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The gold standard for open-world action games is back, this time in the fascinating city of New...
Lyndsey Gollogly (2893 KP) rated Deviant Warrior (Dark Warrior Alliance #5) in Books
Aug 17, 2021
133 of 250
Kindle
Deviant Warrior ( Dark warrior Alliance book 5)
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Of all the Dark Warriors, Kyran Tarakesh is the most aberrant. Having witnessed the brutal murder and rape of his mother seven centuries ago, his sexual preferences are twisted and perverse. He walks the razors edge of control and he likes it that way, until he loses that balance and accidentally kills one of his lovers. As second in line to the Vampire throne, he is precariously close to losing his position, not to mention the respect of his brother and fellow warriors. Just when he thinks it can't get any worse, the Goddess proves him wrong. With her wicked sense of humor, the Goddess catapults him to the dragon realm of Khoth with Mackendra Callaghan, the very human he has been lusting about for months since meeting her. Mackendra not only plunges a knife deep into his heart, she flees and fights him at every turn, inflaming his desires. The surprises keep coming when he discovers she is his Fated Mate. Every belief he has ever had about intimacy is called into question when his mate gives him a taste of true pleasure for the first time. The passion that burns between them is hot enough to burn them to cinders, but he still must dispel her prejudices about vampires and break through her barriers or lose the other half of his soul forever. Mackendra is the leader of a vigilante group that hunts and kills vampires. Sarcasm, snark and weapons of titanium are the tools of her trade, and have shielded her hardened heart. When she is rescued from her burning house by a sexy stranger, she is propelled into an unfamiliar world. Her savior turns out to be a vampire of all things, and she doesn't take kindly to being stranded with the blood-sucker, much less teaming up with him in order to return to earth. She can handle her intense sexual attraction to him, but is terrified when it turns into emotional bonding. Her greatest problem is that she doesn't know how to let go of her past to accept her future. Will she rescue the blood-sucker that is slowly winning her heart or hold fast to her mission to eliminate all vampires?
Pretty much what I have come to expect from this series now although this one had more creature and Dragons I love Dragons!! It was a nice read and would recommend it. I t always amuses me how they get flung into an unknown dimension and still find to get hot and heavy while trying to get home and escape Ogres đđđ
Was a 3.5 out 5!
Kindle
Deviant Warrior ( Dark warrior Alliance book 5)
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Of all the Dark Warriors, Kyran Tarakesh is the most aberrant. Having witnessed the brutal murder and rape of his mother seven centuries ago, his sexual preferences are twisted and perverse. He walks the razors edge of control and he likes it that way, until he loses that balance and accidentally kills one of his lovers. As second in line to the Vampire throne, he is precariously close to losing his position, not to mention the respect of his brother and fellow warriors. Just when he thinks it can't get any worse, the Goddess proves him wrong. With her wicked sense of humor, the Goddess catapults him to the dragon realm of Khoth with Mackendra Callaghan, the very human he has been lusting about for months since meeting her. Mackendra not only plunges a knife deep into his heart, she flees and fights him at every turn, inflaming his desires. The surprises keep coming when he discovers she is his Fated Mate. Every belief he has ever had about intimacy is called into question when his mate gives him a taste of true pleasure for the first time. The passion that burns between them is hot enough to burn them to cinders, but he still must dispel her prejudices about vampires and break through her barriers or lose the other half of his soul forever. Mackendra is the leader of a vigilante group that hunts and kills vampires. Sarcasm, snark and weapons of titanium are the tools of her trade, and have shielded her hardened heart. When she is rescued from her burning house by a sexy stranger, she is propelled into an unfamiliar world. Her savior turns out to be a vampire of all things, and she doesn't take kindly to being stranded with the blood-sucker, much less teaming up with him in order to return to earth. She can handle her intense sexual attraction to him, but is terrified when it turns into emotional bonding. Her greatest problem is that she doesn't know how to let go of her past to accept her future. Will she rescue the blood-sucker that is slowly winning her heart or hold fast to her mission to eliminate all vampires?
Pretty much what I have come to expect from this series now although this one had more creature and Dragons I love Dragons!! It was a nice read and would recommend it. I t always amuses me how they get flung into an unknown dimension and still find to get hot and heavy while trying to get home and escape Ogres đđđ
Was a 3.5 out 5!
