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Bong Mines Entertainment (15 KP) rated Pulled Up - Single by LOLO BX in Music
Jun 18, 2019
LOLO BX (Brett Foran) is a bass producer and graphic artist from Bathurst, Australia. Not too long ago, he released an 8-bit animation video for his “Pulled Up” single featuring Brooklyn-based rapper Yuneer Gainz.
“Gucci bandana like I’m 2 Chainz. Flexing and finessing I got two ways. Recording or touring I got two ways for the bands to keep on coming. That’s why today I just pulled up in that Bentley Bentayga.” – lyrics
The 8-bit music video finds an animated LOLO BX and Yuneer Gainz on an adventure inside a video game. Also, they cruise inside their brand-new Bentley down graffiti-plagued blocks.
The audiovisual showcases LOLO’s artistic vision and skill as a graphic artist. His creative flair extends beyond the music world as he creates an immersive experience for the audience across different platforms.
‘Pulled Up’ contains a prosperous narrative, harmonious rap vocals, and bass-heavy instrumentation flavored with electronic, trap, and hip-hop elements.
LOLO BX grew up on hip-hop, punk, and metal. He breathes music and has spent a good portion of his life creating it in one form or another.
With online plays in the hundreds of thousands, he continues to make waves both locally and internationally with his enriched cocktail blend of melodic bass music.
Also, he has taken on remix duties for label powerhouses such as Mad Decent, Ministry of Sound, and the prestigious Aussie crew Sweat It Out.
https://www.bongminesentertainment.com/lolo-bx-pulled-up-yuneer-gainz/
“Gucci bandana like I’m 2 Chainz. Flexing and finessing I got two ways. Recording or touring I got two ways for the bands to keep on coming. That’s why today I just pulled up in that Bentley Bentayga.” – lyrics
The 8-bit music video finds an animated LOLO BX and Yuneer Gainz on an adventure inside a video game. Also, they cruise inside their brand-new Bentley down graffiti-plagued blocks.
The audiovisual showcases LOLO’s artistic vision and skill as a graphic artist. His creative flair extends beyond the music world as he creates an immersive experience for the audience across different platforms.
‘Pulled Up’ contains a prosperous narrative, harmonious rap vocals, and bass-heavy instrumentation flavored with electronic, trap, and hip-hop elements.
LOLO BX grew up on hip-hop, punk, and metal. He breathes music and has spent a good portion of his life creating it in one form or another.
With online plays in the hundreds of thousands, he continues to make waves both locally and internationally with his enriched cocktail blend of melodic bass music.
Also, he has taken on remix duties for label powerhouses such as Mad Decent, Ministry of Sound, and the prestigious Aussie crew Sweat It Out.
https://www.bongminesentertainment.com/lolo-bx-pulled-up-yuneer-gainz/
Gareth von Kallenbach (980 KP) rated Constantine (2005) in Movies
Aug 14, 2019
The battle between Heaven and Hell has been chronicled numerous times on film. Ranging from the “Omen” and “Exorcist” series to the recent “Hellboy” and “End of Days”, Hollywood has never shied away from the struggle between good and evil and audiences have usually responded by attending in droves.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
Daily Shopping Stories (Full)
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Welcome to Daily Shopping Stories, the most exciting, fun-filled animated shopping center ever! Buy...
Hadley (567 KP) rated A Luminous Republic in Books
Aug 13, 2020
Well-written (1 more)
Unpredictable
Andres Barba's A Luminous Republic has feral children, senseless murders, and a plot that keeps the story moving enough that the reader won't want to put the book down. This story creatively combines politics, murder, fear and family - - - but the best part is, the book is unpredictable.
We first meet our main character, whose name is never given throughout the entire story, when he and his family are moving to San Cristobal because of a job opportunity. He works for the Department of Social Affairs, and has just received a promotion because he has come up with a very successful plan: " I had developed a social integration program for indigenous communities. The idea was simple and the program proved to be an effective model; it consisted of granting the indigenous exclusive rights to farm certain specific product." Our main character believes that this plan will bring the farmers more money. And he is more than happy to go back to the city where he fell in-love with his now wife, Maia - - - a violin teacher who had a daughter before meeting him, who he calls 'girl' throughout the story because she is also named Maia.
