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Darren (1599 KP) rated See You Yesterday (2019) in Movies
Dec 27, 2019
Verdict: Messy Time Travel Film
Story: See You Yesterday starts as we meet the two teenagers Claudette ‘CJ’ Walker (Duncan-Smith) and Sebastian Thomas (Crichlow) who have been working on their science project to make time travel possible. After they prove they can go back just one day, CJ the brains behind the project, does something reckless, which changes the pass, while dealing with an ex-boyfriend.
The consequences of her actions create a domino effect which sees her brother Calvin (Astro) killed in a police shooting, wanting to make a different CJ works with Sebastian to try and create the ability to go further back, which only ends up creating more problems, the more she tries to fix.
Thoughts on See You Yesterday
Characters – Claudette ‘CJ’ Walker is the brains behind the time travel machine, she however has started to become difficult to be around, causing unnecessary trouble in an already combustible neighbourhood. When the pair get the machine to work, it is her mistake which causes the effects the pair must go through. She is always so desperate to fix the mistakes, she doesn’t even consider the consequences. Sebastian is the best friend that has always helped along the way, he is the one that will ask the questions about the consequences, seeing how reckless CJ has become. Calvin is the big brother of CJ’s, he will always make sure she is safe, whenever somebody in the neighbourhood causes her trouble.
Performances – While the two leading stars Eden Duncan-Smith and Dante Crichlow don’t do anything wrong through the film, they have annoying character traits to bring to life, which doesn’t help what they have to work with.
Story – The story here follows two high school friends that are trying to prove time travel is possible and soon learn the consequences of trying to change the past. This story does have an important reason for trying to create the time travel, we are placed into a Brooklyn neighbourhood that has been dealing with police shooting, overly aggressive gang mentality and will have signs of poverty. Outside of this side of the story, we are dealing with really bad time travel decisions, even though the characters seem clear of what not to do. We won’t go into the non-ending either, which leaves us with nothing after what has happened through the film, this does just feel like an unfinished script, that really wants deal with topical issues through the film.
Action/Sci-Fi – The action in the film does come from the panic involved once the first incident happens, it is more neighbourhood action, rather anything else, while the time travel might dive into basic science behind time travel, which does work well, it is the behaviour from people that believe they understand it that let everything down.
Settings – The film is set in Brooklyn which shows the environment the two friends are around, which brings the combustible elements.
Scene of the Movie – See You Yesterday.
That Moment That Annoyed Me – Most of CJ’s decisions.
Final Thoughts – Messy time travel film, which does deal with big topical issues the best it can, sadly, get caught in the middle of both worlds.
Overall: Missed the point.
Story: See You Yesterday starts as we meet the two teenagers Claudette ‘CJ’ Walker (Duncan-Smith) and Sebastian Thomas (Crichlow) who have been working on their science project to make time travel possible. After they prove they can go back just one day, CJ the brains behind the project, does something reckless, which changes the pass, while dealing with an ex-boyfriend.
The consequences of her actions create a domino effect which sees her brother Calvin (Astro) killed in a police shooting, wanting to make a different CJ works with Sebastian to try and create the ability to go further back, which only ends up creating more problems, the more she tries to fix.
Thoughts on See You Yesterday
Characters – Claudette ‘CJ’ Walker is the brains behind the time travel machine, she however has started to become difficult to be around, causing unnecessary trouble in an already combustible neighbourhood. When the pair get the machine to work, it is her mistake which causes the effects the pair must go through. She is always so desperate to fix the mistakes, she doesn’t even consider the consequences. Sebastian is the best friend that has always helped along the way, he is the one that will ask the questions about the consequences, seeing how reckless CJ has become. Calvin is the big brother of CJ’s, he will always make sure she is safe, whenever somebody in the neighbourhood causes her trouble.
Performances – While the two leading stars Eden Duncan-Smith and Dante Crichlow don’t do anything wrong through the film, they have annoying character traits to bring to life, which doesn’t help what they have to work with.
Story – The story here follows two high school friends that are trying to prove time travel is possible and soon learn the consequences of trying to change the past. This story does have an important reason for trying to create the time travel, we are placed into a Brooklyn neighbourhood that has been dealing with police shooting, overly aggressive gang mentality and will have signs of poverty. Outside of this side of the story, we are dealing with really bad time travel decisions, even though the characters seem clear of what not to do. We won’t go into the non-ending either, which leaves us with nothing after what has happened through the film, this does just feel like an unfinished script, that really wants deal with topical issues through the film.