I am, I am, I am: Seventeen Brushes with Death
7.3
Rate It
Book
I AM, I AM, I AM is Sunday Times bestseller and Costa Novel-Award winner Maggie O'Farrell's electric...
Gareth von Kallenbach (980 KP) rated The Batman (2022) in Movies
Feb 28, 2022
In 1989 Michael Keaton was seen as a very controversial choice to wear the Cowl of Batman but soon proved his doubters wrong by turning âBatmanâ and its subsequent sequel âBatman Returnsâ into massive Box Office success before leaving the cape behind.
While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.
When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the âTwilightâ films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in âThe Lighthouseâ would be playing him a disservice by saying he was not up to the part.
In âThe Batmanâ, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.
When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as âThe Riddlerâ (Paul Dano), the vigilante known as âThe Batmanâ is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.
Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.
As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing girl who was photographed with the married Mayor and may well be the key to the investigation. Her disappearance leads her friend Selina Kyle (Zoe Kravitz), to take on her Catwoman persona and delve deep into an underworld that features deadly individuals ranging from Carmine Falcone (John Turturro), and The Penguin (Colin Farrell), amongst others as she and the Batman conduct their own investigations that at times overlap and further complicate matters.
As the body count rises and Batman races to find the true method behind the madness of The Riddler, the tone becomes darker and more sinister in a deadly race against time.
The film eschews the usual abundance of action sequences and glossy special effects which are common for Comic Book related films and instead gives audiences a slow-burning murder mystery that holds your attention from start to finish over its three-hour run time.
The dark and foreboding tone of the film is brought home by the haunting and sharp piano keys of the filmâs theme that permeates the film and punches home that this is a film clearly aimed at a more adult audience.
Pattinson does a great job showing the deeply broken individual that is behind the mask and that Batman is the only form of escape or therapy that Bruce Wayne has due to his insistence on saving a city that many argue cannot be saved. He has strained his relationship at times with Alfred (Andy Serkis), caused damage to the financial stability and reputation of the family company in his quest for vengeance and justice, and has become a bitter and broken recluse in doing so. In many ways, it could be argued that his only socialization with others is as The Batman and his single-minded obsession is chilling to watch.
Pattinson also handles the action sequences well as the film spaces them out to put the emphasis more on the man than the gadgets as they are kept to a minimum even during a thrilling chase with the new version of The Batmobile.
The strong supporting cast works well with the film and Paul Dano gives a very compelling and disturbing version of his character which makes the film even darker and more engrossing.
Director Matt Reeves has crafted a dark and foreboding tone and visual style as a good portion of the film takes place in the darkness and his screenplay is not afraid to take chances by putting the emphasis on the characters and their flaws versus an abundance of action and effects.
I found this version of the character and interpretation more engrossing than prior versions of the film as the bold move to do a slow-burning and dark murder mystery versus an effect-laden action film reminded me of some of the better Batman stories such as Batman: The Killing Joke or Batman: The Long Halloween.
The film is not going to be for everyone, especially younger viewers and some may take issue with the casting choices, but their performances shine and as such, âThe Batmanâ was a very engaging and unforgettable tale that for me serves as one of the best adaptations of the character ever.
4 stars out of 5
While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.
When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the âTwilightâ films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in âThe Lighthouseâ would be playing him a disservice by saying he was not up to the part.
In âThe Batmanâ, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.
When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as âThe Riddlerâ (Paul Dano), the vigilante known as âThe Batmanâ is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.
Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.
As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing girl who was photographed with the married Mayor and may well be the key to the investigation. Her disappearance leads her friend Selina Kyle (Zoe Kravitz), to take on her Catwoman persona and delve deep into an underworld that features deadly individuals ranging from Carmine Falcone (John Turturro), and The Penguin (Colin Farrell), amongst others as she and the Batman conduct their own investigations that at times overlap and further complicate matters.
As the body count rises and Batman races to find the true method behind the madness of The Riddler, the tone becomes darker and more sinister in a deadly race against time.
The film eschews the usual abundance of action sequences and glossy special effects which are common for Comic Book related films and instead gives audiences a slow-burning murder mystery that holds your attention from start to finish over its three-hour run time.
