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Merissa (12911 KP) rated Zero Chance (The Seven #5) in Books
Jun 13, 2025
ZERO CHANCE is the fifth book in The Seven series, and it's the turn of incorrigible flirt, Keene. We got a glimpse of him and Waverley at the end of Just This Once (Parker and Hope's story), and this carries on from there. I would absolutely recommend you read the prior books in this series, simply because they are all outstanding!
Anyway, Waverley is Library Girl, invisible to most, but unfortunately, not to Xander, who insists on befriending Waverley. I loved Xander for that, as she was just what Waverley needed, even when she didn't think so. Waverley was also not invisible to Keene, even when she wanted to be. Nope, instead, he would irritate and aggravate her at every turn, but what he wouldn't do was flirt with her. Even though he flirted with anything that moved! So when Waverley seizes the day to find out what the fuss is all about, the game is on.
I loved every moment of this book. Waverley has had a sh!tty life up until now. From r@pe at a very young age, to a su!cide attempt, to an overbearing mother and a standoffish father, it all sucks. The thing I loved about this, though, was that everything had a reason. Her parents weren't helicopter parents for no reason, and Waverley understood that, even if it annoyed her.
And Keene, oh, man. This dude about killed me. He has been the loud flirt all the way through the series, and finally seeing what makes him tick was wonderful. He is absolutely the right person for Waverley, the same as she is for him. These two perfectly complement each other, which means they can both deal with the darkness better.
I will give a Kleenex warning, though! As with most books in this series, if not all of them so far, I ended up with leaking eyes. This is a good thing as it means I've connected with the characters. But it's also a bad thing, as it means I have to stop reading to stop the blurring.
So, so good. I loved every word and can't wait for Thane's book. I'll give Xander and Alec some space as I know she still needs some time. But Thane! Come on!!
In case you haven't figured it out yet, I HIGHLY RECOMMEND this book and the series. Love it!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2025
Anyway, Waverley is Library Girl, invisible to most, but unfortunately, not to Xander, who insists on befriending Waverley. I loved Xander for that, as she was just what Waverley needed, even when she didn't think so. Waverley was also not invisible to Keene, even when she wanted to be. Nope, instead, he would irritate and aggravate her at every turn, but what he wouldn't do was flirt with her. Even though he flirted with anything that moved! So when Waverley seizes the day to find out what the fuss is all about, the game is on.
I loved every moment of this book. Waverley has had a sh!tty life up until now. From r@pe at a very young age, to a su!cide attempt, to an overbearing mother and a standoffish father, it all sucks. The thing I loved about this, though, was that everything had a reason. Her parents weren't helicopter parents for no reason, and Waverley understood that, even if it annoyed her.
And Keene, oh, man. This dude about killed me. He has been the loud flirt all the way through the series, and finally seeing what makes him tick was wonderful. He is absolutely the right person for Waverley, the same as she is for him. These two perfectly complement each other, which means they can both deal with the darkness better.
I will give a Kleenex warning, though! As with most books in this series, if not all of them so far, I ended up with leaking eyes. This is a good thing as it means I've connected with the characters. But it's also a bad thing, as it means I have to stop reading to stop the blurring.
So, so good. I loved every word and can't wait for Thane's book. I'll give Xander and Alec some space as I know she still needs some time. But Thane! Come on!!
In case you haven't figured it out yet, I HIGHLY RECOMMEND this book and the series. Love it!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2025
Baby Girl Doll House Games – Virtual Dream Home
Lifestyle and Games
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*** Build the cutest dollhouse for sweet baby girls in awesome doll house games! *** * Welcome,...
Fairy Colors - Magical Draw & Paint Coloring Book
Education and Games
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~ The most enchanting, magical, interactive experience in the App Store ~ ~~ 150+ adorable fairy...
Little Grey Fergie Saves the Day
Games and Entertainment
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Note: iPad Wi-Fi (4th generation) / iPhone 5 or newer required. Little Grey Fergie Saves the Day is...
Gareth von Kallenbach (980 KP) rated Cop Out (2010) in Movies
Aug 8, 2019
For Detectives Jimmy Monroe (Bruce Willis), and Paul Hodges (Tracy Morgan), life on the beat is about to become very dangerous and complex. In the new movie “Cop Out” the two buddies find themselves at odds with their supervisor after a case goes horribly wrong and looking at a thirty day unpaid suspension.