Action/Sci-Fi – The action in the film does come from the panic involved once the first incident happens, it is more neighbourhood action, rather anything else, while the time travel might dive into basic science behind time travel, which does work well, it is the behaviour from people that believe they understand it that let everything down.
Settings – The film is set in Brooklyn which shows the environment the two friends are around, which brings the combustible elements.
Scene of the Movie – See You Yesterday.
That Moment That Annoyed Me – Most of CJ’s decisions.
Final Thoughts – Messy time travel film, which does deal with big topical issues the best it can, sadly, get caught in the middle of both worlds.
Overall: Missed the point.
Gareth von Kallenbach (980 KP) rated Rush (2013) in Movies
Aug 6, 2019
Today we bring you the latest from dircetor Ron Howard. A movie about what is considered to be one of the greatest rivalries in sports history and to this day, the greatest rivalry in the history of Formula 1 racing … the biographical action film RUSH. Released in the United States on September 20th RUSH tells the story behind the 1976 Formula 1 racing season and the intense rivalry between britsh racing champion James Hunt and austrain racing champion Niki Lauda. Staring Chis Hemsworth (Thor, Red Dawn) as Hunt and Daniel Bruhl (Inglourious Bastards, The Bourne Ultimatum) as Lauda, RUSH follows the two racing legends from their first confrontation at a Formula 3 race at England’s Crystal Palace circuit in 1970 to their accention to Formula 1 racing, to Lauda’s near-fatal carsh at the German Grand Prix and finally to the final race of the season, the Japanese Grand Prix.
What makes this movie different from other stories about the two rivals, is that it is told from the viewpoint of Niki Lauda. Written by legendary screenwritter Peter Morgan, Lauda had been approached many times by studios and writers for nearly 30 years wanting to make a movie from his point of view. Lauda had also been hesitent to make a movie for many years in part because of the death of James Hunt in 1993 at the age of 45 and felt that it wouldn’t have been ‘right’ to make a movie without his rival’s input. After meeting with dircetor Ron Howard, reading Peter Morgan’s screenplay, and with the blessing of James Hunt’s family Lauda finally agreed the movie should be made and i’m here to tell YOU my fellow movie-goers that the 30 years was worth the wait. With a supporting cast inclding Olivia Wilde, Alexandra Maria Lara, and Piefranscesco Favino it is apparent that the studios were serious about making this movie and making it right. Hemsworth and Bruhl definately deliver the goods portraying Hunt and Lauda and I will not be surprised if both of them recieve awards for their potrayals is the two leading characters in the movie. RUSH is different from alot of other movies because there is no REAL villian. It tells the story of two very different competitors in a sport where death is one small mistake away who couldn’t stand one another but at the sametime, when all is said and done they respected each other. It’s the story of two heros who pushed themselves to the limit .. sometimes losing themselves in the process and having to come to terms with the fact that they were not invinvcible.
I for one enjoyed the movie more than any other movie so far this year and I would highly recommend it to you all! Go and see it! Rotten Tomatoes gives it an 89% rating and i’m giving it 5 out of 5 stars! And with talk of the movie being nominated for awards ALREADY … How can you say ‘NO’ to recommendations like that!? It is rated R though so leave the kids at home.
What makes this movie different from other stories about the two rivals, is that it is told from the viewpoint of Niki Lauda. Written by legendary screenwritter Peter Morgan, Lauda had been approached many times by studios and writers for nearly 30 years wanting to make a movie from his point of view. Lauda had also been hesitent to make a movie for many years in part because of the death of James Hunt in 1993 at the age of 45 and felt that it wouldn’t have been ‘right’ to make a movie without his rival’s input. After meeting with dircetor Ron Howard, reading Peter Morgan’s screenplay, and with the blessing of James Hunt’s family Lauda finally agreed the movie should be made and i’m here to tell YOU my fellow movie-goers that the 30 years was worth the wait. With a supporting cast inclding Olivia Wilde, Alexandra Maria Lara, and Piefranscesco Favino it is apparent that the studios were serious about making this movie and making it right. Hemsworth and Bruhl definately deliver the goods portraying Hunt and Lauda and I will not be surprised if both of them recieve awards for their potrayals is the two leading characters in the movie. RUSH is different from alot of other movies because there is no REAL villian. It tells the story of two very different competitors in a sport where death is one small mistake away who couldn’t stand one another but at the sametime, when all is said and done they respected each other. It’s the story of two heros who pushed themselves to the limit .. sometimes losing themselves in the process and having to come to terms with the fact that they were not invinvcible.
