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Gareth von Kallenbach (971 KP) rated Call of duty: Black ops III - The Awakening in Video Games
Jun 19, 2019
Fans of Call of Duty: Black Ops 3 who plays on the PC or Xbox One can now experience the first of four planned DLC packs with the release of The Awakening. The packs contain four new maps and a new Zombie mode episode which expands the multiplayer experience which has always been a staple of the series.
The first map is The Gauntlet which is a facility divide into various zones. There is a jungle zone, a frozen zone, and one where it rains as you go down an urban street. This map will test your skills as there are numerous areas for enemies to trap, snipe, and hide. It is also very detailed and will force you to remember not to stop and look at the scenery.
The second map is called Splash and this was the most colorful map of any DLC yet. Set in a water park, players can duck down water slides; hide in pools, gift shops and more. Being able to slide down a tube run and come up firing made this really fun. There are many places to explore but also several places for an enemy player to strike from so be on your toes for anything.
Rise is the third map and it is set in a cold construction yard. There are plenty of walls to wall run as well as large open areas where snipers will happily pick you off. The close quarters of the buildings makes for some intense action up close and one that you will want to make sure to prepare for.
Skyjacked rounds out the set as this is an updated map based on the popular Hijacked map from Black Ops 2. Instead of a boat, this time players must battle on a flying ship, but thankfully anyone who has logged time with the original may think they have a leg up, but there are plenty of new twists to be found.
Zombie fans will love Der Eisendrache which allows up to four players to battle Zombies and other forces of evil in a Castle complete with curved stairs, snow, and even a dragon.
The Awakening is a nice addition to the series as it provides new content which will make me want to spend more time with the game as after reaching a few levels of Prestige I found myself looking for a break and The Awakening is just the call I needed to return to duty.
http://sknr.net/2016/03/04/call-of-duty-black-ops-3-the-awakening-dlc/
The first map is The Gauntlet which is a facility divide into various zones. There is a jungle zone, a frozen zone, and one where it rains as you go down an urban street. This map will test your skills as there are numerous areas for enemies to trap, snipe, and hide. It is also very detailed and will force you to remember not to stop and look at the scenery.
The second map is called Splash and this was the most colorful map of any DLC yet. Set in a water park, players can duck down water slides; hide in pools, gift shops and more. Being able to slide down a tube run and come up firing made this really fun. There are many places to explore but also several places for an enemy player to strike from so be on your toes for anything.
Rise is the third map and it is set in a cold construction yard. There are plenty of walls to wall run as well as large open areas where snipers will happily pick you off. The close quarters of the buildings makes for some intense action up close and one that you will want to make sure to prepare for.
Skyjacked rounds out the set as this is an updated map based on the popular Hijacked map from Black Ops 2. Instead of a boat, this time players must battle on a flying ship, but thankfully anyone who has logged time with the original may think they have a leg up, but there are plenty of new twists to be found.
Zombie fans will love Der Eisendrache which allows up to four players to battle Zombies and other forces of evil in a Castle complete with curved stairs, snow, and even a dragon.
The Awakening is a nice addition to the series as it provides new content which will make me want to spend more time with the game as after reaching a few levels of Prestige I found myself looking for a break and The Awakening is just the call I needed to return to duty.
http://sknr.net/2016/03/04/call-of-duty-black-ops-3-the-awakening-dlc/
BankofMarquis (1832 KP) rated Young Frankenstein (1974) in Movies
Apr 20, 2020
My All Time Favorite Comedy
There are certain films that I can revisit time and time again and the effects of the film do not diminish for me and I would argue that they get better with age...and with repeated viewings.
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Finch (2021) in Movies
Nov 18, 2021
Very Effective
There are times when there is a “Perfect Storm” of film material, performance, mood, style and execution of said material and the headspace that I am in when I sit down to view the movie that elevates a film viewing experience above the norm.
Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.
Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.
Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.
There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.
The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.
Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.
Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.
Yes, I am as surprised as you are by this.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.
Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.
Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.
There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.
The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.
Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.
Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.