The dark and foreboding tone of the film is brought home by the haunting and sharp piano keys of the filmâs theme that permeates the film and punches home that this is a film clearly aimed at a more adult audience.
Pattinson does a great job showing the deeply broken individual that is behind the mask and that Batman is the only form of escape or therapy that Bruce Wayne has due to his insistence on saving a city that many argue cannot be saved. He has strained his relationship at times with Alfred (Andy Serkis), caused damage to the financial stability and reputation of the family company in his quest for vengeance and justice, and has become a bitter and broken recluse in doing so. In many ways, it could be argued that his only socialization with others is as The Batman and his single-minded obsession is chilling to watch.
Pattinson also handles the action sequences well as the film spaces them out to put the emphasis more on the man than the gadgets as they are kept to a minimum even during a thrilling chase with the new version of The Batmobile.
The strong supporting cast works well with the film and Paul Dano gives a very compelling and disturbing version of his character which makes the film even darker and more engrossing.
Director Matt Reeves has crafted a dark and foreboding tone and visual style as a good portion of the film takes place in the darkness and his screenplay is not afraid to take chances by putting the emphasis on the characters and their flaws versus an abundance of action and effects.
I found this version of the character and interpretation more engrossing than prior versions of the film as the bold move to do a slow-burning and dark murder mystery versus an effect-laden action film reminded me of some of the better Batman stories such as Batman: The Killing Joke or Batman: The Long Halloween.
The film is not going to be for everyone, especially younger viewers and some may take issue with the casting choices, but their performances shine and as such, âThe Batmanâ was a very engaging and unforgettable tale that for me serves as one of the best adaptations of the character ever.
4 stars out of 5
Kristy H (1252 KP) rated Saint Anything in Books
Feb 13, 2018
Sydney is a high school kid with a seemingly average life - navigating homework and a new school and typical teen problems. Except that Sydney is at a new school because she's trying to escape the shadow of her older brother, Peyton, who has recently gone to jail for injuring a local kid while driving drunk. For her whole life, Sydney has felt like her parents have focused on Peyton and his antics - and even with him in jail, it seems like nothing has changed. At her new school, Sydney meets Layla Chatham, a member of the Chatham family. They run the local pizza parlor near her new school and soon Sydney feels comfortable and nearly adopted by her Layla and her parents, her older sister, Rosie, and her brother, Mac. They are everything her family is not.
This was a good book, with a typical Dessen teenage drama and love story plot, but it wasn't anything earth-shattering. Sydney is a good kid and I liked her character, and I very much liked Layla and Mac, as well. Sydney's back-story with her brother is a good one, but seems a little unbelievable at times, and her rigid mother is almost too uptight and clueless. Her father is totally spineless and frustrating. For much of the story, you're waiting for something to happen and then when it finally does, it all seems a bit anti-climatic and it all gets fixed up rather quickly to seem truly plausible.
Still, a fun little read, but I do prefer "Lock and Key" or "Someone Like You." (However, I feel like a sequel featuring the Chathams would somehow be awesome.)
This was a good book, with a typical Dessen teenage drama and love story plot, but it wasn't anything earth-shattering. Sydney is a good kid and I liked her character, and I very much liked Layla and Mac, as well. Sydney's back-story with her brother is a good one, but seems a little unbelievable at times, and her rigid mother is almost too uptight and clueless. Her father is totally spineless and frustrating. For much of the story, you're waiting for something to happen and then when it finally does, it all seems a bit anti-climatic and it all gets fixed up rather quickly to seem truly plausible.
Still, a fun little read, but I do prefer "Lock and Key" or "Someone Like You." (However, I feel like a sequel featuring the Chathams would somehow be awesome.)
Darren (1599 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 1, 2019
Verdict: Stunt Work of the Year
Story: Fast & Furious Presents: Hobbs & Shaw starts when MI6 Agent Hattie Shaw (Kirby) is framed for stealing a deadly virus that Brixton (Elba) is after, using her ability to go into hiding comes in handy, Luke Hobbs (Johnson) and Deckard (Statham) are recruited to work together to help find her and get the virus out of her before it becomes a threat to the world.
