Search
Search results
Lola Panda’s Math Train 2 – Learn Counting, Addition, and Subtraction with Lola!
Games and Education
App
Lola is back for even more math train adventures in Lola’s Math Train 2! Even more challenging...
Itsy Bitsy Spider - Educational Activities & Songs
Education and Games
App
~~~ 10 fabulous games and full sing along in one great kids app! ~~~ ~~ 5 beautiful verses of the...
BankofMarquis (1832 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020
Entertaining "shoot-em-up" with 2 charismatic leads
Okay - I gotta admit, I never saw the first two BAD BOYS films starring Will Smith and Martin Lawrence, but I pretty much got the gist of it through the advertisements, so when these 2 re-united for a 3rd film (set 17 years after BAD BOYS II), I figured I would skip this one as well. But...as life would have it...I ended up attending this film - with a giant attitude of "this is gonna stink" to accompany me.
And...I was wrong. I was really, really entertained by this film.
BAD BOYS FOR LIFE presents Martin Lawrence's Det. Marcus Burnett and Will Smith's Det. Mike Lowry still "in the game". One wants to keep working and the other is looking to retire (if you take a look at the picture, you can figure out which one is which). The two battle like an old married couple while taking on some crooks in "shoot 'em up" action scenes.
And...what's not to like about that? Smith and Lawrence still have strong chemistry on the screen and the action scenes - staged by new (to me) Directors Adil and Bilall - keep things moving at a quick enough pace, not too fast that you get a headache, but not too slow that you start punching a hole in the plot.
And...as is typical of these types of films...the plot is paper thin and just is a reason to have these 2 banter and to have shoot-em-up scenes.
But that doesn't matter.
Ably helping the boys out is their put-upon Captain (the always watchable Joe Pantaliano reprising his role from the previous 2 films) and the members of the "AMMO SQUAD". These are young cops who are set up to replace our 2 heroes. Normally, this band of youngsters would be arrogant a-holes who end up being too cocky and are outwitted by our heroes, but this film puts that convention on it's ear and the "Ammo Squad" are actually a pretty good addition to this film series.
The filmmakers left the door wide open for BAD BOYS 4 and...I can't believe I'm saying this...I'm actually looking forward to it! Certainly not an Oscar contender, but an entertaining "blow-em-up" with 2 charismatic leads that play off each other well. Everyone involved knew exactly what type of film they were making - so they made that movie, with no apologies.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I was wrong. I was really, really entertained by this film.
BAD BOYS FOR LIFE presents Martin Lawrence's Det. Marcus Burnett and Will Smith's Det. Mike Lowry still "in the game". One wants to keep working and the other is looking to retire (if you take a look at the picture, you can figure out which one is which). The two battle like an old married couple while taking on some crooks in "shoot 'em up" action scenes.
And...what's not to like about that? Smith and Lawrence still have strong chemistry on the screen and the action scenes - staged by new (to me) Directors Adil and Bilall - keep things moving at a quick enough pace, not too fast that you get a headache, but not too slow that you start punching a hole in the plot.
And...as is typical of these types of films...the plot is paper thin and just is a reason to have these 2 banter and to have shoot-em-up scenes.
But that doesn't matter.
Ably helping the boys out is their put-upon Captain (the always watchable Joe Pantaliano reprising his role from the previous 2 films) and the members of the "AMMO SQUAD". These are young cops who are set up to replace our 2 heroes. Normally, this band of youngsters would be arrogant a-holes who end up being too cocky and are outwitted by our heroes, but this film puts that convention on it's ear and the "Ammo Squad" are actually a pretty good addition to this film series.
The filmmakers left the door wide open for BAD BOYS 4 and...I can't believe I'm saying this...I'm actually looking forward to it! Certainly not an Oscar contender, but an entertaining "blow-em-up" with 2 charismatic leads that play off each other well. Everyone involved knew exactly what type of film they were making - so they made that movie, with no apologies.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
City GT Car Racer in Traffic
Games
App
Get ready for World’s Longest Car racing In City GT Car Racer in Traffic you have chance to enjoy...
Bob Mann (459 KP) rated The Front Runner (2018) in Movies
Sep 28, 2021
Candidate for a downfall.
