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Mark @ Carstairs Considers (2478 KP) rated Becoming Superman in Books
Aug 10, 2019
Leaving Behind a Past of Kryptonite
In this book, author J. Michael Stracyznski (JMS to his fans) tells the story of his family and his life. Starting with his grandparents, he gives us some background before telling us about his childhood under an abusive father and a distant mother. In between moving every few months to stay ahead of creditors, JMS discovered ways to escape via TV shows, comic books, and science fiction. As he discovered the power of words, he vowed to become a writer. That desire eventually lead him to a career in comic books and in Hollywood on such things as He-Man; She-Ra; The Real Ghostbusters; Babylon 5; Murder, She Wrote; Sense8; and the movies Changeling, Thor, and World War Z.
I picked up this book because I am an obsessive Babylon 5 fan. Those picking it up for lots of Hollywood behind the scenes stories will be disappoint, although we do get some in the second half. Instead, it is more a story of his family, their secrets, and how they impacted his life. At times, it is a hard read. JMS’s life for his first 20 plus years was not easy or fun. But, ultimately, this is a story of triumph as he works to overcome his baggage. It is a powerful story that proves where you start doesn’t have to be where you finish if you are willing to take responsibility for yourself, your actions, and your choices, something we need more of in our society today. I think this book will change my view of Babylon 5 the next time I watch it, something I need to do soon as I think knowing the man behind the story will make some things mean more and be even more powerful. This is not light reading, but it is powerful reading and worth the time spent in the book.
I picked up this book because I am an obsessive Babylon 5 fan. Those picking it up for lots of Hollywood behind the scenes stories will be disappoint, although we do get some in the second half. Instead, it is more a story of his family, their secrets, and how they impacted his life. At times, it is a hard read. JMS’s life for his first 20 plus years was not easy or fun. But, ultimately, this is a story of triumph as he works to overcome his baggage. It is a powerful story that proves where you start doesn’t have to be where you finish if you are willing to take responsibility for yourself, your actions, and your choices, something we need more of in our society today. I think this book will change my view of Babylon 5 the next time I watch it, something I need to do soon as I think knowing the man behind the story will make some things mean more and be even more powerful. This is not light reading, but it is powerful reading and worth the time spent in the book.
Girl on a Wire: Walking the Line Between Faith and Freedom in the Westboro Baptist Church
Libby Phelps and Sarah Stewart
Book
It wasn't until Libby Phelps was an adult, a twenty-five year old, that she escaped the Westboro...
Wild Infatuation (Rebel Rockstars #3)
8.0
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Book
An obsessed fan is the last person I should trust. But when he becomes the band’s hair and makeup...
Contemporary MM Rockstar Romance
Lee (2222 KP) rated War for the Planet of the Apes (2017) in Movies
Jul 19, 2017
Strong ending to a fantastic trilogy
Finally, after a recent lengthy spell of average or just plain disappointing blockbusters, along comes War for the Planet of the Apes to show them how it's done. The first two movies in this new trilogy have been consistently strong and enjoyable and War continues to deliver on that high quality, proving itself to be the best of the trilogy.
Despite it's name, there's not really a huge amount of war on show here. Unless of course we're referring to the inner conflict and turmoil experienced by Caesar. The movie begins with some human soldiers sneaking through the woods to try and take out the apes. They get their asses kicked and Caesar lets a few of them go in the hope that their crazed colonel (Woody Harrelson) will see just how merciful the apes are and understand that they just want to live their lives in peace and harmony. Unfortunately, things don't quite go to plan and the colonel returns later that night with a surprise attack on the apes home while they're sleeping. Some heavy ape casualties are sustained, and Caesar is pissed. Grief stricken, and out for revenge, he wants to go in search of the colonel while the rest of the apes head off to a potential new home out in the desert.
From there our story shifts down a gear, as Caesar and a small number of his trusted allies set off on horseback to track down the colonel. By this point though, you've already forgotten that these are not real apes, such is the exceptional quality of the effects on display here. The emotions are all there and the detail is perfect, totally believable. To all intents and purposes, these are real apes, and what they're experiencing feels real.
Along the way they manage pick up a young orphan mute girl and a former zoo ape called 'Bad Ape', who manages to provide much of the scarce humour found throughout the movie. When they do find the colonel and his base, the movie becomes more a prisoner of war, great escape style story rather than all out war. Yet it still manages to be extremely intense, highly emotional and hugely enjoyable.
By now, Andy Serkis and his team of performers are experts at bringing these apes to life and Caesar has now developed further than any other character in the trilogy. Serkis portrays equal amounts of rage and compassion beautifully, aided by the pixel perfect rendering of Caesar. Harrelson is the only human of any real note here, despite the large number of human soldiers under his command, and he manages to bring just the right amount of intense crazy and depth to the role.
The trilogy comes to a pretty satisfying and emotional close, with potential for further Apes movies. Overall though this has proved to be one of the strongest trilogies I've seen in a long time.