With the three teaming up, they must use their connections to stay ahead of Brixton who has been enhanced to make a deadly threat that neither can defeat on their own, can they put aside their different and save the world again?
Thoughts on Fast & Furious Presents: Hobbs & Shaw
Characters â Hobbs is still working in the field to hunt down bad guys, but he remains family based with his daughter being the most important part of his life, he gets the call to save the world once again and doesnât say no, heading to London to team up with an old enemy and friend in Deckard. He does play the I am bigger than you card, as the two constantly try to play the alpha male card. Deckard must come out of hiding to rescue his own little sister, he is better designed to the spy like side of this mission, we do get to learn a lot more about his past in this film too. Brixton is the big bad, he even introduces himself as âthe bad guyâ he has been enhanced, making him a proper deadly weapon that will win any one on one fight, he isnât afraid to fight with his men, though he is only part of a bigger plan going on. Hattie is the MI6 agent that gets framed, she is Deckard sister and knows how to get off the grid, she can handle herself in a fight and isnât afraid to use a few tricks she learnt from her mother to get out of a sticky situation.
Performances â Dwayne Johnson and Jason Statham must be looked at as one, they are excellent when it comes to the action sequences, you wouldnât expect anything less, when they have a moment of serious material they do well, it is part of the back and forth between them which does get slightly tiresome after a while. It is almost like the film must stop for 30 seconds to a minute so they can go at each with insults. Idris Elba does look like he is having a hell of a time as the villainous figure, while Vanessa Kirby keeps up with the action heavy stars with ease bring another aspect to the styles of the three.
Story â The story here follows Hobbs and Shaw as they must once again put their differences a side to help Shawâs sister get away from a deadly enhanced soldier and the virus he is threatening the world with. Breaking down this story, it does feel like any Fast & Furious film, there is no questions there, we get everything we expect with cheesy dialogue to match. If we do look at the story it is strange because we could easily have had this as a Hobbs or Shaw solo film with the way everything unfolds, with only one aspect of the film truly needing them to work together. The pair do seem to lose certain parts of the chemistry and respect for one an other they got from Fast 8, which again confuses why we need so much bickering between the two, as they are both the alpha, neither comes off as the comical side of the buddy relationship, meaning a lot of the jokes just hold up the film. It is nice this story could build on both the pairs backgrounds more, with slightly more focus on Deckard. If we are being honest, we donât need a deep story here, we just come for the action.
Action/Adventure â The action in this film is huge, the fights, the chases and the explosions, though when it comes to the fights we do get a lot of cuts in them, which just doesnât work as well as other action heavy films. The adventure does take the crew from London, to Russian to Samoa proving it to be an international mission.
Settings â The film uses the tight streets of London for the spy side of the movie, along with one big car chase, we use the other cities for the wide-open big action sequences in the film.
Special Effects â The effects in the film are also a mixed bad, certain bits look wonderful, including how Brixton is almost attached to his motorbike, it is the couple of moments which you can see the CGI effects at work which let it down.
Scene of the Movie â The base escape.
That Moment That Annoyed Me â The bickering gets tiresome.
Final Thoughts â This is everything you expect in a Fast & Furious film, it is big, the action is ridiculous, and you can just sit back and enjoy.
Overall: Big dumb fun
Rating
Story: Fast & Furious Presents: Hobbs & Shaw starts when MI6 Agent Hattie Shaw (Kirby) is framed for stealing a deadly virus that Brixton (Elba) is after, using her ability to go into hiding comes in handy, Luke Hobbs (Johnson) and Deckard (Statham) are recruited to work together to help find her and get the virus out of her before it becomes a threat to the world.
With the three teaming up, they must use their connections to stay ahead of Brixton who has been enhanced to make a deadly threat that neither can defeat on their own, can they put aside their different and save the world again?