This is a disaster for Jimmy as his only daughter is about to get married and he needs the money to pay for the wedding to avoid his ego having to absorb the insult of having his former wives new husband pick up the tab.
Undaunted Jimmy decides to sell a prized baseball card to cover the 48K wedding tab, and looks forward to being able to make his daughters dream wedding a reality. Things do not go as planned as Jimmy has his card stolen which forces Paul and Jimmy to take drastic actions to recover it.
The duo track down the card thief (Seann William Scott), and learn that he traded the card to a local drug lord who is as passionate about baseball as he is deadly to all those who stand in his way.
Jimmy and Paul soon realize that they must deal with the enemy in an effort to retrieve the card as his request that they find his stolen Mercedes seems a small price to pay for the safe return of the prized card.
Upon locating the Mercedes, Jimmy and Paul learn that a much larger game is afoot and find themselves on the run for goons and their fellow cops as they try to keep a key witness safe and retrieve the card.
The film has some very funny moments and Director Kevin Smith gets some good laughs from the material but the film suffers from a disjointed plot and some glaring holes which requires some major leaps of faith from the audience.
For example, we are expected to believe that a couple of thieves would steal a car and sell it but nowhere in the process would the thieves or new owner bother to look in the trunk much less hear the noises coming from within.
We are given a few bits about Jimmy and Paul, such as Paul’s paranoia regarding his wife and his inability to question a suspect, but the duo are so thinly developed the seem to have been crafted from the Buddy Cop film 101 guide.
Smith has always been a favorite of mine as I have always liked the way he blends biting satire and humor with interesting characters and conversations.
Action does not seem to yet be an area of comfort for Smith as he does pull off the action sequences in the film but they seem very restrained for what audiences have come to expect from today’s action films.
This time out Smith was limited to directing and editing and the film seems to be badly in need of his writing abilities.
Given his past issues with trying to do films for a big studio, it was a surprise to me that Smith did the film which was originally entitled “The Two Dicks”.
Thankfully his skilled handling of the cast and humor is what tips the scales in the films favor making “Cop Out” a flawed but at times very funny film.
This is a disaster for Jimmy as his only daughter is about to get married and he needs the money to pay for the wedding to avoid his ego having to absorb the insult of having his former wives new husband pick up the tab.
Undaunted Jimmy decides to sell a prized baseball card to cover the 48K wedding tab, and looks forward to being able to make his daughters dream wedding a reality. Things do not go as planned as Jimmy has his card stolen which forces Paul and Jimmy to take drastic actions to recover it.
The duo track down the card thief (Seann William Scott), and learn that he traded the card to a local drug lord who is as passionate about baseball as he is deadly to all those who stand in his way.
Jimmy and Paul soon realize that they must deal with the enemy in an effort to retrieve the card as his request that they find his stolen Mercedes seems a small price to pay for the safe return of the prized card.
Upon locating the Mercedes, Jimmy and Paul learn that a much larger game is afoot and find themselves on the run for goons and their fellow cops as they try to keep a key witness safe and retrieve the card.
The film has some very funny moments and Director Kevin Smith gets some good laughs from the material but the film suffers from a disjointed plot and some glaring holes which requires some major leaps of faith from the audience.
For example, we are expected to believe that a couple of thieves would steal a car and sell it but nowhere in the process would the thieves or new owner bother to look in the trunk much less hear the noises coming from within.
We are given a few bits about Jimmy and Paul, such as Paul’s paranoia regarding his wife and his inability to question a suspect, but the duo are so thinly developed the seem to have been crafted from the Buddy Cop film 101 guide.
Smith has always been a favorite of mine as I have always liked the way he blends biting satire and humor with interesting characters and conversations.
Action does not seem to yet be an area of comfort for Smith as he does pull off the action sequences in the film but they seem very restrained for what audiences have come to expect from today’s action films.
This time out Smith was limited to directing and editing and the film seems to be badly in need of his writing abilities.
Given his past issues with trying to do films for a big studio, it was a surprise to me that Smith did the film which was originally entitled “The Two Dicks”.
Thankfully his skilled handling of the cast and humor is what tips the scales in the films favor making “Cop Out” a flawed but at times very funny film.
Baby Airlines
Games and Entertainment
App
~~~> Thank you for flying Baby Airlines! The most adorable airlines on the app store! ~~~>...
