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Downsizing (2017)
Downsizing (2017)
2017 | Comedy, Drama, Sci-Fi
Drink Me but you can't eat me
The story of Paul Safranek (Damon) whose life as a physical therapist wants more out of his life with his wife but, can't seem to grasp the brass ring. An medical procedure called Downsizing which not only can make Humans but, anything we use to live a fraction of it's size is the in thing to do. It is supposed to be the escape from your current life to a better life that is easier to bear and suppose to be good for the planet as well. Paul convinces his wife that this is they way for them to get a new start but, at the last minute fear gets the better of her. Now he his forced to live in this new version of the easy life with out her and he comes to realize that things aren't all that different from what he left and niether is the world around him. However one thing changes his prespective on life as he is learning to live it that makes him see the betterment of being one way over the other.

Not usually a Matt Damon fan but, in this movie he was really good. Not that this would win any oscars but, it should have been nominated for best original screenplay as this is a great original story.
  
Closer Than You Think (The Cincinnati Series)
Closer Than You Think (The Cincinnati Series)
Karen Rose | 2014 | Thriller
9
9.0 (2 Ratings)
Book Rating
Different is good
Dr Faith Corcoran, therapist to sex offenders and rapists is on the run. She has changed her identity and moved from Florida to Ohio to escape the man that has been stalking her for years.
En route to her new home, she discovers a woman, naked in the road, in need of help.
Help arrives in the form of Deacon Novak. A mysteriously handsome, white haired man, with unusual eyes, and a long leather coat.
Deacon and Faith share instant chemistry, and D can’t help but feel the urge to protect her. Especially when the naked stranger utters Faiths name.
Unfortunately for Faith, her new home is a playground for a serial killer hellbent on getting rid of Faith, and now Deacon, and all they care about.
Faith and Deacon have to learn to trust each other if they are going to survive, and save his hostages.
Reading this I was gripped from the start, and then caught up in the twists and turns that Rose weaves into the plot line. The characters are really likeable, and you can’t help but feel some of the turmoil they are going through to stay safe. Its longer than my normal reads, but I didn’t let this put me off, not that it was a hardship! I had more difficulty trying to put it down.
  
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Benny Sadfie recommended Nashville (1975) in Movies (curated)

 
Nashville (1975)
Nashville (1975)
1975 | Classics, Drama, Musical
8.0 (1 Ratings)
Movie Favorite

"Just a preface: All of these are movies that I can’t escape. You know, there’s ones that you’re interested in, in the moment, because they’re inspiring you in certain ways. But these are ones that I’ve always kind of revisited and can always get something out of it. So Nashville is one of them. It’s such a world that I didn’t know about, and you have all of these insane concerts in real time with all of these people. All of these emotions and ideas all happening within the performances, and everything is happening almost at the same time. And I just kept sitting there, like, how did he do this? And it just kept happening, scene after scene. There’s this one scene that’s unbelievable, when Keith Carradine’s singing the “I’m Easy” song, and you literally see the same song affecting three different people in the audience, totally differently, at the same time. It’s literally one of the most incredible experiences I’ve had. And just going in to listen to these performances and then to recall these emotions that I never had before, but I feel like they’re mine, is incredible. And the sound in that movie is an achievement that I don’t even understand how they did it with the actual performances, the audience, whatever. Incredible."

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The Battle of Algiers (1966)
The Battle of Algiers (1966)
1966 | Classics, Drama, War
7.4 (8 Ratings)
Movie Favorite

"The notion of making a fiction — meaning you look at it and you think it’s all documentary footage, but it’s all shot. And the reality factor of that is something that makes you able to escape into the film; the fabric of that fiction is so believable and completely knitted together that you buy the proposition of the film — even when you see people getting shot and there’s no blood coming out of their bodies or whatever. There’s something about shooting something [in black and white] — and I’m talking about two movies that are in black and white, we should say, except for the part [in Andrei Rublev] where they show the color of the fresco of the Russian icons. I really like movies that are in black and white, because you feel like you are watching a movie. We associate it with things that were filmed at that time, that would have been filmed in black and white. So there are different concessions and commitments to make to a limited palette for a reason. When I make a movie like Miral, there’s a kind of reversal stock that I’m using outside and sometimes it really feels like Technicolor, like a movie like Exodus, and there are other moments when it’s rougher and it feels like The Bad Lieutenant, or something like that."

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