Yes, I am as surprised as you are by this.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
EmersonRose (320 KP) rated Alfred: And The Underworld in Books
Nov 20, 2019
“Yes Alfred, that is it. I love you. I love you so much. And I am worried. I, we, your father and I, and even Tirnalth – we chose this life for you. We fled for you. A great magic was unleashed to help us, for you Alfred. It helped us escape a world fallen to darkness”
Alfred and the Underworld is the second volume of Alfred: The Boy King series by author Ron Smorynski. Published on November 2017, this book continues Alfred’s journey as the King of Westfold. After spending some time back with his mother in the human world researching and preparing, he goes back to his people. Things are not going well, and Alfred has a lot of work to do to help his people get back on their feet and defend themselves from the darkness that surrounds them.
In this book, Smorynski continues not only with this adventure-filled story but has continued to build up his fantasy world. Alfred encounters several new magical creatures, both good and bad around his kingdom. We also get a further building of the magical system and who has access to magic, which adds to the world and what is possible within it. Another interesting aspect was the history and politics that took a forefront position in this book. We are given a better grasp of the world outside of Alfred’s little kingdom. There are more players in the game now some that could be allies and some that have allied themselves with the evil in the land.
I really enjoyed that in this book we get to see different perspectives. While mostly told from Alfred’s point of view, we also get sneak peaks into both his mother’s mind and the enemies Alfred, and his people are fighting. This was interesting because these other characters are privy to information Alfred does not have access to and helps build the intrigue of the story. I particularly liked the chapters focused on Alfred’s mother. Through the excitement of Alfred building up his kingdom and the thrill of preparing for battle and defeating enemies, the mother is a reminder of a big picture and a deeper mystery. Throughout the first book we were given pieces of the life that she left behind when she brought Alfred to our world, and slowly those pieces are coming together.
I greatly enjoyed this book and am excited about the third book in the series Alfred and the Quest of the Knights. Alfred and the Underworld was an exciting, fun, and interesting story on its own, but it also set up nicely for the next installment. Between the big bad that is Gorbogal the witch and the truth bomb that was dropped on Alfred in the last sentence as a cliffhanger, this book as left me desperately waiting for more.
Alfred and the Underworld is the second volume of Alfred: The Boy King series by author Ron Smorynski. Published on November 2017, this book continues Alfred’s journey as the King of Westfold. After spending some time back with his mother in the human world researching and preparing, he goes back to his people. Things are not going well, and Alfred has a lot of work to do to help his people get back on their feet and defend themselves from the darkness that surrounds them.
In this book, Smorynski continues not only with this adventure-filled story but has continued to build up his fantasy world. Alfred encounters several new magical creatures, both good and bad around his kingdom. We also get a further building of the magical system and who has access to magic, which adds to the world and what is possible within it. Another interesting aspect was the history and politics that took a forefront position in this book. We are given a better grasp of the world outside of Alfred’s little kingdom. There are more players in the game now some that could be allies and some that have allied themselves with the evil in the land.
I really enjoyed that in this book we get to see different perspectives. While mostly told from Alfred’s point of view, we also get sneak peaks into both his mother’s mind and the enemies Alfred, and his people are fighting. This was interesting because these other characters are privy to information Alfred does not have access to and helps build the intrigue of the story. I particularly liked the chapters focused on Alfred’s mother. Through the excitement of Alfred building up his kingdom and the thrill of preparing for battle and defeating enemies, the mother is a reminder of a big picture and a deeper mystery. Throughout the first book we were given pieces of the life that she left behind when she brought Alfred to our world, and slowly those pieces are coming together.
I greatly enjoyed this book and am excited about the third book in the series Alfred and the Quest of the Knights. Alfred and the Underworld was an exciting, fun, and interesting story on its own, but it also set up nicely for the next installment. Between the big bad that is Gorbogal the witch and the truth bomb that was dropped on Alfred in the last sentence as a cliffhanger, this book as left me desperately waiting for more.
