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What might be sabotaging your uniquely gifted contribution to the world around you? Discover the obstacles and barriers standing between you and your God-given purpose. In this revised book, youll learn how to identify ways to strengthen your calling thatll encourage you to confidently operate in the gifts and talents that God designed you to do. Through the lens of T.H. Meyers own journey, youll recognize the universal struggle in embracing your whole person as she encourages you to live a life without regrets. For the individual reader looking to examine more deeply their life purpose or a group seeking to collectively spur each other toward their God-given gifts, talents, and life. This book can be used as a 12-week, 6-week, or 4-week study guide, with exploratory questions at the end of each chapter the assist you in listening to Gods voice and revealing your unique purpose, path, or direction.
Endorsements A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward Gods design and dreams for our lives. Love it! Cindy Coloma, best selling and award-winning author of over 15 books Youll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why its imperative that you honor your creative calling. Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway TH Meyer looks at the glass ceiling the world has placed between creatives and non-creatives and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, Pish-posh. She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith. Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into Gods design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts. Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to Gods unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose. Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment. JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults
My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.
This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.
I enjoyed this book and encourage others to read it.
Endorsements A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward Gods design and dreams for our lives. Love it! Cindy Coloma, best selling and award-winning author of over 15 books Youll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why its imperative that you honor your creative calling. Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway TH Meyer looks at the glass ceiling the world has placed between creatives and non-creatives and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, Pish-posh. She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith. Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into Gods design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts. Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to Gods unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose. Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment. JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults
My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.
This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.
I enjoyed this book and encourage others to read it.
Christine A. (965 KP) rated Crossings in Books
Jul 31, 2020
Clever story that can be ready 2 different ways
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
I loved reading "choose your own adventure" books. Everyone started reading at the same place, but you could decide how the story played out. You could spend hours rereading without taking the same path twice. In Crossings by Alex Landragin, there are two paths to choose from, the linear path or what is referred to as the Baroness sequence. I followed the Baroness sequence and was in for quite an adventure.
Crossings is the first novel I read that can be read in two ways. It can be read straight through which contains a collection of loosely connected stories. You can choose to follow the Baroness sequence and follow an alternative page sequence that cleverly reworks the stories into a single novel.
I was going to read Crossings both directions it can be read but decided to wait a few months to read the linear version. The concept of writing the novel is imaginative and creative, and I added a star because of how well it works.
The e-book links to the next section in the sequence were not always accurate. If that occurs in the final draft, go to the "note to reader" and click the links from there.
This 200-word review was published on Philomathinphila.com on 7/30/20.
I loved reading "choose your own adventure" books. Everyone started reading at the same place, but you could decide how the story played out. You could spend hours rereading without taking the same path twice. In Crossings by Alex Landragin, there are two paths to choose from, the linear path or what is referred to as the Baroness sequence. I followed the Baroness sequence and was in for quite an adventure.
Crossings is the first novel I read that can be read in two ways. It can be read straight through which contains a collection of loosely connected stories. You can choose to follow the Baroness sequence and follow an alternative page sequence that cleverly reworks the stories into a single novel.
I was going to read Crossings both directions it can be read but decided to wait a few months to read the linear version. The concept of writing the novel is imaginative and creative, and I added a star because of how well it works.
The e-book links to the next section in the sequence were not always accurate. If that occurs in the final draft, go to the "note to reader" and click the links from there.
This 200-word review was published on Philomathinphila.com on 7/30/20.
Adam Green recommended Mutations by Beck in Music (curated)
Gareth von Kallenbach (971 KP) rated American Reunion (2012) in Movies
Aug 7, 2019
It has often been said that you cannot turn back the hands of time, but thankfully Hollywood is a place where magical things happen. In the case of the gang from American Pie and the creative talents of writer directors Jon Hurwitz Hayden Schlossberg, the gang is back, better than ever, for another slice if pie. Hurwitz and Schlossberg are the creative team behind the ” Harold and Kumar” series and have been entrusted by Universal to carry on the American Pie series which had recently been relegated to four direct-to-DVD releases.
