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Emma @ The Movies (1786 KP) rated Slaughterhouse Rulez (2018) in Movies
Sep 25, 2019
I can sum this film up in one easy way: it's Shaun Of The Dead meets Attack The Block meets St Trinians, but nowhere near as good as that film combo should be.
To say I'm a little bit heartbroken about this would be an understatement. This was one of my top picks from the autumn cinema offerings and now I'm just sad that it made the cut.
"Slaughterhouse Rulez looks like St Trinians, mixed with the aliens from Attack The Block meets the hellmouth from Sunnydale... and what's not to love about that?!" - quote from me in pre-release excitement.
Evidently, everything.
The general premise of the story seemed like a good one, and the trio of top acting talent felt like it would carry the film even if the story turned out to be flimsy. Here's my problem, I didn't enjoy any of their characters. I didn't find The Bat or Meredith Houseman likeable, even as comic relief, and while Woody Chapman was probably the best of the three I still found him annoying.
By far the best characters were brought to life by the younger cast members. Don and Willoughby have a great dynamic throughout and along with the interactions as a group when they join up with the girls to investigate they saved this from being a complete flop for me.
I take very rough notes in the screenings while I'm watching. It's generally me vaguely pointing a pen at the page and scribbling key words down. I think that my favourite during this one was "imitation Draco".
What I did notice from my scribblings is that I made more than one note about Shaun Of The Dead. Someone gets tooled up with a cricket bat, there's a very familiar moment with the car, and at one point I'm reminded of Dylan Moran being dragged through the pub window. Oh, and he gets the group together and heads out to the cadet range.
I said at the beginning that it's like Shaun Of The Dead meets Attack The Block meets St Trinians, I'm afraid that my suggestion would be to watch those instead. The sad thing is that I think I probably would have enjoyed it more if the big three hadn't been in it. Anticipation can be a bitch sometimes.
What you should do
I think this one is better viewed at home with some friends, probably with a drinking game.
To say I'm a little bit heartbroken about this would be an understatement. This was one of my top picks from the autumn cinema offerings and now I'm just sad that it made the cut.
"Slaughterhouse Rulez looks like St Trinians, mixed with the aliens from Attack The Block meets the hellmouth from Sunnydale... and what's not to love about that?!" - quote from me in pre-release excitement.
Evidently, everything.
The general premise of the story seemed like a good one, and the trio of top acting talent felt like it would carry the film even if the story turned out to be flimsy. Here's my problem, I didn't enjoy any of their characters. I didn't find The Bat or Meredith Houseman likeable, even as comic relief, and while Woody Chapman was probably the best of the three I still found him annoying.
By far the best characters were brought to life by the younger cast members. Don and Willoughby have a great dynamic throughout and along with the interactions as a group when they join up with the girls to investigate they saved this from being a complete flop for me.
I take very rough notes in the screenings while I'm watching. It's generally me vaguely pointing a pen at the page and scribbling key words down. I think that my favourite during this one was "imitation Draco".
What I did notice from my scribblings is that I made more than one note about Shaun Of The Dead. Someone gets tooled up with a cricket bat, there's a very familiar moment with the car, and at one point I'm reminded of Dylan Moran being dragged through the pub window. Oh, and he gets the group together and heads out to the cadet range.
I said at the beginning that it's like Shaun Of The Dead meets Attack The Block meets St Trinians, I'm afraid that my suggestion would be to watch those instead. The sad thing is that I think I probably would have enjoyed it more if the big three hadn't been in it. Anticipation can be a bitch sometimes.
What you should do
I think this one is better viewed at home with some friends, probably with a drinking game.
Method Man recommended The Station Agent (2003) in Movies (curated)
Hazel (1853 KP) rated Shadow Fall (Shadow Fall, #1) in Books
Dec 7, 2018
Rating 1.5 stars
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
For almost a decade, dystopian literature has become mainstream amongst the young adult community, and it appears set to stay as another debut author joins the bandwagon. <i>Shadow Fall</i> by Audrey Grey encompasses ideas from popular series, such as<i> The Hunger Games</i> and <i>The Maze Runner</i>, to create an original apocalyptic story. In barely more than a fortnight the Earth is doomed to be destroyed by a passing asteroid, only a handful of humans can survive. The question is who?