We can all probably rattle off some of the classics movies with US politics as their backdrop. For me, “All the President’s Men”; “Primary Colors”; and “Frost/Nixon” might make that list. In the next tier down there are many great drama/thrillers – “Miss Sloane“; “The Post“; “The Ides of March”; “The American President”; “JFK” – and even some pretty funny comedies – “Dave” and “My Fellow Americans” for example. It’s actually quite difficult to think of many films on the subject that are outright dire, proving it remains a fertile ground for film-makers.
“The Front Runner” fortunately avoids this last category, but it’s certainly not good enough to make it into the ‘classics’ list either.
A true story.
The film is based on the true-story of US presidential hopeful Gary Hart (Hugh Jackman) and if you are NOT aware of the historical background then you might want to skip the rest of this review – and indeed all others – so you can see the film first and let the history come as a surprise to you.
Hart was younger than most candidates: good-looking, floppy-haired and refreshingly matter of fact in his dealings with the public and the press. Any interviews had to be about his politics: not about his family life with wife Lee (Vera Farmiga) and teenage daughter Andrea (Kaitlyn Dever).
Unfortunately, Hart has a weakness for a pretty face (or ten) and his marriage is rocky as a result: “Just don’t embarrass me” is Lee’s one requirement. His “nothing to hide” line to an intelligent Washington Post reporter – AJ Parker (a well cast Mamoudou Athie) – leads to a half-arsed stake-out by Miami Herald reporters and incriminating pictures linking Hart to a Miami pharmaceutical saleswoman Donna Rice (Sara Paxton). As the growing press tsunami rises, and his campaign manager (J.K. Simmons) gets more and more frustrated with him, can his candidacy survive and will his (now very much embarrassed) wife stick by him?
The turns.
Hugh Jackman is perfectly cast here; very believable as the self-centred, self-righteous and stubborn politician. But this central performance is surrounded by a strong team of supporting players. Vera Farmiga is superb as the wounded wife. Sara Paxton is heartbreaking as the intelligent college girl unfairly portrayed as a “slapper” by the media. The scenes between her and Hart-staffer Irene (Molly Ephraim), trying desperately to support her as best she can, are very nicely done. J.K Simmons as campaign manager Bill Dixon is as reliable as ever. And Alfred Molina turns up as the latest film incarnation of The Post’s Ben Bradlee – surely one of the most oft portrayed real-life journalists in film history.
“What did they just say”?
The biggest cause of dissatisfaction I have with the film is with the sound mixing. Was this a deliberate act by director Jason Reitman, to reflect the chaotic nature of political campaigning? Whether it was deliberate or not, much of the film’s dialogue – particularly in the first 30 minutes of the film – is drowned out by background noise. Sometimes I just longed for subtitles!
Just a little bit dull.
The screenplay, by Matt Bai (from his source book), Jay Carson (a Clinton staffer) and director Jason Reitman might align with the history, but the big problem is that the story’s just a little bit dull, particularly by today’s levels of scandal. This suffers the same fate as “House of Cards” (even before the Kevin Spacey allegations) in that the shocking realities of the Trump-era have progressively neutered the shock-factor of the fiction: to the point where it starts to become boring. Here, only once or twice does the screenplay hit a winning beat: for me, it was the scenes between Donna Rice and Irene Kelly and the dramatic press conference towards the end of the film. The rest of the time, the screenplay was perfectly serviceable but nothing spectacular.
When is a politician’s personal life private?
A core tenet of the film is Hart’s view that politics should be about the policies and not about the personality. Looking at the subject nowadays, it’s clearly a ridiculously idealistic viewpoint. Of course it matters. Politicians need to be trusted by their constituents (yeah, like that’s the case in the UK and the US at the moment!) and whether or not they slap their wives around or sleep with farm animals is clearly a material factor in that relationship. But this was clearly not as much the case in the 70’s as it is today, and the suggestion is that the Hart case was a turning point and a wake-up call to politicians around the world. (An interesting article by the Washington Post itself points out that this is also a simplistic view: that Hart should have been well aware of the dangerous game he was playing.)
