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Darren (1599 KP) rated The Island at the Top of the World (1974) in Movies
Sep 13, 2019
Characters – Professor Ivarsson is an expert on culture and language, he is almost forced into going on this expedition, where he gets to show off all the skills he has, while being wowed by the new location they find. Sir Anthony Ross has put together the expedition in hopes of finding his son, who has been missing for two years. He has always used his position of power and money to get what he wants and must learn to let his son live his own life. Captain Brieux is the captain of the zeppelin, he might have his own style which does clash with Anthony’s but he will take the risks others would consider. Oomiak is a local guide that is known as the most fearless in the land, he is the generic local figure that understands weak English.
Performances – The performances for the most part do feel very British, while that might be what the film was targeting, it does have a lot of, the idea that these people are better than anyone else, Donald Sinden is the highlight of this because he will get laughs from just how over the top he actually is in the performance. David Hartman doesn’t show that much charisma which might have made his character more interesting. Jacques Marin get laughs with his role, while Mako gets the laughs, he is capable of something much more entertaining.
Story – The story here follows four explorers that go in search of a mysterious island in the Artic, this will take people from different backgrounds to an unknown location with an unknown threat which they must survive. The story does feel like it is just another version of ‘Journey to the Centre of the Earth’ or ‘The Lost World’ which can be entertaining to watch, but they aren’t the most challenging of films to watch once you have seen a few. This story does feel tamer, while trying to bring a more realistic balance with the threat being Vikings, which could work with the number of tribes around the world that don’t want human contact. The story does rely on how the visuals of the settings look with most of the running scenes which just takes more away from the story’s impact on us.
Adventure/Fantasy/Sci-Fi – The adventure side of the film is searching for a new world, this is always going to be appealing and once we see the new world, we are left with our jaw dropped at how beautiful it is. The fantasy sci-fi elements mix together as they show how a community of people could have survived in an isolated location away from the world for so long.
Settings – The film does rely heavily on the settings which do look wonderful, we have the open ice location before we hit the land which is a thing of beauty, even if certain parts involving peril could have looked even more threatening.
Scene of the Movie – The escape.
That Moment That Annoyed Me – The dated special effects.
Final Thoughts – This is one of the most British attempts at a brand-new adventure idea, it is filled with stunning locations which only end up leaving us feeling like we have seen this all before.
Overall: The Brits will lead the way.
Performances – The performances for the most part do feel very British, while that might be what the film was targeting, it does have a lot of, the idea that these people are better than anyone else, Donald Sinden is the highlight of this because he will get laughs from just how over the top he actually is in the performance. David Hartman doesn’t show that much charisma which might have made his character more interesting. Jacques Marin get laughs with his role, while Mako gets the laughs, he is capable of something much more entertaining.
Story – The story here follows four explorers that go in search of a mysterious island in the Artic, this will take people from different backgrounds to an unknown location with an unknown threat which they must survive. The story does feel like it is just another version of ‘Journey to the Centre of the Earth’ or ‘The Lost World’ which can be entertaining to watch, but they aren’t the most challenging of films to watch once you have seen a few. This story does feel tamer, while trying to bring a more realistic balance with the threat being Vikings, which could work with the number of tribes around the world that don’t want human contact. The story does rely on how the visuals of the settings look with most of the running scenes which just takes more away from the story’s impact on us.
Adventure/Fantasy/Sci-Fi – The adventure side of the film is searching for a new world, this is always going to be appealing and once we see the new world, we are left with our jaw dropped at how beautiful it is. The fantasy sci-fi elements mix together as they show how a community of people could have survived in an isolated location away from the world for so long.
Settings – The film does rely heavily on the settings which do look wonderful, we have the open ice location before we hit the land which is a thing of beauty, even if certain parts involving peril could have looked even more threatening.
Scene of the Movie – The escape.
That Moment That Annoyed Me – The dated special effects.
Final Thoughts – This is one of the most British attempts at a brand-new adventure idea, it is filled with stunning locations which only end up leaving us feeling like we have seen this all before.
Overall: The Brits will lead the way.
Bong Mines Entertainment (15 KP) rated Lie to Me - Single by Veronica Fusaro in Music
Jun 17, 2019
Veronica Fusaro is a 22-year-old singer-songwriter from Thun, Switzerland. Not too long ago, she released a music video for her “lie to me” single.
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
Kristy H (1252 KP) rated You Are Not Alone in Books
Mar 19, 2020
A few seconds change Shay Miller's life forever. It's almost ironic, as Shay, 31, and a market researcher, is obsessed with data. She's been keeping data books since age eleven, listing statistics and facts the way other girls write in diaries. Shay's recently lost her job, and her roommate and best friend, Sean, spends more time with his girlfriend than her. She feels hopeless and isolated. Then everything changes, and Shay finds herself swept up in the glamorous world of the Moore sisters, Cassandra and Jane. They have a way of making Shay feel different. They also seem to be everywhere, shaping Shay's life in strange ways.
I've learned by now when I pick up a book by the Hendricks-Pekkanen duo that I need to just suspend disbelief for a bit and go with it. If I can do that and enjoy the ride, then the book is a fun little escape mechanism. When looked at via this prism, You Are Not Alone was very successful.
The book is told from different points of view that often stray into various time periods, and it took me a while to keep all the characters straight. Cassandra and Jane have a host of friends, and I had to bookmark the page that introduced them all so I could remember who was who for a while. There seem to be unreliable narrators galore for a while--can we trust Shay? The sisters? Their friends?