The new film reunites the entire cast from the original three films and centers around the gang’s 13 year high school reunion. Life has definitely taken them all in some unexpected directions. Jim (Jason Biggs) is married to Michelle (Alyson Hannigan), and are now parents to a little boy and enjoying a comfortable, if a tad uneventful, suburban lifestyle.
Oz (Chris Klein), is a successful Los Angeles sportscaster as well as a recent contestant on a popular national dance show. He spends his time mixing with celebrities and indulging a girlfriend who loves to party just a bit too much. Meanwhile, Kevin (Thomas Ian Nicholas), is happily married but needs an escape from a domestic routine that includes watching reality shows with his wife.
Finch (Eddie Kaye Thomas) fancies himself a nomadic spirit who wanders the globe from one esoteric adventure to another, still looking for his true love while Stiffler (Seann William Scott), works at a prestigious firm and remains the guy who never misses an opportunity to wisecrack or sexually harass any female who crosses his path.
As reunion-type movies go, there are the expected moments of awkwardness and hilarity. And of course, it wouldn’t be an American Pie movie without moments of ridiculously crude antics, mainly from Stifler. What separates the film from the bevy of raunchy comedies that flooded the market after the success of the initial film, is that there is some maturity amongst the mayhem.
In between the outrageous antics, the various characters are forced to take deep examinations of their lives since graduation and in some cases grow up for the first time in their lives. Oz must comes to grips with his feelings for his former girlfriend Heather (Mena Suvari), as does Kevin when his former flame Vicky (Tara Reid), returns to town for the reunion. Jim and Michelle have to find a way to bring some sexual spark back into their lives while Finch needs to accept the mundane reality of his. And Stifler. Well, let’s just say he needs to find his true calling.
What really sold the film for me was not just the great chemistry between the cast but the way the script deftly moved the raunchy comedy along while combining character development and depth that is not normally found in films of this type. As I watched, I found that I had really missed this crew of unlikely friends, and really enjoyed catching up with them even when they were not extricating themselves from one over-the-top situation after another.
While the film did drag a bit slightly there was always an outrageous moment right around the corner that had the theater errupting in laughter or shrieking in disbelief. This film is rated R for good reason. The cast worked really great together and it was especially nice to see Klein back in the mix, as he had been noticeably absent from the last film in no small part due to his offscreen issues.
Eugene Levy and Jennifer Coolidge (Stifler’s mom) have some absolutely hysterical moments in film especially when Mr. Levenstein, widowed now for three years, decides to cut loose at a party and we get to see has wild side. I would also encourage viewers to make sure to stay through the credits as there is more comedy from this pair that must not be missed.
The supporting characters from the previous films were all given their moments to shine even if it is just in a small cameo. Shannon Elizabeth, Natasha Lyonne, John Cho, and of course, the Sherminator were all given a chance to bring back some memories, making this film is welcome and enjoyably nostalgic trip. It proves that there’s still some life and good times left in the series, and if the creative talents can keep quality to this level I, for one, would certainly welcome another slice of pie in the future.
The new film reunites the entire cast from the original three films and centers around the gang’s 13 year high school reunion. Life has definitely taken them all in some unexpected directions. Jim (Jason Biggs) is married to Michelle (Alyson Hannigan), and are now parents to a little boy and enjoying a comfortable, if a tad uneventful, suburban lifestyle.
Oz (Chris Klein), is a successful Los Angeles sportscaster as well as a recent contestant on a popular national dance show. He spends his time mixing with celebrities and indulging a girlfriend who loves to party just a bit too much. Meanwhile, Kevin (Thomas Ian Nicholas), is happily married but needs an escape from a domestic routine that includes watching reality shows with his wife.
Finch (Eddie Kaye Thomas) fancies himself a nomadic spirit who wanders the globe from one esoteric adventure to another, still looking for his true love while Stiffler (Seann William Scott), works at a prestigious firm and remains the guy who never misses an opportunity to wisecrack or sexually harass any female who crosses his path.
As reunion-type movies go, there are the expected moments of awkwardness and hilarity. And of course, it wouldn’t be an American Pie movie without moments of ridiculously crude antics, mainly from Stifler. What separates the film from the bevy of raunchy comedies that flooded the market after the success of the initial film, is that there is some maturity amongst the mayhem.
