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Merissa (12911 KP) rated Ballsy (Breakers Hockey #4) by Elise Faber in Books
Apr 26, 2022 (Updated Jun 24, 2023)
BALLSY is the fourth book in the Breakers Hockey series and we meet Kailey and Connor (Smitty). One is an anxiety-ridden introvert; one is loud and brash. These two will never get on, right?
Wrong! They are two halves of a perfect jigsaw. Both of them need the other, giving them the strength to deal with whatever is going on in their lives. And I loved that. I really did! Because it wasn't all one-sided. Smitty had his issues to deal with, the same as Kailey did. And together, they dealt with it all. Just proving that everyone has something to cope with, even those that are loud and ballsy!
Perfectly paced, Kailey and Smitty's story moves fast. He knows what he wants but won't walk all over Kailey to get it. Once she gets on board - that's it. Game over. Except it's not because there is so much going on. All of which is designed to keep me engrossed and turning the pages.
The storyline with Monica I could see happening, like a train wreck in front of me. Raph's story is next though and I can't wait to read it! I also hope Brandon gets a story though. He may not be part of the Breakers family, but he's had his heart broken too.
A brilliant addition to the series and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 22, 2022
Wrong! They are two halves of a perfect jigsaw. Both of them need the other, giving them the strength to deal with whatever is going on in their lives. And I loved that. I really did! Because it wasn't all one-sided. Smitty had his issues to deal with, the same as Kailey did. And together, they dealt with it all. Just proving that everyone has something to cope with, even those that are loud and ballsy!
Perfectly paced, Kailey and Smitty's story moves fast. He knows what he wants but won't walk all over Kailey to get it. Once she gets on board - that's it. Game over. Except it's not because there is so much going on. All of which is designed to keep me engrossed and turning the pages.
The storyline with Monica I could see happening, like a train wreck in front of me. Raph's story is next though and I can't wait to read it! I also hope Brandon gets a story though. He may not be part of the Breakers family, but he's had his heart broken too.
A brilliant addition to the series and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 22, 2022
Marylegs (44 KP) rated Dreams of Gods and Monsters (Daughter of Smoke and Bone, #3) in Books
Aug 14, 2019
So I finished the third and final book in the Daughter of Smoke and Bone series and I have to say, bravo! It really was such a good read, longer, which is more to my taste and such a lovely way to finish of such a good trilogy. Luckily for me I only read books 1 & 2 this year so unlike other readers the story was all still incredibly fresh in my mind. It picks up before the end of book 2 and explains some of the finer details to bring the story up to scratch. I won’t go into further details encase people haven’t read book 2 yet.
This is such a well-structured trilogy and you can see the authors develop as well as the characters, without it seeming to ‘after thought’ish, in this final edition to the series. I will say I was not overly keen on the edition of an unknown character as a narrator at this stage (which is surprising considering I read Game of Thrones). One of the only real dislikes I had was Eliza’s first few chapters I just couldn’t see how or why she fits into the grand scheme of things. Which she does in the end in such a brilliant way, I think a second reading at some point will allow a better appreciation of her chapters now.
Whilst I thoroughly loved and enjoyed this book I do have to say that towards the end it felt almost like and ‘opps we haven’t really said what’s going on with these characters or this area’. I think the book would have been perfect finished at around 94% the last 6% did feel a bit padded.
I would like to finish by adding that Zuzana is such a bright star of a character in a story that could get pulled down with seriousness. She is right there with such quick funny lines that at times I did laugh out loud. I could hear her sarcastic little voice and I loved getting to her chapters. I also wonder if at some point Laini Taylor may revisit this world as I can almost feel the rest of the story unfolding in my own head.
This is such a well-structured trilogy and you can see the authors develop as well as the characters, without it seeming to ‘after thought’ish, in this final edition to the series. I will say I was not overly keen on the edition of an unknown character as a narrator at this stage (which is surprising considering I read Game of Thrones). One of the only real dislikes I had was Eliza’s first few chapters I just couldn’t see how or why she fits into the grand scheme of things. Which she does in the end in such a brilliant way, I think a second reading at some point will allow a better appreciation of her chapters now.
Whilst I thoroughly loved and enjoyed this book I do have to say that towards the end it felt almost like and ‘opps we haven’t really said what’s going on with these characters or this area’. I think the book would have been perfect finished at around 94% the last 6% did feel a bit padded.
I would like to finish by adding that Zuzana is such a bright star of a character in a story that could get pulled down with seriousness. She is right there with such quick funny lines that at times I did laugh out loud. I could hear her sarcastic little voice and I loved getting to her chapters. I also wonder if at some point Laini Taylor may revisit this world as I can almost feel the rest of the story unfolding in my own head.
Mark Arm recommended A Minute To Pray, A Second To Die by The Flesh Eaters in Music (curated)
BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
MichaelS (0 KP) rated Justice League (2017) in Movies
Feb 20, 2018
"Meanwhile, at the Hall Of Justice..."
This movie is the culmination of a childhood full of Saturday mornings in front of the tv in pajamas with a bowl of cereal. "Superfriends" was superheroes at it's most basic. The bad guys wanted to take over or destroy the world and the good guys have to stop them. That was the depth of the plots for both those classic cartoons, and this movie. It's pure cartoon fun brought to life, and I loved every minute of it.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
LeftSideCut (3776 KP) rated Prey (2022) in Movies
Aug 8, 2022
It's no secret that since the original and beloved Predator hit cinemas back in 1987, the franchise has seen a steady decline in quality, with each subsequent entry somehow managing to be less palatable than the one before. Not even IP crossovers could save it (although I'm still holding out hope for an Archie Vs Predator adaption someday.) It's a series that had been in dire need of a shake up for a long time, and that's exactly what Prey is. It swaps the modern settings we're used to, placing the action in the Comanche Nation in the early 1700s, it doubles down on the horror elements that have always bubbled beneath the surface, and most importantly, gives us the best and most memorable protagonist yet.