I don't want to get too much into the plot and give anything away. It's a crazy story and again, not really probable (I hope). However, it's highly addictive, and I found the book to be compulsively readable. I also really grew to like Shay, even if I was suspicious about her.
There are some great twists and turns in this thriller, which I really enjoyed. I liked how this one kept me guessing, even if there was an eye roll or two in there too. It was definitely wild! 4 stars.
I've learned by now when I pick up a book by the Hendricks-Pekkanen duo that I need to just suspend disbelief for a bit and go with it. If I can do that and enjoy the ride, then the book is a fun little escape mechanism. When looked at via this prism, You Are Not Alone was very successful.
The book is told from different points of view that often stray into various time periods, and it took me a while to keep all the characters straight. Cassandra and Jane have a host of friends, and I had to bookmark the page that introduced them all so I could remember who was who for a while. There seem to be unreliable narrators galore for a while--can we trust Shay? The sisters? Their friends?
I don't want to get too much into the plot and give anything away. It's a crazy story and again, not really probable (I hope). However, it's highly addictive, and I found the book to be compulsively readable. I also really grew to like Shay, even if I was suspicious about her.
There are some great twists and turns in this thriller, which I really enjoyed. I liked how this one kept me guessing, even if there was an eye roll or two in there too. It was definitely wild! 4 stars.
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Heather Cranmer (2721 KP) created a post
Jul 12, 2022
Ross (3284 KP) rated The Darkslayer: Wrath of the Royals in Books
Feb 5, 2019
Strong debut novel, deeper than expected
Wrath of the Royals, the first in the 16 book Darkslayer series following Venir, the Darkslayer (an axe-wielding barbarian) and his companion Melagal (the cowardly "rogue") as they run from the titular wrath of one of the royal families. Venir tends to get himself into bets, as alpha male types just seem attracted to him, and one such bet ends him in the bad books with one of the most powerful, and twisted, royal families.
This leads to the pair going on the run to escape the inevitable wrath. However, little do they know that the Underlings (those twisted, evil humanoids Venir is driven to hunt) are after Venir from different angles - one due to his relentless genocide of their race, and another due to being hired to hunt him down by the royals.
On the surface, I expected this to be a basic sword and sorcery tale; the barbarian wandering the wilds hacking down the Underlings. I was pleasantly surprised to find a fairly well told tale with different layers and a more intricate plot than I had expected.
Halloran's prose is decent, with a good knack for getting the balance between over-narration and concise descriptions. There is enough description of the world without it being laboured. There are some odd choices for phrases or wording here or there (eg "Impending pain was on its way"), and the book could do with a decent thorough edit, but for a first book it is a good effort.
The world of Bish turns out to be something of an experiment on the part of a God, seeing if she can design a world that will remain in permanent conflict for eternity, good and evil constantly vying but neither side ever truly winning. While this could be seen as literally setting up for "deus ex machina" whenever the author chooses, this didn't really come to the fore in this book.
Venir is a reasonably well-crafted character, albeit a stupid brute and something like Logen Ninefingers from Joe Abercrombie's First Law (when he puts on his magical helmet (yes I know!) he becomes more driven to destruction, somewhat akin to the emergence of The Bloody Nine). Numerous times he just gets up in the night and wanders off searching for the conflict he has sensed, the helmet guiding him onwards. But his actions play well off those of his travelling companions, which has now become something like the fellowship of the ring, but without a ring.
The book ends with an extended epilogue giving an idea of Venir's life before he found his magical axe, shield and mind-controlling helmet.
A good self-contained book, which concludes well and could be read on its own, without continuing the series, though I plan to (ideally before my Kindle Unlimited period runs out!).
This leads to the pair going on the run to escape the inevitable wrath. However, little do they know that the Underlings (those twisted, evil humanoids Venir is driven to hunt) are after Venir from different angles - one due to his relentless genocide of their race, and another due to being hired to hunt him down by the royals.
On the surface, I expected this to be a basic sword and sorcery tale; the barbarian wandering the wilds hacking down the Underlings. I was pleasantly surprised to find a fairly well told tale with different layers and a more intricate plot than I had expected.
Halloran's prose is decent, with a good knack for getting the balance between over-narration and concise descriptions. There is enough description of the world without it being laboured. There are some odd choices for phrases or wording here or there (eg "Impending pain was on its way"), and the book could do with a decent thorough edit, but for a first book it is a good effort.
The world of Bish turns out to be something of an experiment on the part of a God, seeing if she can design a world that will remain in permanent conflict for eternity, good and evil constantly vying but neither side ever truly winning. While this could be seen as literally setting up for "deus ex machina" whenever the author chooses, this didn't really come to the fore in this book.
Venir is a reasonably well-crafted character, albeit a stupid brute and something like Logen Ninefingers from Joe Abercrombie's First Law (when he puts on his magical helmet (yes I know!) he becomes more driven to destruction, somewhat akin to the emergence of The Bloody Nine). Numerous times he just gets up in the night and wanders off searching for the conflict he has sensed, the helmet guiding him onwards. But his actions play well off those of his travelling companions, which has now become something like the fellowship of the ring, but without a ring.
The book ends with an extended epilogue giving an idea of Venir's life before he found his magical axe, shield and mind-controlling helmet.
A good self-contained book, which concludes well and could be read on its own, without continuing the series, though I plan to (ideally before my Kindle Unlimited period runs out!).