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Dominion: Dark Ages
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Times have been hard. To save on money, you've moved out of your old castle, and into a luxurious...
Lustful Nights (Peaches #1)
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Lennox A string of bad boyfriends has me questioning my taste in men. They’re either jealous of...
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BankofMarquis (1832 KP) rated Inception (2010) in Movies
May 20, 2018
A Modern Classic
I have a confession to make - INCEPTION is one of my favorite Christopher Nolan films - and, perhaps, it is in my list of TOP 10 ALL TIME FAVORITE films, so this might not be a fair and impartial review of the film. To be fair to me, I did make a conscience effort whilst watching this movie to scrape away my previous preconceptions and opinions of this film and just let it wash over me in this "new light" of my blog to see what my reaction is.
My reaction: I LOVE THIS FILM!!!
I was asked how far back do you have to go before you can consider a film a "classic" and, I guess, I'd have to say 2010, for this film - to me - is a classic.
In INCEPTION, Nolan, and his co-writer brother Jonathan Nolan, go into the dreamworld with the premise that we can join in "shared dreams" to extract information from people that are locked away deep in their conscious (or in some cases unconscious) minds. This film deals with the idea of "Inception", planting an idea into someone's mind. This is, in essence, a "heist" film where our team of heroes is constantly at war with the minds they are inhabiting (since they are seen as parasites). The clock is ticking and they must get in and get out before they get lost.
Speaking of time, Nolan - once again - plays with the idea of time in this film. Once you go into a dream, 1 minute is like 1 hour and when you go into a dream of a dream, then 1 minute is like 60 hours and when you go into a dream within a dream within a dream, then...well...you get the idea.
If someone loses their way in this film, it's because they are trying to make logical sense of a dream world that defies physics - and time. My suggestion to you is to let go and let the movie take you to some fantastical places - with some fantastical imagery and plot machinations - that I enjoyed the heck out of.
Helping out this film is that it is impeccably cast. Leonardo DiCaprio is Cobb the head of this group that enters the dream realm. He is perfectly cast and Nolan, and this film, relies on his likeableness, his charm and the feeling that something just isn't quite right with him. All to very good effect. Ellen Page is strong as Ariadne, the rookie of the team that is our eyes and ears into this world. Ken Watanabe brings his typically strong game to the role of Saito - the man that gives the team the job and goes along for the ride. Nolan regular Cillian Murphy is a welcome addition as the person who they are trying to "Incept" and even small parts are filled with wonderful character actors like the late great, Pete Postlethwaite, Tom Berenger and good ol' Michael Caine.
But it is the emergence of two of the co-stars that, up until this film I thought were "fair actors but not great" that really elevates this film for me. Joseph Gordon-Levitt was always the "long haired kid from 3RD ROCK FROM THE SUN", but in this - as Cobb's right-hand man Arthur - he excels and really jumps out of the film as a screen presence. Of course, it really helps him that he has one of the best action sequences - for the most part practically shot - that I have ever scene. And, of course, there's TOM HARDY. He is a movie star and really shows it in the supporting role of Eames. This guy will win an Oscar one day, probably for a film that Nolan Directs him in.
My only quibble - and it is a QUIBBLE - is that I didn't really feel any strong chemistry between Marion Cotillard's Mal and DiCaprio's Cobb. She was supposed to be the big "love of his life" and I just didn't sense that. She was very good - and imposing - as she infiltrated Cobb's mind (which is, I think, the purpose of her character), but I could have used a little more between her and DiCaprio. But...as I say...a quibble.
All in all, a terrific - different - film. One that I am calling a "classic".
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
My reaction: I LOVE THIS FILM!!!
I was asked how far back do you have to go before you can consider a film a "classic" and, I guess, I'd have to say 2010, for this film - to me - is a classic.
In INCEPTION, Nolan, and his co-writer brother Jonathan Nolan, go into the dreamworld with the premise that we can join in "shared dreams" to extract information from people that are locked away deep in their conscious (or in some cases unconscious) minds. This film deals with the idea of "Inception", planting an idea into someone's mind. This is, in essence, a "heist" film where our team of heroes is constantly at war with the minds they are inhabiting (since they are seen as parasites). The clock is ticking and they must get in and get out before they get lost.
Speaking of time, Nolan - once again - plays with the idea of time in this film. Once you go into a dream, 1 minute is like 1 hour and when you go into a dream of a dream, then 1 minute is like 60 hours and when you go into a dream within a dream within a dream, then...well...you get the idea.
If someone loses their way in this film, it's because they are trying to make logical sense of a dream world that defies physics - and time. My suggestion to you is to let go and let the movie take you to some fantastical places - with some fantastical imagery and plot machinations - that I enjoyed the heck out of.
