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Stone Roses by The Stone Roses
Stone Roses by The Stone Roses
1989 | Rock
A Timeless Masterpiece
Every so often, an album comes along that feels like it was born out of pure magic, and The Stone Roses is one of those rare gems. From the opening notes of “I Wanna Be Adored” to the euphoric closer “I Am the Resurrection,” this debut album is a flawless journey through shimmering guitars, hypnotic rhythms, and an aura of defiance and mysticism.

What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.

Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.

Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.

For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
  
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Awix (3310 KP) rated No Escape (2015) in Movies

Mar 26, 2018 (Updated Mar 26, 2018)  
No Escape (2015)
No Escape (2015)
2015 | Drama, Thriller
5
6.9 (13 Ratings)
Movie Rating
Technically competent suspense-thriller can't help coming across as a little bit suspect in the signals it's sending (also, title may not be strictly accurate). Nice American family go to a country which looks like Thailand but definitely isn't, dearie me no, and find themselves imperilled by a native uprising triggered by the Prime Minister's new water works. Can they escape before Pierce Brosnan starts singing again?

As I say, solidly put together, and if nothing else Lake Bell's performance is pretty much immaculate - but you have to wonder if the film's depiction of Asian countries isn't defamatory, or at least scare-mongering. It's not surprising this film was banned in some parts of Asia. There's a lot of bafflegab about the hordes of machete-wielding psychos being locals upset about globalisation, but c'mon, guys, this is clearly a film inspired by fears of radical Islamist terrorism, and as such it seems to be presenting every person in Indonesia, Cambodia, Thailand, etc, as a potential psychopathic killer. For something which is basically second-cousin to a zombie movie, it takes itself terribly seriously; a bit too seriously given how implausible the plot rapidly becomes. Perks up a bit when Brosnan is on screen (not often enough), but is this kind of subject matter really the stuff of such broad entertainment? As a thriller this is okay, but a point knocked off for the dubious subtext.