Despite it's name, there's not really a huge amount of war on show here. Unless of course we're referring to the inner conflict and turmoil experienced by Caesar. The movie begins with some human soldiers sneaking through the woods to try and take out the apes. They get their asses kicked and Caesar lets a few of them go in the hope that their crazed colonel (Woody Harrelson) will see just how merciful the apes are and understand that they just want to live their lives in peace and harmony. Unfortunately, things don't quite go to plan and the colonel returns later that night with a surprise attack on the apes home while they're sleeping. Some heavy ape casualties are sustained, and Caesar is pissed. Grief stricken, and out for revenge, he wants to go in search of the colonel while the rest of the apes head off to a potential new home out in the desert.
From there our story shifts down a gear, as Caesar and a small number of his trusted allies set off on horseback to track down the colonel. By this point though, you've already forgotten that these are not real apes, such is the exceptional quality of the effects on display here. The emotions are all there and the detail is perfect, totally believable. To all intents and purposes, these are real apes, and what they're experiencing feels real.
Along the way they manage pick up a young orphan mute girl and a former zoo ape called 'Bad Ape', who manages to provide much of the scarce humour found throughout the movie. When they do find the colonel and his base, the movie becomes more a prisoner of war, great escape style story rather than all out war. Yet it still manages to be extremely intense, highly emotional and hugely enjoyable.
By now, Andy Serkis and his team of performers are experts at bringing these apes to life and Caesar has now developed further than any other character in the trilogy. Serkis portrays equal amounts of rage and compassion beautifully, aided by the pixel perfect rendering of Caesar. Harrelson is the only human of any real note here, despite the large number of human soldiers under his command, and he manages to bring just the right amount of intense crazy and depth to the role.
The trilogy comes to a pretty satisfying and emotional close, with potential for further Apes movies. Overall though this has proved to be one of the strongest trilogies I've seen in a long time.
Movie Metropolis (309 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Jun 11, 2019
Potter goes International
It’s almost unbearable to think that Harry Potter & the Philosopher’s Stone was released…wait for it… 15 years ago this very week. I know, I can’t believe it too, and what’s even more depressing is that the eight film behemoth concluded over five years ago.
Since then, Potter aficionados have been calling on writer J.K. Rowling to release new material in the hope of creating more silver screen magic. Well, prayers were answered with the announcement of a film adaptation of her short book, Fantastic Beasts & Where to Find Them. The day is finally here, but what is the finished product like?
The year is 1926, and Newt Scamander (Eddie Redmayne) has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob (Dan Fogler), a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
David Yates returns to the franchise after directing the final four instalments in the Harry Potter saga and manages to craft a film that’ll no doubt please fans and newcomers, but lacks the subtle touches that made its British counterparts so enthralling for 10 years.
The cast is on point however, despite Eddie Redmayne’s slightly over-the-top performance as Mr. Scamander. Ron Perlman, Jon Voight and Ezra Miller all lend themselves to the film in some form with Colin Farrell providing an excellent portrayal, though Dan Fogler’s muggle Jacob steals the show by a country mile.
Elsewhere, the cinematography is very good with 1920’s New York looking incredibly realistic and the sweeping shots of the city are beautifully juxtaposed with more intimate basement settings.
Unfortunately, the special effects occasionally let the film down. For a franchise start-up (we have four more films to look forward to) the consistency just isn’t there and Redmayne’s interactions with his unique beasts feel rough and disappointingly unfinished.
There’s also a bit of an issue with Fantastic Beasts’ pacing, something that the Potter films were also guilty of from time to time. The first hour is unacceptably slow, the plot continuously dragging its heels as it sets up the side story to Redmayne’s creature feature.
Speaking of which, that second scenario really does pull things together nicely and takes the flick into much darker territory than expected. It’s a fascinating third act that really makes up for the rather dull first. The twists and turns that the script takes the audience on making it genuinely exciting.
Overall, what made the Harry Potter movies a success was the chemistry between each and every member of the cast. Fantastic Beasts certainly has a great cast individually, but the characters lack chemistry when on screen together. Couple this with some poor special effects plus a dull first hour and what we’re left with is a reasonable start to a new franchise, but not a magical one.
https://moviemetropolis.net/2016/11/19/potter-goes-international-fantastic-beasts-and-where-to-find-them-review/
Since then, Potter aficionados have been calling on writer J.K. Rowling to release new material in the hope of creating more silver screen magic. Well, prayers were answered with the announcement of a film adaptation of her short book, Fantastic Beasts & Where to Find Them. The day is finally here, but what is the finished product like?
The year is 1926, and Newt Scamander (Eddie Redmayne) has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob (Dan Fogler), a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
David Yates returns to the franchise after directing the final four instalments in the Harry Potter saga and manages to craft a film that’ll no doubt please fans and newcomers, but lacks the subtle touches that made its British counterparts so enthralling for 10 years.
The cast is on point however, despite Eddie Redmayne’s slightly over-the-top performance as Mr. Scamander. Ron Perlman, Jon Voight and Ezra Miller all lend themselves to the film in some form with Colin Farrell providing an excellent portrayal, though Dan Fogler’s muggle Jacob steals the show by a country mile.
Elsewhere, the cinematography is very good with 1920’s New York looking incredibly realistic and the sweeping shots of the city are beautifully juxtaposed with more intimate basement settings.