Maia Graystone, a fugitive, has been given the opportunity to win a place on Hyperion space station – a castle in the stars – and safety from the asteroid, Pandora. However in a game of life and death it is not going to be easy to get through the trials. Posing, quite literally, as the Lady Everly March, Maia hopes not to be recognized by the tyrannous Emperor, nor by the mother who abandoned her. Yet Maia’s supporters have an ulterior motive – kill the Emperor.
To be brutally honest, <i>Shadow Fall</i> was a rather tedious book to read. Granted there was a lot of action – mostly unnecessary, bloodthirsty murder – however the confusing storyline, rude characters and the inability to evoke a visual idea of the setting, resulted in a painstakingly uninspiring story.
With so many dystopian novels to compete against, it is going to be hard for a new writer to stand out from the crowd. Audrey Grey used a lot of Greek mythological references as the basis of her ideas, something that appealed to me, but may be lost on other readers.
On the other hand,<i> Shadow Fall </i>contains a couple of scenes that will conjure emotion up in the majority of readers, and mildly excite and engage. Yet, for me, this was not enough to save it from a negative review. I really wanted to like this book but I struggled to get into the story and appreciate the author’s hard work.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
For almost a decade, dystopian literature has become mainstream amongst the young adult community, and it appears set to stay as another debut author joins the bandwagon. <i>Shadow Fall</i> by Audrey Grey encompasses ideas from popular series, such as<i> The Hunger Games</i> and <i>The Maze Runner</i>, to create an original apocalyptic story. In barely more than a fortnight the Earth is doomed to be destroyed by a passing asteroid, only a handful of humans can survive. The question is who?
Maia Graystone, a fugitive, has been given the opportunity to win a place on Hyperion space station – a castle in the stars – and safety from the asteroid, Pandora. However in a game of life and death it is not going to be easy to get through the trials. Posing, quite literally, as the Lady Everly March, Maia hopes not to be recognized by the tyrannous Emperor, nor by the mother who abandoned her. Yet Maia’s supporters have an ulterior motive – kill the Emperor.
To be brutally honest, <i>Shadow Fall</i> was a rather tedious book to read. Granted there was a lot of action – mostly unnecessary, bloodthirsty murder – however the confusing storyline, rude characters and the inability to evoke a visual idea of the setting, resulted in a painstakingly uninspiring story.
With so many dystopian novels to compete against, it is going to be hard for a new writer to stand out from the crowd. Audrey Grey used a lot of Greek mythological references as the basis of her ideas, something that appealed to me, but may be lost on other readers.
On the other hand,<i> Shadow Fall </i>contains a couple of scenes that will conjure emotion up in the majority of readers, and mildly excite and engage. Yet, for me, this was not enough to save it from a negative review. I really wanted to like this book but I struggled to get into the story and appreciate the author’s hard work.
Jessica - Where the Book Ends (15 KP) rated Ready Player One in Books
Jan 30, 2019
Honestly, I’m not really sure where to start with this review. I guess I need to preface by saying that I wanted to like this book. I mean REALLY wanted to like it. I love video games, I love the 80’s and the idea of living almost exclusively in virtual reality sounds like an amazing combination for a story. Unfortunately, it didn’t work for me… at all. I totally respect that there is a HUGE following for this book, and I am sooooooooooooo glad that so many people loved this book. I think that’s great. I really wanted to like it.
The author’s writing style was the biggest problem for me. The book started off strong for the first couple of chapters, but then became a huge info-dump for about 6 chapters. Then it would get interesting again, and then another mega epic info-dump was upon us, until about the last 6-8 chapters. It was great that the author wanted to give detail to world build and help you become part of the book/game, but at times it was just too much for me.
I also found that the author did a poor job of explaining what life was like outside of the major cities, it was almost as if we were supposed to just know that it was a wasteland. The author also was not consistent with their acronyms (GSS, PVP, MMO, etc). He would use the acronym and provide no explanation, and then the next page he would spell it out with the acronym, and then the page after that it would be spelled out with no acronym… It was all over the place.
The other glaring issue for me was the fact that Wade was fighting the sixers and their huge corporation but then was trying to find the egg and in the end became the head of a super-mega-corporation. It didn’t jive for me at all.
The author’s writing style was the biggest problem for me. The book started off strong for the first couple of chapters, but then became a huge info-dump for about 6 chapters. Then it would get interesting again, and then another mega epic info-dump was upon us, until about the last 6-8 chapters. It was great that the author wanted to give detail to world build and help you become part of the book/game, but at times it was just too much for me.