While on his way to work one day, our main character comes across one of the unknown children of the jungle, which shakes him up a bit. The unknown jungle children were known to beg at street lights for money and food, but one of the grimy, frizzy-haired boys stared the man down, only to end up giving him a very wide smile. "The boy's smile unsettled me because it confirmed that there had been a connection between us, that something had begun in me ended in him." Pretty soon after, he begins to notice these unknown jungle children running around a lot more, and that sometimes their intentions are not always innocent - - - he and the 'girl' witness an elderly woman get robbed of her groceries by a group of these children in the middle of the street in a subtle but violent way.
The unknown jungle children soon begin to rob several people,and when a police officer is killed while being attacked by them, the Mayor and the police want the children off the streets as soon as possible. Working with our main character, the former and the latter try to figure out the strange language these children use, whom may be the leader among them, and where they disappear to at night. Since the story is being told from our main character's past, the book is written like a True Crime story, with names of professionals and such being cited throughout. Our main character brings up a woman, who was a young girl at the time of the jungle children's invasion on San Cristobal: Teresa Otano, who happened to 'publish' her diary from that time, which gives readers insights into the jungle children: "Often, some of the thirty-two [jungle children], on their nightly journey back to the jungle, congregated next to Teresa's house, on one corner of Antartida Avenue. At first, Teresa, enthralled, simply makes notes, logging the days on which they appeared, whether there were three, four or five of them, what they were wearing, and so forth. She establishes patterns and identifies a few of the kids..." our main character explains to the reader.
But soon, the children cross a line that they can never come back from; being told by our main character from the view of surveillance video tapes, he describes to us that the jungle children entered a supermarket after an incident with a guard that works there, they block the entrance doors and begin to destroy items throughout the store, but the chaos quickly escalates, and two adults are murdered by the children - - - fear now holds the town in its grip, causing search parties to sweep through the dense jungle after the children fled.
But murder wasn't something new to San Cristobal, our main character explains to us that the suburbs of this area usually had a murder a week all year long, and that on the outskirts of the jungle, there were known spots for drug trafficking and assaults. What made the 'Dakota Supermarket' murders scare the town was that the residents' own children began to behave differently afterwards - - - they start to play a 'game' where they put their ears to the ground, believing that they can hear the jungle children talking to them. Our main character even walks in on the 'girl' playing this exact game. "For a second it was as if I were witnessing a ritual invented by a twelve-year-old girl, and I thought of how afraid my daughter must have felt when I found her in the bathroom that day. People often remark on the self-assured quality of the invocation, its instruction-manual tone, but I'd say that its intensity actually stems from what it dispenses: adult logic, a world that no longer serves. How could our children possibly have explained to us what they were doing? We weren't prepared for their world or their logic. Somewhere out there, underground, that dissonant sound was being sent, in code: down below, chaos. "
This phenomenon attracts the attention of money/fame seekers, which includes the Zapata children. Four siblings, ranging from the ages of five to nine, claimed that the jungle children were speaking to them through their dreams. They would make drawings from what they were told by the jungle children, but state that even they didn't know what the drawings meant. The media quickly jumped on them and put them in front of a camera, causing the family's home to be surrounded by civilians at all hours of the day and night. One night, the crowd outside becomes anxious, and breaks into the house, stealing not only the drawings from the Zapata children, but also the life savings of the family. At this point, the Zapatas had had enough, and retreat from the story altogether for reasons I won't disclose here. I can't give away much more of the book without ruining the story.
Barba's attempt at making a different kind of Lord of the Flies was done well, but the lack of emotion is felt throughout the entire story which makes the characters flat, especially our main character, who I didn't find likable in any such way. He calls a grieving woman a 'whore,' and he seems rude towards his family, especially his step-daughter.
A Luminous Republic is redeemed by is unpredictability, which is something that doesn't come along in fiction that often anymore. I enjoyed that the story was written like a True Crime novel, with fictitious documentaries, news reports and books. So, I would recommend this book to people who like True Crime and Mysteries.
We first meet our main character, whose name is never given throughout the entire story, when he and his family are moving to San Cristobal because of a job opportunity. He works for the Department of Social Affairs, and has just received a promotion because he has come up with a very successful plan: " I had developed a social integration program for indigenous communities. The idea was simple and the program proved to be an effective model; it consisted of granting the indigenous exclusive rights to farm certain specific product." Our main character believes that this plan will bring the farmers more money. And he is more than happy to go back to the city where he fell in-love with his now wife, Maia - - - a violin teacher who had a daughter before meeting him, who he calls 'girl' throughout the story because she is also named Maia.