I for one enjoyed the movie more than any other movie so far this year and I would highly recommend it to you all! Go and see it! Rotten Tomatoes gives it an 89% rating and i’m giving it 5 out of 5 stars! And with talk of the movie being nominated for awards ALREADY … How can you say ‘NO’ to recommendations like that!? It is rated R though so leave the kids at home.
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Cassie Osbourne (6 KP) rated The Hazel Wood in Books
Nov 9, 2018
Alice and her mother, Ella, have been on the road for as long as she can remember, constantly followed by some kind of freak bad luck. When word reaches them that Ella’s mother, famous fairytale author Althea Proserpine, has died, they think they’re safe...until Ella gets kidnapped by the Hinterlands. To save her, Alice must venture into the Hazel Wood.
I LOVE fairy tales, the darker, the better as far as I’m concerned. So when I’m told about a book that is based around dark, original fairytales, naturally I wanted to read it as soon as I could get my hands on it. However, it wasn’t quite what I expected.
Although this is a book about fairy tales and their characters being real, we are only told two stories: ‘Alice Three Times’ and ‘The Door That Wasn’t There’. This means that when we meet the Nightwalkers, Twice-Killed-Katherine, the Briar King and Hansa the Traveller, we don’t know what to make of them because we don’t know their stories. Now, I am all for discovering more about characters and their motivations as the story unfolds, but we never get that with these characters - it’s almost just assumed that we know who they are. I even checked online to see if I was reading the second book in the series by mistake! There is a book being written called ‘Tales From The Hinterland’ which is the collection of stories that these characters are from, but it is set to be published in 2020 when really it should have come first. Having said all of that, I did really like the ‘real world’ characters, and I thought that Janet and Spinner were super cool.
The atmosphere was really good throughout, even in the middle section when I found it hard to read because I couldn’t connect were really atmospheric. I loved the strange surrealness and dreamlike writing that was very fairy tale-ish, and it was brilliant. I also really enjoyed the writing style. I don’t think that I’ve properly ever read a book with so many current references and I quite like it. It makes the book feel very contemporary (after all it was only published in January) and in our world, while still having the other world, the Hinterland, mixed in which gives it a slight feeling of invasion and overlap. It also really suits Alice’s character and voice since she is narrating the story and was brought up very much in our world.
The plot was good on the whole. My main issue, once again, comes down to the fact that the stories weren’t told - or rather that the wrong one was. ‘Alice Three Times’ was great because it became relevant but ‘The Door That Wasn’t There’ seemed not to have any purpose. Surely if there was one story that Finch would have told Alice, it would have been ‘Twice-Killed-Katherine’ as she is following them for most of the first half of the book (and then just disappears for no real reason).
While the beginning and end of the book are really great and really gripping, I found most of the middle section really difficult to read because, guess what, we didn’t know the stories! When I started reading this book, I thought that I would finish it in the same week I started it...that was two weeks ago. The middle of the book is when Alice actually enters the Hinterland, but since we don’t know anything about the characters or the world, it feels like we’re constantly playing catch up. Whenever I decided what I was going to sit down, grit my teeth and get through it, it felt like it was a chore and I could only manage one or two chapters at a time. It gets very gripping again from chapter twenty-eight when Alice starts to get sucked into the story, but that’s because we’ve already been told ‘Alice Three Times”.
Although I did like ‘The Hazel Wood’, a middle did take a lot of the enjoyment out of reading it. Maybe when ‘Tales From The Hinterland’ comes out, I’ll read that then give this book another shot when I am more informed.
Characters: 6/10
Atmosphere: 8/10
Writing Style: 8/10
Plot: 7/10
Intrigue: 6/10
Logic: 7/10
Enjoyment: 7/10
I LOVE fairy tales, the darker, the better as far as I’m concerned. So when I’m told about a book that is based around dark, original fairytales, naturally I wanted to read it as soon as I could get my hands on it. However, it wasn’t quite what I expected.
