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The God Game
9.0
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You are invited! Come inside and play with G.O.D. Bring your friends! It’s fun! But remember...
technothriller Texas high school teens sci-fi
Serial Hottie
7.0
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"Does that mean you don't have a boyfriend?" I narrowed my eyes at him but he still figured out...
Lyndsey Gollogly (2893 KP) rated Kushiel in Books
May 25, 2022
91 of 230
Kindle
Kushiels Dart ( phedre’s Trilogybook 1)
By Jacqueline Carey
⭐️⭐️⭐️⭐️⭐️
🌶🌶
A massive fantasy tale about the violent death of an old age and the birth of a new one. Here is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. Born with a scarlet mote in her left eye, Phedre no Delaunay is sold into indentured servitude as a child. When her bond is purchased by an enigmatic nobleman, she is trained in history, theology, politics, foreign languages, and the arts of pleasure. Above all, she learns the ability to observe, remember, and analyze. Exquisite courtesan, yet talented spy, she may seem an unlikely heroine... but when Phedre stumbles upon a plot threatening her homeland, Terre d'Ange, she has no choice but to act. Betrayed into captivity in the barbarous northland of Skaldia, and accompanied only by disdainful young warrior-priest, Phedre makes a harrowing escape and an even more harrowing journey, to return to her people and deliver them a warning of the impending invasion. And that proves only the first step in a quest that will take her to the edge of despair and beyond.
Well that was a much longer book than I was expecting. I loved it! The world building and characters were so good I did struggle at first there was a lot of information thrown at you but once it was ingrained it was just so enjoyable to read. I enjoy these epic journey books with female characters that are strong and capable instead of whinny and annoying. I think to get the most out of these long massive world building books you have to have some patience and not force yourself to enjoy them. Definitely looking forward to more.
Kindle
Kushiels Dart ( phedre’s Trilogybook 1)
By Jacqueline Carey
⭐️⭐️⭐️⭐️⭐️
🌶🌶
A massive fantasy tale about the violent death of an old age and the birth of a new one. Here is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. Born with a scarlet mote in her left eye, Phedre no Delaunay is sold into indentured servitude as a child. When her bond is purchased by an enigmatic nobleman, she is trained in history, theology, politics, foreign languages, and the arts of pleasure. Above all, she learns the ability to observe, remember, and analyze. Exquisite courtesan, yet talented spy, she may seem an unlikely heroine... but when Phedre stumbles upon a plot threatening her homeland, Terre d'Ange, she has no choice but to act. Betrayed into captivity in the barbarous northland of Skaldia, and accompanied only by disdainful young warrior-priest, Phedre makes a harrowing escape and an even more harrowing journey, to return to her people and deliver them a warning of the impending invasion. And that proves only the first step in a quest that will take her to the edge of despair and beyond.
Well that was a much longer book than I was expecting. I loved it! The world building and characters were so good I did struggle at first there was a lot of information thrown at you but once it was ingrained it was just so enjoyable to read. I enjoy these epic journey books with female characters that are strong and capable instead of whinny and annoying. I think to get the most out of these long massive world building books you have to have some patience and not force yourself to enjoy them. Definitely looking forward to more.
Gareth von Kallenbach (980 KP) rated Mission Impossible Ghost Protocol (2011) in Movies
Aug 7, 2019
The fourth chapter in the phenomenally popular Mission Impossible series has arrived in theaters and jump starts the franchise with a dynamic ensemble cast and a bold mix of action and adventure with a touch of comedy thrown in.
Mission Impossible: Ghost Protocol opens with a daring escape from a Russian prison followed shortly thereafter by an infiltration of the Kremlin and subsequent explosion on the famed Russian landmark.
Tom Cruise returns as agent Ethan Hunt and is joined by Jeremy Renner, Simon Pegg, and Paula Patton. Shortly after the explosion at the Kremlin, tensions between the United States and Russia are at an all-time high. As a result, the president initiates Ghost Protocol, which effectively shuts down the Impossible Mission Force and eliminates many of their resources. As a result, Ethan and his team must take on an unsanctioned mission that will take them from Russia to Dubai to Mumbai in a race against time to not only clear the IMF from being blamed for the bombing, but to stop a deranged criminal from using stolen Russian launch codes to unleash a nuclear strike upon America.
Ethan and his team bring all manner of weapons and technology to bear against the enemy and while the action sequences are intense and the best in the series to date, they don’t overshadow the human element of the film as each character has a back story which helped endear them to the audience. Unlike previous films in the series, the plot is not as convoluted and hard to follow and director Brad Bird, making his live-action directing debut, does a fantastic job of pacing the film, never once letting it drag or become boring.