Sassy Brit (97 KP) rated The Blind in Books
Jun 6, 2019
^^ When Sam James, a highly regarded psychologist at a notorious psychological institute, meets disturbed patient Richard, their lives take an unexpected turn as the lines between sane and sanity blur between them.
^^ As a psychological thriller this story’s different. I’m not sure ANY book will beat ‘One Flew Over the Cuckoo’s Nest’, (which this one was compared to), but it’s still a terrific read in many ways.
^^ For a psychologist who is supposed to have her head screwed on right helping patients with their mental health problems, she has a hell of a lot of her own issues to deal with. Sam’s in an unhealthy, abusive relationship, had an unpleasant upbringing and is on the verge of becoming a full-blown alcoholic. On top of all that, she’s overloaded with cases, as all the staff are, underpaid and at risk of losing her job.
^^ Hang on! This sounds very much like the kind of things real healthcare professionals deal with! Especially when it comes to lack of funding, high staff turnover and a never-ending influx of new patients all suffering and needing help. (Can you tell I once worked in a similar healthcare environment?) It’s no wonder we can watch Sam’s health and mental stability decline before our very eyes. Not only that, she digs herself deeper into trouble making awful decisions, putting both herself and her patients at risk.
^^ What niggled me was I guessed what was going to happen quite early on. Is this only me? Or maybe, since I worked in a similar place, I saw the signs sooner? Who knows. Despite this, I still enjoyed the read, but found myself getting a little frustrated towards the end when neither Sam, nor her friend and coworker, David, could see what was happening. I guess you could say it really was ‘The blind leading the blind’.
^^ It’s a pity guessing what was about to happen, for ages, spoilt the shock ending of the last two sentences, which finally gave the game away to anyone who hadn’t already guessed. But hey, ho!
^^ I found this started off, slow, albeit in a curious way, like watching a candle burning at both ends. Then it hit the ground running midway, and by the last third I was staying up far too late at night wanting to read ‘just one more page’. Watching Sam’s life and sanity unravelling, was strangely intriguing.
Overall: For those with an interest in stories which openly talk about mental health issues, I think you’ll really enjoy this. The author shows a deep understanding of the healthcare industry and it’s clear she knows her stuff. She should do. A.F. Brady is a New York State Licensed Mental Health Counselor/Psychotherapist. She holds a Bachelor’s degree in Psychology from Brown University and two Masters degrees in Psychological Counseling from Columbia University. That’s why!
^^ As a psychological thriller this story’s different. I’m not sure ANY book will beat ‘One Flew Over the Cuckoo’s Nest’, (which this one was compared to), but it’s still a terrific read in many ways.
^^ For a psychologist who is supposed to have her head screwed on right helping patients with their mental health problems, she has a hell of a lot of her own issues to deal with. Sam’s in an unhealthy, abusive relationship, had an unpleasant upbringing and is on the verge of becoming a full-blown alcoholic. On top of all that, she’s overloaded with cases, as all the staff are, underpaid and at risk of losing her job.
^^ Hang on! This sounds very much like the kind of things real healthcare professionals deal with! Especially when it comes to lack of funding, high staff turnover and a never-ending influx of new patients all suffering and needing help. (Can you tell I once worked in a similar healthcare environment?) It’s no wonder we can watch Sam’s health and mental stability decline before our very eyes. Not only that, she digs herself deeper into trouble making awful decisions, putting both herself and her patients at risk.
^^ What niggled me was I guessed what was going to happen quite early on. Is this only me? Or maybe, since I worked in a similar place, I saw the signs sooner? Who knows. Despite this, I still enjoyed the read, but found myself getting a little frustrated towards the end when neither Sam, nor her friend and coworker, David, could see what was happening. I guess you could say it really was ‘The blind leading the blind’.
^^ It’s a pity guessing what was about to happen, for ages, spoilt the shock ending of the last two sentences, which finally gave the game away to anyone who hadn’t already guessed. But hey, ho!
^^ I found this started off, slow, albeit in a curious way, like watching a candle burning at both ends. Then it hit the ground running midway, and by the last third I was staying up far too late at night wanting to read ‘just one more page’. Watching Sam’s life and sanity unravelling, was strangely intriguing.
Overall: For those with an interest in stories which openly talk about mental health issues, I think you’ll really enjoy this. The author shows a deep understanding of the healthcare industry and it’s clear she knows her stuff. She should do. A.F. Brady is a New York State Licensed Mental Health Counselor/Psychotherapist. She holds a Bachelor’s degree in Psychology from Brown University and two Masters degrees in Psychological Counseling from Columbia University. That’s why!
