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Rachel King (13 KP) rated Wither (The Chemical Garden, #1) in Books
Feb 11, 2019
The world that Lauren DeStefano builds in this book combines several dystopian concepts - genetic engineering and reproduction, a virus of epic proportions, anarchy and survival of the fittest. 70 years ago mankind finds a way to make "perfect" babies, and then their babies suffer the consequences - death at 25 for men and 20 for women - with no cure on the horizon. Prostitution, polygamy, human experimentation, wide-scale murder, the prevalence of orphanages, and a country divided on whether mankind is worth saving are all issues in the plot. Plus, all of this takes place after a world war has destroyed all but North America - or so the history goes.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
BackToTheMovies (56 KP) rated Annabelle Comes Home (2019) in Movies
Jul 2, 2019
The third instalment of the Annabelle franchise as Annabelle Comes Home delivers where the previous two did not.
Demonologists Ed Warren (Patrick Wilson) and his wife Lorraine (Vera Farmiga) return back to their home with the cursed Annabelle doll. Safely locked away in their occult museum of the paranormal they leave for another case and leave their babysitter Mary (Madison Iseman) and her best friend Daniela (Katie Sarife) in charge of looking after their daughter Judy (McKenna Grace). One curious friend breaks into the paranormal museum situated in the Warren’s basement and all hell breaks loose.
Annabelle Comes Home is a well-rounded horror. It has a completely different feel than the films previous to it. It has a very goosebumps style goofiness about it with a more sinister tone. The Annabelle doll acts as a beacon for spirits. So when she is unleashed within the museum the other entities contained within that room escape. It really is a Goosebumps style injection of horror as various creatures and entities roam the house.
Whilst these horror movies have cut and paste jump scares and quite predictable outcomes Annabelle Comes Home just about keeps it somewhat fresh. The film is heavily held up high from strong performances by our three lead girls. The film has a lovely dark tone and the detail within the museum is incredible. If you’re a paranormal/haunted object junkie like me just seeing the attention to detail in the set dressing was impressive indeed.
Director Gary Dauberman takes Annabelle out of the one trick pony setting and allows this freedom of entities to run amok without convoluting the plot in any way shape or form. Each item is linked to a spirit and they’re carefully injected at spaced intervals through the story.
There’s nothing really new on display here. Horror movies just aren’t scary anymore. They rely on jump scares to provide a ‘scare’ which is actually a fabricated effect. A jump scare will never make a movie scary. I wish filmmakers wouldn’t over-saturated jumps every 10 minutes to make something ‘scary’. This movie isn’t bad whatsoever but my god is the horror genre becoming a little repetitive and boring in some aspects. It’s time to spice things up without pushing agendas! Yes, I’m talking to you Jordan Peele.
Demonologists Ed Warren (Patrick Wilson) and his wife Lorraine (Vera Farmiga) return back to their home with the cursed Annabelle doll. Safely locked away in their occult museum of the paranormal they leave for another case and leave their babysitter Mary (Madison Iseman) and her best friend Daniela (Katie Sarife) in charge of looking after their daughter Judy (McKenna Grace). One curious friend breaks into the paranormal museum situated in the Warren’s basement and all hell breaks loose.
Annabelle Comes Home is a well-rounded horror. It has a completely different feel than the films previous to it. It has a very goosebumps style goofiness about it with a more sinister tone. The Annabelle doll acts as a beacon for spirits. So when she is unleashed within the museum the other entities contained within that room escape. It really is a Goosebumps style injection of horror as various creatures and entities roam the house.
Whilst these horror movies have cut and paste jump scares and quite predictable outcomes Annabelle Comes Home just about keeps it somewhat fresh. The film is heavily held up high from strong performances by our three lead girls. The film has a lovely dark tone and the detail within the museum is incredible. If you’re a paranormal/haunted object junkie like me just seeing the attention to detail in the set dressing was impressive indeed.
Director Gary Dauberman takes Annabelle out of the one trick pony setting and allows this freedom of entities to run amok without convoluting the plot in any way shape or form. Each item is linked to a spirit and they’re carefully injected at spaced intervals through the story.
There’s nothing really new on display here. Horror movies just aren’t scary anymore. They rely on jump scares to provide a ‘scare’ which is actually a fabricated effect. A jump scare will never make a movie scary. I wish filmmakers wouldn’t over-saturated jumps every 10 minutes to make something ‘scary’. This movie isn’t bad whatsoever but my god is the horror genre becoming a little repetitive and boring in some aspects. It’s time to spice things up without pushing agendas! Yes, I’m talking to you Jordan Peele.
A House in the Sky: A Memoir of a Kidnapping That Changed Everything
Amanda Lindhout and Sara Corbett
Book
A House in the Sky is the dramatic and redemptive memoir of Amanda Lindhout, a woman whose curiosity...
Kristy H (1252 KP) rated Coming Up For Air in Books
Jan 23, 2018
Quick, fun read
Maggie's entire life is swimming. Since she was a kid, her focus has been on the sport and hopefully qualifying for the Olympics one day. Her best friend, Levi, also swims, and the two spend most of their time together. As they enter their senior year, however, Maggie starts to realize how much of typical teen life she's missed out on because of swimming. In particular: relationships and being with a guy. So Maggie turns to Levi for help. After all, her best friend is well-versed in randomly hooking up with girls at swim meets, so she asks him to teach her to hook up. Maggie doesn't think anything will go wrong with this plan--and that the two can maintain their close friendship. But is that really the case? And can Maggie still focus on the most important year of her swimming career?
