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Connor Sheffield (293 KP) created a post

Jun 12, 2017  
I may be a little bias with this franchise, but I can honestly say this looks incredible. It has taken the best elements of previous games such as the beautiful visuals of Black Flag, the ever evolving free running elements of AC3, Black Flag, Unity, and Syndicate.

It also has its own new elements as well though, with the new setting of Ancient Egypt, using an actual Eagle for the franchises famous 'Eagle Vision', which will allow you to fly and look over an entire settlement to discover the path you want to take to get to your target, or the path you're going to use to escape, and not to mention the new executions that are seen including throwing knife after assassinating a previous target, and shooting a bow after leaping from a tree, utilizing a slow motion element to allow the player time to target the enemy.

The new RPG system seems similar to that of Injustice 2, but obviously for one character and not requiring you to quit the game to equip it. The new combat system seems very reminiscent of Bloodborne from the Dark Souls series on PS4, including the ability to parry, and slide away from enemy attacks, which might mean the combat it somewhat more difficult compared to the often easy combat system of the previous games.

In Conclusion, I think Egypt is a perfect setting for this franchise, and a great place to begin the franchises reboot. I will certainly be pre-ordering this game, possibly the statue edition when it's announced. I know for a fact I will love this game, and I cannot wait to get my hands on it.

     
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Lenard (726 KP) rated Toy Story 4 (2019) in Movies

Jul 4, 2019  
Toy Story 4 (2019)
Toy Story 4 (2019)
2019 | Animation, Comedy, Sci-Fi
9
8.2 (89 Ratings)
Movie Rating Watch
For a movie aimed at children, Toy Story 4 deals with many themes. First, there is the multi-generational lines of playthings. You have 1940s era ragdolls, 1950s era porcelain dolls, 1960s era plastic resin movable action figures, 1970s era pullback and action toys, plus Plushies, Mr Potato Head, and new-age DIY toys of this millennium. Like Pixar and its films, it serves to connect the generations of humans and demonstrate the similarities we share no matter how old we are. Also, the older generations are always looking out for the younger generation as demonstrated by the grandmother in this film and Woody.
A second theme is the whole concept of what makes a toy. Does a child's love bring it to life? Can a lonely creative child make her own friends? What happens to the toys we no longer play with or forget about? Another thing I noticed is that in the previous installments the toys remain inanimate among the humans, but this time they meddle in the human world.
Along the way, Woody learns about the outside world. Early in the film, Woody is given a chance to escape with the toy he obviously loves and get "lost." He however cannot give up the job he was given as a favorite toy. Now, years later, he has a new owner and becoming obsolete. He still has a responsibility to protect the new toy Bonnie makes. He reconnects with a lost love. Everywhere he goes, he meets various toys who yearn for the love of a child, something they either have never had or lost long ago. Like Toy Story 3, Toy Story 4 becomes a movie about growing up and moving on when you are no longer dependent on the love of your "parent."
  
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JT (287 KP) rated The Ward (2010) in Movies

Mar 16, 2020  
The Ward (2010)
The Ward (2010)
2010 | Horror, Mystery, Thriller
5
5.5 (16 Ratings)
Movie Rating Watch
Occasional good use of camera angles (0 more)
Poor acting (2 more)
Laughable twist
Not scary
Carpenter must have been having an off day
his is a massive disappointment and there is no place to hide here for John Carpenter who making a return to directing since 2001′s Ghosts of Mars has delivered us a real ‘dog’ of a film.

I’m a big fan of his work, but that is his early work with the likes of Halloween and The Thing as my personal favourites, but here Carpenter’s trademark suspense is all but lost in a story that is as predictable as it is stupid.

After setting fire to a barn Kristen (Amber Heard) is sent to a mental hospital, where she is terrorised by a ghost, a hidden past his reflected upon but never fully delved into. There is of course more to it than that, and Heard spends a vast majority of the time either locked in her room or trying to escape while at the same time piecing the puzzle together with the help of some of her fellow inmates.

Carpenter’s use of the wide camera angle is effective in places, and the long cold corridors of the ward are enough to give anyone the chills. However, it is not built on in any way and all the suspense is somewhat lost by the poor acting and monotonous build-up to the next potential terrifying scene. When the ghost is revealed it is, to be honest laughable and not in the least bit frightening which is probably one of the main downfalls of the film.

The twist ending is anything but predictable and you could have spotted it a mile off, it’s a poor effort this perhaps not helped in the writing department, but Carpenter is one of the masters of horror but here he hasn’t even bothered to turn up.