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David McK (3372 KP) rated The Horse and His Boy (Chronicles of Narnia, #5) in Books

Jan 28, 2019  
The Horse and His Boy (Chronicles of Narnia, #5)
The Horse and His Boy (Chronicles of Narnia, #5)
C.S. Lewis | 1995 | Science Fiction/Fantasy
6
7.9 (17 Ratings)
Book Rating
Firstly, is this the third Narnia book, or is it the fifth?

The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).

This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.

Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.

While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
  
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Benny Sadfie recommended A Man Escaped (1956) in Movies (curated)

 
A Man Escaped (1956)
A Man Escaped (1956)
1956 | Drama
(0 Ratings)
Movie Favorite

"Then the second one – and let’s say, this was in no particular order – but A Man Escaped, the [Robert] Bresson movie. That has to be my favorite movie of all time, just because it always makes me cry at the end, because I feel like I’ve achieved something that the character achieves. And it tells you what happens in the title, and it makes it no less suspenseful the entire way. You’re literally feeling the sound of the gravel as he puts his foot down – those shots of the foot or the spoon going into the slot. All of these things, the editing of it, the character, the way he’s using these actors who you don’t really know, they just – you feel like they’re real people. It’s just so perfectly put together, and it’s something where I kind of feel like I’m going along with the escape in a way that’s just done by a master. In a weird way, I feel like Bresson is the Fontaine character in that movie. But what’s weird is I’ve watched it again recently, and I had a totally different feeling of it, where it was more about society and how people are talking to each other. And then you realize Bresson is just kind of making the same movie every time, just with different [settings and characters]. One’s World War II, one’s Lancelot."

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