Although this is a book about fairy tales and their characters being real, we are only told two stories: ‘Alice Three Times’ and ‘The Door That Wasn’t There’. This means that when we meet the Nightwalkers, Twice-Killed-Katherine, the Briar King and Hansa the Traveller, we don’t know what to make of them because we don’t know their stories. Now, I am all for discovering more about characters and their motivations as the story unfolds, but we never get that with these characters - it’s almost just assumed that we know who they are. I even checked online to see if I was reading the second book in the series by mistake! There is a book being written called ‘Tales From The Hinterland’ which is the collection of stories that these characters are from, but it is set to be published in 2020 when really it should have come first. Having said all of that, I did really like the ‘real world’ characters, and I thought that Janet and Spinner were super cool.
The atmosphere was really good throughout, even in the middle section when I found it hard to read because I couldn’t connect were really atmospheric. I loved the strange surrealness and dreamlike writing that was very fairy tale-ish, and it was brilliant. I also really enjoyed the writing style. I don’t think that I’ve properly ever read a book with so many current references and I quite like it. It makes the book feel very contemporary (after all it was only published in January) and in our world, while still having the other world, the Hinterland, mixed in which gives it a slight feeling of invasion and overlap. It also really suits Alice’s character and voice since she is narrating the story and was brought up very much in our world.
The plot was good on the whole. My main issue, once again, comes down to the fact that the stories weren’t told - or rather that the wrong one was. ‘Alice Three Times’ was great because it became relevant but ‘The Door That Wasn’t There’ seemed not to have any purpose. Surely if there was one story that Finch would have told Alice, it would have been ‘Twice-Killed-Katherine’ as she is following them for most of the first half of the book (and then just disappears for no real reason).
While the beginning and end of the book are really great and really gripping, I found most of the middle section really difficult to read because, guess what, we didn’t know the stories! When I started reading this book, I thought that I would finish it in the same week I started it...that was two weeks ago. The middle of the book is when Alice actually enters the Hinterland, but since we don’t know anything about the characters or the world, it feels like we’re constantly playing catch up. Whenever I decided what I was going to sit down, grit my teeth and get through it, it felt like it was a chore and I could only manage one or two chapters at a time. It gets very gripping again from chapter twenty-eight when Alice starts to get sucked into the story, but that’s because we’ve already been told ‘Alice Three Times”.
Although I did like ‘The Hazel Wood’, a middle did take a lot of the enjoyment out of reading it. Maybe when ‘Tales From The Hinterland’ comes out, I’ll read that then give this book another shot when I am more informed.
Characters: 6/10
Atmosphere: 8/10
Writing Style: 8/10
Plot: 7/10
Intrigue: 6/10
Logic: 7/10
Enjoyment: 7/10
Bob Mann (459 KP) rated Ghost in the Shell (2017) in Movies
Sep 29, 2021
A robot you could take home to meet mother.
I was intrigued to watch the other day (purely for the interest in the technology employed of course!) a short Guardian video on the development of the world’s first fully functioning sex robot: a disturbing watch, requiring a fairly broad mind. Watching it on the same day as going to see Scarlett Johansson’s new film “Ghost in the Shell” though was a mistake, since the similarities between Johansson’s character (‘Major’) and the animatronic sex doll (‘Harmony’) were… erm… distracting.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Bob Mann (459 KP) rated The Magnificent Seven (2016) in Movies
Sep 29, 2021
A Hornery Exit.
As a big fan of the original – a staple of many Bank Holiday afternoons in my youth – I was prepared to be sniffy about this remake and came to the film on my high-horse (I left that tied to the rail outside the cinema by the way). But I was surprised to have my expectations reset.
Possibly on the basis that Trump has been given the Mexican’s a good bashing lately, the villain of the piece in this film is updated from Mexican bandit Calvera to Sacremento based land-snatcher and all round bad-egg Bartholomew Bogue (an expressionless Peter Sarsgaard). After ripping through some of the inhabitants of Rose Creek in a brutal pre-title sequence, widowed sharp-shooter Emma Cullen (Haley Bennett, “The Equalizer”) heads into the West on a recruiting mission for hired guns. She first recruits the bounty hunter Chisholm (sing “Chisum, John Chisum…”… no, sorry different Western) played by Denzel Washington. Washington matches Yul Brynner’s famous black outfit, and unlike Brynner is obviously able to finish off the ensemble naturally!