Thoughts on Fast & Furious Presents: Hobbs & Shaw
Characters â Hobbs is still working in the field to hunt down bad guys, but he remains family based with his daughter being the most important part of his life, he gets the call to save the world once again and doesnât say no, heading to London to team up with an old enemy and friend in Deckard. He does play the I am bigger than you card, as the two constantly try to play the alpha male card. Deckard must come out of hiding to rescue his own little sister, he is better designed to the spy like side of this mission, we do get to learn a lot more about his past in this film too. Brixton is the big bad, he even introduces himself as âthe bad guyâ he has been enhanced, making him a proper deadly weapon that will win any one on one fight, he isnât afraid to fight with his men, though he is only part of a bigger plan going on. Hattie is the MI6 agent that gets framed, she is Deckard sister and knows how to get off the grid, she can handle herself in a fight and isnât afraid to use a few tricks she learnt from her mother to get out of a sticky situation.
Performances â Dwayne Johnson and Jason Statham must be looked at as one, they are excellent when it comes to the action sequences, you wouldnât expect anything less, when they have a moment of serious material they do well, it is part of the back and forth between them which does get slightly tiresome after a while. It is almost like the film must stop for 30 seconds to a minute so they can go at each with insults. Idris Elba does look like he is having a hell of a time as the villainous figure, while Vanessa Kirby keeps up with the action heavy stars with ease bring another aspect to the styles of the three.
Story â The story here follows Hobbs and Shaw as they must once again put their differences a side to help Shawâs sister get away from a deadly enhanced soldier and the virus he is threatening the world with. Breaking down this story, it does feel like any Fast & Furious film, there is no questions there, we get everything we expect with cheesy dialogue to match. If we do look at the story it is strange because we could easily have had this as a Hobbs or Shaw solo film with the way everything unfolds, with only one aspect of the film truly needing them to work together. The pair do seem to lose certain parts of the chemistry and respect for one an other they got from Fast 8, which again confuses why we need so much bickering between the two, as they are both the alpha, neither comes off as the comical side of the buddy relationship, meaning a lot of the jokes just hold up the film. It is nice this story could build on both the pairs backgrounds more, with slightly more focus on Deckard. If we are being honest, we donât need a deep story here, we just come for the action.
Action/Adventure â The action in this film is huge, the fights, the chases and the explosions, though when it comes to the fights we do get a lot of cuts in them, which just doesnât work as well as other action heavy films. The adventure does take the crew from London, to Russian to Samoa proving it to be an international mission.
Settings â The film uses the tight streets of London for the spy side of the movie, along with one big car chase, we use the other cities for the wide-open big action sequences in the film.
Special Effects â The effects in the film are also a mixed bad, certain bits look wonderful, including how Brixton is almost attached to his motorbike, it is the couple of moments which you can see the CGI effects at work which let it down.
Scene of the Movie â The base escape.
That Moment That Annoyed Me â The bickering gets tiresome.
Final Thoughts â This is everything you expect in a Fast & Furious film, it is big, the action is ridiculous, and you can just sit back and enjoy.
Overall: Big dumb fun
Rating
JT (287 KP) rated Shame (2012) in Movies
Mar 10, 2020
If you ever wondered what constitutes as a powerful piece of film making then Shame, directed by Steve McQueen, is it. Michael Fassbender plays Brandon a man who has an addiction for sex and all things surrounding it. From porn, webcams, fingering random girls in bars, itâs all covered here in gratuitous fashion that certainly delivers shock value.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandonâs sexual appetite is a massive part of his life, he doesnât go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which itâs not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandonâs over excited and at times sleazy boss holds his own but it is a relatively small part so he doesnât have a lot to chew on. Shame is graphic, if youâre the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
Itâs a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandonâs sexual appetite is a massive part of his life, he doesnât go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which itâs not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandonâs over excited and at times sleazy boss holds his own but it is a relatively small part so he doesnât have a lot to chew on. Shame is graphic, if youâre the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
Itâs a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
BookInspector (124 KP) rated The Last Thing To Burn in Books
Jan 26, 2021
The protagonist in this novel is Jane (it is not her name, but I will use it to avoid the spoilers), and the story is told from her perspective. Jane lives with her husband in a countryside farm. There is nothing around her but fields, and she is being held captive in that farm for years now. Jane has learned during those 7 years, that her husband always gets what he wants, she learned to adapt to the situation, but she hates every single day of her life. I found Jane very strong, selfless, caring and incredibly absorbing. She has so much to share with the reader, and it is truly heart-breaking to read her story.