Gareth von Kallenbach (971 KP) rated The Croods (2013) in Movies
Aug 7, 2019
When seeing the trailers for this film it seemed like so many other stories that have come before (Ice Age: Continental Drift for example). I figured that this was just the next shameless animated money grab by studios attempting to cash in on those parents who take their young children to each new animated film no matter what it is. That being said, the trailer for this film does not do it justice. Seriously, 20th Century Fox is doing Dreamworks Animation a disservice by not providing better trailers and promotion for The Croods. While the complete package of this film is not the best animated film, it is more than just a mere money grab.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
Lyndsey Gollogly (2893 KP) rated Defiance (Rise of the Iliri #3) in Books
Mar 3, 2020
Contains spoilers, click to show
HER ONLY CHOICE IS TO CHANGE HER WORLD…
Salryc Luxx has come a long way in just four years, from slave to conscript, to elite Black Blade assassin, rising rapidly as her extraordinary abilities are revealed. Promoted to lieutenant after capturing a valuable shipment of metals and laying waste to the invading force, she and Cyno, her partner (in war and love), have been entrusted with a dangerous mission: to assassinate the King of Anglia and the five nobles in line for the throne, leaving the path to ascension clear for their own leader.
That’s one side of the story. The other is that she and Cyno have been assigned this suicide mission as Parliament’s first pass at removing the iliri taint from the military. Either way, without the strength of allies, the Conglomerate of Free Citizens cannot turn back the invaders, whose goal is to wipe out the whole iliri species, so Sal and Cyno are the only hope of ending the continental war devastating their species. Traveling for months, they are so far away from their home base that they’re beyond the mental link that connects the pack. They remain committed to their mission—and to each other, but… unhappily disturbed. They can only hope their separation from the pack bring them closer together. But the danger is, in the absence of the pack, their bond will wither.
A kind deed, helping what they take to be a wounded animal, leads to the discovery of their true nature, to strengthening and re-energizing their pack, and to a surprising alliance that offers hope for the future. The wounded animal, they learn, is a graour wolf, a species of ferocious warriors with language and traits nearly identical to iliri. When two of them ask to join her pack, Sal recruits them as Black Blades and the iliri are no longer the only dog in the fight for iliri freedom.
But Anglia is nothing like the Conglomerate of Free Citizens. Anglians discriminate based on gender, not species. Iliri are thought to be just a myth--until Sal shows her face. To convince the king and his council that yes, a woman really can be a soldier, she's going to have to make her own rules. The enemy is moving. She doesn't have time to deal with outdated court manners.
As the defiance of an entire species rises up in her, she really has no choice—she’ll just have to change the world.
Women readers will thrill to the reverse harem idea that pushes the boundaries of epic fantasy in this second world series that may remind some of Avatar without the scary beasts; or even Game Of Thrones, but happier, with more color—and a dazzling female protagonist. Fans of Anne McCaffrey’s Dragonriders of Pern will find Sal’s planet Ogun a thrilling destination for their next fantasy fix
They just keep getting better! Sal and Cyno are out on their own and they are kicking up a storm! We get to meet the Graour who the Iliri are descended from! We get a chance to see a whole new world building. I love the new characters and you are with them every step of the way on the battlefield it's also such a good feeling when the black blades are all back together and loving their new pack mates. It was only a matter of time before Cyno became her number 1 I'm glad Blaec took it well. Looking forward to book 4!
Salryc Luxx has come a long way in just four years, from slave to conscript, to elite Black Blade assassin, rising rapidly as her extraordinary abilities are revealed. Promoted to lieutenant after capturing a valuable shipment of metals and laying waste to the invading force, she and Cyno, her partner (in war and love), have been entrusted with a dangerous mission: to assassinate the King of Anglia and the five nobles in line for the throne, leaving the path to ascension clear for their own leader.
That’s one side of the story. The other is that she and Cyno have been assigned this suicide mission as Parliament’s first pass at removing the iliri taint from the military. Either way, without the strength of allies, the Conglomerate of Free Citizens cannot turn back the invaders, whose goal is to wipe out the whole iliri species, so Sal and Cyno are the only hope of ending the continental war devastating their species. Traveling for months, they are so far away from their home base that they’re beyond the mental link that connects the pack. They remain committed to their mission—and to each other, but… unhappily disturbed. They can only hope their separation from the pack bring them closer together. But the danger is, in the absence of the pack, their bond will wither.