Naru, played by a truly fantastic Amber Midthunder, is a character who has something to prove. She falls down but doesn't accept defeat. She's relatable, determined, and ultimately, a perfect match for her enemy. One wonders who the prey that the title refers to truly is in this scenario. As such, the narrative plays out as a genuinely tense cat-and-mouse game between two abled warriors, both on the hunt, both trying to survive, and it's a joy to watch unfold.
The first third is a bit of a slow burn, allowing the audience to acclimate to the setting and culture. It gives everything a chance to breathe, and basks in some stunning vistas and beautiful cinematography. The vast majority of Prey was filmed on location in the Stoney Nakoda Nation in Canada. This gives the overall aesthetic a feeling of authenticity and wonder. The somewhat tepid pacing of the first third never gets boring, and remains engaging until things really kick off.
The first encounter the predator has with the human characters marks the start of something special, and from here on, the pedal is to the floor until the credits roll. The action scenes are as thrilling as they are brutal. This predator in particular feels more dangerous and ruthless than before, making minced meat of it's victims. The gore is impactful and the kills are creative. Some great sound editing ensures that even when the camera cuts away now and again, the violence is still felt in full. This is all complimented by the design of the predator. It's mask is more primitive than what we've seen in the past, meaning that even with all of it's high tech gadgets, the predator doesn't feel out of place. Everything climaxes in a hugely entertaining finale that would make Dutch proud. There are moments where Prey apes the original a bit, but it's all executed well, and never feels like it's grasping at nostalgic straws like some of the later sequels have done.
It's clear that there an abundance of positives exuded by Prey, a prequel that no one was chomping at the bit for, but a film that absolutely blows it's predecessors out of the water. Dan Trachtenberg has proven that he can step into a franchise and give us something new before with 10 Cloverfield Lane, and this just cements that claim. Prey is a well realised, and well put together project that is arguably the best entry in the entire Predator franchise, and one can only hope that any future installments are handled in the same way.
Naru, played by a truly fantastic Amber Midthunder, is a character who has something to prove. She falls down but doesn't accept defeat. She's relatable, determined, and ultimately, a perfect match for her enemy. One wonders who the prey that the title refers to truly is in this scenario. As such, the narrative plays out as a genuinely tense cat-and-mouse game between two abled warriors, both on the hunt, both trying to survive, and it's a joy to watch unfold.
The first third is a bit of a slow burn, allowing the audience to acclimate to the setting and culture. It gives everything a chance to breathe, and basks in some stunning vistas and beautiful cinematography. The vast majority of Prey was filmed on location in the Stoney Nakoda Nation in Canada. This gives the overall aesthetic a feeling of authenticity and wonder. The somewhat tepid pacing of the first third never gets boring, and remains engaging until things really kick off.
The first encounter the predator has with the human characters marks the start of something special, and from here on, the pedal is to the floor until the credits roll. The action scenes are as thrilling as they are brutal. This predator in particular feels more dangerous and ruthless than before, making minced meat of it's victims. The gore is impactful and the kills are creative. Some great sound editing ensures that even when the camera cuts away now and again, the violence is still felt in full. This is all complimented by the design of the predator. It's mask is more primitive than what we've seen in the past, meaning that even with all of it's high tech gadgets, the predator doesn't feel out of place. Everything climaxes in a hugely entertaining finale that would make Dutch proud. There are moments where Prey apes the original a bit, but it's all executed well, and never feels like it's grasping at nostalgic straws like some of the later sequels have done.
It's clear that there an abundance of positives exuded by Prey, a prequel that no one was chomping at the bit for, but a film that absolutely blows it's predecessors out of the water. Dan Trachtenberg has proven that he can step into a franchise and give us something new before with 10 Cloverfield Lane, and this just cements that claim. Prey is a well realised, and well put together project that is arguably the best entry in the entire Predator franchise, and one can only hope that any future installments are handled in the same way.
Annie Chanse (15 KP) rated Wintersong in Books
May 25, 2018
It was okay.
Contains spoilers, click to show
[Warning: May contain spoilers]
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
Hazel (1853 KP) rated The Crown (The Selection, #5) in Books
Dec 17, 2018
3.5 stars
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
BankofMarquis (1832 KP) rated Black Panther: Wakanda Forever (2022) in Movies
Nov 18, 2022
Should have been called WAKANDA MOURNS
The passing of Chadwick Boseman from cancer is a unfortunate and sad thing. The makers of the Black Panther series of films for the MCU had a difficult task to accomplish. How do they pay tribute to their lost lead while also leading the series in a new direction? In the end, they ultimately decided to lean INTO (and not away from) his passing - and your emotional involvement in this film will be predicated on how you react to this, for basing an entire SuperHero Movie on grief and longing for a return to the past is not going to make the “feel good movie of the year”.
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Gentlemen (2020) in Movies
Jun 27, 2020
Clever and Inventive
Ever since he burst onto the film scene with back-to-back interesting British Mob movies LOCK, STOCK & TWO SMOKING BARRELS and SNATCH, Director Guy Ritchie has had a "hit and miss" track record (including the Madonna-starring, Razzie-Award "winner" SWEPT AWAY). Fortunately, for us, we seem to be in a Guy Ritchie "peak" a this moment.
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)