Movie Metropolis (309 KP) rated Harry Potter and the Deathly Hallows - Part 2 (2011) in Movies
Jun 11, 2019
The moment has come for every budding witch and wizard to say goodbye to the cash cow that has been the Harry Potter franchise and what a send-off he’s been given.
David Yates has once again returned to helm the final instalment in the most profitable movie franchise in history and whilst he has created a near perfect film technically, it falls down on a few points like a lack of character development and overly rushed script.
Deathly Hallows Part 2 picks up immediately from the 1st chapter with a quick reminder of what preceded it. This is a welcome start as the film feels a little disjointed in parts and if you’re not a loyal Harry Potter fan; chances are you won’t understand what’s going on.
Voldermort is gaining power as Harry, Ron and Hermione search for the missing horcruxes in order to destroy them and cripple the fearsome villain. Their travels bring them back to where it all started; Hogwarts school of witchcraft and wizardy; which has changed since we saw it last. Hogwarts has been rendered fabulously and is perhaps the best use of the 3D technology in the entire film. The sweeping shots of the lush, yet foreboding landscape surrounding the iconic castle are given new depth as we literally fly through the sky and smash through castle windows.
The decision to convert the film into 3D was met with mixed reviews from critics who said it would spoil a film which didn’t need it. To some extent this is true, there is a definite lack of focus throughout the film as the eye tries to focus on too many things at once, but it is far from the worst 3D conversion I’ve seen.
Performance wise, everyone has upped their game. The main trio have developed strong bonds with each other in real life and this really shows in the film as they battle against near certain death to protect one another. Daniel Radcliffe (Harry) is perhaps the weakest of the three in this film with Emma Watson (Hermione) and Rupert Grint (Ron) tied in first place. Their quiet demeanour is excitingly suffocating and brings a sense of claustrophobia to the film.
Of our veteran stars, Maggie Smith and Alan Rickman who play Professor McGonnagall and new headmaster Severus Snape are by far the standouts in a cast which are given a much greater chance to shine in this film. For a woman of Smiths age (76), she is exceptional and her performance really shows why Chris Columbus thought she would be perfect for the role all those years ago. Alan Rickman has been a favourite throughout the series and hasn’t let Potter fans down here, his final scenes are heart-breaking and worthy of a few tears.
Most of the other favourites make a welcome return, though all of them feel like cardboard cutouts, because their speech is limited to a couple of lines. Jim Broadbent (Horace Slughorn), Emma Thompson (Sybil Trelawny), Miriam Margolyes (Pomona Sprout) all make cameos in the film which is both a lovely and disappointing sight to see.
Ralph Fiennes does a lot of shouting throughout the film as vicious enemy Lord Voldermort but he performs well and does the role justice.
The only real flaw in the characters is that many of them aren’t given enough screen time. Helena Bonham Carter’s fabulous Bellatrix Lestrange is unfortunately lost as the army of Death Eaters grows and many other brilliant characters are only seen, not heard. (David Thewlis – Remus Lupin is the most prominent example of this.)
Being just over two hours in length means that this film is by far the shortest of the bunch and this shows in its pacing. Unfortunately, cutting the running time to this length has meant that certain scenes feel a little disjointed and certain parts, which were gut-wrenching in the book aren’t given enough time to digest in the film, which is disappointing seeing as an extra 10 or 20 minutes would’ve improved things greatly.
The climatic battle of Hogwarts as it’s been titled is fabulous and the special effects come into their own here as giants, acromantulas, death eaters and students pit themselves against one another with terrifying results. It’s a real treat to behold.
Yates’ cinematography is superb and every single shot he uses is beautiful in its own way. In one particular scene, located in the never before seen boathouse at Hogwarts, Yates manages to get around the 12A certificate which has blighted the last 4 films by shooting through frosted glass. I won’t spoil the scene for you, but it’s an emotional part of the film.
Moreover, the limbo scenes between Harry and Dumbledore, which were a low point in the novel, have been pleasingly shortened so that enough time is given to the main storylines. Unfortunately, the much talked about epilogue is too short and is a slightly anti-climatic send off for a film franchise that has been around for 10 years.