Pegg and Renner are fantastic additions to the series as Renner brings a sense of humanity to his role as analyst Brandt. Pegg gets a share of comedic lines and moments but is not there simply to provide comic relief, convincingly deadly serious when the action becomes hot and heavy. Patton holds her own with the guys and proves she is more than just a pretty face as her fight scene in a high-rise with an assassin is as intense as any action fan could want with a fantastic finale.
Cruise goes all-out in his performance and performs many of the film’s stunts himself, quite a few of them shriek-inducing, judging by the reaction of the ladies in the audience. While Ethan spends a lot of time running in the film, he also spends a lot of time fighting and it was very nice to see him share some of the responsibility for the film’s action scenes with his ensemble cast. I believe that the ensemble works so well that the studio should keep this team together for future installments in the series. The team has a winning formula that reinvigorates the series giving us what I believe is the best film in the series to date.
Mission Impossible: Ghost Protocol opens with a daring escape from a Russian prison followed shortly thereafter by an infiltration of the Kremlin and subsequent explosion on the famed Russian landmark.
Tom Cruise returns as agent Ethan Hunt and is joined by Jeremy Renner, Simon Pegg, and Paula Patton. Shortly after the explosion at the Kremlin, tensions between the United States and Russia are at an all-time high. As a result, the president initiates Ghost Protocol, which effectively shuts down the Impossible Mission Force and eliminates many of their resources. As a result, Ethan and his team must take on an unsanctioned mission that will take them from Russia to Dubai to Mumbai in a race against time to not only clear the IMF from being blamed for the bombing, but to stop a deranged criminal from using stolen Russian launch codes to unleash a nuclear strike upon America.
Ethan and his team bring all manner of weapons and technology to bear against the enemy and while the action sequences are intense and the best in the series to date, they don’t overshadow the human element of the film as each character has a back story which helped endear them to the audience. Unlike previous films in the series, the plot is not as convoluted and hard to follow and director Brad Bird, making his live-action directing debut, does a fantastic job of pacing the film, never once letting it drag or become boring.
Pegg and Renner are fantastic additions to the series as Renner brings a sense of humanity to his role as analyst Brandt. Pegg gets a share of comedic lines and moments but is not there simply to provide comic relief, convincingly deadly serious when the action becomes hot and heavy. Patton holds her own with the guys and proves she is more than just a pretty face as her fight scene in a high-rise with an assassin is as intense as any action fan could want with a fantastic finale.
Cruise goes all-out in his performance and performs many of the film’s stunts himself, quite a few of them shriek-inducing, judging by the reaction of the ladies in the audience. While Ethan spends a lot of time running in the film, he also spends a lot of time fighting and it was very nice to see him share some of the responsibility for the film’s action scenes with his ensemble cast. I believe that the ensemble works so well that the studio should keep this team together for future installments in the series. The team has a winning formula that reinvigorates the series giving us what I believe is the best film in the series to date.
Merissa (13169 KP) rated Scrying for Summer (Philadelphia Coven Chronicles #2) in Books
Mar 21, 2018
Scrying for Summer (Philadelphia Coven Chronicles #2) by Katherine McIntyre
Scrying for Summer is the second book in the Philadelphia Coven Chronicles, and we meet back up with the little powerhouse known as Jev, and the turncoat with soul, Liam. Brenna and Conor are out of town, and Liam doesn't know where else to turn. His friend is in trouble, with the same organisation Liam is trying to escape from. He asks for Jev's help, not realising the danger he would be asking her to face.
Liam shows a different side to himself in this book, one that Jev finds hard to resist. He is no longer the simple, one dimensional, turncoat she thought he was. Instead, she finds out more about his reasons for what he did, and also asks herself the question about what would she do in the same situation? Once she realises that the answer isn't as easy as she thought, as well as some wise words from Sam the Djinn, her view changes of Liam. He is busy fighting his attraction for Jev. He is a Hunter, and their lives are dangerous. However, no one tells Jev what she can or can't do, and her help with the situation regarding his mom breaks down some of the walls that Liam holds onto so tightly.
Whilst you don't have to read book one to enjoy this one, I would still recommend you do. You will get a much better picture of who Jev and Liam are, plus why they both feel the way they do at the beginning. This was an excellent addition to the series, and Katherine McIntyre continues with her fantastic world and character building. There were no editing or grammatical errors that disrupted my reading flow, and I was thoroughly engrossed with the story from start to finish. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://erotic.theromancereviews.com/viewbooks.php?bookid=22742
Liam shows a different side to himself in this book, one that Jev finds hard to resist. He is no longer the simple, one dimensional, turncoat she thought he was. Instead, she finds out more about his reasons for what he did, and also asks herself the question about what would she do in the same situation? Once she realises that the answer isn't as easy as she thought, as well as some wise words from Sam the Djinn, her view changes of Liam. He is busy fighting his attraction for Jev. He is a Hunter, and their lives are dangerous. However, no one tells Jev what she can or can't do, and her help with the situation regarding his mom breaks down some of the walls that Liam holds onto so tightly.