They recruit another six (who’d have thought it?) including wise-guy gambler Faraday (Chris “Guardians of the Galaxy” Pratt); famed confederate sniper Goodnight Robicheaux (Ethan Hawke); his nifty knife throwing Asian sidekick (but good for the Far East box office) Billy Rocks (Bjung-hun Lee, from Terminator: Genisys); and religious bear-of-a-man Indian-hunter Jack Horne (Vincent D’Onofrio, “Jurassic World”). After trying to whip the incompetent townsfolk into shape, and setting some Home-Alone style surprises, the stage is set for a showdown as Bogue whips up an army to re-take “his” town.
I like classic Westerns, with John Ford’s Rio Bravo being a particular favourite. In my view the problem with many modern Westerns is that they try too hard to shock (Tarentino’s recent “Hateful 8” was a case in point: a promising start ruined by gratuitous over-the-top violence). “The Magnificent Seven” doesn’t make that mistake, and while the squib-master and blood-bag boy are heavily employed throughout, nothing is too excessive: in fact, my view – and I don’t often tend in this direction – is that the censors rather over-egged the UK 12A rating on this one and could have gone with a 12. Director Antoine Fuqua has produced a film that is highly respectful of its heritage: perhaps to the point where many scenes might be deemed to be clichéd. But I personally warmed to that.
Denzel Washington was born to be in a Western like this and the emerging Chris Pratt does his star potential no harm by turning in a stellar performance adding both levity – with some whip-sharp lines – and screen presence in the role made famous by Steve McQueen. (Although no one comes close to the screen presence of McQueen…. Look up “real man” in the dictionary and his picture is there!) Also effective is Ethan Hawke in the nearest thing to the Robert Vaughan character in this film.
Where the adapted script by Richard Wenk and Nik Pizzolatto falters somewhat is in the motivations of the characters, which come across as superficial and unconvincing. (Perhaps “selling” was a whole lot easier in the Old West?) It is even unclear at the end of the film whether the survivors (and I hate to be the bearer of bad news, but the seven don’t all make it!) actually take their payment, or even a “share of the gold” that the town is sitting on. It makes for an unsatisfactory closure. The degree of racial harmony present in the film is also difficult to buy into, and the script could have made something more of this.
The film soundtrack marks the swan-song of the late James Horner, so tragically killed in a plane crash last year at the age of just 61. As the natural successor to the great John Williams and the late Jerry Goldsmith, Horner’s loss was a terrible one. The film is dedicated to him. Although the soundtrack was completed by Simon Franglen, there are flourishes of classic Horner, most notably in the first Rose Creek showdown scene. There is also a treat to the ears over the closing credits which is very welcome.
Although the film draws natural comparison with its 5* classic predecessor, this is a good film in its own right – a genuinely pleasant surprise. Perhaps its done well enough that we might get to now see a remake of “The Return of the Seven”. I hope so… “the Western is dead… long live the Western”!
Possibly on the basis that Trump has been given the Mexican’s a good bashing lately, the villain of the piece in this film is updated from Mexican bandit Calvera to Sacremento based land-snatcher and all round bad-egg Bartholomew Bogue (an expressionless Peter Sarsgaard). After ripping through some of the inhabitants of Rose Creek in a brutal pre-title sequence, widowed sharp-shooter Emma Cullen (Haley Bennett, “The Equalizer”) heads into the West on a recruiting mission for hired guns. She first recruits the bounty hunter Chisholm (sing “Chisum, John Chisum…”… no, sorry different Western) played by Denzel Washington. Washington matches Yul Brynner’s famous black outfit, and unlike Brynner is obviously able to finish off the ensemble naturally!
They recruit another six (who’d have thought it?) including wise-guy gambler Faraday (Chris “Guardians of the Galaxy” Pratt); famed confederate sniper Goodnight Robicheaux (Ethan Hawke); his nifty knife throwing Asian sidekick (but good for the Far East box office) Billy Rocks (Bjung-hun Lee, from Terminator: Genisys); and religious bear-of-a-man Indian-hunter Jack Horne (Vincent D’Onofrio, “Jurassic World”). After trying to whip the incompetent townsfolk into shape, and setting some Home-Alone style surprises, the stage is set for a showdown as Bogue whips up an army to re-take “his” town.