Helping out this film is that it is impeccably cast. Leonardo DiCaprio is Cobb the head of this group that enters the dream realm. He is perfectly cast and Nolan, and this film, relies on his likeableness, his charm and the feeling that something just isn't quite right with him. All to very good effect. Ellen Page is strong as Ariadne, the rookie of the team that is our eyes and ears into this world. Ken Watanabe brings his typically strong game to the role of Saito - the man that gives the team the job and goes along for the ride. Nolan regular Cillian Murphy is a welcome addition as the person who they are trying to "Incept" and even small parts are filled with wonderful character actors like the late great, Pete Postlethwaite, Tom Berenger and good ol' Michael Caine.
But it is the emergence of two of the co-stars that, up until this film I thought were "fair actors but not great" that really elevates this film for me. Joseph Gordon-Levitt was always the "long haired kid from 3RD ROCK FROM THE SUN", but in this - as Cobb's right-hand man Arthur - he excels and really jumps out of the film as a screen presence. Of course, it really helps him that he has one of the best action sequences - for the most part practically shot - that I have ever scene. And, of course, there's TOM HARDY. He is a movie star and really shows it in the supporting role of Eames. This guy will win an Oscar one day, probably for a film that Nolan Directs him in.
My only quibble - and it is a QUIBBLE - is that I didn't really feel any strong chemistry between Marion Cotillard's Mal and DiCaprio's Cobb. She was supposed to be the big "love of his life" and I just didn't sense that. She was very good - and imposing - as she infiltrated Cobb's mind (which is, I think, the purpose of her character), but I could have used a little more between her and DiCaprio. But...as I say...a quibble.
All in all, a terrific - different - film. One that I am calling a "classic".
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated Driven (2001) in Movies
Jul 25, 2019
Story: Driven starts as we get to see how a racing season is going, Beau Brandenburg (Schweiger) the reigning champion starts shinning until rookie driver Jimmy Bly (Pardue) starts becoming competition for the title. When Jimmy starts to fade, team manager Carl Henry (Reynolds) brings back former champion Joe Tanto (Stallone) to help keep the head on straight of the rookie driver.
With Joe back to be used as an experienced blocker to help Jimmy, it is Jimmy that will need to make the difficult decisions and with his brother and manager Demille Bly (Leonard) who is trying to control the young drivers ever movement. Can he get the title won on his rookie season or will the pressure get to him?
Thoughts on Driven
Characters – Joe Tanto was the once great driver, former champion and past his prime, still considered one for the experience factor. He needs to help guide the rookie who is destining to become champion, while facing his own personal regrets. Carl Henry is the owner of the team, he knows Jimmy will become champion and will do anything to make sure his team brings the title back. Jimmy Bly is the rookie making big waves in the sport, controlled by his brother to avoid the pressure that comes with being at the top. He makes the rookie mistakes and need guidance to become champion. Beau Brandenburg is the champion, the best in the game right now even if he can come of arrogant at times. Sophia is the girlfriend of Beau, she has been for years now and after a disagreement she befriends Jimmy adding extra tension between the two potential champions. Demille Bly is the brother and manager of Jimmy, he is trying to control every decision of his career, he is the closest to being the villain in the film.
Performances – Sylvester Stallone is solid enough for this film he fills in the mentor role well enough. Burt Reynolds as the team manager works for the film, we needed an older figure in this role. Kip Pardue does suit the rookie driver well even certain parts of the script are poor. Til Schweiger, Estella Warren and Robert Sean Leonard are good in the supporting roles which give them a chance to have fun with their roles.
Story – The story follows a rookie facing a champion for an unlike season in race car driving, we see the good and bad moments for the whole field, the pressures thrown on the young driver, with a friendly rivalry being created between the two. We have the older mentor role needed to keep the head on the straight for the younger driver. While being a Formula One fan I can enjoy a good rivalry film which this does give us even if the races have been intensified for the cinematic audience. We get lesson to be learnt by the drivers, team and managers which this season will give us.
Action/Sports – The action in this film comes from the races, while the special effects used have dated horrendously the flat out racing is a join to watch. The sport side of the film gives us a look into the racing industry and just how dangerous it can be when racing for victory.
Settings – The film takes us around the world to different race tracks used in the sport in real life.
Scene of the Movie – The accident.
That Moment That Annoyed Me – The special effects.
Final Thoughts – This is a film the fans of racing will enjoy, it has good sequence even if the special effects are weak, it does feel like we are watch Cars the live action movie.
Overall: Racing fun film.
With Joe back to be used as an experienced blocker to help Jimmy, it is Jimmy that will need to make the difficult decisions and with his brother and manager Demille Bly (Leonard) who is trying to control the young drivers ever movement. Can he get the title won on his rookie season or will the pressure get to him?