Fidelity in politics.
Do you think that powerful politicos are driven to infidelity because they are powerful? Or that it is a characteristic of men who have the charisma to become political leaders in the first place? Such was the discussion my wife and I had in the car home after this film. Nature or political nurture? I’m still not sure.
It’s worth pointing out that to this day both Hart and Rice (interestingly, an alleged ex-girlfriend of Eagles front-man Don Henley) stick to their story that they never had sex.
Final thoughts.
The film’s perfectly watchable, has great acting, but is a little bit of a non-event. The end titles came and I thought “OK, that’s that then”…. nothing more. If you’re a fan of this style of historical political film then you probably won’t be disappointed by it; if not, probably best to wait and catch this on the TV.
“The Front Runner” fortunately avoids this last category, but it’s certainly not good enough to make it into the ‘classics’ list either.
A true story.
The film is based on the true-story of US presidential hopeful Gary Hart (Hugh Jackman) and if you are NOT aware of the historical background then you might want to skip the rest of this review – and indeed all others – so you can see the film first and let the history come as a surprise to you.
Hart was younger than most candidates: good-looking, floppy-haired and refreshingly matter of fact in his dealings with the public and the press. Any interviews had to be about his politics: not about his family life with wife Lee (Vera Farmiga) and teenage daughter Andrea (Kaitlyn Dever).
Unfortunately, Hart has a weakness for a pretty face (or ten) and his marriage is rocky as a result: “Just don’t embarrass me” is Lee’s one requirement. His “nothing to hide” line to an intelligent Washington Post reporter – AJ Parker (a well cast Mamoudou Athie) – leads to a half-arsed stake-out by Miami Herald reporters and incriminating pictures linking Hart to a Miami pharmaceutical saleswoman Donna Rice (Sara Paxton). As the growing press tsunami rises, and his campaign manager (J.K. Simmons) gets more and more frustrated with him, can his candidacy survive and will his (now very much embarrassed) wife stick by him?
The turns.
Hugh Jackman is perfectly cast here; very believable as the self-centred, self-righteous and stubborn politician. But this central performance is surrounded by a strong team of supporting players. Vera Farmiga is superb as the wounded wife. Sara Paxton is heartbreaking as the intelligent college girl unfairly portrayed as a “slapper” by the media. The scenes between her and Hart-staffer Irene (Molly Ephraim), trying desperately to support her as best she can, are very nicely done. J.K Simmons as campaign manager Bill Dixon is as reliable as ever. And Alfred Molina turns up as the latest film incarnation of The Post’s Ben Bradlee – surely one of the most oft portrayed real-life journalists in film history.
“What did they just say”?
The biggest cause of dissatisfaction I have with the film is with the sound mixing. Was this a deliberate act by director Jason Reitman, to reflect the chaotic nature of political campaigning? Whether it was deliberate or not, much of the film’s dialogue – particularly in the first 30 minutes of the film – is drowned out by background noise. Sometimes I just longed for subtitles!
Just a little bit dull.
The screenplay, by Matt Bai (from his source book), Jay Carson (a Clinton staffer) and director Jason Reitman might align with the history, but the big problem is that the story’s just a little bit dull, particularly by today’s levels of scandal. This suffers the same fate as “House of Cards” (even before the Kevin Spacey allegations) in that the shocking realities of the Trump-era have progressively neutered the shock-factor of the fiction: to the point where it starts to become boring. Here, only once or twice does the screenplay hit a winning beat: for me, it was the scenes between Donna Rice and Irene Kelly and the dramatic press conference towards the end of the film. The rest of the time, the screenplay was perfectly serviceable but nothing spectacular.
When is a politician’s personal life private?
A core tenet of the film is Hart’s view that politics should be about the policies and not about the personality. Looking at the subject nowadays, it’s clearly a ridiculously idealistic viewpoint. Of course it matters. Politicians need to be trusted by their constituents (yeah, like that’s the case in the UK and the US at the moment!) and whether or not they slap their wives around or sleep with farm animals is clearly a material factor in that relationship. But this was clearly not as much the case in the 70’s as it is today, and the suggestion is that the Hart case was a turning point and a wake-up call to politicians around the world. (An interesting article by the Washington Post itself points out that this is also a simplistic view: that Hart should have been well aware of the dangerous game he was playing.)
