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Bob Mann (459 KP) rated The Guernsey Literary and Potato Peel Pie Society (2018) in Movies

Sep 29, 2021

“Contented with little, wishing for more”.

Here’s a curious little British film that has some merit, both as an entertainment vehicle and as a history lesson.

Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.

Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.

Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?

(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:

the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.

The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.

In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.

Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)

I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!

So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…

Kudos

Playing For Keeps (Hot Jocks #1)

Kendall Ryan

9.0 (1 Ratings) Rate It

Book

I've never been so stupid in my entire life. Elise Parrish, my teammate's incredibly sweet and...

Hazel (2934 KP) rated Insylum in Books

Feb 4, 2018

Insylum

Z. Rider | 2015 | Horror

7.0

(2 Ratings)

Book Rating

Not to be taken at face value

This is one of those books that if you read it and then let it digest for a while, it becomes much more than it originally appears. Unfortunately, as this is quite a short story, I can’t go into much detail without giving the game away but I would suggest that if you want to get the most out of it, you don’t take it at face value.

The premise of the story is simple, two friends (Nate and AJ) spend their last night together in a “funhouse” before AJ gets shipped off to Afghanistan. The “funhouse” is not what you would find at Blackpool Pleasure Beach; there is no fun involved. From the entrance, Nate and AJ need to discard all their possessions in exchange for a pair of pyjamas and paper shoes and once inside, they are not allowed to go back - they become inmates/patients.

It doesn’t take long for the shenanigans to begin and we are “treated” to some pretty graphic descriptions of what befalls the participants. I’m quite a hardened horror reader but even some of the “treatments” made me squirm. There were a couple of “tutting” moments though as is usual with horror books (and films) whereby the characters do things that you really wouldn't do in real life but, on the whole, it’s pretty good.

I’m not sure that I can say that the main characters of Nate and AJ are particularly likeable as I didn’t feel myself warming to them at all or particularly caring about what happened to them but they are believable and well developed for such a short story.

I have read another book by Z Rider - Suckers: A Horror Novel - which was thoroughly engrossing and, like this book, has more to it than first meets the eye and I would recommend them both to anyone who enjoys this genre.

Thank you to the publisher, Dark Ride Publishing and NetGalley for providing me with an advance copy in return for an honest review.