While on his way to work one day, our main character comes across one of the unknown children of the jungle, which shakes him up a bit. The unknown jungle children were known to beg at street lights for money and food, but one of the grimy, frizzy-haired boys stared the man down, only to end up giving him a very wide smile. "The boy's smile unsettled me because it confirmed that there had been a connection between us, that something had begun in me ended in him." Pretty soon after, he begins to notice these unknown jungle children running around a lot more, and that sometimes their intentions are not always innocent - - - he and the 'girl' witness an elderly woman get robbed of her groceries by a group of these children in the middle of the street in a subtle but violent way.
The unknown jungle children soon begin to rob several people,and when a police officer is killed while being attacked by them, the Mayor and the police want the children off the streets as soon as possible. Working with our main character, the former and the latter try to figure out the strange language these children use, whom may be the leader among them, and where they disappear to at night. Since the story is being told from our main character's past, the book is written like a True Crime story, with names of professionals and such being cited throughout. Our main character brings up a woman, who was a young girl at the time of the jungle children's invasion on San Cristobal: Teresa Otano, who happened to 'publish' her diary from that time, which gives readers insights into the jungle children: "Often, some of the thirty-two [jungle children], on their nightly journey back to the jungle, congregated next to Teresa's house, on one corner of Antartida Avenue. At first, Teresa, enthralled, simply makes notes, logging the days on which they appeared, whether there were three, four or five of them, what they were wearing, and so forth. She establishes patterns and identifies a few of the kids..." our main character explains to the reader.
But soon, the children cross a line that they can never come back from; being told by our main character from the view of surveillance video tapes, he describes to us that the jungle children entered a supermarket after an incident with a guard that works there, they block the entrance doors and begin to destroy items throughout the store, but the chaos quickly escalates, and two adults are murdered by the children - - - fear now holds the town in its grip, causing search parties to sweep through the dense jungle after the children fled.
But murder wasn't something new to San Cristobal, our main character explains to us that the suburbs of this area usually had a murder a week all year long, and that on the outskirts of the jungle, there were known spots for drug trafficking and assaults. What made the 'Dakota Supermarket' murders scare the town was that the residents' own children began to behave differently afterwards - - - they start to play a 'game' where they put their ears to the ground, believing that they can hear the jungle children talking to them. Our main character even walks in on the 'girl' playing this exact game. "For a second it was as if I were witnessing a ritual invented by a twelve-year-old girl, and I thought of how afraid my daughter must have felt when I found her in the bathroom that day. People often remark on the self-assured quality of the invocation, its instruction-manual tone, but I'd say that its intensity actually stems from what it dispenses: adult logic, a world that no longer serves. How could our children possibly have explained to us what they were doing? We weren't prepared for their world or their logic. Somewhere out there, underground, that dissonant sound was being sent, in code: down below, chaos. "
This phenomenon attracts the attention of money/fame seekers, which includes the Zapata children. Four siblings, ranging from the ages of five to nine, claimed that the jungle children were speaking to them through their dreams. They would make drawings from what they were told by the jungle children, but state that even they didn't know what the drawings meant. The media quickly jumped on them and put them in front of a camera, causing the family's home to be surrounded by civilians at all hours of the day and night. One night, the crowd outside becomes anxious, and breaks into the house, stealing not only the drawings from the Zapata children, but also the life savings of the family. At this point, the Zapatas had had enough, and retreat from the story altogether for reasons I won't disclose here. I can't give away much more of the book without ruining the story.
Barba's attempt at making a different kind of Lord of the Flies was done well, but the lack of emotion is felt throughout the entire story which makes the characters flat, especially our main character, who I didn't find likable in any such way. He calls a grieving woman a 'whore,' and he seems rude towards his family, especially his step-daughter.
A Luminous Republic is redeemed by is unpredictability, which is something that doesn't come along in fiction that often anymore. I enjoyed that the story was written like a True Crime novel, with fictitious documentaries, news reports and books. So, I would recommend this book to people who like True Crime and Mysteries.