The narrative of this book is very well written and entwined with present and past lives, that Jane had. During her daily routine, she shares how she ended up where she is. Her feelings and thoughts are painful to read. She keeps clinging to anything to survive, and it is devastating. This book really made me think, what I would do in Janeâs situation? How would I try to survive⌠I really wanted to know, how Jane will escape all this, that is what kept me constantly going. I wanted more action and less routine and mentioning of âhis motherâs thingsâ next to everything. (I got the point that nothing belonged to her đ ) There are some great twists and turns in this book, that enriched the plot immensely. The topics discussed in this book were human trafficking, rape, mental and physical abuse, the strength of motherly love, trauma, hope and many more.
The writing style of this book is absolutely brilliant. It is very hard to believe that this book is written by a male because Janeâs feelings and thoughts were very detailed and very accurate. Well done to Will Dean for this! The author managed to pack so much in a book that is 250 pages long. The chapters of this book are pretty short, and every chapter finishes with kind of a cliff-hanger, so my curiosity was always driving me forward. đ The ending was very satisfying, and I am incredibly proud of Jane. đ
So, to conclude, this story is filled with incredibly damaged characters, mentally and physically. The plot carries a lot of pain and horrifying experiences, but it also channels love, hope, strength and determination. This book is full of triggers, but if anyone is looking for an amazing psychological thriller, I would strongly recommend this book. It is needed in society, maybe it would help to save a life one dayâŚ
The narrative of this book is very well written and entwined with present and past lives, that Jane had. During her daily routine, she shares how she ended up where she is. Her feelings and thoughts are painful to read. She keeps clinging to anything to survive, and it is devastating. This book really made me think, what I would do in Janeâs situation? How would I try to survive⌠I really wanted to know, how Jane will escape all this, that is what kept me constantly going. I wanted more action and less routine and mentioning of âhis motherâs thingsâ next to everything. (I got the point that nothing belonged to her đ ) There are some great twists and turns in this book, that enriched the plot immensely. The topics discussed in this book were human trafficking, rape, mental and physical abuse, the strength of motherly love, trauma, hope and many more.
The writing style of this book is absolutely brilliant. It is very hard to believe that this book is written by a male because Janeâs feelings and thoughts were very detailed and very accurate. Well done to Will Dean for this! The author managed to pack so much in a book that is 250 pages long. The chapters of this book are pretty short, and every chapter finishes with kind of a cliff-hanger, so my curiosity was always driving me forward. đ The ending was very satisfying, and I am incredibly proud of Jane. đ
So, to conclude, this story is filled with incredibly damaged characters, mentally and physically. The plot carries a lot of pain and horrifying experiences, but it also channels love, hope, strength and determination. This book is full of triggers, but if anyone is looking for an amazing psychological thriller, I would strongly recommend this book. It is needed in society, maybe it would help to save a life one dayâŚ
Amanda (96 KP) rated Ready Player One in Books
Mar 18, 2019
Why in the world did it take me this long to read this book? I could seriously kick myself! I haven't seen the movie yet, I'm not entirely sure I want to after reading this book. I don't think any movie could do it justice. Yes, I liked this book that much.
Imagine a world where the world has kind of gone to pieces and most of the time you want to escape the harsh reality. A man invented a virtual reality called OASIS and before his passing, he stated that there is a hidden Easter egg in the OASIS and whomever finds it, has COMPLETE control of the OASIS and his fortune. It's been several years and NOBODY has been able to find the egg, or even come close to it.
The entire story is told from Wade's point of view. In reality, he's known as Wade, in OASIS he is Parzivel. The creator of OASIS is known to be a huge fan of 80's style; music, movies, tv shows, you name it, he was a fan. Wade goes through all of these shows and movies to get some sort of clue to find out what and where the egg is located. One day, he figures out the first clue and winds up being the first name on the score board.
The idea of going to a virtual school sounded like a really cool idea. From the way it's described in the book, it sounds like a much more effective way to actually learn in a classroom. I think with the way technology keeps advancing, we may very well be on our way to going that route.
I loved all of the 80's references throughout the book. I'm not an 80's child, but I've been told I'm old soul. Like, I'm a reincarnated person who was born in the 30's because I'm not really into the new shows or the new music. Mentions of Monty Python and the other TV shows that I've actually binge watched myself really brought out my inner nerd and it was enjoyable.