A kind deed, helping what they take to be a wounded animal, leads to the discovery of their true nature, to strengthening and re-energizing their pack, and to a surprising alliance that offers hope for the future. The wounded animal, they learn, is a graour wolf, a species of ferocious warriors with language and traits nearly identical to iliri. When two of them ask to join her pack, Sal recruits them as Black Blades and the iliri are no longer the only dog in the fight for iliri freedom.
But Anglia is nothing like the Conglomerate of Free Citizens. Anglians discriminate based on gender, not species. Iliri are thought to be just a myth--until Sal shows her face. To convince the king and his council that yes, a woman really can be a soldier, she's going to have to make her own rules. The enemy is moving. She doesn't have time to deal with outdated court manners.
As the defiance of an entire species rises up in her, she really has no choice—she’ll just have to change the world.
Women readers will thrill to the reverse harem idea that pushes the boundaries of epic fantasy in this second world series that may remind some of Avatar without the scary beasts; or even Game Of Thrones, but happier, with more color—and a dazzling female protagonist. Fans of Anne McCaffrey’s Dragonriders of Pern will find Sal’s planet Ogun a thrilling destination for their next fantasy fix
They just keep getting better! Sal and Cyno are out on their own and they are kicking up a storm! We get to meet the Graour who the Iliri are descended from! We get a chance to see a whole new world building. I love the new characters and you are with them every step of the way on the battlefield it's also such a good feeling when the black blades are all back together and loving their new pack mates. It was only a matter of time before Cyno became her number 1 I'm glad Blaec took it well. Looking forward to book 4!
Gareth von Kallenbach (971 KP) rated Maze Runner: The Scorch Trials (2015) in Movies
Aug 6, 2019
Knowing my love of reading, a friend of mine suggested I read The Maze Runner by James Dashner a few years ago. I had just finished reading Hunger Games so, honestly, I was burned out on post-apocalyptic survival stories so I set it aside. However, being familiar with the title, my interest was piqued when the movie was announced and I found myself drawn into the story more than I expected when I screened The Maze Runner movie in 2014. It didn’t have the desperate drama of The Hunger Games, but the mystery of the maze was intriguing enough.
If you haven’t seen the first movie in this series, you’ll want to watch that first as Scorch Trials picks up pretty much where the last movie ended. There are no recaps or flashbacks which fans may appreciate as the full 2 hours and 12 minute running time is dedicated to advancing the story, but it’s definitely not a movie that stands well on its own.
Having escaped from the Glade, Thomas and his somber band of Gladers are transported to a fortified military installation where for a brief moment they believe they’re safe from Ava Paige and WCKD, the mysterious organization that placed them in the Glade for reasons still unknown.
Suspicious and untrusting (by nature, or conditioning?), Thomas, played with grim determination by Dylan O’Brien, uncovers the outpost’s connection to WCKD and the gang is on the run again but this time, instead of a maze, they find themselves in a desolate landscape known as the Scorch.
If the first movie was “The Great Escape”, this movie is “The Amazing Race”. Hoping to find “The Right Hand”, a vigilante group of resistance fighters that have allegedly rescued other Gladers, Thomas and gang set out across a barren wasteland. The movie follows their desperate flight to avoid both WCKD operatives and “cranks”, zombies who were victims of a virus that has wiped out most of humanity.
I watched most of The Scorch Trials, much like I watch The Walking Dead, with my eyes clenched shut but still listening earnestly, but I’m a bit of a wimp that way. There’s definitely more action in this installment and those who enjoyed the first movie, will appreciate this one more even though the last 20 minutes or so of the movie was set up for the third Maze Runner: The Death Cure due in 2017.