Play Football Journey to World - A fantasy football league, challenge the world top football teams and play real soccer match to be a legend
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Play Football - Journey to World 2014 is the newest real football game, with improved and real...
Top Girl Parking Story: Fashion Driving School
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Girls, are you ready for fun? Cuteness overload! This game is dedicated for you! Girl Driving &...
Gareth von Kallenbach (980 KP) rated In Time (2011) in Movies
Aug 7, 2019
t is said that time is money and in the new film “In Time” this statement takes on an entirely new meaning. In the future we learn that humans have been genetically created to stop aging at the age of 25. Once they reach this selected age, a clock starts to count down from one year. People can obtain more time via work, stealing it from others, or being gifted more time but once their clock hits zero, they expire or “Time Out” as it is called.
As the film opens, we are introduced to Will Salas (Justin Timberlake), a man who is three years past twenty five who lives at home with his mother (Olivia Wilde). Will starts each day with barely enough time on his clock for another day, so he dutifully heads off to work each day to earn more time. As does his mother and everyone he knows since workers are paid at the end of their shifts by having more time added to their accounts. Many need to work daily in order to see the next day. To stop working is to die and since everything from food to rent and clothing is paid for in time from an individual’s account, they often have to make the choice between a transaction or more hours of life.
One evening after work, Will encounters a man named Henry (Matt Bomer), with over 100 years remaining on his clock and cautions the man that in this area he is likely to attract thieves. Will’s warnings go unheeded and soon a group of thugs arrive forcing Will to whisk the man away to safety. During their night in hiding, the man tells Will that after living for over a century, he is tired of the way the system is and how the rich can live forever while the working poor suffer just to live another day.
Will awakens the next morning to find the man gone and that his clock has now been credited the 100 years. Will locates the man just in time to watch him time out with a smile as he watches the sun rise. Flush with new wealth, Will plans to move his mother out of the slums and into a better life but when tragedy strikes, Will decides to move to where the wealth is as to take them for all he can.
Will soon finds himself in a high stakes card game at a casino and in a desperate move finds himself wealthier than he ever imagined. His actions impress very wealthy banking magnet Philippie Weiss (Vincent Kartheiser), who introduces him to his daughter Sylvia (Amanda Seyfried). Will and Sylvia hit it off as she is intrigued by someone who came into money rather than being born with it and imagines what life would be like with some excitement.
Will and Sylvia soon have their worlds turned upside down when Will is suspected in the death of Henry and find themselves on the run from a Timekeeper named Raymond (Cillian Murphy), who wants to bring Will to justice. In a rapid series of events, Will and Sylvia must contend with Raymond, criminals, and a series of unsavory characters to regain their lost time before it is to late so they can implement their master plan to truly make a difference.
The film has some great social commentary and a great cast but is hindered by trying to be too many things. It works well as a science fiction film with elements of action and romance. Sadly the film goes off course by having Will and Sylvia act as a modern day Robin Hood duo taking on the powers-that-be to save the downtrodden masses. While it is a noble effort it derailed the momentum of the story as much of the tension and mystery of the story was lost. If one is wanted by thugs and the authorities, I would think that knocking over one high profile time bank after another would not be the way to keep a low profile.
That being said, despite the flaws, the film works and I found myself thinking about the characters and the setting they lived in days after the I screened the film. I had been concerned that the film would be nothing more than a knockoff of “Logan’s Run” but thankfully the film had enough new content to keep it fresh and interesting. In many ways, “In Time” is science fiction at its best as it allows for timely social commentary and provides a disturbing look at many age old debates on society’s endless quests for wealth, power, and youth.
As the film opens, we are introduced to Will Salas (Justin Timberlake), a man who is three years past twenty five who lives at home with his mother (Olivia Wilde). Will starts each day with barely enough time on his clock for another day, so he dutifully heads off to work each day to earn more time. As does his mother and everyone he knows since workers are paid at the end of their shifts by having more time added to their accounts. Many need to work daily in order to see the next day. To stop working is to die and since everything from food to rent and clothing is paid for in time from an individual’s account, they often have to make the choice between a transaction or more hours of life.
One evening after work, Will encounters a man named Henry (Matt Bomer), with over 100 years remaining on his clock and cautions the man that in this area he is likely to attract thieves. Will’s warnings go unheeded and soon a group of thugs arrive forcing Will to whisk the man away to safety. During their night in hiding, the man tells Will that after living for over a century, he is tired of the way the system is and how the rich can live forever while the working poor suffer just to live another day.