The only thing that made me lose a little respect for Wade is when he starts falling for another user named Art3mis. He has NO CLUE who this person is in real life, just her avatar. And in OASIS, the avatar is a blonde woman and Wade falls for her and spends as much time with her as possible. When Art3miss decides to cool it down with him, he kind of acts like a puppy who had its treat taken away. I know he's a kid who just graduated high school so having your first crush on someone really clouds your best judgment, but I found his infatuation with Art3mis rather annoying and I almost wanted to yell at my book and hope he hears me.
Am I the only one who's felt that way?
In the end, I'm rooting for Wade to find all these keys and reach the gates before someone else does. There's another company who actually specifically hires people to find this egg. This company will start charging people to use OASIS and actually give people limited access, no, we don't want that.
The book as a whole was excellent. It caught my attention in the beginning, and even though I was a bit annoyed with Wade, I still WANTED to finish this story. I WANTED to go through the OASIS journey with him and help him, encourage him, to continue and find that egg and help everybody cope with reality, with or without OASIS. If you've seen the movie, read the book. I guarantee that the movie was not able to capture EVERYTHING with this story and you deserve to know EVERYTHING about WADE and his new friends in finding that egg.
Imagine a world where the world has kind of gone to pieces and most of the time you want to escape the harsh reality. A man invented a virtual reality called OASIS and before his passing, he stated that there is a hidden Easter egg in the OASIS and whomever finds it, has COMPLETE control of the OASIS and his fortune. It's been several years and NOBODY has been able to find the egg, or even come close to it.
The entire story is told from Wade's point of view. In reality, he's known as Wade, in OASIS he is Parzivel. The creator of OASIS is known to be a huge fan of 80's style; music, movies, tv shows, you name it, he was a fan. Wade goes through all of these shows and movies to get some sort of clue to find out what and where the egg is located. One day, he figures out the first clue and winds up being the first name on the score board.
The idea of going to a virtual school sounded like a really cool idea. From the way it's described in the book, it sounds like a much more effective way to actually learn in a classroom. I think with the way technology keeps advancing, we may very well be on our way to going that route.
I loved all of the 80's references throughout the book. I'm not an 80's child, but I've been told I'm old soul. Like, I'm a reincarnated person who was born in the 30's because I'm not really into the new shows or the new music. Mentions of Monty Python and the other TV shows that I've actually binge watched myself really brought out my inner nerd and it was enjoyable.
The only thing that made me lose a little respect for Wade is when he starts falling for another user named Art3mis. He has NO CLUE who this person is in real life, just her avatar. And in OASIS, the avatar is a blonde woman and Wade falls for her and spends as much time with her as possible. When Art3miss decides to cool it down with him, he kind of acts like a puppy who had its treat taken away. I know he's a kid who just graduated high school so having your first crush on someone really clouds your best judgment, but I found his infatuation with Art3mis rather annoying and I almost wanted to yell at my book and hope he hears me.
Am I the only one who's felt that way?
In the end, I'm rooting for Wade to find all these keys and reach the gates before someone else does. There's another company who actually specifically hires people to find this egg. This company will start charging people to use OASIS and actually give people limited access, no, we don't want that.
The book as a whole was excellent. It caught my attention in the beginning, and even though I was a bit annoyed with Wade, I still WANTED to finish this story. I WANTED to go through the OASIS journey with him and help him, encourage him, to continue and find that egg and help everybody cope with reality, with or without OASIS. If you've seen the movie, read the book. I guarantee that the movie was not able to capture EVERYTHING with this story and you deserve to know EVERYTHING about WADE and his new friends in finding that egg.
Kristy H (1252 KP) rated The Fifth Letter in Books
Feb 13, 2018
Joni, Eden, Deb, and Trina have been friends since high school, when a teacher grouped them together by their last names. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house for them by the ocean. It's been a yearly tradition for the group, and she's insistent they all keep it up. However, it becomes clear that the women are a little reluctant to gather together: three of them are mothers now, and many are busy with their careers and other worries. So they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. Can they recover from this vacation? And who in the group wrote that awful letter?
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.