Search
Search results
Long Road Home: Testimony of a North Korean Camp Survivor
Book
Kim Yong shares his harrowing account of life in a labor camp--a singularly despairing form of...
Hadley (567 KP) rated The Institute in Books
Oct 24, 2019
Likable characters (1 more)
Paranormal
Sexualizing children (1 more)
Not a regular King story
At around 95 novels, Stephen King, who is one of the most well-known authors of our time, debuts a possible new novel series about psychic children. 'The Institute' mostly takes place in a hidden facility located in a wooded area of Maine,where readers follow a kidnapped child prodigy named Luke Ellis, and the government experiments that are inflicted on him to heighten his psychic powers.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
Grimm's Rapunzel ~ 3D Interactive Pop-up Book
Games and Book
App
* Winner of the Editor's Choice Award, Children's Technology Review * iLounge Best iPhone and iPod...
My Life with Bob
6.0
Rate It
Book
Imagine keeping a record of every book you’ve ever read. What would this reading trajectory say...
Autobiography essays
Merissa (13600 KP) rated The Kiss of Life (Soul Mate Rescued, #1) in Books
Apr 16, 2023
This is a fast-paced and action-packed story involving a young widow and a senator, among others. Her husband was killed thirteen months ago in what she presumed was a mugging but it turns out to be something completely different.
Elizabeth is a strong character from the start. She is being chased by two men but doesn't just cower and whimper but is constantly fighting back and looking for ways to escape. Senator John comes to her rescue, but she threatens to kick his ass if he doesn't give her some answers. I loved this part! The story then continues with action throughout as they try to figure out just what is going on within the timeframe they have, as well as trying to stay alive and have a new relationship.
Personally, I found the dialogue between John and Liz to be quite stilted at times, and the timing seemed 'off' on a couple of occasions too. Not that what was said, wouldn't have been said - just, would it have been said at that precise time? At other times, it flowed and seemed perfectly natural so it isn't something that happens throughout the book!
There is plenty to enjoy about this book and I, for one, am certainly looking forward to seeing more from Char Sharp and her Soul Mate Rescued series. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 26, 2015
Elizabeth is a strong character from the start. She is being chased by two men but doesn't just cower and whimper but is constantly fighting back and looking for ways to escape. Senator John comes to her rescue, but she threatens to kick his ass if he doesn't give her some answers. I loved this part! The story then continues with action throughout as they try to figure out just what is going on within the timeframe they have, as well as trying to stay alive and have a new relationship.
Personally, I found the dialogue between John and Liz to be quite stilted at times, and the timing seemed 'off' on a couple of occasions too. Not that what was said, wouldn't have been said - just, would it have been said at that precise time? At other times, it flowed and seemed perfectly natural so it isn't something that happens throughout the book!
There is plenty to enjoy about this book and I, for one, am certainly looking forward to seeing more from Char Sharp and her Soul Mate Rescued series. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 26, 2015
Lyndsey Gollogly (2893 KP) rated Freak Show ( Harem of Freaks book 1) in Books
Jan 27, 2022
17 of 230
Kindle
Freak Show ( Harem of Freaks book 1)
By Crystal Ash
Who knew cages and freaks would set me free?
Growing up in trailer trash hell, the carnival was my only happy memory as a child. I held onto the magic of that memory until I could finally escape. And like Alice down the rabbit hole, I entered a world beyond my wildest dreams. A world with a shiny, colorful exterior, but filled with rot and corruption underneath.
But no matter what these people put me through, I can’t go back to my life before.
The man with the biggest secret is the only one I can trust. He’s dangerous, but he’s safety to me. He’s broken, but he put me back together. I’ll keep his secret. My heart hopes he’ll keep me. But in a hall of mirrors, how do you know what’s real or an illusion?
Every grueling night onstage is building up to a final show: The Wolf Man. Is he real or a hoax? Why do I feel such a pull to find out his truth?
Care to join me on this wild ride? Step right up.
I love this author she always manages to make me smile while reading. This was set in a carnival environment which I also love reading it had an unlikely hero that came through despite his disability a plucky heroine and some werewolf action what’s not to love? Definitely recommend it took me an hour to fly through as I couldn’t put it down.