Whilst you don't have to read book one to enjoy this one, I would still recommend you do. You will get a much better picture of who Jev and Liam are, plus why they both feel the way they do at the beginning. This was an excellent addition to the series, and Katherine McIntyre continues with her fantastic world and character building. There were no editing or grammatical errors that disrupted my reading flow, and I was thoroughly engrossed with the story from start to finish. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://erotic.theromancereviews.com/viewbooks.php?bookid=22742
Kristin (149 KP) rated Concealed in the Shadows in Books
Dec 7, 2018
Disclaimer: I received an e-copy of this book in exchange for an honest review.
Sydney's been waiting for her 18th birthday for a long time. It's a special day for her, as it's the day she can apply for guardianship of her sister. The world's different from how we know it after Congress separated the nation and laid down the law on population growth, and all Sydney wants is to reunite with her sister and hopefully escape from Miles County. However, as always happens, there's a kink in the plan, and things go awry fairly quickly for poor Sydney. How will she handle all the new information being thrown at her? What will become of her and her sister? And what is she to do about these strange new feelings for a man she barely knows?
First things first: This cover just grabbed me from the very start. I felt like her eyes were seeing right through me, and I couldn't wait to read about the person depicted in the picture. Sydney's a strong young woman, having been through more in her 18 years than most people see and endure in a couple lifetimes. However, she's done it all to help her sister Evvie survive in this world, and now she's fighting to be her sole guardian. The relationship between the two, and the way the bond is described that Sydney has for Evvie, was a very palpable thing. I could just sit back and picture the two going through life, Sydney always a couple steps ahead, checking to make sure everything was perfect for her little sister. But, the world is a much different place, and Sydney soon learns that things aren't always what they seem. I might consider this book somewhat dystopian, rather similar to Hunger Games, in that it's a futuristic setting (although not too distant) where the government has seized control and divided the nation into much smaller, easier-to-manage portions. It's a very intriguing premise, and I'm anxious to see what happens next for Sydney and Evvie.
4 1/2 stars
Sydney's been waiting for her 18th birthday for a long time. It's a special day for her, as it's the day she can apply for guardianship of her sister. The world's different from how we know it after Congress separated the nation and laid down the law on population growth, and all Sydney wants is to reunite with her sister and hopefully escape from Miles County. However, as always happens, there's a kink in the plan, and things go awry fairly quickly for poor Sydney. How will she handle all the new information being thrown at her? What will become of her and her sister? And what is she to do about these strange new feelings for a man she barely knows?
First things first: This cover just grabbed me from the very start. I felt like her eyes were seeing right through me, and I couldn't wait to read about the person depicted in the picture. Sydney's a strong young woman, having been through more in her 18 years than most people see and endure in a couple lifetimes. However, she's done it all to help her sister Evvie survive in this world, and now she's fighting to be her sole guardian. The relationship between the two, and the way the bond is described that Sydney has for Evvie, was a very palpable thing. I could just sit back and picture the two going through life, Sydney always a couple steps ahead, checking to make sure everything was perfect for her little sister. But, the world is a much different place, and Sydney soon learns that things aren't always what they seem. I might consider this book somewhat dystopian, rather similar to Hunger Games, in that it's a futuristic setting (although not too distant) where the government has seized control and divided the nation into much smaller, easier-to-manage portions. It's a very intriguing premise, and I'm anxious to see what happens next for Sydney and Evvie.
4 1/2 stars
Pan Book 6: The Alliance of Tribes
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Long Road Home: Testimony of a North Korean Camp Survivor
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Kim Yong shares his harrowing account of life in a labor camp--a singularly despairing form of...
Hadley (567 KP) rated The Institute in Books
Oct 24, 2019
Likable characters (1 more)
Paranormal
Sexualizing children (1 more)
Not a regular King story
At around 95 novels, Stephen King, who is one of the most well-known authors of our time, debuts a possible new novel series about psychic children. 'The Institute' mostly takes place in a hidden facility located in a wooded area of Maine,where readers follow a kidnapped child prodigy named Luke Ellis, and the government experiments that are inflicted on him to heighten his psychic powers.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
Bob Mann (459 KP) rated Don't Breathe (2016) in Movies
Sep 29, 2021
Here comes Little Kevin, all grown up and blinded.
“Don’t Breathe” had a concept that appealed to me. Three Detroit teens are systematically robbing houses of goods to pawn with the aim of getting Rocky (Jane “Evil Dead” Levy) out of the clutches of her deadbeat family to start a new life in California with her younger sister. Dylan Minnette plays the cautious and intellectual Alex, hiding his crush on Rocky particularly badly. Daniel Zovatto plays the fruit-loopy stoner ‘Money’ – the loose cannon of the trio and Rocky’s boyfriend.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.