Fidelity in politics.
Do you think that powerful politicos are driven to infidelity because they are powerful? Or that it is a characteristic of men who have the charisma to become political leaders in the first place? Such was the discussion my wife and I had in the car home after this film. Nature or political nurture? I’m still not sure.
It’s worth pointing out that to this day both Hart and Rice (interestingly, an alleged ex-girlfriend of Eagles front-man Don Henley) stick to their story that they never had sex.
Final thoughts.
The film’s perfectly watchable, has great acting, but is a little bit of a non-event. The end titles came and I thought “OK, that’s that then”…. nothing more. If you’re a fan of this style of historical political film then you probably won’t be disappointed by it; if not, probably best to wait and catch this on the TV.
Gareth von Kallenbach (980 KP) rated Evil dead rise (2023) in Movies
Apr 19, 2023
Usually when a film series is embarking on a fifth outing the challenges
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
UM
Unstoppable: My America's Cup Journey
Book
If Ben Ainslie manages to win the right to compete for the America's Cup in 2017, Jimmy Spithill is...
Coloring Book for Adults : Adult Coloring Book
Catalogs
App
The best coloring book for adults and kids free games is now available on your iPhone, iPad and...
ClareR (5726 KP) rated Blood Shadow (Blood Never Lies 1) in Books
Apr 27, 2018
The start of an exciting new series!!
This is the beginning of a new series from Dianna Hardy, which has it's roots in The Eye of The Storm series. You don't need to have read the series to read this book though, although you will be able to understand why the main character, Jennifer Warren, acts in the way that she does.
Five years after Jennifer has put her werewolf past behind her, she is settled in to a new life with a job, house and a boyfriend. She receives anonymous notes from time to time that warn her of things that will happen and people that she should steer clear of. There is a Supermoon coming, and she has been warned that something big is going to happen. Her past seems to be catching up with her.
Jennifer is a much more likeable character in this book than she was in the EOTS series. She is vulnerable, shy and genuinely seems to care about her boyfriend. Her flashbacks and dreams are disturbing for her (and may be disturbing for the reader to, to be honest), and we see just how devastating an effect her past has had on her.
I liked the way that certain myths were incorporated in to the story (I can't say which, it'll give the game away!!) and the backstories of other characters were very interesting.
All in all, this was a gripping story, and if it hadn't been for the fact that I had to go to work, I would have finished it in one sitting.
This is a good book for those who enjoy Urban Fantasy with a bit of romance (not as much in this story as in her previous series, though). I'm looking forward to any more that the author writes in this series - there were a few loose ends that are crying out to be followed up!
Many thanks to the author for early access to her book to review (and an honest review as well!!)
Five years after Jennifer has put her werewolf past behind her, she is settled in to a new life with a job, house and a boyfriend. She receives anonymous notes from time to time that warn her of things that will happen and people that she should steer clear of. There is a Supermoon coming, and she has been warned that something big is going to happen. Her past seems to be catching up with her.
Jennifer is a much more likeable character in this book than she was in the EOTS series. She is vulnerable, shy and genuinely seems to care about her boyfriend. Her flashbacks and dreams are disturbing for her (and may be disturbing for the reader to, to be honest), and we see just how devastating an effect her past has had on her.
I liked the way that certain myths were incorporated in to the story (I can't say which, it'll give the game away!!) and the backstories of other characters were very interesting.
All in all, this was a gripping story, and if it hadn't been for the fact that I had to go to work, I would have finished it in one sitting.
This is a good book for those who enjoy Urban Fantasy with a bit of romance (not as much in this story as in her previous series, though). I'm looking forward to any more that the author writes in this series - there were a few loose ends that are crying out to be followed up!
Many thanks to the author for early access to her book to review (and an honest review as well!!)
Need for Speed™ Most Wanted
Games and Entertainment
App
APP STORE BEST OF 2012! Thanks to all our fans for making Most Wanted one of the year’s biggest...
Lee (2222 KP) Jan 18, 2020