pass Annie's resourceful nature sees her mature and carve out a life for herself, albeit not legal. But if you play with fire, you can expect to get burned and her lavish new lifestyle and connections may be about to come crashing down around her. Annie has unwittingly placed herself between two rival gangs and upset too many people, and these kind of people don't forget. But as everyone knows, Annie Bailey is no ordinary woman.
Growing up I was always fascinated with London gangs especially the Krays so this was right up my street. Jessie writes brilliantly about a hard ,fast paced and violent lifestyle. I love Annie’s journey in this book and can’t wait to read more. It’s brilliantly written and so similar to Martina Cole (I’m not sure who came first I just found Martina first!) the whole work surrounding these characters is violent and intricate, what I love in this one is the slight twist at the end! Highly recommend to those who love this style of writing.
Matthew Krueger (10051 KP) rated The Hills Have Eyes (1977) in Movies
Sep 4, 2020
Cannibal Savages
The Hills Have Eyes- is a disturbing psychological survival horror film. Wes did it again.
The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.
Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.
Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.
The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.
Its a excellent movie.
The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.
Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.
Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.
The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.
Its a excellent movie.
Matthew Krueger (10051 KP) rated The Hills Have Eyes (2006) in Movies
May 15, 2021
There Be Watching You
The Hills Have Eyes- is one of those remakes that you forgot that came out. It is also a very underrated movie. Why does no one talk about this movie? Why does no one remember this movie and that it came out. More people should know about it and watch it because it is a very good underrated horror remake.
The plot: Bob Carter and his wife Ethel, along with five other members of the family, are heading for San Diego with their camper vans. An accident strands them in the desert and while two of the men go for help, the others are forced to wait. They're unaware that they've ended up stuck near the site where, decades earlier, nuclear tests gave rise to a group of mutant monsters who have developed a taste for human flesh.
Its all about survival. Its all about surviving and living to see tomorrow.
I would highly reccordmend this movie.
The plot: Bob Carter and his wife Ethel, along with five other members of the family, are heading for San Diego with their camper vans. An accident strands them in the desert and while two of the men go for help, the others are forced to wait. They're unaware that they've ended up stuck near the site where, decades earlier, nuclear tests gave rise to a group of mutant monsters who have developed a taste for human flesh.
Its all about survival. Its all about surviving and living to see tomorrow.
I would highly reccordmend this movie.