In between the outrageous antics, the various characters are forced to take deep examinations of their lives since graduation and in some cases grow up for the first time in their lives. Oz must comes to grips with his feelings for his former girlfriend Heather (Mena Suvari), as does Kevin when his former flame Vicky (Tara Reid), returns to town for the reunion. Jim and Michelle have to find a way to bring some sexual spark back into their lives while Finch needs to accept the mundane reality of his. And Stifler. Well, let’s just say he needs to find his true calling.
What really sold the film for me was not just the great chemistry between the cast but the way the script deftly moved the raunchy comedy along while combining character development and depth that is not normally found in films of this type. As I watched, I found that I had really missed this crew of unlikely friends, and really enjoyed catching up with them even when they were not extricating themselves from one over-the-top situation after another.
While the film did drag a bit slightly there was always an outrageous moment right around the corner that had the theater errupting in laughter or shrieking in disbelief. This film is rated R for good reason. The cast worked really great together and it was especially nice to see Klein back in the mix, as he had been noticeably absent from the last film in no small part due to his offscreen issues.
Eugene Levy and Jennifer Coolidge (Stifler’s mom) have some absolutely hysterical moments in film especially when Mr. Levenstein, widowed now for three years, decides to cut loose at a party and we get to see has wild side. I would also encourage viewers to make sure to stay through the credits as there is more comedy from this pair that must not be missed.
The supporting characters from the previous films were all given their moments to shine even if it is just in a small cameo. Shannon Elizabeth, Natasha Lyonne, John Cho, and of course, the Sherminator were all given a chance to bring back some memories, making this film is welcome and enjoyably nostalgic trip. It proves that there’s still some life and good times left in the series, and if the creative talents can keep quality to this level I, for one, would certainly welcome another slice of pie in the future.
Gareth von Kallenbach (971 KP) rated the Xbox One version of LEGO Star Wars: The Skywalker Saga in Video Games
Apr 28, 2022
I first saw Lego Star Wars: The Skywalker Saga at E3 2019 during a meeting with Warner Bros. Interactive. Even at that stage of development, it was clear that the game had enormous potential as not only did it offer fun and quirky gameplay, but it also allowed players the chance to explore multiple locales from the film and play in a story and sandbox mode.
The game covers the nine episodic films in the series and allows players to play multiple characters big and small from the films as well as use multiple vehicles and weapons as they battle and solve puzzles to complete the levels.
As with most Lego-themed games there is plenty of humor and the game while following the general outline of the film plots does have some deviations which allow for some expanded gameplay and humor-filled moments.
Recreating the rescue of Luke from the cold on Hoth for example required a Tauntaun Ride to three locales to defeat enemies and align communication dishes in order to complete the task at hand.
Players can select the character they wish to control as at times one such as R2-D2 will be needed to complete a puzzle to unlock a terminal while another will be needed for their firepower or other abilities.
There are loads of cosmetics, characters, and vehicles that can be unlocked, and what I found so amazing was the incredible depth each chapter offered. Side quests and exploring could be done or players can select a more linear path and complete the missions.
The graphics in the game are series best as playing on an Xbox Series S the detail level was amazing and on more than one occasion I had to keep myself focused on the mission versus exploring.
The replay value of the game is also amazing as there is just so much content available that allows players to be creative and above all have fun.
In keeping with the Lego brand, the game is ideal for all ages as while there are plenty of characters being shot and explosions, the end result is usually a pile of bricks for players to collect. The sound and music in the game also need to be noted as there is a great mix of voice talents, sounds, and movies that will transport players deep into the Star Wars universe.
On more than one instance I found myself saying that I would play one more chapter before stopping only to find myself powering on for extended gameplay sessions.
I cannot say enough great things about the game as it is for my taste the best Lego-themed game ever and a must-own game for Star Wars fans of any age.
5 stars out of 5
The game covers the nine episodic films in the series and allows players to play multiple characters big and small from the films as well as use multiple vehicles and weapons as they battle and solve puzzles to complete the levels.
