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Money (Keatyn Chronicles book 10)
7.0
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Riley Johnson -- Captive Films' CEO and millionaire playboy is hot, privileged, and seriously...
Sex (Keatyn Chronicles book 11)
8.0
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Riley Johnson -- Captive Films' CEO and millionaire playboy is hot, privileged, and seriously...
Love (Keatyn Chronicles book 12)
4.0
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Riley Johnson — Captive Films’ CEO and millionaire playboy is hot, privileged, and seriously...
Before She Knew Him
8.3
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Catching a killer is dangerous—especially if he lives next door From the hugely talented...
Thriller Psychological Mystery
Zoosk (5 KP) rated Stone Roses by The Stone Roses in Music
Dec 5, 2024
A Timeless Masterpiece
Every so often, an album comes along that feels like it was born out of pure magic, and The Stone Roses is one of those rare gems. From the opening notes of “I Wanna Be Adored” to the euphoric closer “I Am the Resurrection,” this debut album is a flawless journey through shimmering guitars, hypnotic rhythms, and an aura of defiance and mysticism.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
Chloë McTaggart (48 KP) rated The Circle in Books
Oct 19, 2018
Contains spoilers, click to show
The Circle is Eggers 10th fictional work and through dystopian world building, goes to highlight some of the key modern day issues - specifically those surrounding technology and social media. Unlike other dystopian novels Eggers sets about showing the ‘positive’ side of what could be, ficionally speaking, as opposed to novels such as The Handmaids Tale and Divergence and such books that set themselves in a destroyed-dystopia.
Despite being set in a dystopian world full of technology we currently only see on the Syfy channel, it somehow clings to our ideas of reality and what is possible. By doing this, it soon offers a dangerous look at what technology may become as it highlights the impact it already has on our lives. The protagonist, Mae, lands a job at a technology company named “The Circle” which is comparable to brands and companies such as Apple, Google and Samsung. Eggers takes the ideas of the main technological companies of the twenty first century and rolls them into one; producing an unstoppable powerhouse of sharing, transparency and sociability overseen by a trinity of male bosses that we never really connect to. While Eggers sets the scene, and development of society, through his use of The Circle as an interdimensional power house, he fails to develop a relatable character in his protagonist.
From the start of the book the protagonist, Mae, comes across as weak and unmotivated with some parts of the novel serving almost as a pity party for her. If she’s not complaining, she’s raving about ex-boyfriends or how hard a life she has as though she’s the only one in the world that matters - though I suppose to Eggers she is the most important. Through this self pity, the reader struggles to find a point of contact with Mae; she offers no escape from the real world and instead becomes a motivation to stop reading the novel.
However, despite the lack of character development, the novel does raise relevant questions concerning technology and social media. In the film adaptation, it serves to show us just how much of an impact we can have on others without realising it; and how even when we do realise it the popularity or reward is too enticing to stop.
Despite being set in a dystopian world full of technology we currently only see on the Syfy channel, it somehow clings to our ideas of reality and what is possible. By doing this, it soon offers a dangerous look at what technology may become as it highlights the impact it already has on our lives. The protagonist, Mae, lands a job at a technology company named “The Circle” which is comparable to brands and companies such as Apple, Google and Samsung. Eggers takes the ideas of the main technological companies of the twenty first century and rolls them into one; producing an unstoppable powerhouse of sharing, transparency and sociability overseen by a trinity of male bosses that we never really connect to. While Eggers sets the scene, and development of society, through his use of The Circle as an interdimensional power house, he fails to develop a relatable character in his protagonist.
From the start of the book the protagonist, Mae, comes across as weak and unmotivated with some parts of the novel serving almost as a pity party for her. If she’s not complaining, she’s raving about ex-boyfriends or how hard a life she has as though she’s the only one in the world that matters - though I suppose to Eggers she is the most important. Through this self pity, the reader struggles to find a point of contact with Mae; she offers no escape from the real world and instead becomes a motivation to stop reading the novel.
However, despite the lack of character development, the novel does raise relevant questions concerning technology and social media. In the film adaptation, it serves to show us just how much of an impact we can have on others without realising it; and how even when we do realise it the popularity or reward is too enticing to stop.
ClareR (5874 KP) rated Aftermath: Life in the Fallout of the Third Reich, 1945-1955 in Books
Feb 1, 2022
This is such an informative, interesting book about a period in German history that I know little about: 1945-1955. It shows that German cities were pretty much decimated by the end of the war, that ex-Nazi party members were forced to clean up the rubble and that most importantly, many Germans thought that they were hard done by, by the end of the war - their country in ruins, no industry and no food. But what’s most startling, is how quickly the German recovery was. Jähner states that this was in large part due to the return of the Germans who had been living in occupied countries.
The black market was also a huge earner for many German citizens: one teenager is described as having thousands of Marks worth of cigarettes in his house. Money was there to be made for the improvising, bold, German!
What probably resonated with me most, was the lot of the German woman. They had been expected to be the perfect German Female during National Socialism, then experienced a kind of social and sexual liberation after the end of the war. However, when their husbands and men returned from captivity (or just made their ways home), they found themselves being expected to revert to the stereotypical role of the housewife. But they wanted more. They wanted to continue in careers, they wanted equality, and they didn’t necessarily want to deal with broken, defeated husbands (as cruel as this may seem).
What really surprised me, was how was how former Nazi party members still worked in positions of influence, both politically and in industry - and this was the case in both East and West Germany. Even though the Allies made a point of ‘educating’ German citizens about the holocaust, National Socialists seemed to largely escape punishment and carried on with their lives. Their children may have had their doubts as to their parents innocence, and the real movement to ‘out’ the national guilt didn’t really get going until the 1960’s, but there was dissent in the 1950’s already.
