ClareR (5996 KP) rated A Long Petal of the Sea in Books
Jan 14, 2020
This is the sweeping historical story of the Dalmau family, their role in the Spanish Civil War, their escape in to France (which was horrific), and their journey to Chile as refugees on the ship ‘Winnipeg’ arranged by the poet Pablo Neruda.
It’s a devastating and yet heartwarming look at humanity and it’s ability to endure. I hadn’t known about the concentration-style camps that the French forced the Spanish refugees in to after Franco and his right wing party won the Civil War. It looks as though people have always been able to destroy one another in inhuman ways (this is no surprise to me, by the way). We see more of the use of concentration camps in Chile after the military coup.
The main characters, Victor and Roser Dalmau continue to see Chile as their home, over and above Spain. They show us that home is where your friends, family and community are - and that you can make this home anywhere.
This book really is a joy to read. I’ve learnt so much of the history of this time, as well as having the pleasure of just reading a great story.
Many thanks to NetGalley and Bloomsbury for my copy of this book to read.
Deer Island
Book
At the beginning of the 1980s Neil Ansell chose a life of voluntary poverty working for the Simon...
Hit the Road, Jack: Essays on the Culture of the American Road
Gordon E. Slethaug and Stacilee Ford
Book
All travelers know the seductive power of the open road and its suggestions of possibility, escape,...
Matthew Krueger (10051 KP) rated The Invisible Man Returns (1940) in Movies
Dec 7, 2020
The plot: Wrongly accused of murdering his brother, Geoffrey Radcliffe (Vincent Price) is found guilty and sentenced to die. But when sympathetic Dr. Griffin (John Sutton) injects him with a serum that renders him invisible, Radcliffe is able to escape and search for the real culprit. With Inspector Sampson (Cecil Kellaway) of Scotland Yard hot on his trail, Radcliffe begins to suspect that a recent hire in his family's mining company might have the answers he seeks.
Following the commercial success of Son of Frankenstein, Universal Studios announced the development of The Invisible Man Returns in March 1939.
In May, Joe May was announced as the director of the film with either Boris Karloff or Bela Lugosi hinted at playing the lead.
Vincent Price when he was not covered by bandages or special effects only appears as himself for one minute in the film. Price spoke on the film saying that the special effects were done with Price being draped in black velvet and working against a set draped in black velvet. Price also spoke about working with Hardwicke, who he recalled "didn't like doing this film; he was facing home problems at the time. We became very close."
Its a great movie.
Under the Volcano
Book
One of the twentieth century's great undisputed masterpieces, Malcolm Lowry's Under the Volcano...
Scream All Night
Book
A darkly hilarious contemporary realistic young adult novel about growing up and finding your place...
The Darkness Within (Etherya's Earth #3)
Book
Arderin, princess of the illustrious Vampyre kingdom, has always marched to the beat of her own...
Fantasy Romance Vampires
Gareth von Kallenbach (980 KP) rated Now You See Me (2013) in Movies
Aug 7, 2019
Not knowing that “the closer you look, the less you see as you become older you become less and less convinced that magic exists.
From French director Louis Leterrier who has brought us films like “The Transporter” and ” Unleashed” comes an “Ocean’s Eleven” style film about four magicians who pull off one of the biggest heists the world has ever seen by using magic.
Calling themselves The Four Horseman, four magicians with very different abilities come together as one to pull off something no other magician has ever attempted.
The leader of the pack is J. Daniel Atlas (Jesse Eisenberg), who is a master at sleight-of-hand and blatant arrogance. A mentalist who specializes in hypnosis and is no stranger to being devious himself is Merritt McKinney (Woody Harrelson). The very talented pickpocket Jack Wilder (Dave Franco) not only steals the audience’s hearts but also can pick a lock blindfolded if he had to.
Last but by no means least is Henley Reeves (Isla Fisher), the sexy escape artist who can even escape a tank full of piranhas without a scratch.
The story follows The Four Horseman embarking on a journey of teleporting and robbing a Parisian bank and reining it over the cheering Las Vegas audience at their first venue.
They don’t stop there. There show takes them from Vegas to the renewed city of New Orleans and then to New York where the grand finally takes place whilst spreading the wealth of their heists to the deserving audience members in grand Robin Hood fashion.
This film is excellent! It doesn’t leave you hanging and answers all your questions. The elaborate tricks performed proved to be very entertaining and exciting!
A neat touch was adding a woman to the mix as you don’t really see any women magicians out there other than the assistants who get sawed in half.
The cast was great and had great chemistry however I would have liked to see a bit more of character backstory. Morgan Freeman, Michael Caine and Mark Ruffalo are also a part of the seemingly big cast. The special effects were not only entertaining but extremely appealing to the eye.
Though the storyline is a little scatterbrained it is anything but a bore and leaves you wanting to experience more. After seeing the film, I had an overwhelming need to watch other magician movies like “The Great Houdini”, “The Prestige”, and “The Illusionist”. It also brought back those same feelings I had as a child experiencing the magic and mystery a true magician can provide. This film left me wanting to see it for a second time.
The Spy and the Traitor: The Greatest Espionage Story of the Cold War
Book
If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby,...
BankofMarquis (1832 KP) rated Operation Finale (2018) in Movies
Sep 11, 2018
Set in the early 1960's, OPERATION FINALE tells the tale of Israeli Secret Service Agent's attempt to capture Adolph Eichman in Argentina and bring him back to Israel to face a very public, world-wide trial for his role as the "Architect of the Final Solution".
In other hands, this film could have very easily devolved into a Jason Bourne-type action flick with kick-ass Mossad agents fighting Nazi-loving Argentinian police (with assists from once and future Nazi's). But, in the hands of Writer Matthew Orton (in his major Screenplay debut) and Director Chris Weitz (ABOUT A BOY) this film becomes something much more, much deeper and much more interesting than that, it becomes a character study between Eichman and Mossad Agent Peter Malkin.
The first 1/2 hour of the film starts out "action-y" enough, with the discovery of Eichman and the Mossad's planning of the caper that will bring him to justice. We get the "gathering of the team" - and there's a couple of interesting characters in this group - specifically the characters played by Nick Kroll and Melanie Laurent - but the film really takes off and finds it's footing when the team - and the film - is forced to slow down (waiting for their escape plane to show up) and coax a confession (of sorts) out of Eichman.
So the middle part of this film is really a "two-hander" interrogation between Malkin (Oscar Isaac) and Eichman (Sir Ben Kingsley) - and both really bring it. Isaac (EX MACHINA, STAR WARS) shows a sadness and vulnerability as the agent who's life was deeply affected by the death of his sister (and other family members) at the hands of the SS. He is out to nail Eichman for his crime, but discovers a humanity (both in himself and in Eichman) along the way.
But the picture really belongs to the performance of Sir Ben as Eichman. This is a larger than life actor portraying a larger than life character and more than holds the audience's attention whenever he is on the scene - and when it comes down to an interrogation of Eichman by Malkin, the positions are quickly switched and it is Eichman who is the interrogator and Malkin is in the hot seat. It's not quite an "Oscar-worthy" performance, falling just short of that, but darn good nonetheless.
The final 1/2 hour of the film falls prey to the "Argo" ending - making a more exciting escape than it was in real life - but that is just a quibble for a really good, really intelligent and really ADULT film. One that is well worth checking out at an Art House near you.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)