I also found that the author did a poor job of explaining what life was like outside of the major cities, it was almost as if we were supposed to just know that it was a wasteland. The author also was not consistent with their acronyms (GSS, PVP, MMO, etc). He would use the acronym and provide no explanation, and then the next page he would spell it out with the acronym, and then the page after that it would be spelled out with no acronym… It was all over the place.
The other glaring issue for me was the fact that Wade was fighting the sixers and their huge corporation but then was trying to find the egg and in the end became the head of a super-mega-corporation. It didn’t jive for me at all.
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 10, 2019
An emotional goodbye
Over the last three years, The Hunger Games franchise has thrilled and delighted fans and newcomers to the series with its mix of wonderful special effects, a great cast and intriguing plots.
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
Pokémon GO
Games and Health & Fitness
7.6
Rate It
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Join Trainers across the globe who are discovering Pokémon as they explore the world around them....
Joe Goodhart (27 KP) rated Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1 in Books
Nov 30, 2020
So, before I begin my review of ULTIMATE COMICS: SPIDER-MAN Vol. 1, I feel the need to confess something: there was a point in life where I was a lot less liberal, a lot less "forward thinking". I felt heroes like Miles Morales were unnecessary, examples of "lazy writing". I felt that instead of creating a non-white Spider-Man, he should have been a newly created hero, not a copy of one already in existence.
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
ClareR (5726 KP) rated The Hiding Game in Books
Sep 8, 2019 (Updated Sep 9, 2019)
A completely engrossing novel about Weimar, Bauhaus and complicated relationships
The Hiding Game is set mostly in the period between the two World Wars at the Bauhaus art school. This was a time of great change in Germany, both politically and artistically. Paul Beckermann starts his study at Bauhaus in 1922, and forms one of a group of six friends. He falls in love with the unobtainable Charlotte, a young woman from Czechoslovakia, but she loves Jenö, who in turn is loved by Paul’s best friend Walter. It seems like an impossible love triangle (or even a square?!). These strong feelings lead to betrayal in a time that it was very easy to utterly destroy lives. The six friends drift apart, mainly out of necessity (Bauhaus was not liked at all by the traditionalists in the National Socialist party), but also they just couldn’t be together anymore.
Paul, as an older man living in England, looks back at this period in his life and how it went tragically wrong. Not all of the six friends were as fortunate as he was.
It’s a heartbreaking and also a suspenseful novel. Someone with only a limited knowledge of this period will know of the kind of tragedy that could befall people then. Paul’s guilt and sadness are palpable throughout the book, and I really felt for him. This isn’t really a book where the characters find some sort of forgiveness for themselves - there is none to find. Terrible things happened, and the survivors had to find a way to live with themselves afterwards.
I loved the details about Bauhaus. I did some study on it during my German degree, and it filled in some gaps in my knowledge (there are quite a few gaps to fill when you did that degree 25 years ago!), and I’m always on the lookout for books set in Germany, especially those with a good helping of history (this has it in spades!). And for me, this really didn’t disappoint. I loved it, and I’ll be recommending it to friends (ex-German degree friends as well!).
Many thanks to NetGalley and Picador for my copy of this wonderful book.
Paul, as an older man living in England, looks back at this period in his life and how it went tragically wrong. Not all of the six friends were as fortunate as he was.
It’s a heartbreaking and also a suspenseful novel. Someone with only a limited knowledge of this period will know of the kind of tragedy that could befall people then. Paul’s guilt and sadness are palpable throughout the book, and I really felt for him. This isn’t really a book where the characters find some sort of forgiveness for themselves - there is none to find. Terrible things happened, and the survivors had to find a way to live with themselves afterwards.
I loved the details about Bauhaus. I did some study on it during my German degree, and it filled in some gaps in my knowledge (there are quite a few gaps to fill when you did that degree 25 years ago!), and I’m always on the lookout for books set in Germany, especially those with a good helping of history (this has it in spades!). And for me, this really didn’t disappoint. I loved it, and I’ll be recommending it to friends (ex-German degree friends as well!).
Many thanks to NetGalley and Picador for my copy of this wonderful book.
Movie Metropolis (309 KP) rated The Boss (2016) in Movies
Jun 11, 2019
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/