I like classic Westerns, with John Ford’s Rio Bravo being a particular favourite. In my view the problem with many modern Westerns is that they try too hard to shock (Tarentino’s recent “Hateful 8” was a case in point: a promising start ruined by gratuitous over-the-top violence). “The Magnificent Seven” doesn’t make that mistake, and while the squib-master and blood-bag boy are heavily employed throughout, nothing is too excessive: in fact, my view – and I don’t often tend in this direction – is that the censors rather over-egged the UK 12A rating on this one and could have gone with a 12. Director Antoine Fuqua has produced a film that is highly respectful of its heritage: perhaps to the point where many scenes might be deemed to be clichéd. But I personally warmed to that.
Denzel Washington was born to be in a Western like this and the emerging Chris Pratt does his star potential no harm by turning in a stellar performance adding both levity – with some whip-sharp lines – and screen presence in the role made famous by Steve McQueen. (Although no one comes close to the screen presence of McQueen…. Look up “real man” in the dictionary and his picture is there!) Also effective is Ethan Hawke in the nearest thing to the Robert Vaughan character in this film.
Where the adapted script by Richard Wenk and Nik Pizzolatto falters somewhat is in the motivations of the characters, which come across as superficial and unconvincing. (Perhaps “selling” was a whole lot easier in the Old West?) It is even unclear at the end of the film whether the survivors (and I hate to be the bearer of bad news, but the seven don’t all make it!) actually take their payment, or even a “share of the gold” that the town is sitting on. It makes for an unsatisfactory closure. The degree of racial harmony present in the film is also difficult to buy into, and the script could have made something more of this.
The film soundtrack marks the swan-song of the late James Horner, so tragically killed in a plane crash last year at the age of just 61. As the natural successor to the great John Williams and the late Jerry Goldsmith, Horner’s loss was a terrible one. The film is dedicated to him. Although the soundtrack was completed by Simon Franglen, there are flourishes of classic Horner, most notably in the first Rose Creek showdown scene. There is also a treat to the ears over the closing credits which is very welcome.
Although the film draws natural comparison with its 5* classic predecessor, this is a good film in its own right – a genuinely pleasant surprise. Perhaps its done well enough that we might get to now see a remake of “The Return of the Seven”. I hope so… “the Western is dead… long live the Western”!
Fast Read!
I really enjoyed reading this book. I haven’t read anything in 2 days time in a very long time!
Dr. Marie Heaton is a successful anesthesiologist at First Lutheran Hospital in Seattle. In the seven years she’s been working there she has never made one mistake nor lost a patient. She prided herself on her meticulous organization skills, her neat charting, and her clean record. Until the day 8 year old Jolene stepped foot into her OR and passed away in the middle of a routine procedure she should have survived! Now Marie finds herself in the middle of a malpractice suit and on top of that, having to take care of her elderly father with whom her relationship with has been rocky.
This is a gripping story that tells us what doctors go through when fatal mistakes are made. I couldn’t put it down.
What I did not like about it:
1. too much medical detail. Some of it was necessary for us to understand what is going on in the story but most of it just felt like filler to me.
2. I expected the part where taking care of dad to come in a lot earlier than it did. And it wasn’t much caring for in the end. I was expecting her dad to be more belligerent to her about losing his independence and having to be taken care of. And since there has been unspoken animosity between them since Marie was a teenager, I expected there would be a climatic dialogue between them that airs out their problems and they get to move on from it. Never happened.
Other than those two things, there was so much to like about this book. The twist at the end had me on me on my seat! I did not expect it and I love when a story can surprise me! This was a great read!
Dr. Marie Heaton is a successful anesthesiologist at First Lutheran Hospital in Seattle. In the seven years she’s been working there she has never made one mistake nor lost a patient. She prided herself on her meticulous organization skills, her neat charting, and her clean record. Until the day 8 year old Jolene stepped foot into her OR and passed away in the middle of a routine procedure she should have survived! Now Marie finds herself in the middle of a malpractice suit and on top of that, having to take care of her elderly father with whom her relationship with has been rocky.
This is a gripping story that tells us what doctors go through when fatal mistakes are made. I couldn’t put it down.
What I did not like about it:
1. too much medical detail. Some of it was necessary for us to understand what is going on in the story but most of it just felt like filler to me.
