Island Tribe 2
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Get ready for new adventures in the second part of the Island Tribe iPhone series! Be one of the...
End of Ever After: A Cinderella Retelling
10.0
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"I had never wondered about Snow White once her prince kissed and whisked her away. I had imagined a...
Young_Adult Fairy_Tales
Thick as Thieves (The Queen's Thief #5)
7.0
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Deep within the palace of the Mede emperor, in an alcove off the main room of his master’s...
Lyndsey Gollogly (2893 KP) rated Down Down Deep in Books
May 17, 2024
Booksirens ARC
Down Down Deep
By Christina Delay
⭐️⭐️
Did I kill him?
Jesse David, professional travel writer, can’t shake the past she doesn’t remember. With her blackouts growing worse at the approach of her father’s death anniversary, she’s convinced that this trip is her last chance to find answers. But then Momma tags along and brings her special brand of abuse and a suitcase full of secrets.
Gabriel Gutierrez, cruise ship director, doesn’t perform the job—he is the job. For the past two decades, he has avoided his home and the destruction he brought upon his family, yet he cannot escape the heavy anchor of guilt. When Jesse steps on board, old shame renews and compounds as not one, but two deaths rise from troubled waters.
With a clock ticking and lives at stake, Jesse and Gabriel must decide whether the dangerous truth should rise to the surface or remain drowned in the deep.
I don’t know this started off as though I was going to really like it but then I really struggled with it half way through. The ending was ok but something about the whole book just irritated me a little. I’m quite an emotional reader and somehow just didnt evoke any.
I received an advance review copy for free, and I am leaving this review voluntarily.
Lightkeepers (Tales of the Five Realms #3)
6.0
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Hagar Wixey is back at Vanar University, and she’ll be a master mage soon if all goes to plan. But...
Action & Adventure Fantasy
David McK (3655 KP) rated Alien: Out Of The Shadows in Books
Jun 16, 2019
Or, more precisely, the audiobook version of it, since that's the one I read (listened to?), picking it up as part of an audible trial where it was presented as, essentially, a series of podcasts.
Set between the events of the original Alien and it's sequel Aliens (the one with a 'S' at the end) and starring Ellen Ripley (or her sound-alike), you might wonder how Ripley never once mentioned the events of this at all in any of the later films.
You might wonder it, but it is explained away towards the end of this.
The story starts with her escape pod being picked up by the mining vessel Marion, a mining vessel orbiting the planet LV178 but which - just prior to picking Ripley up - has been knocked out of its orbit and had its communications array damaged by a shuttle coming up from the planet: a shuttle crewed by miners from that planet, and that has picked up some unwelcome guests.
What follows is a series of events and encounters, with the surviving members of the crew being picked off one by one as they attempt to find a way out of their predicament.
And, I have to say, the actress voicing Ripley sound amazingly like her, while Rutger Hauer is also suitably menacing in his role, while the background beeps and whirrs and hisses etc all add to the atmosphere.
It's also no surprise that this won an 'Audie award for excellence in production' in 2017.
A Snow Garden and Other Stories
6.0
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As read on Radio 4, seven linked stories set in the Christmas holidays - all as funny, joyous,...
The Songstress (Records of the Three Realms #1)
8.0
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Spreading her wings wide enough may break the songstress free… unless her captors manage to clip...
Fantasy
David McK (3655 KP) rated The Postman (1997) in Movies
Jun 21, 2022
It sunk at the box office.
This was a few years later, based on the highly-respected David Brin novel of the same name.
I'm sure he wasn't expecting this one to flop either. Set in the far-off future of 2013, following a un-named catastrophe of some sort (no, not Trump)
The problem, I feel, is simply the length at nearly 3 hours long - there's some good ideas in here, and some good scenes, and a refreshing society-is-now-getting-better-again thread, after the unnamed events that led to the dystopian future shown at the start of the movie, but I do feel that the first act (in particular), playing up the threat of the fascist army led by General Bethlehem, could have been excised somewhat.
I understand why it's there - it needs to give Costner's character something to push against - but I think the book (and from what I remember) handled that aspect better than the movie does.
So, yeah, Costner plays a drifter who - after his escape from that army - discovers an old Postman uniform, initially putting it on only to become warm and then 'delivering the mail' simply as a scam to get food and shelter. However, over the course of that movie, that scam takes on a life of its own and more and more becomes the truth, finally ending with a code in the late 2040s after his death and where - going by dress, etc, - things seem to be back to 'normal'.
Gareth von Kallenbach (980 KP) rated The Last House on the Left (2009) in Movies
Aug 14, 2019
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.