Overall, Harry Potter gets the send-off he deserved in a film which returns the magic and sparkle lost as the movies got darker. Yates has crafted a beautifully shot movie which doesn’t forget the action packed nature of its source material. Coupled with brilliant special effects and excellent performances by everyone involved, it’s a winning formula all round. The Harry Potter film franchise may have had a few lapses and a couple of disappointing outings, but thankfully the Deathly Hallows has made sure it ends on a high note. It may finish here, but when it ends this well, it most certainly won’t be forgotten.
https://moviemetropolis.net/2011/07/18/harry-potter-the-deathly-hallows-part-2-2011/
David Yates has once again returned to helm the final instalment in the most profitable movie franchise in history and whilst he has created a near perfect film technically, it falls down on a few points like a lack of character development and overly rushed script.
Deathly Hallows Part 2 picks up immediately from the 1st chapter with a quick reminder of what preceded it. This is a welcome start as the film feels a little disjointed in parts and if you’re not a loyal Harry Potter fan; chances are you won’t understand what’s going on.
Voldermort is gaining power as Harry, Ron and Hermione search for the missing horcruxes in order to destroy them and cripple the fearsome villain. Their travels bring them back to where it all started; Hogwarts school of witchcraft and wizardy; which has changed since we saw it last. Hogwarts has been rendered fabulously and is perhaps the best use of the 3D technology in the entire film. The sweeping shots of the lush, yet foreboding landscape surrounding the iconic castle are given new depth as we literally fly through the sky and smash through castle windows.
The decision to convert the film into 3D was met with mixed reviews from critics who said it would spoil a film which didn’t need it. To some extent this is true, there is a definite lack of focus throughout the film as the eye tries to focus on too many things at once, but it is far from the worst 3D conversion I’ve seen.
Performance wise, everyone has upped their game. The main trio have developed strong bonds with each other in real life and this really shows in the film as they battle against near certain death to protect one another. Daniel Radcliffe (Harry) is perhaps the weakest of the three in this film with Emma Watson (Hermione) and Rupert Grint (Ron) tied in first place. Their quiet demeanour is excitingly suffocating and brings a sense of claustrophobia to the film.
Of our veteran stars, Maggie Smith and Alan Rickman who play Professor McGonnagall and new headmaster Severus Snape are by far the standouts in a cast which are given a much greater chance to shine in this film. For a woman of Smiths age (76), she is exceptional and her performance really shows why Chris Columbus thought she would be perfect for the role all those years ago. Alan Rickman has been a favourite throughout the series and hasn’t let Potter fans down here, his final scenes are heart-breaking and worthy of a few tears.
Most of the other favourites make a welcome return, though all of them feel like cardboard cutouts, because their speech is limited to a couple of lines. Jim Broadbent (Horace Slughorn), Emma Thompson (Sybil Trelawny), Miriam Margolyes (Pomona Sprout) all make cameos in the film which is both a lovely and disappointing sight to see.
Ralph Fiennes does a lot of shouting throughout the film as vicious enemy Lord Voldermort but he performs well and does the role justice.
The only real flaw in the characters is that many of them aren’t given enough screen time. Helena Bonham Carter’s fabulous Bellatrix Lestrange is unfortunately lost as the army of Death Eaters grows and many other brilliant characters are only seen, not heard. (David Thewlis – Remus Lupin is the most prominent example of this.)
Being just over two hours in length means that this film is by far the shortest of the bunch and this shows in its pacing. Unfortunately, cutting the running time to this length has meant that certain scenes feel a little disjointed and certain parts, which were gut-wrenching in the book aren’t given enough time to digest in the film, which is disappointing seeing as an extra 10 or 20 minutes would’ve improved things greatly.
The climatic battle of Hogwarts as it’s been titled is fabulous and the special effects come into their own here as giants, acromantulas, death eaters and students pit themselves against one another with terrifying results. It’s a real treat to behold.
Yates’ cinematography is superb and every single shot he uses is beautiful in its own way. In one particular scene, located in the never before seen boathouse at Hogwarts, Yates manages to get around the 12A certificate which has blighted the last 4 films by shooting through frosted glass. I won’t spoil the scene for you, but it’s an emotional part of the film.
Moreover, the limbo scenes between Harry and Dumbledore, which were a low point in the novel, have been pleasingly shortened so that enough time is given to the main storylines. Unfortunately, the much talked about epilogue is too short and is a slightly anti-climatic send off for a film franchise that has been around for 10 years.