Thoughts on Driven
Characters – Joe Tanto was the once great driver, former champion and past his prime, still considered one for the experience factor. He needs to help guide the rookie who is destining to become champion, while facing his own personal regrets. Carl Henry is the owner of the team, he knows Jimmy will become champion and will do anything to make sure his team brings the title back. Jimmy Bly is the rookie making big waves in the sport, controlled by his brother to avoid the pressure that comes with being at the top. He makes the rookie mistakes and need guidance to become champion. Beau Brandenburg is the champion, the best in the game right now even if he can come of arrogant at times. Sophia is the girlfriend of Beau, she has been for years now and after a disagreement she befriends Jimmy adding extra tension between the two potential champions. Demille Bly is the brother and manager of Jimmy, he is trying to control every decision of his career, he is the closest to being the villain in the film.
Performances – Sylvester Stallone is solid enough for this film he fills in the mentor role well enough. Burt Reynolds as the team manager works for the film, we needed an older figure in this role. Kip Pardue does suit the rookie driver well even certain parts of the script are poor. Til Schweiger, Estella Warren and Robert Sean Leonard are good in the supporting roles which give them a chance to have fun with their roles.
Story – The story follows a rookie facing a champion for an unlike season in race car driving, we see the good and bad moments for the whole field, the pressures thrown on the young driver, with a friendly rivalry being created between the two. We have the older mentor role needed to keep the head on the straight for the younger driver. While being a Formula One fan I can enjoy a good rivalry film which this does give us even if the races have been intensified for the cinematic audience. We get lesson to be learnt by the drivers, team and managers which this season will give us.
Action/Sports – The action in this film comes from the races, while the special effects used have dated horrendously the flat out racing is a join to watch. The sport side of the film gives us a look into the racing industry and just how dangerous it can be when racing for victory.
Settings – The film takes us around the world to different race tracks used in the sport in real life.
Scene of the Movie – The accident.
That Moment That Annoyed Me – The special effects.
Final Thoughts – This is a film the fans of racing will enjoy, it has good sequence even if the special effects are weak, it does feel like we are watch Cars the live action movie.
Overall: Racing fun film.
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Build and command your own starship, hire your crew, and explore the universe, and defend against...
Goddess in the Stacks (553 KP) rated Angry Optimist: The Life and Times of Jon Stewart in Books
Sep 6, 2017
Insight into a beloved but flawed role model
So I’m a little ambivalent about this book. Jon Stewart took over at The Daily Show the same year I graduated high school. I was 16 and only starting to pay attention to politics. I was also raised quite conservative Christian – the pundit we listened to the most was Rush Limbaugh. And here was a man saying things that were the total opposite of what I’d been taught – but also things that resonated a lot more with me. Many years later, when The Daily Show and Jon Stewart were labeled the most trusted voices in news media, I had no trouble at all believing it. He not only knew how to speak to my generation, he also spoke for us. All the things we were thinking, he was out there shouting. He was our window into this grown up, corrupted world of politics, and we loved him for it.
Not to say he’s perfect. I’d heard – and Angry Optimist mentions – that he can occasionally be a rage-filled asshole. That the staff of The Daily Show has a woman problem. (As in, not enough of them, and can’t keep them.) So while I do admire the man, I am not blind to his flaws.
The book is interesting – I learned more about his early life and career – but nothing really game-changing. And perhaps that says something about Stewart. There aren’t really any skeletons in his closet, or scandalous stories. He’s just an angry Jewish comedian.
Rogak’s style of writing is easily consumed; I read the entire book in about three hours. Perhaps part of why I find it so anticlimactic is that she ends it with this sense of not knowing what Stewart might be up to next, and whether, if he does decide to leave The Daily Show eventually, if the show will end with him – and we know those answers now, three years after the book was published. Stewart has retired (barring the occasional appearance on Colbert’s show) and Trevor Noah is doing an admirable job of holding down the fort after Stewart’s exit. (With less anger, and a little more befuddlement, which is a fun change.) I was also a little disappointed that she mentions Stewart’s friendship with Anthony Weiner – but doesn’t say anything about how he took the ribbing from Stewart over Weiner’s rather unglamorous exit from politics.
I have also heard that the audio book is not good – apparently the narrator is boring. So I’d recommend the print book over the audio, if you choose to read it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Not to say he’s perfect. I’d heard – and Angry Optimist mentions – that he can occasionally be a rage-filled asshole. That the staff of The Daily Show has a woman problem. (As in, not enough of them, and can’t keep them.) So while I do admire the man, I am not blind to his flaws.