I could go on. This is such an interesting book, and written so accessibly. It didn’t read at all like a dry history book, and the photos and posters from the time are well chosen and really add to the book as a whole. This isn’t just a history book for history buffs.
The black market was also a huge earner for many German citizens: one teenager is described as having thousands of Marks worth of cigarettes in his house. Money was there to be made for the improvising, bold, German!
What probably resonated with me most, was the lot of the German woman. They had been expected to be the perfect German Female during National Socialism, then experienced a kind of social and sexual liberation after the end of the war. However, when their husbands and men returned from captivity (or just made their ways home), they found themselves being expected to revert to the stereotypical role of the housewife. But they wanted more. They wanted to continue in careers, they wanted equality, and they didn’t necessarily want to deal with broken, defeated husbands (as cruel as this may seem).
What really surprised me, was how was how former Nazi party members still worked in positions of influence, both politically and in industry - and this was the case in both East and West Germany. Even though the Allies made a point of ‘educating’ German citizens about the holocaust, National Socialists seemed to largely escape punishment and carried on with their lives. Their children may have had their doubts as to their parents innocence, and the real movement to ‘out’ the national guilt didn’t really get going until the 1960’s, but there was dissent in the 1950’s already.
I could go on. This is such an interesting book, and written so accessibly. It didn’t read at all like a dry history book, and the photos and posters from the time are well chosen and really add to the book as a whole. This isn’t just a history book for history buffs.
Awix (3310 KP) rated No Escape (2015) in Movies
Mar 26, 2018 (Updated Mar 26, 2018)
Technically competent suspense-thriller can't help coming across as a little bit suspect in the signals it's sending (also, title may not be strictly accurate). Nice American family go to a country which looks like Thailand but definitely isn't, dearie me no, and find themselves imperilled by a native uprising triggered by the Prime Minister's new water works. Can they escape before Pierce Brosnan starts singing again?
As I say, solidly put together, and if nothing else Lake Bell's performance is pretty much immaculate - but you have to wonder if the film's depiction of Asian countries isn't defamatory, or at least scare-mongering. It's not surprising this film was banned in some parts of Asia. There's a lot of bafflegab about the hordes of machete-wielding psychos being locals upset about globalisation, but c'mon, guys, this is clearly a film inspired by fears of radical Islamist terrorism, and as such it seems to be presenting every person in Indonesia, Cambodia, Thailand, etc, as a potential psychopathic killer. For something which is basically second-cousin to a zombie movie, it takes itself terribly seriously; a bit too seriously given how implausible the plot rapidly becomes. Perks up a bit when Brosnan is on screen (not often enough), but is this kind of subject matter really the stuff of such broad entertainment? As a thriller this is okay, but a point knocked off for the dubious subtext.
As I say, solidly put together, and if nothing else Lake Bell's performance is pretty much immaculate - but you have to wonder if the film's depiction of Asian countries isn't defamatory, or at least scare-mongering. It's not surprising this film was banned in some parts of Asia. There's a lot of bafflegab about the hordes of machete-wielding psychos being locals upset about globalisation, but c'mon, guys, this is clearly a film inspired by fears of radical Islamist terrorism, and as such it seems to be presenting every person in Indonesia, Cambodia, Thailand, etc, as a potential psychopathic killer. For something which is basically second-cousin to a zombie movie, it takes itself terribly seriously; a bit too seriously given how implausible the plot rapidly becomes. Perks up a bit when Brosnan is on screen (not often enough), but is this kind of subject matter really the stuff of such broad entertainment? As a thriller this is okay, but a point knocked off for the dubious subtext.
Deborah (162 KP) rated A Lady Never Tells (Willowmere, #1) in Books
Dec 21, 2018
I've really enjoyed some of Camp's previous books and I often think that in this genre books work best where they are in a series with some continuing characters, so I was looking forward to getting my teeth into the Willowmere series.
This is the first book in said series and although I didn't actively dislike it, I did find it a bit mediocre. A lot of plot elements seemed very reused and I always find the 'American girls coming over to England and catching eligible aristocratic batchelor' a bit too Mary-Sue-ish.
I didn't find it easy to like the heroine in this book all that much and it was difficult to see quite why the hero (who was likeable) would fall in love with her. Mary (or Marigold!) brings her sister to England to find their English family after their mother dies and they want to escape a somewhat unpleasant stepfather, but after this they all, but Mary in particular, do some pretty silly things. OK, they may not be up on British aristocratic ettiquette, but they seem to loose all common sense sometimes! Mary deliberately decides to conceal some important information and they go off on a jaunt whenever they feel like it, despite being attacked and suffering attempted abductions, and they seem to think it is unreasonable that the gentlemen taking responsibility for them want to try and stop them exposing themselves to danger!
Hopefully the next two books will be better.
This is the first book in said series and although I didn't actively dislike it, I did find it a bit mediocre. A lot of plot elements seemed very reused and I always find the 'American girls coming over to England and catching eligible aristocratic batchelor' a bit too Mary-Sue-ish.
I didn't find it easy to like the heroine in this book all that much and it was difficult to see quite why the hero (who was likeable) would fall in love with her. Mary (or Marigold!) brings her sister to England to find their English family after their mother dies and they want to escape a somewhat unpleasant stepfather, but after this they all, but Mary in particular, do some pretty silly things. OK, they may not be up on British aristocratic ettiquette, but they seem to loose all common sense sometimes! Mary deliberately decides to conceal some important information and they go off on a jaunt whenever they feel like it, despite being attacked and suffering attempted abductions, and they seem to think it is unreasonable that the gentlemen taking responsibility for them want to try and stop them exposing themselves to danger!
Hopefully the next two books will be better.