The Lioness of Morocco
10.0
Rate It
Book
Independent-minded Sibylla Spencer feels trapped in nineteenth-century London, where her strong will...
Sweet Haven
10.0
Rate It
Book
A grumpy chef, a clutz, an ad for an assistant and a sister who has no boundaries, are these the...
Contemporary MM Romance
A Little Trickerie
10.0
Rate It
Book
Born a vagabond, Tibb Ingleby has never had a roof of her own. Her mother has taught her that if...
Historical fiction Literary Fiction medieval England
Connor Sheffield (293 KP) created a post
Jun 12, 2017
Lenard (726 KP) rated Toy Story 4 (2019) in Movies
Jul 4, 2019
A second theme is the whole concept of what makes a toy. Does a child's love bring it to life? Can a lonely creative child make her own friends? What happens to the toys we no longer play with or forget about? Another thing I noticed is that in the previous installments the toys remain inanimate among the humans, but this time they meddle in the human world.
Along the way, Woody learns about the outside world. Early in the film, Woody is given a chance to escape with the toy he obviously loves and get "lost." He however cannot give up the job he was given as a favorite toy. Now, years later, he has a new owner and becoming obsolete. He still has a responsibility to protect the new toy Bonnie makes. He reconnects with a lost love. Everywhere he goes, he meets various toys who yearn for the love of a child, something they either have never had or lost long ago. Like Toy Story 3, Toy Story 4 becomes a movie about growing up and moving on when you are no longer dependent on the love of your "parent."
JT (287 KP) rated The Ward (2010) in Movies
Mar 16, 2020
I’m a big fan of his work, but that is his early work with the likes of Halloween and The Thing as my personal favourites, but here Carpenter’s trademark suspense is all but lost in a story that is as predictable as it is stupid.
After setting fire to a barn Kristen (Amber Heard) is sent to a mental hospital, where she is terrorised by a ghost, a hidden past his reflected upon but never fully delved into. There is of course more to it than that, and Heard spends a vast majority of the time either locked in her room or trying to escape while at the same time piecing the puzzle together with the help of some of her fellow inmates.
Carpenter’s use of the wide camera angle is effective in places, and the long cold corridors of the ward are enough to give anyone the chills. However, it is not built on in any way and all the suspense is somewhat lost by the poor acting and monotonous build-up to the next potential terrifying scene. When the ghost is revealed it is, to be honest laughable and not in the least bit frightening which is probably one of the main downfalls of the film.
The twist ending is anything but predictable and you could have spotted it a mile off, it’s a poor effort this perhaps not helped in the writing department, but Carpenter is one of the masters of horror but here he hasn’t even bothered to turn up.
Narrative of Frederick Douglass
8.0
Rate It
Book
A new edition of the classic African American autobiography, now with with the inclusion of...
Focus and Leverage: The Critical Methodology for Theory of Constraints, Lean, and Six Sigma (TLS)
Book
Most books about continuous and process improvement are written in a textbook format with...
Reconciling International Trade and Labor Protection: Why We Need to Bridge the Gap Between ILO Standards and WTO Rules
Wolfgang Plasa and Mogens Peter Carl
Book
Over the last two decades or so, a number of developing countries have become important suppliers of...
Eleanor Luhar (47 KP) rated All Our Yesterdays in Books
Jun 24, 2019
Em and Finn have been held prisoners in their cells for months. The doctor puts them through horrific interrogations on a regular basis, trying to determine the location of some documents he believes to be in the possession of Finn and Em.
Em is obsessed with the drain in the centre of her cell, positive that it has some kind of important meaning. Eventually, she manages to unscrew it, and discovers something incredibly unexpected; a note from herself.
With the the help of Mike Connor, a guard that other versions of themselves had convinced to help them in the past, Em and Finn escape their cells and make their way to Cassandra. Before the doctor can stop them, they switch on the machine and are transported four years into the past.
This is written from two different perspectives; Em's, and Marina's. Through each girl's story, we discover the truth about the doctor, Cassandra, and the death of Nate, the brother of Marina's childhood love's brother.
I know this all sounds really complicated, and sometimes it does get that way, but it is written so well. Em looks at Marina like she's a different person, which I suppose she is, really. The relationships between each version of Marina/Em and the two different boys is so unique to this book. I suppose it's a regular love triangle, but at the same time, it's not.
I really liked this book. It's not quite made it's way to my favourites list due to the fact that there were times where I got a little bit lost. But it definitely deserves 4.5 stars, because it is such an gripping, unique book. I'm so glad I read this.
BookMarked