As with most Lego-themed games there is plenty of humor and the game while following the general outline of the film plots does have some deviations which allow for some expanded gameplay and humor-filled moments.
Recreating the rescue of Luke from the cold on Hoth for example required a Tauntaun Ride to three locales to defeat enemies and align communication dishes in order to complete the task at hand.
Players can select the character they wish to control as at times one such as R2-D2 will be needed to complete a puzzle to unlock a terminal while another will be needed for their firepower or other abilities.
There are loads of cosmetics, characters, and vehicles that can be unlocked, and what I found so amazing was the incredible depth each chapter offered. Side quests and exploring could be done or players can select a more linear path and complete the missions.
The graphics in the game are series best as playing on an Xbox Series S the detail level was amazing and on more than one occasion I had to keep myself focused on the mission versus exploring.
The replay value of the game is also amazing as there is just so much content available that allows players to be creative and above all have fun.
In keeping with the Lego brand, the game is ideal for all ages as while there are plenty of characters being shot and explosions, the end result is usually a pile of bricks for players to collect. The sound and music in the game also need to be noted as there is a great mix of voice talents, sounds, and movies that will transport players deep into the Star Wars universe.
On more than one instance I found myself saying that I would play one more chapter before stopping only to find myself powering on for extended gameplay sessions.
I cannot say enough great things about the game as it is for my taste the best Lego-themed game ever and a must-own game for Star Wars fans of any age.
5 stars out of 5
Phillip McSween (751 KP) rated Ghostbusters (1984) in Movies
Apr 15, 2018
Stellar
A group of four armed with special proton packs come together to protect Manhattan from crazy supernatural forces that have taken hold of the city.
Acting: 10
Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.
Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.
Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.
Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.
Plot: 10
Resolution: 10
Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
Acting: 10
Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.
Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.
Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.
Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.
Plot: 10
Resolution: 10
Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
Gareth von Kallenbach (971 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Gareth von Kallenbach (971 KP) rated Dusk in Video Games
May 10, 2021
I am late to the party with this one but DUSK is a game that I have been aware of since it was first announced but only recently had a chance to play. For fans of First Person Shooters and especially those who played early genre classics like DOOM, DOOM 2, and The Wolfenstein series; the recent trend of Indie developers making retro-looking shooters has been growing. While most have been fairly mediocre; there have been some such as Ion Fury which captured the Pixelated action that players embraced before 3D cards became widely used and eventually a necessary part of gaming.
DUSK lovingly blends old and new as it even has a DOS-like startup menu while the game loads to provide plenty of loving nostalgia.
The game is broken down into three chapters and tasks players to survive a dangerous cult and the various creatures and enemies they encounter. The gameplay is fairly simple as players gather weapons, ammunition, health, and other items and dispatch enemies as they race through a level to find various keys needed to open locked doors and advance to the end of the level.
Players will have an impressive arsenal at their disposal from pistols, shotguns, machine guns, hunting rifles, a Rivet gun, grenade launchers, and a sword. All of which will come in handy as there are multiple enemy types that lurk in the darkness.
Players will have a flashlight as well but be warned; there are maps where it will not be functional in certain parts and having to fire guns to provide temporary lighting in order to find a well-hidden path to advance will test your patience.
Players will also be able to double down on some weapons and dual Shotguns can be very enjoyable but may not have the rate of fire that players need.
There are also power-ups along the way that can speed up a player’s rate of fire and other enhancements to help move things along.
Levels were generally very fun and engaging and provided plenty of solid gameplay and enjoyable moments. There is a multiplayer aspect that features the old Deathmatch format but I was unable to find anyone in any of the games during the times I checked.
DUSK was a winning mix of nostalgia and action and had some very clever map designs and sequences such as one frustrating one where gravity was upturned and forced players to be very patient and creative.
I hope we see a DUSK 2 in the near future as the game is a winner and can show bigger studios how to make an engaging shooter that gamers will love without the mega-budget bells and whistles.
DUSK lovingly blends old and new as it even has a DOS-like startup menu while the game loads to provide plenty of loving nostalgia.
