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David McK (3557 KP) rated The Postman (1997) in Movies
Jun 21, 2022
Kevin Costner released 'Waterworld' in 1995.
It sunk at the box office.
This was a few years later, based on the highly-respected David Brin novel of the same name.
I'm sure he wasn't expecting this one to flop either. Set in the far-off future of 2013, following a un-named catastrophe of some sort (no, not Trump)
The problem, I feel, is simply the length at nearly 3 hours long - there's some good ideas in here, and some good scenes, and a refreshing society-is-now-getting-better-again thread, after the unnamed events that led to the dystopian future shown at the start of the movie, but I do feel that the first act (in particular), playing up the threat of the fascist army led by General Bethlehem, could have been excised somewhat.
I understand why it's there - it needs to give Costner's character something to push against - but I think the book (and from what I remember) handled that aspect better than the movie does.
So, yeah, Costner plays a drifter who - after his escape from that army - discovers an old Postman uniform, initially putting it on only to become warm and then 'delivering the mail' simply as a scam to get food and shelter. However, over the course of that movie, that scam takes on a life of its own and more and more becomes the truth, finally ending with a code in the late 2040s after his death and where - going by dress, etc, - things seem to be back to 'normal'.
It sunk at the box office.
This was a few years later, based on the highly-respected David Brin novel of the same name.
I'm sure he wasn't expecting this one to flop either. Set in the far-off future of 2013, following a un-named catastrophe of some sort (no, not Trump)
The problem, I feel, is simply the length at nearly 3 hours long - there's some good ideas in here, and some good scenes, and a refreshing society-is-now-getting-better-again thread, after the unnamed events that led to the dystopian future shown at the start of the movie, but I do feel that the first act (in particular), playing up the threat of the fascist army led by General Bethlehem, could have been excised somewhat.
I understand why it's there - it needs to give Costner's character something to push against - but I think the book (and from what I remember) handled that aspect better than the movie does.
So, yeah, Costner plays a drifter who - after his escape from that army - discovers an old Postman uniform, initially putting it on only to become warm and then 'delivering the mail' simply as a scam to get food and shelter. However, over the course of that movie, that scam takes on a life of its own and more and more becomes the truth, finally ending with a code in the late 2040s after his death and where - going by dress, etc, - things seem to be back to 'normal'.
Gareth von Kallenbach (980 KP) rated The Last House on the Left (2009) in Movies
Aug 14, 2019
In 1972, horror icon Wes Craven made a name for himself by writing and directing a film called “The Last House on the Left.” The film was very controversial and helped launch a new genre of terror and suspense films that pushed the limits of the times. The film was notorious for its content which included rape, torture, humiliation, and violence and contains to this day some of the most disturbing images ever captured on film. In this age of remakes, prequels, and sequels, Wes Craven has stepped aside to produce a new version of his classic and this remake is sure to be as controversial and disturbing as the original was.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
Darren (1599 KP) rated Gnaw (2017) in Movies
Dec 3, 2019
Verdict: Slow Build, Great Ending
Story: Gnaw starts when Jennifer Conrad (Mitchell) escapes from her abusive husband, to start a new life in a small apartment complex, where the handyman Terry (Gass) takes her under his wing, trying to make her feel welcome. When one of the neighbours spends hours crying at night before killing herself.
Jennifer must deal with her ex-husband Boyd (Johnson) finding her, just as she gets a pet turtle and more painfully an uncomfortable bite, which just seems to keep getting worse.
Thoughts on Gnaw
Characters – Jennifer has been struck in an abusive relationship which she has gotten the courage to leave behind her, this does leave her in a small apartment complex where she must try to start a new life. Things seem positive, when she bumps into an old friend who wants to help her get a job, only things start going badly after her neighbour’s suicide and bites which appear on her skin, with no explanation behind them. She must face her own past, deal with a problem before moving on with her own life. Terry Lumley is the friendly handyman that offers Jennifer all the support while staying the apartments. Boyd is the abusive ex-husband and police officers, making it harder for Jennifer to escape him, he has always put her down and wants to keep his control over her. Claudette runs the apartments she doesn’t get on with anybody, just wants to see money coming in.
