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Zoosk (5 KP) rated Stone Roses by The Stone Roses in Music
Dec 5, 2024
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
Awix (3310 KP) rated No Escape (2015) in Movies
Mar 26, 2018 (Updated Mar 26, 2018)
As I say, solidly put together, and if nothing else Lake Bell's performance is pretty much immaculate - but you have to wonder if the film's depiction of Asian countries isn't defamatory, or at least scare-mongering. It's not surprising this film was banned in some parts of Asia. There's a lot of bafflegab about the hordes of machete-wielding psychos being locals upset about globalisation, but c'mon, guys, this is clearly a film inspired by fears of radical Islamist terrorism, and as such it seems to be presenting every person in Indonesia, Cambodia, Thailand, etc, as a potential psychopathic killer. For something which is basically second-cousin to a zombie movie, it takes itself terribly seriously; a bit too seriously given how implausible the plot rapidly becomes. Perks up a bit when Brosnan is on screen (not often enough), but is this kind of subject matter really the stuff of such broad entertainment? As a thriller this is okay, but a point knocked off for the dubious subtext.