I've read a few other books in Kenneally's Hundred Oaks series and really enjoyed them: they are just fun, escapist YA novels. For me, this one wasn't quite up to the others I've read, though I enjoyed the second half more than the first. It took me a long time to get into the story and the characters. The "learn to hook up" premise for the plot was a shaky one, and I missed the main focus on sport and relationships than seem to be the hallmark of Kenneally's other novels. While this genre of book is often a bit predictable, the first half of this one was ridiculously so, and it was a little painful to read at times.
Luckily, I found the second half more in the usual Hundred Oaks style, and I did find myself getting into Maggie and Levi's story more. Maggie irritated me a bit from time to time, but she takes more control over her own life decisions in the second half of the story. I liked Levi a lot and the two's friendship. The second half also centers more on her competitive swimming career, which I enjoyed (the focus on different sports in this series is always a fun, added touch). You can't help but enjoy the romance aspect and get sucked in--it's just a strength of Kenneally's and she does it so well. Overall, while not my favorite of the Hundred Oaks novels, this was a cute book and a fun read, though not the usual quick escape that I was expecting.
I received a copy of this novel from the publisher and Netgalley. More at http://justacatandabookatherside.blogspot.com/.
I've read a few other books in Kenneally's Hundred Oaks series and really enjoyed them: they are just fun, escapist YA novels. For me, this one wasn't quite up to the others I've read, though I enjoyed the second half more than the first. It took me a long time to get into the story and the characters. The "learn to hook up" premise for the plot was a shaky one, and I missed the main focus on sport and relationships than seem to be the hallmark of Kenneally's other novels. While this genre of book is often a bit predictable, the first half of this one was ridiculously so, and it was a little painful to read at times.
Luckily, I found the second half more in the usual Hundred Oaks style, and I did find myself getting into Maggie and Levi's story more. Maggie irritated me a bit from time to time, but she takes more control over her own life decisions in the second half of the story. I liked Levi a lot and the two's friendship. The second half also centers more on her competitive swimming career, which I enjoyed (the focus on different sports in this series is always a fun, added touch). You can't help but enjoy the romance aspect and get sucked in--it's just a strength of Kenneally's and she does it so well. Overall, while not my favorite of the Hundred Oaks novels, this was a cute book and a fun read, though not the usual quick escape that I was expecting.
I received a copy of this novel from the publisher and Netgalley. More at http://justacatandabookatherside.blogspot.com/.
JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Let’s face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
JT (287 KP) rated The Boy (2016) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
Gripping in parts but not a standout
d put off watching this for some time, but when I caught the trailer for Brahms: The Boy II which on the face of it looked quite good, I had to give the original one a go.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Gareth von Kallenbach (977 KP) rated What's Your Number? (2011) in Movies
Aug 7, 2019
According to a study published in a ladies’ magazine, the average woman will have a maximum of 10 sexual partners, and apparently, the higher your number of sexual partners, the lower your chances of ever finding Mr. Right. Ally, played by Anna Faris, takes this study to heart and after conducting her own study, masked as a bachelorette party game, she realizes her number is dangerously above average.
After running into an ex who went from disgusting to dashing, Ally decides her number can’t go up if she revisits the exes she’s already accumulated, to see if any others have made similar transformations. However, looking them up, even in the age of Google, proves to be a daunting task. Luckily for Ally, her cad of a neighbor, Colin, played by oft-naked Chris Evans, just happens to be quite skilled in cyber-snooping. In exchange for tracking down her exes, Colin gets to use Ally’s apartment to escape his one-night-stands that are just a little slow to leave.
I’m a sucker for a good romantic comedy, no matter how silly or predictable. I had high hopes for an Anna Faris-Chris Evans pairing. Both are easy on the eyes, endearingly charming and have great comic timing. Together, they provided the majority of the lighter moments and sure, they could both show off their exceptional physiques as often as they want and no one will complain. With slightly tamer glimpses of “Bridesmaids” and a few delightfully awkward moments, Faris proves yet again, she can carry a movie. Unfortunately, the story, based on a book by Karyn Bosnak, felt stretched to fill the running time of 106 minutes, even with a strong but underused cast of exes, that included Faris’ real-life love Chris Pratt, Andy Samberg and Joel McHale.
After running into an ex who went from disgusting to dashing, Ally decides her number can’t go up if she revisits the exes she’s already accumulated, to see if any others have made similar transformations. However, looking them up, even in the age of Google, proves to be a daunting task. Luckily for Ally, her cad of a neighbor, Colin, played by oft-naked Chris Evans, just happens to be quite skilled in cyber-snooping. In exchange for tracking down her exes, Colin gets to use Ally’s apartment to escape his one-night-stands that are just a little slow to leave.
I’m a sucker for a good romantic comedy, no matter how silly or predictable. I had high hopes for an Anna Faris-Chris Evans pairing. Both are easy on the eyes, endearingly charming and have great comic timing. Together, they provided the majority of the lighter moments and sure, they could both show off their exceptional physiques as often as they want and no one will complain. With slightly tamer glimpses of “Bridesmaids” and a few delightfully awkward moments, Faris proves yet again, she can carry a movie. Unfortunately, the story, based on a book by Karyn Bosnak, felt stretched to fill the running time of 106 minutes, even with a strong but underused cast of exes, that included Faris’ real-life love Chris Pratt, Andy Samberg and Joel McHale.
The Hookup: Moonlight and Motor Oil Series Book 1
Book
When the new girl in town, Eliza “Izzy” Forrester decides to hit the local drinking hole,...
romance
Perfect Cell
Games and Entertainment
App
Play as the most advanced creature ever discovered on Earth. You are trapped in a high security...
An Abbreviated Life: A Memoir
Book
A beautiful, startling, and candid memoir about growing up without boundaries, in which Ariel Leve...