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Don't Breathe (2016)
Don't Breathe (2016)
2016 | Crime, Horror, Thriller
Building suspense is considered a difficult task. Alfred Hitchcock was a master of this. You need look no further than the shower scene in Psycho for an example of his work. When a film delivers on suspense it can sometimes take the emphasis off a predictable twist ending. If the audience leaves the screening visibly shaken then a director has done his job.

Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.

Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.

If the audience leaves the screening visibly shaken then a director has done his job.

The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.

There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.

Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
  
The Star-Touched Queen (The Star-Touched Queen, #1)
The Star-Touched Queen (The Star-Touched Queen, #1)
Roshani Chokshi | 2016 | Science Fiction/Fantasy
9
8.1 (8 Ratings)
Book Rating
I've had this on my TBR shelf for quite a while, but only got around to reading it because the library finally really wants it back. Oops! And now I'm regretting not reading it sooner because it is OH MY GOD FANTASTIC. This is one of those books that's going to be hard to talk about without giving things away about the plot, but I'm going to try. Maya is the main character, a princess with a horoscope full of doom for whoever marries her.

She's in for a surprise when she does marry, though, as she is whisked away from her father's kingdom to a palace full of hidden doors and a husband who is more than he seems. She's quickly embroiled in a mystery to find out not only the secrets her husband's kingdom is hiding, but the secrets behind her own history.

I absolutely love reading non-western fantasy because there are NEW fantasy elements to discover. This book makes heavy use of reincarnation, which is not a common trope in western fantasy. Not reincarnation as karma, anyway. There is fate, and horoscopes, and choosing your own destiny despite those things, and spirit worlds, and OH IT'S JUST SO GOOD.

The second book, about Maya's sister, came out last March, so I need to read that too. The same author has written another book set in Paris, The Gilded Wolves, which came out in January and immediately hit the bestseller list. I'm glad, this author is fantastic. I'm not sure I'll read it though, as the description doesn't really intrigue me. But The Star-Touched Queen and its sequel, A Crown of Wishes - these are just my cup of tea!

You can read all my book reviews at http://goddessinthestacks.com
  
Ready or Not (2019)
Ready or Not (2019)
2019 | Comedy, Horror, Mystery
Original story (1 more)
Solid tension
The ending might not be appreciated (0 more)
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.

After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.

The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.

Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.

The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.

Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.

The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.

The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.

Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.

Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.