The core band of Gladers, played by O’Brien, Kaya Scodelario (Teresa), Thomas Brodie-Sangster (Newt), Ki Hong Lee (Minho), Dexter Darden (Frypan) and Alexander Flores (Winston) are easy to root for, while Game of Thrones’ Aiden Gillen (Janson) and Patricia Clarkson, who reprises her role as Ava Paige, are very easy to dislike. The Scorch Trials introduces new characters, like Aris another maze escapee played by Jacob Lofland, and Brenda and Jorge, survivors turned mercenaries played by Rosa Salazar and Giancarlo Esposito who add a new dimension to the story. Will they help lead the Gladers to The Right Hand or turn them over to WCKD for the right price?
In addition to nearly maiming my husband by squeezing his hand too tight, I also left the movie a little winded from holding my breath in suspense, and watching these kids do a hell of a lot of running. A worthy sequel, The Scorch Trials definitely leaves you ready for the story to continue.
If you haven’t seen the first movie in this series, you’ll want to watch that first as Scorch Trials picks up pretty much where the last movie ended. There are no recaps or flashbacks which fans may appreciate as the full 2 hours and 12 minute running time is dedicated to advancing the story, but it’s definitely not a movie that stands well on its own.
Having escaped from the Glade, Thomas and his somber band of Gladers are transported to a fortified military installation where for a brief moment they believe they’re safe from Ava Paige and WCKD, the mysterious organization that placed them in the Glade for reasons still unknown.
Suspicious and untrusting (by nature, or conditioning?), Thomas, played with grim determination by Dylan O’Brien, uncovers the outpost’s connection to WCKD and the gang is on the run again but this time, instead of a maze, they find themselves in a desolate landscape known as the Scorch.
If the first movie was “The Great Escape”, this movie is “The Amazing Race”. Hoping to find “The Right Hand”, a vigilante group of resistance fighters that have allegedly rescued other Gladers, Thomas and gang set out across a barren wasteland. The movie follows their desperate flight to avoid both WCKD operatives and “cranks”, zombies who were victims of a virus that has wiped out most of humanity.
I watched most of The Scorch Trials, much like I watch The Walking Dead, with my eyes clenched shut but still listening earnestly, but I’m a bit of a wimp that way. There’s definitely more action in this installment and those who enjoyed the first movie, will appreciate this one more even though the last 20 minutes or so of the movie was set up for the third Maze Runner: The Death Cure due in 2017.
The core band of Gladers, played by O’Brien, Kaya Scodelario (Teresa), Thomas Brodie-Sangster (Newt), Ki Hong Lee (Minho), Dexter Darden (Frypan) and Alexander Flores (Winston) are easy to root for, while Game of Thrones’ Aiden Gillen (Janson) and Patricia Clarkson, who reprises her role as Ava Paige, are very easy to dislike. The Scorch Trials introduces new characters, like Aris another maze escapee played by Jacob Lofland, and Brenda and Jorge, survivors turned mercenaries played by Rosa Salazar and Giancarlo Esposito who add a new dimension to the story. Will they help lead the Gladers to The Right Hand or turn them over to WCKD for the right price?
In addition to nearly maiming my husband by squeezing his hand too tight, I also left the movie a little winded from holding my breath in suspense, and watching these kids do a hell of a lot of running. A worthy sequel, The Scorch Trials definitely leaves you ready for the story to continue.
Gareth von Kallenbach (971 KP) rated Black Widow (2021) in Movies
Jun 29, 2021
After a delay lasting 19 months; the Marvel Cinematic Universe (MCU) has returned to the big screen with “Black Widow”. The film takes place between “Captain America: Civil War” and “Avengers: Infinity War”; audiences get more of the backstory of Natasha Romanoff (Scarlett Johansson), as we are introduced to her early life before the Red Room.
This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.
Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.
Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.
Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.
With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.
What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.
Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.
While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.
“Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.
From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.
This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.
Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.
Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.
Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.
With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.
What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.
Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.
While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.
“Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.
From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.
Lottie disney bookworm (1056 KP) rated She Who Became The Sun in Books
Aug 30, 2021
Beware those who journey further – a fairytale this ain’t!