Performances – Penelope Mitchell in the leading role is the star of the show here, being able to show the pain she is running from and the hope she is fighting for. Kyle Gass is the next best thing in the film, where he does bring moments of laughter in his kind natured character. The rest of the cast do a solid job without being tested with what they have to do.
Story – The story here follows an abuse victim that is trying to escape her own life’s pain only to find herself dealing with the latest problem which has come her way in the form of a bite. This story does manage to show us how difficult getting out of an abusive relationship can be for the victim, where starting a new life can take more time than people believe, this side of the story is the strongest part because it shows the real horrors of Jennifer’s life. When we get into the mystery about the bites, it does go on the routine way, until we learn the truth, which makes both sides of the story get connected nicely.
Horror – The horror side of the film mixes the reality of being abused by a partner with the unknown of mysterious bites being found on the body and why they are there.
Settings – Most of the film remains in the hotel complex which is a place where people go to start life again.
Special Effects – When it comes to the effects we see what happens with the bites getting worse and the revel of what is behind it.
Scene of the Movie – The showdown in the room.
That Moment That Annoyed Me – The job interview.
Final Thoughts – This is a nice slow build horror that tries to reflect the ideas of the horror being in real life rather than needing supernatural elements.
Overall: Horror that tests the reality of life.
Story: Gnaw starts when Jennifer Conrad (Mitchell) escapes from her abusive husband, to start a new life in a small apartment complex, where the handyman Terry (Gass) takes her under his wing, trying to make her feel welcome. When one of the neighbours spends hours crying at night before killing herself.
Jennifer must deal with her ex-husband Boyd (Johnson) finding her, just as she gets a pet turtle and more painfully an uncomfortable bite, which just seems to keep getting worse.
Thoughts on Gnaw
Characters – Jennifer has been struck in an abusive relationship which she has gotten the courage to leave behind her, this does leave her in a small apartment complex where she must try to start a new life. Things seem positive, when she bumps into an old friend who wants to help her get a job, only things start going badly after her neighbour’s suicide and bites which appear on her skin, with no explanation behind them. She must face her own past, deal with a problem before moving on with her own life. Terry Lumley is the friendly handyman that offers Jennifer all the support while staying the apartments. Boyd is the abusive ex-husband and police officers, making it harder for Jennifer to escape him, he has always put her down and wants to keep his control over her. Claudette runs the apartments she doesn’t get on with anybody, just wants to see money coming in.
Performances – Penelope Mitchell in the leading role is the star of the show here, being able to show the pain she is running from and the hope she is fighting for. Kyle Gass is the next best thing in the film, where he does bring moments of laughter in his kind natured character. The rest of the cast do a solid job without being tested with what they have to do.
Story – The story here follows an abuse victim that is trying to escape her own life’s pain only to find herself dealing with the latest problem which has come her way in the form of a bite. This story does manage to show us how difficult getting out of an abusive relationship can be for the victim, where starting a new life can take more time than people believe, this side of the story is the strongest part because it shows the real horrors of Jennifer’s life. When we get into the mystery about the bites, it does go on the routine way, until we learn the truth, which makes both sides of the story get connected nicely.
Horror – The horror side of the film mixes the reality of being abused by a partner with the unknown of mysterious bites being found on the body and why they are there.
Settings – Most of the film remains in the hotel complex which is a place where people go to start life again.
Special Effects – When it comes to the effects we see what happens with the bites getting worse and the revel of what is behind it.
Scene of the Movie – The showdown in the room.
That Moment That Annoyed Me – The job interview.
Final Thoughts – This is a nice slow build horror that tries to reflect the ideas of the horror being in real life rather than needing supernatural elements.
Overall: Horror that tests the reality of life.
Billie Wichkan (118 KP) rated The Poet (The Poet Series) in Books
May 22, 2019
The only way out is through the blood.