Will awakens the next morning to find the man gone and that his clock has now been credited the 100 years. Will locates the man just in time to watch him time out with a smile as he watches the sun rise. Flush with new wealth, Will plans to move his mother out of the slums and into a better life but when tragedy strikes, Will decides to move to where the wealth is as to take them for all he can.
Will soon finds himself in a high stakes card game at a casino and in a desperate move finds himself wealthier than he ever imagined. His actions impress very wealthy banking magnet Philippie Weiss (Vincent Kartheiser), who introduces him to his daughter Sylvia (Amanda Seyfried). Will and Sylvia hit it off as she is intrigued by someone who came into money rather than being born with it and imagines what life would be like with some excitement.
Will and Sylvia soon have their worlds turned upside down when Will is suspected in the death of Henry and find themselves on the run from a Timekeeper named Raymond (Cillian Murphy), who wants to bring Will to justice. In a rapid series of events, Will and Sylvia must contend with Raymond, criminals, and a series of unsavory characters to regain their lost time before it is to late so they can implement their master plan to truly make a difference.
The film has some great social commentary and a great cast but is hindered by trying to be too many things. It works well as a science fiction film with elements of action and romance. Sadly the film goes off course by having Will and Sylvia act as a modern day Robin Hood duo taking on the powers-that-be to save the downtrodden masses. While it is a noble effort it derailed the momentum of the story as much of the tension and mystery of the story was lost. If one is wanted by thugs and the authorities, I would think that knocking over one high profile time bank after another would not be the way to keep a low profile.
That being said, despite the flaws, the film works and I found myself thinking about the characters and the setting they lived in days after the I screened the film. I had been concerned that the film would be nothing more than a knockoff of “Logan’s Run” but thankfully the film had enough new content to keep it fresh and interesting. In many ways, “In Time” is science fiction at its best as it allows for timely social commentary and provides a disturbing look at many age old debates on society’s endless quests for wealth, power, and youth.
Earn to Die 2
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Drive your car through a zombie apocalypse in this massive follow-up to the chart-topping hit Earn...
Remind Me (Mystic Beach Fantasy Rockstar Romances, #4)
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Phillip McSween (751 KP) rated Black Panther (2018) in Movies
Mar 5, 2018
Epic
There is so much to love about Black Panther that it's taken me awhile to figure out where to begin. I guess I'll start with the message. A message that leaves us with two options: We can all spend the rest of our lives hating each other or we can choose to work together. That's not just a message for black people, which the cast predominately represents, but a message for the human race.
The film would be nothing without the powerful cast surrounding it. Their performances were both memorable and deep. I could spend this entire review going into depth on the effect of each actor/actresses performance on the film, but instead I want to take a moment to recognize one particular actress who has been in the game for decades: Angela Bassett. She absolutely nails the role of Queen mother Ramonda. Because the other roles are so strong, her performance may go unnoticed but not by me. She's a picture of calm, always displaying the perfect amount of strength in her position of power. Her vulnerability doesn't diminish her role of power in this matriarchal society.
Critics and fans alike have been complaining about one-dimensional villains for years in the Marvel Cinematic Universe. You won't find that in Black Panther as Killmonger (Michael B. Jordan) is extremely well-developed. The best villains make you sensitive to their plight. Not only did I understand where Killmonger was coming from, there were plenty of moments where I wondered whether or not he was wrong.
As much as the film creates a strong feeling of black empowerment, Black Panther creates a strong sense of women's empowerment as well. The Wakandan tribes revolve around a king, yet the society would be nothing without the strong matriarchal figures that keep things running smoothly. There is a scene in the beginning of the film where N'Jobu (Sterling K. Brown) is discussing underdealings in his apartment when there is a knock at his door. When asked if he should open the door, he responds, "They won't ask twice." You can read the fear in his eyes as he understands the power of the women waiting behind that door. The more of the film you watch, the more you understand the justification behind that fear.
The conflict in the film wasn't created, but happened naturally as a result of flawed characters with depth and strong minds. W'Kabi (Daniel Kaluuya) loves his people but has a heart for vengeance which begins to consume him. His story is just one of many revolving pieces that provide layers to the story.