Kindle
Freak Show ( Harem of Freaks book 1)
By Crystal Ash
Who knew cages and freaks would set me free?
Growing up in trailer trash hell, the carnival was my only happy memory as a child. I held onto the magic of that memory until I could finally escape. And like Alice down the rabbit hole, I entered a world beyond my wildest dreams. A world with a shiny, colorful exterior, but filled with rot and corruption underneath.
But no matter what these people put me through, I can’t go back to my life before.
The man with the biggest secret is the only one I can trust. He’s dangerous, but he’s safety to me. He’s broken, but he put me back together. I’ll keep his secret. My heart hopes he’ll keep me. But in a hall of mirrors, how do you know what’s real or an illusion?
Every grueling night onstage is building up to a final show: The Wolf Man. Is he real or a hoax? Why do I feel such a pull to find out his truth?
Care to join me on this wild ride? Step right up.
I love this author she always manages to make me smile while reading. This was set in a carnival environment which I also love reading it had an unlikely hero that came through despite his disability a plucky heroine and some werewolf action what’s not to love? Definitely recommend it took me an hour to fly through as I couldn’t put it down.
True Love (Songbird, #5)
10.0
Rate It
Book
One night can change everything… Nessa Sloan has been in love with Jimmy Baker since the ninth...
Contemporary Romance
His Precious Omega (Sweet Alps Mates #3)
7.0
Rate It
Book
Brendan Sinclair Being a Daddy was who I was, but I’d never found a boy that I’d wanted to...
We’ve all heard the story of Medea, and Rosie Hewlett has decided to tackle it from a different angle. History and stories of the time, written by men, aren’t particularly kind to women - especially when the woman in question is clever and has knowledge that the men don’t have. That’s why these powerful women in history and stories were portrayed as evil or as witches (and sometimes both).
Medea is shunned by her family because of her magic, so when the ever-so-attractive Jason turns up with an exit plan, Medea decides to help him escape and take her with him. She’s obsessed with him: he pays her attention, and she’s never had anyone pay her attention in a good way before. But as his ardour wanes and he realises that Medusa is a liability, he cheats on her in a big way - and Medea is enraged. She will have her revenge.
I don’t blame her.
I liked that we learn her motivation for her radical actions - and I empathised with her. The first person narrative certainly helped with that. I didn’t agree with how she went about her revenge, but it was effective 🤷🏼♀️. You don’t often read about Hekate, either. I’m hoping Nikita Gill’s new book will sort that out (and I have it on my kindle to read!).
This is a dark story. Medea is complex and flawed, but at the same time, she’s so interesting to read about. I’d really recommend this book! Female rage is always good to read about 😉
Medea is shunned by her family because of her magic, so when the ever-so-attractive Jason turns up with an exit plan, Medea decides to help him escape and take her with him. She’s obsessed with him: he pays her attention, and she’s never had anyone pay her attention in a good way before. But as his ardour wanes and he realises that Medusa is a liability, he cheats on her in a big way - and Medea is enraged. She will have her revenge.
I don’t blame her.
I liked that we learn her motivation for her radical actions - and I empathised with her. The first person narrative certainly helped with that. I didn’t agree with how she went about her revenge, but it was effective 🤷🏼♀️. You don’t often read about Hekate, either. I’m hoping Nikita Gill’s new book will sort that out (and I have it on my kindle to read!).
This is a dark story. Medea is complex and flawed, but at the same time, she’s so interesting to read about. I’d really recommend this book! Female rage is always good to read about 😉
Bob Mann (459 KP) rated Don't Breathe (2016) in Movies
Sep 29, 2021
Here comes Little Kevin, all grown up and blinded.
“Don’t Breathe” had a concept that appealed to me. Three Detroit teens are systematically robbing houses of goods to pawn with the aim of getting Rocky (Jane “Evil Dead” Levy) out of the clutches of her deadbeat family to start a new life in California with her younger sister. Dylan Minnette plays the cautious and intellectual Alex, hiding his crush on Rocky particularly badly. Daniel Zovatto plays the fruit-loopy stoner ‘Money’ – the loose cannon of the trio and Rocky’s boyfriend.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.