2. I expected the part where taking care of dad to come in a lot earlier than it did. And it wasn’t much caring for in the end. I was expecting her dad to be more belligerent to her about losing his independence and having to be taken care of. And since there has been unspoken animosity between them since Marie was a teenager, I expected there would be a climatic dialogue between them that airs out their problems and they get to move on from it. Never happened.
Other than those two things, there was so much to like about this book. The twist at the end had me on me on my seat! I did not expect it and I love when a story can surprise me! This was a great read!
Gareth von Kallenbach (980 KP) rated My Super Ex-Girlfriend (2006) in Movies
Aug 14, 2019
William Shakespeare once wrote that “Hell Hath No Fury Like A Woman Scorned”. Never was a phrase more prophetic than in the case of the new Ivan Reitman comedy My “Super-Ex Girlfriend” which is a clever twist on the obsessive lover genre made popular by films such as “Fatal Attraction”.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
Heather Cranmer (2721 KP) rated The Life & Death of Jorja Graham (Jorja Graham #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I participated in a book blitz for The Life & Death of Jorja Graham a week or so ago. After reading the blurb and seeing a teaser, I really wanted to read this book. While is wasn't a fantastic read, it was still an alright read.
The title sounds very ominous which is another thing that made me want to read the book. It's very straight forward, and I think that suits the book just fine.
The girl on the cover, who I assume is Jorja Graham, looks a bit spooky which I love! I do sort of like the cover, but I would've liked to see the mansion which is mentioned a lot throughout the book on the cover too.
The world building was good, I thought. I found it to be believable for the most part. Towards the end, it gets a little big confusing though. I'd elaborate, but I want this to be a spoiler free review.
The pacing was a bit slow to begin with. I was starting to think I had made a mistake in buying this book. Luckily, the pacing starts picking up about thirty percent in.
The plot was alright. For about the first sixty percent or so, the book reads like a contemporary romance for the most part. However, it's like it becomes a different book for the rest of the way because it turns into more of a paranormal book. Again, I don't want to give away any spoilers, but let's just say there was a plot twist I was totally not expecting! There is a slight cliff hanger at the end of the book, and I do believe there will be another book in the series, but don't quote me on that.
I thought the character of Jorja was written really well. I instantly liked her and her charming nature. Corbin comes off as a bit of a stalker to begin with, but I eventually warmed to him and his passionate nature as well. The other minor characters were written a bit lukewarm, I felt. For example, Jorja's best friend Cat could've been written as a stronger character, but I felt that she was just a bit too bland. I would've liked to know more about her and more about hers and Jorja's friendship.
I did enjoy the dialogue, and I felt it flowed very well. I felt that maybe if this book was a bit longer and a had a bit more detail, it could've been better. There is some swearing and some violence.
All in all, The Life & Death of Jorja Graham is a decent read. The lead character is likable and the dialogue is fantastic!
I'd recommend this book to those aged 16+ who are big fans of paranormal romance.
<b>I'd give The Life & Death of Jorja Graham by Brynn Myers a 3.5 out of 5.</b>
(I bought this ebook with my own money from Amazon. I was not required to write a review).
I participated in a book blitz for The Life & Death of Jorja Graham a week or so ago. After reading the blurb and seeing a teaser, I really wanted to read this book. While is wasn't a fantastic read, it was still an alright read.
The title sounds very ominous which is another thing that made me want to read the book. It's very straight forward, and I think that suits the book just fine.
The girl on the cover, who I assume is Jorja Graham, looks a bit spooky which I love! I do sort of like the cover, but I would've liked to see the mansion which is mentioned a lot throughout the book on the cover too.
The world building was good, I thought. I found it to be believable for the most part. Towards the end, it gets a little big confusing though. I'd elaborate, but I want this to be a spoiler free review.
The pacing was a bit slow to begin with. I was starting to think I had made a mistake in buying this book. Luckily, the pacing starts picking up about thirty percent in.
The plot was alright. For about the first sixty percent or so, the book reads like a contemporary romance for the most part. However, it's like it becomes a different book for the rest of the way because it turns into more of a paranormal book. Again, I don't want to give away any spoilers, but let's just say there was a plot twist I was totally not expecting! There is a slight cliff hanger at the end of the book, and I do believe there will be another book in the series, but don't quote me on that.
I thought the character of Jorja was written really well. I instantly liked her and her charming nature. Corbin comes off as a bit of a stalker to begin with, but I eventually warmed to him and his passionate nature as well. The other minor characters were written a bit lukewarm, I felt. For example, Jorja's best friend Cat could've been written as a stronger character, but I felt that she was just a bit too bland. I would've liked to know more about her and more about hers and Jorja's friendship.