When Rebecca Paige decides to vacation alone at an isolated resort in the woods, it's a welcome break from her position as the administrator of a psychiatric hospital. Little does she know, the poet is also visiting this peaceful hideaway, and his motivation is far more sinister in nature. On the last day of her trip, Rebecca has an unusual encounter with Jack Shelley, the man in the cabin next door. After he leaves, men with guns suddenly descend on the resort and take Rebecca and the other guests hostage. Rebecca is accustomed to dangerous situations at work, but can that help her escape multiple armed assailants? Who are these men? What do they want? How are they connected to the man next door? Who is the poet? Slightly twisted with a literary flair,
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
Decent start of a series with characters that have growth potential. Some surprises and a decent wrap up until the next installment.
I liked the character of the Poet but would have liked a bit more of some background on him. The flashbacks provided were chilling!
This is a fast action, hang on tight thriller.
Recommend reading!
Thank you to NetGalley, Gatekeeper Press and the author, Stephanie John Harris, for the opportunity to read a digital copy of The Poet in exchange for an honest review.
When Rebecca Paige decides to vacation alone at an isolated resort in the woods, it's a welcome break from her position as the administrator of a psychiatric hospital. Little does she know, the poet is also visiting this peaceful hideaway, and his motivation is far more sinister in nature. On the last day of her trip, Rebecca has an unusual encounter with Jack Shelley, the man in the cabin next door. After he leaves, men with guns suddenly descend on the resort and take Rebecca and the other guests hostage. Rebecca is accustomed to dangerous situations at work, but can that help her escape multiple armed assailants? Who are these men? What do they want? How are they connected to the man next door? Who is the poet? Slightly twisted with a literary flair,
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
Decent start of a series with characters that have growth potential. Some surprises and a decent wrap up until the next installment.
I liked the character of the Poet but would have liked a bit more of some background on him. The flashbacks provided were chilling!
This is a fast action, hang on tight thriller.
Recommend reading!
Thank you to NetGalley, Gatekeeper Press and the author, Stephanie John Harris, for the opportunity to read a digital copy of The Poet in exchange for an honest review.
Profit Over People: Neoliberalism & Global Order
8.0
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Why is the Atlantic slowly filling with crude petroleum, threatening a millions-of-years-old...
Politics social issues
BankofMarquis (1832 KP) rated 21 Bridges (2019) in Movies
Sep 22, 2020
Direction and Lead Performances elevate a "so-so" script
The world lost a tremendous talent when 44 year old Chadwick Boseman lost his battle with cancer. Whether it was as Jackie Robinson in 42, Thurgood Marshall in THURGOOD or as T'Challa/Black Panther in the Marvel movies, Boseman's charm and charisma lept off the screen and drew you into whatever project he is in.
This charm and charisma is very much in evidence in the by-the-book cops chasing robbers action flick 21 BRIDGES. As the cop chasing "the fugitive", Boseman elevates the proceedings to a level above what this average script had to offer.
Set in NYC, 21 BRIDGES tells the tale of Detective Andre Davis (Bozeman) who must chase down a couple of thieves - and cop killers - before they can escape New York. Told in one night, Davis makes the call to close the "21 Bridges" of the island of Manhattan so the bad guys are stuck on the island.
And...that's the first disappointment with this film, it doesn't do anything with that premise. Do the bad guys try to escape on one of those "21 Bridges"? Nope. The bridges are never really mentioned again...so why call this film "21 Bridges"?
What does work is Boseman's performance. His Davis is competent, honest, smart and earnest and you are drawn into his work. As is the work of the person who is thrust into the action as his partner, Vice Cop Frankie Burns (Sienna Miller). You might roll your eyes when you hear Miller's name for her early career was more about being on the tabloid pages than it was about being on the screen, but she has morphed herself - and her career - into something quite interesting through turns in films like FOXCATCHER and AMERICAN SNIPER and she is as equally interesting as Bozeman in this film. The 2 make a good pair.
The rest of the supporting cast - Taylor Kitsch, Keith David and the great J.K. Simmons - are solid, if not spectacular. But there are 2 standouts. Alexander Siddig (Dr. Bashir in STAR TREK: DEEP SPACE 9) is interesting as the "money launderer" and Stephan James (IF BEALE STREET COULD TALK) is just as charming and charismatic as Bozeman as one of the the thieves on the run. If you are looking for a young, charismatic actor to fill the hole created by Bozeman's death, James could very well fit the bill.