The game is broken down into three chapters and tasks players to survive a dangerous cult and the various creatures and enemies they encounter. The gameplay is fairly simple as players gather weapons, ammunition, health, and other items and dispatch enemies as they race through a level to find various keys needed to open locked doors and advance to the end of the level.
Players will have an impressive arsenal at their disposal from pistols, shotguns, machine guns, hunting rifles, a Rivet gun, grenade launchers, and a sword. All of which will come in handy as there are multiple enemy types that lurk in the darkness.
Players will have a flashlight as well but be warned; there are maps where it will not be functional in certain parts and having to fire guns to provide temporary lighting in order to find a well-hidden path to advance will test your patience.
Players will also be able to double down on some weapons and dual Shotguns can be very enjoyable but may not have the rate of fire that players need.
There are also power-ups along the way that can speed up a player’s rate of fire and other enhancements to help move things along.
Levels were generally very fun and engaging and provided plenty of solid gameplay and enjoyable moments. There is a multiplayer aspect that features the old Deathmatch format but I was unable to find anyone in any of the games during the times I checked.
DUSK was a winning mix of nostalgia and action and had some very clever map designs and sequences such as one frustrating one where gravity was upturned and forced players to be very patient and creative.
I hope we see a DUSK 2 in the near future as the game is a winner and can show bigger studios how to make an engaging shooter that gamers will love without the mega-budget bells and whistles.
Gareth von Kallenbach (971 KP) rated The Wolfman (2010) in Movies
Aug 8, 2019
During the golden age of cinematic horror, Lon Chaney terrified audiences with his portrayal of the Wolfman which launched the character as a cultural mainstay.
Over the years there have been countless updates to the tale which ranged from Michael Landon in “I Was a Teenage Werewolf, to the more contemporary “An American Werewolf in London” and “Dog Soldiers”.
With remakes being all the rage in Hollywood, Universal has returned to the original source material to offer an updated version of the original classic.
Set in England near the start of the twentieth century, the film stars Benicio Del Toro as an actor named Lawrence who is summoned home when his brother goes missing. Upon returning to the lavish familial estate, he is greeted by his estranged father, (Sir Anthony Hopkins), who informs him that his brother mutilated body was discovered earlier.
Dismayed by the condition of his brother’s remains, Lawrence decides to stay and get to the bottom of the mystery. When a clue provided by his brother’s fiancé leads him to a Gypsy encampment, Lawrence learns of a curse, but before he can obtain the information he desires, the camp is attacked by a mysterious creature that leaves a horrific path of carnage in its wake and leaves Lawrence badly wounded from a bite.
Lawrence makes an amazing recovery from his wounds and in doing so raises the suspicions of the locals who now see Lawrence as cursed and a threat to their society.
Lawrence has also raised the suspicions of Scotland Yard Inspector, (Hugo Weaving) who is convinced that Lawrence may be a key player in the local horror, as he was confined to an asylum in his childhood following the death of his mother.
At first Lawrence is outraged at the accusations, but when he transforms into a deadly creature and embarks on a deadly killing spree during a full moon, he soon learns a dangerous secret that places not only his life in danger, but endangers all those around him.
In a desperate race against time, Lawrence attempts to get to the root of his troubles and set things right before the next full moon, when his animal side will take over once again.
The film is a stylish update of the original and the cast is strong. Sadly they are given little to do with the by the numbers plot, and spend much of the time looking like they are simply going through the motions which makes it difficult for the audience to develop a deep sympathy or attachment to the characters.
Oscar winner Rick Baker has done some amazing makeup work and the effects of the film are solid. It was reported that the film was delayed so Universal could punch the film up by adding some new fx and sequences.
The final result is a mixed bag as while the film is a nice update on the original, audiences have seen more so many variations of the story over the years it is hard to be surprised by anything in the picture. Despite the best efforts of the creative talent, there is little tension or drama in the film and by the time the finale plays out, many may think they have seen it all before.
Universal has released the 1941 original Lon Cheney version of the film on DVD and for those who like film history; they may gain a new insight into the film by watching the original version prior.
In the end, “The Wolfman” works as a matinee or a DVD rental, but I would not suggest it as a full priced theatrical experience for anyone other than those looking for a piece of nostalgia.