The set pieces throughout the film were absolutely stunning. From its beautiful waterfall overlooks to the wintery mountains of the Jabari Tribe, you can't help but feel the magic in this place. The casino set piece was easily my favorite, a location that's seedy on the outside yet full of glamour and ritz within.
Now for my one minor gripe: I can't go into detail without ruining the film for those that haven't seen it, but there was one particular relationship that I felt should have been fleshed out a bit more, especially since it impacted the tide of the movie as a whole. The original cut of this film is four hours long and I've read that my issue is a non-issue in that version so I won't deduct too much. Not to mention, there are so many moments that they got right, particularly in the action front, that it's hard being too picky. Even the fight scenes and sprawling battles (rhinos in vibranium armor? Yes, please!) are original, breathing fresh life into the MCU the same way Doctor Strange did.
At the heart of everything, Black Panther is shaped by memorable, powerful moments that impact the way you look at the movie. Killmonger's dream sequence is probably the most powerful scene in an MCU movie yet, just edging out the final confrontation between Vision and Ultron in Avengers: Age of Ultron. The film is a double threat as it not only packs a strong action punch, but an introspective one as well.
Wakanda is crowning a new king, but there is one who would oppose the throne for reasons of his own. One, coincidentally, is the same amount of points that I deducted from my rating. Just amazing, Black Panther gets a 99 from me.
The film would be nothing without the powerful cast surrounding it. Their performances were both memorable and deep. I could spend this entire review going into depth on the effect of each actor/actresses performance on the film, but instead I want to take a moment to recognize one particular actress who has been in the game for decades: Angela Bassett. She absolutely nails the role of Queen mother Ramonda. Because the other roles are so strong, her performance may go unnoticed but not by me. She's a picture of calm, always displaying the perfect amount of strength in her position of power. Her vulnerability doesn't diminish her role of power in this matriarchal society.
Critics and fans alike have been complaining about one-dimensional villains for years in the Marvel Cinematic Universe. You won't find that in Black Panther as Killmonger (Michael B. Jordan) is extremely well-developed. The best villains make you sensitive to their plight. Not only did I understand where Killmonger was coming from, there were plenty of moments where I wondered whether or not he was wrong.
As much as the film creates a strong feeling of black empowerment, Black Panther creates a strong sense of women's empowerment as well. The Wakandan tribes revolve around a king, yet the society would be nothing without the strong matriarchal figures that keep things running smoothly. There is a scene in the beginning of the film where N'Jobu (Sterling K. Brown) is discussing underdealings in his apartment when there is a knock at his door. When asked if he should open the door, he responds, "They won't ask twice." You can read the fear in his eyes as he understands the power of the women waiting behind that door. The more of the film you watch, the more you understand the justification behind that fear.
The conflict in the film wasn't created, but happened naturally as a result of flawed characters with depth and strong minds. W'Kabi (Daniel Kaluuya) loves his people but has a heart for vengeance which begins to consume him. His story is just one of many revolving pieces that provide layers to the story.
The set pieces throughout the film were absolutely stunning. From its beautiful waterfall overlooks to the wintery mountains of the Jabari Tribe, you can't help but feel the magic in this place. The casino set piece was easily my favorite, a location that's seedy on the outside yet full of glamour and ritz within.
Now for my one minor gripe: I can't go into detail without ruining the film for those that haven't seen it, but there was one particular relationship that I felt should have been fleshed out a bit more, especially since it impacted the tide of the movie as a whole. The original cut of this film is four hours long and I've read that my issue is a non-issue in that version so I won't deduct too much. Not to mention, there are so many moments that they got right, particularly in the action front, that it's hard being too picky. Even the fight scenes and sprawling battles (rhinos in vibranium armor? Yes, please!) are original, breathing fresh life into the MCU the same way Doctor Strange did.
At the heart of everything, Black Panther is shaped by memorable, powerful moments that impact the way you look at the movie. Killmonger's dream sequence is probably the most powerful scene in an MCU movie yet, just edging out the final confrontation between Vision and Ultron in Avengers: Age of Ultron. The film is a double threat as it not only packs a strong action punch, but an introspective one as well.
Wakanda is crowning a new king, but there is one who would oppose the throne for reasons of his own. One, coincidentally, is the same amount of points that I deducted from my rating. Just amazing, Black Panther gets a 99 from me.