After a fortune teller destines her brother for greatness and her own life to be worthless, a peasant girl may be expected to resign herself to her fate. However, upon her brother’s premature death, the girl seizes an opportunity to adopt both his name and his destiny.
She Who Became the Sun is a brutal, hard hitting debut to The Radiant Emperor series. Comparisons tend to quote Mulan due to the setting and the nature of Zhu disguising her female birth, but this is honestly where the comparison ends. For me, this novel is as if Mulan was in the Game of Thrones novels: warring factions, political backstabbing and the quest for power, Parker-Chan really doesn’t hold back.
As the debut novel, She Who Became the Sun has a lot of work to do in world-building and revealing the history behind the main characters. As a result, the pace of writing can feel a little slow at times but the final few chapters are well worth any previous perseverance.
Despite the pace in the middle of the novel, Parker-Chan’s writing is lyrical and intense simultaneously. Zhu’s desire to live gives a desperate, raw undertone to every one of the chapters under her POV. This is in direct juxtaposition from our other main character, Ouyang, who exudes cold detachment.
Zhu and Ouyang are both orphans, both queer and, as a girl and a eunuch, are both shunned by society. However, they consistently find themselves facing each other on opposite sides of a war: they may be ‘like and like’ but they are both characters who believe that their path is already decided for them, and neither will let anyone stand in their way!
Zhu and Ouyang are complex, well-developed characters, but they are nothing without their stunning supporting cast! I particularly loved Xu Da, Esen and Ma who never showed any prejudice against our main protagonists and purely accepted them for who they were.
She Who Became the Sun intertwines historical fiction with fantasy, war strategies with spirits and death with fate. This novel manages to be gritty and violent whilst also exploring gender identity in an open and refreshing manner. Morality is blurred and ghosts are rife: I can’t wait to see what happens next.
Thank you to Netgalley and Pan Macmillan for gifting me an e-ARC of She Who Became the Sun.
After a fortune teller destines her brother for greatness and her own life to be worthless, a peasant girl may be expected to resign herself to her fate. However, upon her brother’s premature death, the girl seizes an opportunity to adopt both his name and his destiny.
She Who Became the Sun is a brutal, hard hitting debut to The Radiant Emperor series. Comparisons tend to quote Mulan due to the setting and the nature of Zhu disguising her female birth, but this is honestly where the comparison ends. For me, this novel is as if Mulan was in the Game of Thrones novels: warring factions, political backstabbing and the quest for power, Parker-Chan really doesn’t hold back.
As the debut novel, She Who Became the Sun has a lot of work to do in world-building and revealing the history behind the main characters. As a result, the pace of writing can feel a little slow at times but the final few chapters are well worth any previous perseverance.
Despite the pace in the middle of the novel, Parker-Chan’s writing is lyrical and intense simultaneously. Zhu’s desire to live gives a desperate, raw undertone to every one of the chapters under her POV. This is in direct juxtaposition from our other main character, Ouyang, who exudes cold detachment.
Zhu and Ouyang are both orphans, both queer and, as a girl and a eunuch, are both shunned by society. However, they consistently find themselves facing each other on opposite sides of a war: they may be ‘like and like’ but they are both characters who believe that their path is already decided for them, and neither will let anyone stand in their way!
Zhu and Ouyang are complex, well-developed characters, but they are nothing without their stunning supporting cast! I particularly loved Xu Da, Esen and Ma who never showed any prejudice against our main protagonists and purely accepted them for who they were.
She Who Became the Sun intertwines historical fiction with fantasy, war strategies with spirits and death with fate. This novel manages to be gritty and violent whilst also exploring gender identity in an open and refreshing manner. Morality is blurred and ghosts are rife: I can’t wait to see what happens next.
Thank you to Netgalley and Pan Macmillan for gifting me an e-ARC of She Who Became the Sun.
Bong Mines Entertainment (15 KP) rated Progression by Ray J in Music
Jun 21, 2019
Ray J is a is a singer-songwriter, rapper, and actor based in Los Angeles, California. Not too long ago, he released a music video for his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.