I've mentioned that the script by Adam Mervis and Matthew Michael Carnahan is nothing special, but what is special is the Direction by Brian Kirk (a TV Director of such shows as GAME OF THRONES and LUTHER). This is his Major Motion Picture debut (as far as I could tell) and there were some VERY interesting shots and some taught, tense moments. He'll be a director to watch in the future.
While nothing too special, 21 BRIDGES is better than "good enough" - a cops 'n robbers film that will hold your interest for the relatively quick 1 hour and 39 minute running time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
This charm and charisma is very much in evidence in the by-the-book cops chasing robbers action flick 21 BRIDGES. As the cop chasing "the fugitive", Boseman elevates the proceedings to a level above what this average script had to offer.
Set in NYC, 21 BRIDGES tells the tale of Detective Andre Davis (Bozeman) who must chase down a couple of thieves - and cop killers - before they can escape New York. Told in one night, Davis makes the call to close the "21 Bridges" of the island of Manhattan so the bad guys are stuck on the island.
And...that's the first disappointment with this film, it doesn't do anything with that premise. Do the bad guys try to escape on one of those "21 Bridges"? Nope. The bridges are never really mentioned again...so why call this film "21 Bridges"?
What does work is Boseman's performance. His Davis is competent, honest, smart and earnest and you are drawn into his work. As is the work of the person who is thrust into the action as his partner, Vice Cop Frankie Burns (Sienna Miller). You might roll your eyes when you hear Miller's name for her early career was more about being on the tabloid pages than it was about being on the screen, but she has morphed herself - and her career - into something quite interesting through turns in films like FOXCATCHER and AMERICAN SNIPER and she is as equally interesting as Bozeman in this film. The 2 make a good pair.
The rest of the supporting cast - Taylor Kitsch, Keith David and the great J.K. Simmons - are solid, if not spectacular. But there are 2 standouts. Alexander Siddig (Dr. Bashir in STAR TREK: DEEP SPACE 9) is interesting as the "money launderer" and Stephan James (IF BEALE STREET COULD TALK) is just as charming and charismatic as Bozeman as one of the the thieves on the run. If you are looking for a young, charismatic actor to fill the hole created by Bozeman's death, James could very well fit the bill.
I've mentioned that the script by Adam Mervis and Matthew Michael Carnahan is nothing special, but what is special is the Direction by Brian Kirk (a TV Director of such shows as GAME OF THRONES and LUTHER). This is his Major Motion Picture debut (as far as I could tell) and there were some VERY interesting shots and some taught, tense moments. He'll be a director to watch in the future.
While nothing too special, 21 BRIDGES is better than "good enough" - a cops 'n robbers film that will hold your interest for the relatively quick 1 hour and 39 minute running time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee KM Pallatina (951 KP) rated Big Trouble in Little China (1986) in Movies
Jun 18, 2019
Escape from china town
Big Trouble in Little China is a 1986 martial arts comedy movie.
the story follows Jack Burton, a man who agrees to help his friend Wang Chi rescue his green-eyed fiancée from bandits in San Francisco's Chinatown. Their mission leads them to a mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
Directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong
Great storyline, cheesy old school graphics and action, brilliant characters and cast.
Absolute classic.
release date: July 2, 1986
Running time: 99 minutes
Fun fact:
The project fulfilled Carpenter's long-standing desire to make a martial arts movie.
the story follows Jack Burton, a man who agrees to help his friend Wang Chi rescue his green-eyed fiancée from bandits in San Francisco's Chinatown. Their mission leads them to a mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
Directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong
Great storyline, cheesy old school graphics and action, brilliant characters and cast.
Absolute classic.
release date: July 2, 1986
Running time: 99 minutes
Fun fact:
The project fulfilled Carpenter's long-standing desire to make a martial arts movie.
Nobody Will Believe You: A Story of Unbreakable Courage
Book
Over and over again he warned me he'd kill me if I told anyone. I was completely isolated. He made...
Rebecca Zamolo
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Hi, I'm Rebecca Zamolo and I'm part of the real game master network along with Matt & Rebecca and...
Matt and Rebecca
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Matt and Rebecca Zamolo are part of the real game master network along with Rebecca Zamolo and...