The book is interesting – I learned more about his early life and career – but nothing really game-changing. And perhaps that says something about Stewart. There aren’t really any skeletons in his closet, or scandalous stories. He’s just an angry Jewish comedian.
Rogak’s style of writing is easily consumed; I read the entire book in about three hours. Perhaps part of why I find it so anticlimactic is that she ends it with this sense of not knowing what Stewart might be up to next, and whether, if he does decide to leave The Daily Show eventually, if the show will end with him – and we know those answers now, three years after the book was published. Stewart has retired (barring the occasional appearance on Colbert’s show) and Trevor Noah is doing an admirable job of holding down the fort after Stewart’s exit. (With less anger, and a little more befuddlement, which is a fun change.) I was also a little disappointed that she mentions Stewart’s friendship with Anthony Weiner – but doesn’t say anything about how he took the ribbing from Stewart over Weiner’s rather unglamorous exit from politics.
I have also heard that the audio book is not good – apparently the narrator is boring. So I’d recommend the print book over the audio, if you choose to read it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Chris Sawin (602 KP) rated Drag Me to Hell (2009) in Movies
Jun 20, 2019
Christine Brown seems to have everything going well for her at this point in her life. She has a boyfriend who cares about her and loves her unconditionally, a great job at the bank as a loan officer with more than enough room for advancement in the company, and speaking of, it's between her and one other employee for the vacant assistant manager position. One day though, a strange looking gypsy shows up at Christine's bank asking for another extension before they foreclose on her home. After talking it over with her boss, it's up to Christine to decide on approving the loan and she comes to the conclusion of denying it. Mrs. Ganush begs and pleads with Christine, but Christine won't budge on her decision. After feeling like Christine wronged her by denying her pleas, Mrs. Ganush puts a curse on her and unless Christine can find some sort of loophole, she'll be going to hell in three days.
This is Sam Raimi's return to the horror genre, in case you hadn't heard that in the trailer or anything else promoting the film. Drag Me To Hell has already had such an overwhelmingly positive response when it comes to feedback and the truth of the matter is that the film is genuinely that entertaining. Not only did Sam Raimi return to the horror genre, but he did it so flawlessly and without missing a beat. He's on top of his game and, dare I say, the best he's ever been. The film only seemed to get better as it progressed. It's somehow capable of combining comedy, suspense, romance, and horror all into one amazing final product. A film that can do something like make you laugh out loud one minute, scare you the next, gross you out after that, and tear at your heartstrings is something special. And it's not like the film does that one time and calls it quits. It goes through that cycle (laugh, scare, gross, heartwarming) over and over again throughout the film. Sam Raimi has struck cinematic gold.
Drag Me To Hell is a hell of a lot of fun. It truly has something to offer anyone looking for a good time at the movies. Not only is the film based on an original story, but it's an original story that is worth being told, worth listening to, and incredibly entertaining. Originality seems to be extinct when it comes to horror these days. It's just so refreshing to see a film that not only isn't a remake, but drenches itself in the fact that it offers something new. Sam Raimi has delivered a cinematic feature that has rejuvenated what we once referred to as "the horror film." Let's hope that other filmmakers can tread the same path that he has paved the way with.
This is Sam Raimi's return to the horror genre, in case you hadn't heard that in the trailer or anything else promoting the film. Drag Me To Hell has already had such an overwhelmingly positive response when it comes to feedback and the truth of the matter is that the film is genuinely that entertaining. Not only did Sam Raimi return to the horror genre, but he did it so flawlessly and without missing a beat. He's on top of his game and, dare I say, the best he's ever been. The film only seemed to get better as it progressed. It's somehow capable of combining comedy, suspense, romance, and horror all into one amazing final product. A film that can do something like make you laugh out loud one minute, scare you the next, gross you out after that, and tear at your heartstrings is something special. And it's not like the film does that one time and calls it quits. It goes through that cycle (laugh, scare, gross, heartwarming) over and over again throughout the film. Sam Raimi has struck cinematic gold.
Drag Me To Hell is a hell of a lot of fun. It truly has something to offer anyone looking for a good time at the movies. Not only is the film based on an original story, but it's an original story that is worth being told, worth listening to, and incredibly entertaining. Originality seems to be extinct when it comes to horror these days. It's just so refreshing to see a film that not only isn't a remake, but drenches itself in the fact that it offers something new. Sam Raimi has delivered a cinematic feature that has rejuvenated what we once referred to as "the horror film." Let's hope that other filmmakers can tread the same path that he has paved the way with.
Make A Scene: Polar Adventure
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The animated sticker app for children with descriptive audio and fun sound effects! Join over half a...
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The ultimate mushroom field guide for your pocket! +++ 300 species - 2000 images - 2...