I did enjoy the dialogue, and I felt it flowed very well. I felt that maybe if this book was a bit longer and a had a bit more detail, it could've been better. There is some swearing and some violence.
All in all, The Life & Death of Jorja Graham is a decent read. The lead character is likable and the dialogue is fantastic!
I'd recommend this book to those aged 16+ who are big fans of paranormal romance.
<b>I'd give The Life & Death of Jorja Graham by Brynn Myers a 3.5 out of 5.</b>
(I bought this ebook with my own money from Amazon. I was not required to write a review).
Debbiereadsbook (1441 KP) rated Part of Her Plan (Cupid's Cafe #5) in Books
Jul 21, 2021
not an easy read, but a bloody good one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I have no idea what I expected from this book, but it certainly wasn't this!
Jenny and Lydia have real life problems. Both are recovering from their respective addictions (or not, as the case may be) and this book focuses on that, more than the romance, and I really LOVED that. All too often these topics get brushed under the carpet and here, they are front and centre.
Lydia has a plan, to get her own apartment, and then be on her own. Meeting with Jenny again should not waver her from her plan. She's doing well, and is committed to get to the end. Jenny, on the other hand, isn't doing so well and the place in the sober living house SHOULD be her ticket to get to be with her brother again. But Jenny's recovery isn't going to plan, and one single mistake might ruin them both.
At one point, I wasn't sure I wanted to read this book. I started it, and it took a downward turn (I thought) and I contemplated leaving it. But something made me carry on and I am so bloody glad I did!
Yes, it's not an easy read. it certainly isn't a fluffy romance that you can breeze through, but it IS a bloody good book! It shows the struggles, the real life struggles that people face. How people spiral downwards, how they hit the bottom and try to get back up. How the deal with their addiction (in this case drugs and alcohol) and what they do when faced with what might possibly be their last chance.
Jenny and Lydia are not perfect, but they are perfect for each other, and other than the issues with their addictions, the romance side of things moves along slow, at first, but then speeds up, and slows down again. I loved that it wasn't explicit. There is steam and passion a-plenty, but the detailed sex scenes are not here, and I truly think had they been, I would not have liked this book as much!
I've not read anything by this author before, nor any of the previous books in this series, I don't think you need to, to enjoy this one. I might go back and read them!
But please, be aware of the subject matter: drug abuse and alcohol abuse mostly. Some people might not be able to read this because of triggers.
4 stars
**same worded review will appear elsewhere**
I have no idea what I expected from this book, but it certainly wasn't this!
Jenny and Lydia have real life problems. Both are recovering from their respective addictions (or not, as the case may be) and this book focuses on that, more than the romance, and I really LOVED that. All too often these topics get brushed under the carpet and here, they are front and centre.
Lydia has a plan, to get her own apartment, and then be on her own. Meeting with Jenny again should not waver her from her plan. She's doing well, and is committed to get to the end. Jenny, on the other hand, isn't doing so well and the place in the sober living house SHOULD be her ticket to get to be with her brother again. But Jenny's recovery isn't going to plan, and one single mistake might ruin them both.
At one point, I wasn't sure I wanted to read this book. I started it, and it took a downward turn (I thought) and I contemplated leaving it. But something made me carry on and I am so bloody glad I did!
Yes, it's not an easy read. it certainly isn't a fluffy romance that you can breeze through, but it IS a bloody good book! It shows the struggles, the real life struggles that people face. How people spiral downwards, how they hit the bottom and try to get back up. How the deal with their addiction (in this case drugs and alcohol) and what they do when faced with what might possibly be their last chance.
Jenny and Lydia are not perfect, but they are perfect for each other, and other than the issues with their addictions, the romance side of things moves along slow, at first, but then speeds up, and slows down again. I loved that it wasn't explicit. There is steam and passion a-plenty, but the detailed sex scenes are not here, and I truly think had they been, I would not have liked this book as much!
I've not read anything by this author before, nor any of the previous books in this series, I don't think you need to, to enjoy this one. I might go back and read them!
But please, be aware of the subject matter: drug abuse and alcohol abuse mostly. Some people might not be able to read this because of triggers.
4 stars
**same worded review will appear elsewhere**