Over the years there have been countless updates to the tale which ranged from Michael Landon in “I Was a Teenage Werewolf, to the more contemporary “An American Werewolf in London” and “Dog Soldiers”.
With remakes being all the rage in Hollywood, Universal has returned to the original source material to offer an updated version of the original classic.
Set in England near the start of the twentieth century, the film stars Benicio Del Toro as an actor named Lawrence who is summoned home when his brother goes missing. Upon returning to the lavish familial estate, he is greeted by his estranged father, (Sir Anthony Hopkins), who informs him that his brother mutilated body was discovered earlier.
Dismayed by the condition of his brother’s remains, Lawrence decides to stay and get to the bottom of the mystery. When a clue provided by his brother’s fiancé leads him to a Gypsy encampment, Lawrence learns of a curse, but before he can obtain the information he desires, the camp is attacked by a mysterious creature that leaves a horrific path of carnage in its wake and leaves Lawrence badly wounded from a bite.
Lawrence makes an amazing recovery from his wounds and in doing so raises the suspicions of the locals who now see Lawrence as cursed and a threat to their society.
Lawrence has also raised the suspicions of Scotland Yard Inspector, (Hugo Weaving) who is convinced that Lawrence may be a key player in the local horror, as he was confined to an asylum in his childhood following the death of his mother.
At first Lawrence is outraged at the accusations, but when he transforms into a deadly creature and embarks on a deadly killing spree during a full moon, he soon learns a dangerous secret that places not only his life in danger, but endangers all those around him.
In a desperate race against time, Lawrence attempts to get to the root of his troubles and set things right before the next full moon, when his animal side will take over once again.
The film is a stylish update of the original and the cast is strong. Sadly they are given little to do with the by the numbers plot, and spend much of the time looking like they are simply going through the motions which makes it difficult for the audience to develop a deep sympathy or attachment to the characters.
Oscar winner Rick Baker has done some amazing makeup work and the effects of the film are solid. It was reported that the film was delayed so Universal could punch the film up by adding some new fx and sequences.
The final result is a mixed bag as while the film is a nice update on the original, audiences have seen more so many variations of the story over the years it is hard to be surprised by anything in the picture. Despite the best efforts of the creative talent, there is little tension or drama in the film and by the time the finale plays out, many may think they have seen it all before.
Universal has released the 1941 original Lon Cheney version of the film on DVD and for those who like film history; they may gain a new insight into the film by watching the original version prior.
In the end, “The Wolfman” works as a matinee or a DVD rental, but I would not suggest it as a full priced theatrical experience for anyone other than those looking for a piece of nostalgia.
Ross (3282 KP) rated The Occultist in Books
Feb 12, 2019 (Updated Feb 14, 2019)
Far from original LitRPG but a whole lot of fun
** Thanks to Portal Books and the author for giving me the chance to read this in advance of its release **
The LitRPG genre (the best-known example being Ready Player One) is something of a narrow one. There are only a few levers to pull: the main character's real life scenario, the game mechanics, the main character's chosen "class" in-game and the conflicts therein.
The Occultist looks to mix this up a bit with the main character choosing a less traditional class, of occultist - that is, he learns the ability to summon a variety of demons and spells/abilities to use with them. This would mark The Occultist out from the crowd, if it weren't for Awaken Online already having done almost the exact same. In AO, Jason chooses a dark class and summons zombies, skeletons etc, and a large part of the early stages of this book really bear a very close resemblance to AO. We have the main character's problems at home, leading him to want to escape into the game, and to find a way to make money from his gaming hobby. The chosen in-game path is almost identical. There is an extremely strong, popular player that he wants to compete with.
From early on, I was thinking this book was a rip-off of AO. But the second half of the book is really where the book marks itself apart from AO. Whereas that book's action was focused on large scale strategy in battles, here we are scurrying around in the background picking players off one by one and there are some truly excellent action sequences, where the abilities and spells learned and the demons at Damien's disposal are used to some really creative effects. Damien looks to get some revenge on his nemesis and also to try and "level up" quickly (again, a key component of LitRPG books), and tries to pick off players as they battle other players, or take on perilous dungeons.