Overall, Harry Potter gets the send-off he deserved in a film which returns the magic and sparkle lost as the movies got darker. Yates has crafted a beautifully shot movie which doesn’t forget the action packed nature of its source material. Coupled with brilliant special effects and excellent performances by everyone involved, it’s a winning formula all round. The Harry Potter film franchise may have had a few lapses and a couple of disappointing outings, but thankfully the Deathly Hallows has made sure it ends on a high note. It may finish here, but when it ends this well, it most certainly won’t be forgotten.
https://moviemetropolis.net/2011/07/18/harry-potter-the-deathly-hallows-part-2-2011/
Emma @ The Movies (1786 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
We left off at the end of John Wick 2 with our lead's imminent excommunication. He's been given an hours grace, in a city that's filled with assassins his odds don't look good, but even for John Wick... bad odds are still pretty good.
I've been contemplating the story to this since I watched it. There doesn't feel like much of one. He's attempting to save his life, sure, but that's really the only thing. It feels very much like a set up for the sequel, which depending on what you read is either already planned or not planned at all.
I don't really think we go to see John Wick movies for the plot though, do we? So on that front it delivers spectacularly. The opening was immense, we come in knowing that it's all going to kick off pretty quickly after the last instalment so the anticipation is with you from the off, and it doesn't disappoint. Sheer kick-assery that we've come to expect from the franchise.
As the clock ticks over the hour and John Wick's own time is now running out he dashes through the streets (rather bold for someone with a $14 million bounty on his head) trying to make his way to people who might actually help him. Of course he's spotted by one of the thousands of assassins and villains that seem to litter the streets of New York. He ends up in a handily weaponised building and we see him take on a gang of knife proficient bad guys. The scene in this sequence, with the weapons cupboards, had everyone in the cinema chuckling.
Laughter was a surprising feature of the film, the same chuckling rippled through several scenes and broke up the violence. Some of that violence did also bring out the odd pained "ooh" as we recoiled from the screen in sympathetic pain for the character.
The complexities of the fight scenes are epic, but there was one moment in particular that stuck out as being scripted... yes, yes, I know it's all scripted! We see a very brief pause and the reaction's slow in a moment that was such a departure from everything around it that it was very noticeable to me. (On second viewing, while I still saw it, it wasn't as bad as I had seen it the first time.)
One other fight scene made me pause with a moment of being picky. John and Sofia are fighting every bad guy in Morocco. It was epic, it was fun... but everywhere I looked, "someone's going to fall off that and land on that". The set-up of the scenery was such a giveaway to upcoming action that it took some edge of the action.
The cast is filled to the brim with wonderful actors. Ian McShane, Laurence Fishburne, Lance Reddick and Anjelica Huston were brilliant. I was a little taken aback to see Jerome Flynn appear as Sofia's old boss, Berrada. I winced a little when I noticed that he was playing it with an accent, but I had to take it back because he was rather good with it. There was no one that I thought was "letting the side down", everyone brought their A-game.
There's only one character that did something that disappointed. Zero, played by Mark Dacascos, is a very disciplined man. He's a master with the knife, a master of death, and his action sequences are incredible. He also gets a very funny moment in The Continental before my moment of disappointment. They turn him into a fanboy, and while the contrast has the potential to be amusing it's actually better achieved with characters later in the film. Zero's change felt uncomfortable and out of place.
I shouldn't put all of that in one place, there's one other very short moment in the film that seems out of character/place, and that's at the very end of the film. It felt so odd that I would have ended it a scene earlier. I liked the reveal, but it would have left a bit more intrigue without it.
We can't talk about John Wick without talking about doggos, and these ones were exceptionally good. The two new additions are very talented and look like they get to have a lot of fun. But my heart belongs to Dog though. When he turns up in a taxi... 😢
Can we all face up to some facts at this point, please? John Wick... super assassin... well, he isn't really is he? He's just really resilient when taking a beating, and very persistent when it comes to shooting things! He'd waste a lot less ammo if he didn't put a minimum of three bullets into every body.
Parabellum was action packed and showed us some very imaginative pieces, but it didn't feel quite as well rounded as either of the other two. I'm still looking forward to what's to come, the pure action is amazing I love to see what they think of next. On the horizon we've got a fourth film, which is listed as Ballerina, and a TV series called The Continental. From this installment I could see some potential routes for the film, but it's the series I'm excited about. I would absolutely love it if each episode was in a different Continental.