Unfortunately, the special effects occasionally let the film down. For a franchise start-up (we have four more films to look forward to) the consistency just isn’t there and Redmayne’s interactions with his unique beasts feel rough and disappointingly unfinished.
There’s also a bit of an issue with Fantastic Beasts’ pacing, something that the Potter films were also guilty of from time to time. The first hour is unacceptably slow, the plot continuously dragging its heels as it sets up the side story to Redmayne’s creature feature.
Speaking of which, that second scenario really does pull things together nicely and takes the flick into much darker territory than expected. It’s a fascinating third act that really makes up for the rather dull first. The twists and turns that the script takes the audience on making it genuinely exciting.
Overall, what made the Harry Potter movies a success was the chemistry between each and every member of the cast. Fantastic Beasts certainly has a great cast individually, but the characters lack chemistry when on screen together. Couple this with some poor special effects plus a dull first hour and what we’re left with is a reasonable start to a new franchise, but not a magical one.
https://moviemetropolis.net/2016/11/19/potter-goes-international-fantastic-beasts-and-where-to-find-them-review/
Darren (1599 KP) rated A Cure For Wellness (2017) in Movies
Jun 20, 2019
Story: A Cure for Wellness starts young executive Lockhart (DeHaan) is sent to a remote wellness centre in Switzerland to bring the CEO Pembroke (Groener) back to help close a merge in New York. After being involved in a car accident Lockhart finds himself with a broken leg and now a patient of the Wellness Program.
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
Lost & Found Music Studios - Season 1
TV Season Watch
LOST & FOUND MUSIC STUDIOS centers on a group of teens involved in an extracurricular music program...
music family
Earn to Die 2
Games
App
Drive your car through a zombie apocalypse in this massive follow-up to the chart-topping hit Earn...
Olivia Twist
6.0
Rate It
Book
Olivia Brownlow is no damsel in distress. Born in a workhouse and raised as a boy among thieving...
Mandi S (1 KP) rated The Sky Is Yours in Books
Jan 23, 2018
Dystopian futuristic society. Coming of age teen angst. A love triangle. Human/robot hybrids. Dragons unrelentingly setting virtually everything on fire. Check, check, check, check, and check. The Sky is Yours by Chandler Klang Smith has all of this and more. I'll be honest and say that I had no clue what this book was about at first, but I was fascinated by the cover. The neon graffiti-ed look drew me in, but as soon as I read the synopsis I was hooked.
The scene is Empire Island, a once booming metropolis now nearly abandoned as dragons have burned it to the ground. These two dragons appeared randomly in the sky and have not left for years, looming above the city 24/7 and taking no prisoners as they burn and reburn what little remains of Empire Island. Enter Duncan Ripple, a rich, privileged teen set on disregarding orders and living his life, as he crashes his hovercraft on a neighboring desert island. Here is where Abracadabra, or Abby, nurses him back to health until they are both rescued. Upon returning home, they are met by Swanny, Duncan's betrothed, as their parents force a union that neither of them seems to want. Chaos ensues, the three teens escape, and they are left to their own devices on a journey of self-discovery and survival in a smoldering city.
I really enjoyed this book. It is so unique, fun, and engaging, and almost impossible to categorize. The characters were all very well developed, and the plot was exciting and different. While the three characters were intertwined, they each had their own distinctive arc that developed them individually. Although it didn't bother me much, I will say that some of the language used might annoy a more traditional reader. Men are "pros" and women are "fems", and traditional names of objects are abandoned in favor of modernized versions such as the "Toob" for television, a "HowDouse" for a firetruck, and "LookyGlass" for what seems to be a cell phone.
Overall Rating: 4 out of 5 Stars
Thank you so much to Crown Publishing for sending me a finished copy of this beauty!
The scene is Empire Island, a once booming metropolis now nearly abandoned as dragons have burned it to the ground. These two dragons appeared randomly in the sky and have not left for years, looming above the city 24/7 and taking no prisoners as they burn and reburn what little remains of Empire Island. Enter Duncan Ripple, a rich, privileged teen set on disregarding orders and living his life, as he crashes his hovercraft on a neighboring desert island. Here is where Abracadabra, or Abby, nurses him back to health until they are both rescued. Upon returning home, they are met by Swanny, Duncan's betrothed, as their parents force a union that neither of them seems to want. Chaos ensues, the three teens escape, and they are left to their own devices on a journey of self-discovery and survival in a smoldering city.
I really enjoyed this book. It is so unique, fun, and engaging, and almost impossible to categorize. The characters were all very well developed, and the plot was exciting and different. While the three characters were intertwined, they each had their own distinctive arc that developed them individually. Although it didn't bother me much, I will say that some of the language used might annoy a more traditional reader. Men are "pros" and women are "fems", and traditional names of objects are abandoned in favor of modernized versions such as the "Toob" for television, a "HowDouse" for a firetruck, and "LookyGlass" for what seems to be a cell phone.
Overall Rating: 4 out of 5 Stars
Thank you so much to Crown Publishing for sending me a finished copy of this beauty!