A lot of LitRPG books have had a very immersive gaming element, at times it was more like reading a more traditional fantasy book but where the main character was more clear what he was doing and what skills/abilities he was using. Here you are always aware the character is in a game: he "equips" clothes rather than getting dressed, there is no need for eating or sleeping, what can and can't be done, what you get from killing another character etc is so much more in line with games than in other books. This again marked it out from other books, and gave it a very different feel.
Another major selling point of The Occultist is that it doesn't mess around with time dilation (game time running at a much faster rate than real time). I don't see why so many of the other books in this genre feel the need to build this in, as it is then hard to keep it consistent, and doesn't really feel right or necessary at any time.
Also, Damien's real world troubles take more focus than in other books, as he struggles to find somewhere to live and is on the run.
While the book manages to stick to its own rules (what can and can't be done etc), there is one moment where the main character manages to do something he shouldn't be able to do (his spells have a cool down period before they can be used again and at least once this isn't observed), which was slightly frustrating given how hard the author had tried to plan out the action in line with the people involved and their skills and strengths.
My only real gripe with the book is the title of the game/series - Saga Online, which sounds less like an exciting new MMORPG, and more like the web portal for booking a pensioners' cruise!
In summary, not an original idea (but hard to have such a thing in this genre) but a superbly well told, exciting and fun read. I heartily recommend this to anyone who likes fantasy books, games like the Witcher or just anyone looking for some real fun escapism.
The LitRPG genre (the best-known example being Ready Player One) is something of a narrow one. There are only a few levers to pull: the main character's real life scenario, the game mechanics, the main character's chosen "class" in-game and the conflicts therein.
The Occultist looks to mix this up a bit with the main character choosing a less traditional class, of occultist - that is, he learns the ability to summon a variety of demons and spells/abilities to use with them. This would mark The Occultist out from the crowd, if it weren't for Awaken Online already having done almost the exact same. In AO, Jason chooses a dark class and summons zombies, skeletons etc, and a large part of the early stages of this book really bear a very close resemblance to AO. We have the main character's problems at home, leading him to want to escape into the game, and to find a way to make money from his gaming hobby. The chosen in-game path is almost identical. There is an extremely strong, popular player that he wants to compete with.
From early on, I was thinking this book was a rip-off of AO. But the second half of the book is really where the book marks itself apart from AO. Whereas that book's action was focused on large scale strategy in battles, here we are scurrying around in the background picking players off one by one and there are some truly excellent action sequences, where the abilities and spells learned and the demons at Damien's disposal are used to some really creative effects. Damien looks to get some revenge on his nemesis and also to try and "level up" quickly (again, a key component of LitRPG books), and tries to pick off players as they battle other players, or take on perilous dungeons.
A lot of LitRPG books have had a very immersive gaming element, at times it was more like reading a more traditional fantasy book but where the main character was more clear what he was doing and what skills/abilities he was using. Here you are always aware the character is in a game: he "equips" clothes rather than getting dressed, there is no need for eating or sleeping, what can and can't be done, what you get from killing another character etc is so much more in line with games than in other books. This again marked it out from other books, and gave it a very different feel.
Another major selling point of The Occultist is that it doesn't mess around with time dilation (game time running at a much faster rate than real time). I don't see why so many of the other books in this genre feel the need to build this in, as it is then hard to keep it consistent, and doesn't really feel right or necessary at any time.
Also, Damien's real world troubles take more focus than in other books, as he struggles to find somewhere to live and is on the run.
While the book manages to stick to its own rules (what can and can't be done etc), there is one moment where the main character manages to do something he shouldn't be able to do (his spells have a cool down period before they can be used again and at least once this isn't observed), which was slightly frustrating given how hard the author had tried to plan out the action in line with the people involved and their skills and strengths.
My only real gripe with the book is the title of the game/series - Saga Online, which sounds less like an exciting new MMORPG, and more like the web portal for booking a pensioners' cruise!
In summary, not an original idea (but hard to have such a thing in this genre) but a superbly well told, exciting and fun read. I heartily recommend this to anyone who likes fantasy books, games like the Witcher or just anyone looking for some real fun escapism.