What you should do
This movie is an "anyone" kind of thing. Old, young, couples, friends, lone cinema nerds... we were all there. If you love mindless violence and action then you should go and watch this, and look out for the best line of the whole film, "I get it."
If you don't like seeing bad things happen to good books, perhaps don't watch the first ten minutes or so.
Movie thing you wish you could take home
I've been contemplating the story to this since I watched it. There doesn't feel like much of one. He's attempting to save his life, sure, but that's really the only thing. It feels very much like a set up for the sequel, which depending on what you read is either already planned or not planned at all.
I don't really think we go to see John Wick movies for the plot though, do we? So on that front it delivers spectacularly. The opening was immense, we come in knowing that it's all going to kick off pretty quickly after the last instalment so the anticipation is with you from the off, and it doesn't disappoint. Sheer kick-assery that we've come to expect from the franchise.
As the clock ticks over the hour and John Wick's own time is now running out he dashes through the streets (rather bold for someone with a $14 million bounty on his head) trying to make his way to people who might actually help him. Of course he's spotted by one of the thousands of assassins and villains that seem to litter the streets of New York. He ends up in a handily weaponised building and we see him take on a gang of knife proficient bad guys. The scene in this sequence, with the weapons cupboards, had everyone in the cinema chuckling.
Laughter was a surprising feature of the film, the same chuckling rippled through several scenes and broke up the violence. Some of that violence did also bring out the odd pained "ooh" as we recoiled from the screen in sympathetic pain for the character.
The complexities of the fight scenes are epic, but there was one moment in particular that stuck out as being scripted... yes, yes, I know it's all scripted! We see a very brief pause and the reaction's slow in a moment that was such a departure from everything around it that it was very noticeable to me. (On second viewing, while I still saw it, it wasn't as bad as I had seen it the first time.)
One other fight scene made me pause with a moment of being picky. John and Sofia are fighting every bad guy in Morocco. It was epic, it was fun... but everywhere I looked, "someone's going to fall off that and land on that". The set-up of the scenery was such a giveaway to upcoming action that it took some edge of the action.
The cast is filled to the brim with wonderful actors. Ian McShane, Laurence Fishburne, Lance Reddick and Anjelica Huston were brilliant. I was a little taken aback to see Jerome Flynn appear as Sofia's old boss, Berrada. I winced a little when I noticed that he was playing it with an accent, but I had to take it back because he was rather good with it. There was no one that I thought was "letting the side down", everyone brought their A-game.
There's only one character that did something that disappointed. Zero, played by Mark Dacascos, is a very disciplined man. He's a master with the knife, a master of death, and his action sequences are incredible. He also gets a very funny moment in The Continental before my moment of disappointment. They turn him into a fanboy, and while the contrast has the potential to be amusing it's actually better achieved with characters later in the film. Zero's change felt uncomfortable and out of place.
I shouldn't put all of that in one place, there's one other very short moment in the film that seems out of character/place, and that's at the very end of the film. It felt so odd that I would have ended it a scene earlier. I liked the reveal, but it would have left a bit more intrigue without it.
We can't talk about John Wick without talking about doggos, and these ones were exceptionally good. The two new additions are very talented and look like they get to have a lot of fun. But my heart belongs to Dog though. When he turns up in a taxi... 😢
Can we all face up to some facts at this point, please? John Wick... super assassin... well, he isn't really is he? He's just really resilient when taking a beating, and very persistent when it comes to shooting things! He'd waste a lot less ammo if he didn't put a minimum of three bullets into every body.
Parabellum was action packed and showed us some very imaginative pieces, but it didn't feel quite as well rounded as either of the other two. I'm still looking forward to what's to come, the pure action is amazing I love to see what they think of next. On the horizon we've got a fourth film, which is listed as Ballerina, and a TV series called The Continental. From this installment I could see some potential routes for the film, but it's the series I'm excited about. I would absolutely love it if each episode was in a different Continental.
What you should do
This movie is an "anyone" kind of thing. Old, young, couples, friends, lone cinema nerds... we were all there. If you love mindless violence and action then you should go and watch this, and look out for the best line of the whole film, "I get it."
If you don't like seeing bad things happen to good books, perhaps don't watch the first ten minutes or so.
Movie thing you wish you could take home
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